A soundtrack written sound track, can be recorded music accompanying and synchronized to the images of a motion picture, television program, or video game. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production; the dialogue, sound effects, music in a film each has its own separate track, these are mixed together to make what is called the composite track, heard in the film. A dubbing track is later created when films are dubbed into another language; this is known as an M & E track containing all sound elements minus dialogue, supplied by the foreign distributor in the native language of its territory. The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack", or "music from and inspired by the motion picture."

These phrases were soon shortened to just "original motion picture soundtrack." More such recordings are made from a film's music track, because they consist of isolated music from a film, not the composite track with dialogue and sound effects. The abbreviation OST is used to describe the musical soundtrack on a recorded medium, such as CD, it stands for Original Soundtrack. Types of soundtrack recordings include: Musical film soundtracks are for the film versions of musical theatre; the soundtrack to the 1937 Walt Disney animated film Snow White and the Seven Dwarfs was the first commercially issued film soundtrack. It was released by RCA Victor Records on multiple 78 RPM discs in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs and has since seen numerous expansions and reissues; the first live-action musical film to have a commercially issued soundtrack album was MGM’s 1946 film biography of Show Boat composer Jerome Kern, Till the Clouds Roll By. The album was issued as a set of four 10-inch 78-rpm records.

Only eight selections from the film were included in this first edition of the album. In order to fit the songs onto the record sides the musical material needed editing and manipulation; this was before tape existed, so the record producer needed to copy segments from the playback discs used on set copy and re-copy them from one disc to another adding transitions and cross-fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it; the playback recordings were purposely recorded "dry". This made these albums boxy. MGM Records called these "original cast albums" in the style of Decca Broadway show cast albums because the material on the discs would not lock to picture, thereby creating the largest distinction between `Original Motion Picture Soundtrack' which, in its strictest sense would contain music that would lock to picture if the home user would play one alongside the other and `Original Cast Soundtrack' which in its strictest sense would refer to studio recordings of film music by the original film cast, but, edited or rearranged for time and content and would not lock to picture.

In reality, soundtrack producers remain ambiguous about this distinction, titles in which the music on the album does lock to picture may be labeled as OCS and music from an album that does not lock to picture may be referred to as OMPS. The phrase "recorded directly from the soundtrack" was used for a while in the 1970s, 1980s and 1990s to differentiate material that would lock to picture from that which would not, but again, in part because many'film takes' consisted of several different attempts at the song and edited together to form the master, that term as well became nebulous and vague over time when, in cases where the master take used in the film could not be found in its isolated form, the aforementioned alternate masters and alternate vocal and solo performances which could be located were included in their place; as a result of all this nebulos

Zinstall WinWin

Zinstall WinWin is a PC migration software, which allows to transfer applications and files from one computer to another. It is used by consumers and businesses to keep user environment and data intact when moving to a new computer or doing a PC refresh. A more advanced version of the product, allows to rescue user's applications and data directly off the old computer's hard drive, in situations when the old computer cannot be turned on or loaded successfully. WinWin transfers the user workspace from one computer to another; the transfer is done over some form of network connection - router, direct cable or a wireless connection. In order to initial the transfer, the user should run the software on old and new computers, which auto-locate each other on the network; the transfer is initiated on the new computer. During the transfer, the old computer is not changed and nothing is removed from it. WinWin minimizes the interaction with the user, in a standard run, user does not have to make any choices or answer any questions.

This is helpful for users with limited experience in PC maintenance. More advanced users can customize the transfer via the "Advanced" menu of the product. WinWin supports higher, both on source and on target of the transfer, it transfers from 32-bit to 64-bit systems as well. Mac users have reported being able to transfer to Windows running on Mac hardware

Nathar Shah

Nathar Shah called Nadir Shah or Nathar Wali, was a Muslim mystic and preacher from the Middle East who migrated to Tamil Nadu in the 11th-century, where he travelled from area to area to preach the faith of Islam to the locals. He came to Trichy in the 11th century. Nathar Vali's origin is unclear, though various legends describe him as a Byzantine nobleman, who left his comfortable life in search of murshid, he was a qalandar. During this time, he is said to have performed miracles. Along with his qalandars, he came to Tiruchirapuram, now known as Tiruchirappalli, led a religious life with his qalandars in a flower garden there, he was buried in the city and a mosque constructed at the spot. The Hindus converted by his preaching are known as "Ravuttans". Long after his death, Tiruchirappalli is still referred to by his followers as "Natharnagar". Nathar Vali died on the 15th of the month of Ramadan; this date is commemorated as his urs, the first 17 days of Ramadan are celebrated in his honor, by Muslims and Hindus, one the eve of the Kanduri festival, where they seek his blessings.

Nathar Vali's name and title is variously rendered as Nathar Wali, Baba-e-Nathar Sarmast Tabl-e-Aalam Dhool Samandar and Syed Sha Mutaheruddin Suhrawardy"