Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. Built on the northeastern shore of the Great Salt Lake near Rozel Point in Utah entirely of mud, salt crystals, and basalt rocks, Spiral Jetty forms a 1,500-foot-long (460 m), 15-foot-wide (4.6 m) counterclockwise coil jutting from the shore of the lake.
Person standing in the middle of Spiral Jetty, viewed from the shore
Approaching the dry Spiral Jetty on June 18th, 2018
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
Time Landscape by Alan Sonfist, at LaGuardia and Houston Streets in Manhattan, 1965-present
Museum paper board left on the bank of the river for 4 days. By Jacek Tylicki, S.W. of Lund, Sweden, 473 X 354 mm. 1981
Bunjil, a geoglyph at the You Yangs, Lara, Australia, by Andrew Rogers. The creature has a wing span of 100 metres and 1500 tonnes of rock were used to construct it.
Satellite view of Roden Crater, the site of an Earthwork in progress by James Turrell, outside Flagstaff, Arizona