1.
Dutch language
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It is the third most widely spoken Germanic language, after English and German. Dutch is one of the closest relatives of both German and English and is said to be roughly in between them, Dutch vocabulary is mostly Germanic and incorporates more Romance loans than German but far fewer than English. In both Belgium and the Netherlands, the official name for Dutch is Nederlands, and its dialects have their own names, e. g. Hollands, West-Vlaams. The use of the word Vlaams to describe Standard Dutch for the variations prevalent in Flanders and used there, however, is common in the Netherlands, the Dutch language has been known under a variety of names. It derived from the Old Germanic word theudisk, one of the first names used for the non-Romance languages of Western Europe. It literarily means the language of the people, that is. The term was used as opposed to Latin, the language of writing. In the first text in which it is found, dating from 784, later, theudisca appeared also in the Oaths of Strasbourg to refer to the Germanic portion of the oath. This led inevitably to confusion since similar terms referred to different languages, owing to Dutch commercial and colonial rivalry in the 16th and 17th centuries, the English term came to refer exclusively to the Dutch. A notable exception is Pennsylvania Dutch, which is a West Central German variety called Deitsch by its speakers, Jersey Dutch, on the other hand, as spoken until the 1950s in New Jersey, is a Dutch-based creole. In Dutch itself, Diets went out of common use - although Platdiets is still used for the transitional Limburgish-Ripuarian Low Dietsch dialects in northeast Belgium, Nederlands, the official Dutch word for Dutch, did not become firmly established until the 19th century. This designation had been in use as far back as the end of the 15th century, one of them was it reflected a distinction with Hoogduits, High Dutch, meaning the language spoken in Germany. The Hoog was later dropped, and thus, Duits narrowed down in meaning to refer to the German language. g, in English, too, Netherlandic is regarded as a more accurate term for the Dutch language, but is hardly ever used. Old Dutch branched off more or less around the same time Old English, Old High German, Old Frisian and Old Saxon did. During that period, it forced Old Frisian back from the western coast to the north of the Low Countries, on the other hand, Dutch has been replaced in adjacent lands in nowadays France and Germany. The division in Old, Middle and Modern Dutch is mostly conventional, one of the few moments linguists can detect somewhat of a revolution is when the Dutch standard language emerged and quickly established itself. This is assumed to have taken place in approximately the mid-first millennium BCE in the pre-Roman Northern European Iron Age, the Germanic languages are traditionally divided into three groups, East, West, and North Germanic. They remained mutually intelligible throughout the Migration Period, Dutch is part of the West Germanic group, which also includes English, Scots, Frisian, Low German and High German
2.
Collegiate church
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In its governance and religious observance a collegiate church is similar to a cathedral, although a collegiate church is not the seat of a bishop and has no diocesan responsibilities. Collegiate churches were supported by extensive lands held by the church. They commonly provide distinct spaces for congregational worship and for the offices of their clerical community. In England these churches were termed minsters, from the Latin monasterium, in less affluent foundations, the pooled endowments of the community were apportioned between the canons, such canons being termed portioners. Both prebendaries and portioners tended in this period to abandon communal living, because each prebend provided a discrete source of income, in the later medieval period prebendaries increasingly tended to be non-resident, paying a vicar to undertake divine service in their place. One particular development of the chantry college principle was the establishment in university cities of collegiate foundations in which the fellows were graduate academics, local parish churches were appropriated to these foundations, thereby initially acquiring collegiate status. This has influenced the design of churches in that the singing choir is seen as representing the idea of a college. The Westminster model of parliamentary seating arrangement arose from Parliaments use of the collegiate St Stephens Chapel Westminster for its sittings, until Westminster Palace burned down in 1834. Three traditional collegiate churches have survived in England since the Middle Ages, at Westminster Abbey in London, St Georges Chapel of Windsor Castle and St Endellions Church, the idea of a collegiate church has continued to develop a contemporary equivalent. Two different examples of collegiate churches in America today are The Collegiate Church of New York City. St. Pauls Collegiate Church at Storrs features contemporary architecture reflecting traditional collegiate church architecture, unlike most historical collegiate churches, this is a non-denominational, evangelical church. According to church leaders, they chose the name collegiate to emphasize the priesthood of all believers, in the Catholic Church, most cathedrals possess a cathedral chapter and are thus collegiate churches. The number of collegiate chapters other than those of cathedrals has been reduced compared to times past. Three of them are in Rome, the two basilicas of St. Peter and St. Mary Major, together with the Basilica St. Maria ad Martyres. Elsewhere, three can be found in Germany, to wit, St. Martins Church, Landshut, philipp and Jacob in Altötting and St. Remigius in Borken. In Portugal the one example that survives is that of the ancient Real Colegiada of Nossa Senhora da Oliveira in Guimarães, one collegiate church can be found in the Czech Republic, Sts. In pre-Reformation England there were usually a number of churches in each diocese. They were mostly abolished during the reign of Edward VI in 1547, as part of the Reformation, almost all continue to serve as parish churches with a resident rector, vicar or curate
3.
Antwerp
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Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, lord, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river. Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, however, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is also possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century. In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
4.
Santiago de Compostela
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Santiago de Compostela, commonly known as Santiago, is the capital of the autonomous community of Galicia in northwestern Spain. The city has its origin in the shrine of Saint James the Great, now the cathedral, as destination of the Way of St. James. In 1985 the citys Old Town was designated a UNESCO World Heritage Site, Santiago is the local Galician evolution of Vulgar Latin Sanctus Iacobus Saint James. Other etymologies derive the name from Latin compositum, local Vulgar Latin Composita Tella, meaning ground, or simply from Latin compositella. Other sites in Galicia share this toponym, akin to Compostilla in the province of León, the cathedral borders the main plaza of the old and well-preserved city. Legend has it that the remains of the apostle James were brought to Galicia for burial, in 813, according to medieval legend, the light of a bright star guided a shepherd who was watching his flock at night to the burial site in Santiago de Compostela. The shepherd quickly reported his discovery to the bishop of Iria, the bishop declared that the remains were those of the apostle James and immediately notified King Alfonso II in Oviedo. To honour St. James, the cathedral was built on the spot where his remains were said to have been found, along the western side of the Praza do Obradoiro is the elegant 18th century Pazo de Raxoi, now the city hall. The Obradoiro façade of the cathedral, the best known, is depicted on the Spanish euro coins of 1 cent,2 cents, Santiago is the site of the University of Santiago de Compostela, established in the early 16th century. The main campus can be seen best from an alcove in the municipal park in the centre of the city. Within the old town there are many narrow winding streets full of historic buildings, the new town all around it has less character though some of the older parts of the new town have some big flats in them. Santiago de Compostela has a substantial nightlife, both in the new town and the old town, a mix of middle-aged residents and younger students maintain a lively presence until the early hours of the morning. Santiago gives its name to one of the four orders of Spain, Santiago, Calatrava, Alcántara. One of the most important economic centres in Galicia, Santiago is the seat for organisations like Association for Equal, under the Köppen climate classification, Santiago de Compostela has a temperate oceanic climate, with mild to warm and somewhat dry summers and mild, wet winters. The prevailing winds from the Atlantic and the surrounding mountains combine to give Santiago some of Spain’s highest rainfall, about 1,545 millimetres annually. The climate is mild, frosts are common only in December, January and February, with an average of just 8 days per year, while snow is rare, temperatures over 30 °C are exceptional. The population of the city in 2012 was 95,671 inhabitants, in 2010 there were 4,111 foreigners living in the city, representing 4. 3% of the total population. The main nationalities are Brazilians, Portuguese and Colombians, by language, according to 2008 data, 21% of the population always speak in Galician, 15% always speak in Spanish and the rest use both interchangeably
5.
Brabantine Gothic
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Brabantine Gothic, occasionally called Brabantian Gothic, is a significant variant of Gothic architecture that is typical for the Low Countries. It surfaced in the first half of the 14th century at Saint Rumbolds Cathedral in the City of Mechelen, for churches and other major buildings, the tenor prevailed and lasted throughout the Renaissance. Mosan Gothic refers to the river Maas, mainly in the parts of the Low Countries, the modern provinces of Limburg in the Netherlands, Limburg in Flanders. Though of a later origin than Scheldt Gothic, it still showed more Romanesque features. Marlstone was used, and around the capitals on limestone columns are sculptured leaves of irises, surface conditions and available materials varied. Larger churches could take centuries of building during which expertise and fashions caused successive architects to evolve further from the original plans, though few buildings are of an entirely consistent style, the ingenuity and craftsmanship of architects could realize a harmonious blend. The ultimate concepts were drawn centuries after the earliest designs and it follows that Brabantine Gothic style is neither homogeneous, nor strictly defined. The Brabantine Gothic style originated with the advent of the Duchy of Brabant, the slender tallness of the French naves however, was never surpassed, and the size tended to be slightly more modest. It is characterized by using light-coloured sandstone or limestone, which allowed rich detailing but is erosion-prone, the churches typically have round columns with cabbage foliage sculpted capitals. From there half-pillar buttresses continue often without interruption into the vault ribs, the triforium and the windows of the clerestory generally continue into one another, with the windows taking the entire space of the pointed arch. An ambulatory with radiating chapels is part of the design, whereas the cathedrals in Brussels and Antwerp are notable exceptions, the main porch is straight under the single west tower, in French called clocher-porche. In addition, the arches between nave and aisles are exceptionally wide, and the triforium is omitted. Instead, a transom of tracery is placed above the pier arches and this type was followed by other major churches in Antwerp city, St. Martin Church in Aalst, and St. Michaels Church in Ghent. Demer Gothic in the Hageland and Campine Gothic are regional variants of Brabantine Gothic in the part of the former duchy. Those styles can be distinguished merely by the use of local rust-brown bricks, Brabantine Gothic city halls are built in the shape of gigantic box reliquaries with corner turrets and usually a belfry. The exterior is profusely decorated. Many churches in the former Counties of Holland and of Zeeland are built in a style sometimes inaccurately separated as Hollandic and these are in fact Brabantine Gothic style buildings with concessions necessitated by local conditions. Thus, because of the ground, weight was saved by wooden barrel vaults instead of stone vaults
6.
Peter Paul Rubens
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Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
7.
James, son of Zebedee
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James, son of Zebedee was one of the Twelve Apostles of Jesus, and traditionally considered the first apostle to be martyred. He was a son of Zebedee and Salome, and brother of John the Apostle and he is also called James the Greater or James the Great to distinguish him from James, son of Alphaeus and James the brother of Jesus. James the son of Zebedee is the saint of Spaniards. The son of Zebedee and Salome, James is styled the Greater thunder to distinguish him from the Apostle James the Less and he was the brother of John, the beloved disciple, and probably the elder of the two. His parents seem to have people of means. Zebedee, his father, was a fisherman of the Sea of Galilee, who lived in or near Bethsaida, present Galilee, Israel, perhaps in Capernaum. It is probable that his brother had not received the training of the rabbinical schools, in this sense they were unlearned. But, according to the rank of their parents, they must have been men of ordinary education. James is described as one of the first disciples to join Jesus, the Synoptic Gospels state that James and John were with their father by the seashore when Jesus called them to follow him. James was one of three apostles whom Jesus selected to bear witness to his Transfiguration. James and John asked Jesus to grant them seats on his right, Jesus rebuked them, and the other ten apostles were annoyed with them. James and his brother wanted to call fire on a Samaritan town. The Acts of the Apostles records that Herod the king had James executed by sword and he is the only apostle whose martyrdom is recorded in the New Testament. He is, thus, traditionally believed to be the first of the twelve apostles martyred for his faith, nixon suggests that this may have been caused by James fiery temper, for which he and his brother earned the nickname Boanerges or Sons of Thunder. F. F. Bruce contrasts this story to that of the Liberation of Saint Peter, the New Testament scholar Dennis MacDonald identifies Castor and Pollux as basis characters for the appearance of James and John in the narrative by Mark the Evangelist. The English name James comes from Italian Giacomo, a variant of Giacobo derived from Iacobus in Latin, itself from the Greek Ἰάκωβος Iakōbos, in French, Jacob evolves into Jacques. In eastern Spain, Iacobus became Jacome or Jaime, in Catalan language, Santiago is the local Galician or Spanish evolution of Vulgar Latin Sanctu Iacobu Saint James. Tiago is a popular deglutination native to Portuguese language, it crossed with old Diago to give Diego in Spanish and Diogo in Portuguese, for example, Miguel de Cervantes in his famous Don Quixote uses San Diego instead of Santiago
8.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
9.
Baroque architecture
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It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
10.
Cathedral of Our Lady (Antwerp)
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The Cathedral of Our Lady is a Roman Catholic cathedral in Antwerp, Belgium. Todays see of the Diocese of Antwerp started in 1352 and, in Gothic style, its architects were Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by such as Otto van Veen, Jacob de Backer. The belfry of the cathedral is included in the Belfries of Belgium, where the cathedral now stands, there was a small chapel of Our Lady from the 9th to the 12th century, which acquired the status of parish church in 1124. During the course of the century, it was replaced by a larger Romanesque church. In 1352, construction was begun on a new Our Lady’s church which would become the largest Gothic church in the Netherlands, in the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of Our Lady was ready, the south tower reached only as far as the third string course. During the night of 5–6 October 1533, the new church was gutted by fire. The completion of the tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, during the Iconoclasm of 20 August 1566, Protestants destroyed a large part of the cathedral interior. Later, when Antwerp came under Protestant administration in 1581, a number of treasures were once again destroyed, removed or sold. The restoration of Roman Catholic authority came in 1585 with the fall of Antwerp, in 1794 the French revolutionaries who conquered the region plundered Our Lady’s Cathedral and inflicted serious damage. Around 1798, the French administration intended to demolish the building but after each blow, in 1816, various important works of art were returned from Paris, including three Rubens masterpieces. And over the course of the 19th century, the church was restored and refurnished. Between 1965 and 1993, a restoration took place. At the beginning of the 15th century, the choir started developing an active musical life, and as a result. Johannes Ockeghem, one of the most important composers of the 15th century, served here as a vicar-singer in 1443, from 1725 to 1731 Willem de Fesch served as Kapelmeester followed from 1731 to 1737 by Joseph-Hector Fiocco. Lesser known, but locally important figures, such as Jacobus Barbireau and Andreas Pevernage, the churchs one finished spire is 123 metres high, the highest church tower in the Benelux
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