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Church of St Mary-at-Hill, pictured in 2008, showing the blocked-up Venetian window
Church of St Mary-at-Hill, pictured in 2008, showing the blocked-up Venetian window
Interior of St Mary at Hill's dome.
Interior of St Mary at Hill's dome.
The organ at St Mary-at-Hill Church.
The organ at St Mary-at-Hill Church.
View of the street St Mary at Hill, named after the Church, c. 1975
View of the street St Mary at Hill, named after the Church, c. 1975
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Billingsgate and Bridge wards in 1720
Billingsgate and Bridge wards in 1720
This view by Arnold van Haecken depicts Billingsgate in 1736. It captures the everyday market bustle: featuring fishwives, sailors, porters, thieves,
This view by Arnold van Haecken depicts Billingsgate in 1736. It captures the everyday market bustle: featuring fishwives, sailors, porters, thieves, quack-medicine men and casual strollers.
Legal Quays between Billingsgate Dock and the Tower of London in John Rocque's plan of 1746. Behind Legal Quays lies Thames Street, with its warehouse
Legal Quays between Billingsgate Dock and the Tower of London in John Rocque's plan of 1746. Behind Legal Quays lies Thames Street, with its warehouses, sugar refineries and cooperages.
1757 Print by Louis Philippe Boitard, a view of the Legal Quays, between Billingsgate Dock and the Tower. Boitard's engraving, 'Imports from France',
1757 Print by Louis Philippe Boitard, a view of the Legal Quays, between Billingsgate Dock and the Tower. Boitard's engraving, 'Imports from France', provides a satirical look at contemporary Londoners' passion for French luxury goods and manners. By deliberately exaggerating the number of both people and shipping, Boitard's work gives an authentic feel to work on Legal Quays: recording treadwheel cranes, beamscales, Customs’ Officers gauging barrels and porters handling cargo. Smuggling, theft and pilferage of cargoes were rife on both the busy open wharves and in the crowded warehouses.