1.
Derby
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Derby is a city and unitary authority area in Derbyshire, England. It lies on the banks of the River Derwent in the south of Derbyshire, at the 2011 census, the population was 248,700. Derby gained city status in 1977, Derby was settled by Romans – who established the town of Derventio – Saxons and Vikings, who made Derby one of the Five Boroughs of the Danelaw. Initially a market town, Derby grew rapidly in the industrial era, home to Lombes Mill, an early British factory, Derby has a claim to be one of the birthplaces of the Industrial Revolution. It contains the part of the Derwent Valley Mills World Heritage Site. With the arrival of the railways in the 19th century, Derby became a centre of the British rail industry, Toyota Manufacturing UKs automobile headquarters is south west of the city at Burnaston. The Roman camp of Derventio was probably at Little Chester/Chester Green, later the town was one of the Five Boroughs of the Danelaw, until it was captured by Lady Aethelflaed of Mercia in July 917, subsequent to which the town was annexed into the Kingdom of Mercia. The Viking name Djúra-bý, recorded in Old English as Deoraby and this popular belief is asserted by Tim Lambert who states, The name Derby is derived from the Danish words deor by meaning deer settlement. The name Derwent is Celtic and means a valley thick with oaks, the town name appears, nevertheless, as Darby or Darbye on early modern maps, such as that of Speed. Modern research into the history and archaeology of Derby has provided evidence that the Vikings and Anglo-Saxons probably co-existed, the Anglo-Saxon Chronicle says that Derby is divided by water. These areas of land were known as Norþworþig and Deoraby, and were at the Irongate side of Derby, during the Civil War of 1642–1646, Derby was garrisoned by Parliamentary troops commanded by Sir John Gell, 1st Baronet, who was appointed Governor of Derby in 1643. A hundred years later, Bonnie Prince Charlie set up camp at Derby on 4 December 1745, the prince called at The George Inn on Irongate, where the Duke of Devonshire had set up his headquarters, and demanded billets for his 9,000 troops. He stayed at Exeter House, Full Street where he held his council of war, a replica of the room is on display at Derby Museum in the city centre. He had received misleading information about a coming to meet him south of Derby. Although he wished to continue with his quest, he was over-ruled by his fellow officers and he abandoned his invasion at Swarkestone Bridge on the River Trent just a few miles south of Derby. Derby and Derbyshire were among the centres of Britains Industrial Revolution, in 1759, Jedediah Strutt patented and built a machine called the Derby Rib Attachment that revolutionised the manufacture of hose. This attachment was used on the Rev. Lees Framework Knitting Machine, it was placed in front of – and worked in unison with – Lees Frame, the partners were Jedediah Strutt, William Woollatt. The patent was obtained in January 1759, after three years, Bloodworth and Stafford were paid off, and Samuel Need – a hosier of Nottingham – joined the partnership
2.
Derbyshire
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Derbyshire is a county in the East Midlands of England. A substantial portion of the Peak District National Park lies within Derbyshire, in 2003 the Ordnance Survey placed Church Flatts Farm at Coton in the Elms as the furthest point from the sea in Great Britain. The city of Derby is a unitary authority area, but remains part of the county of Derbyshire. The non-metropolitan county contains 30 towns with between 10,000 and 100,000 inhabitants, there is a large amount of sparsely populated agricultural upland, 75% of the population live in 25% of the area. Further occupation came with the Upper Paleolithic and Neolithic periods of the Stone Age when Mesolithic hunter gatherers roamed the hilly tundra, evidence of these nomadic tribes has been found in limestone caves located on the Nottinghamshire border. Deposits left in the date the occupancy at around 12,000 to 7,000 BCE. Burial mounds of Neolithic settlers are also situated throughout the county and these chambered tombs were designed for collective burial and are mostly located in the central Derbyshire region. There are tombs at Minninglow and Five Wells that date back to between 2000 and 2500 BCE, three miles west of Youlgreave lies the Neolithic henge monument of Arbor Low, which has been dated to 2500 BCE. It is not until the Bronze Age that real signs of agriculture, in the moors of the Peak District signs of clearance, arable fields and hut circles were discovered after archaeological investigation. However this area and another settlement at Swarkestone are all that have been found, during the Roman invasion the invaders were attracted to Derbyshire because of the lead ore in the limestone hills of the area. They settled throughout the county with forts built near Brough in the Hope Valley, later they settled around Buxton, famed for its warm springs, and set up a fort near modern-day Derby in an area now known as Little Chester. Several kings of Mercia are buried in the Repton area, following the Norman Conquest, much of the county was subject to the forest laws. To the northwest was the Forest of High Peak under the custodianship of William Peverel, the rest of the county was bestowed upon Henry de Ferrers, a part of it becoming Duffield Frith. In time the area was given to the Duchy of Lancaster. Meanwhile, the Forest of East Derbyshire covered the county to the east of the River Derwent from the reign of Henry II to that of Edward I. The main rivers in the county are the River Derwent and the River Dove which both join the River Trent in the south. The varied landscapes within Derbyshires have been formed mainly as a consequence of the underlying geology, the oldest rocks occur in the northern, more upland half of the county, and are mostly of Carboniferous age, comprising limestones, gritstones, sandstones and shales. In its north-east corner to the east of Bolsover there are also Magnesian Limestone rocks of Permian age, across both regions can be found drift deposits of Quaternary age – mainly terrace and river gravel deposits and boulder clays
3.
Anglicanism
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Anglicanism is a tradition within Christianity comprising the Church of England and churches which are historically tied to it or hold similar beliefs, worship practices and church structures. The word Anglican originates in ecclesia anglicana, a medieval Latin phrase dating to the Magna Carta and before, adherents of Anglicanism are called Anglicans. As the name suggests, the churches of the Anglican Communion are linked by bonds of tradition, affection and they are in full communion with the See of Canterbury, and thus the Archbishop of Canterbury, in his person, is a unique focus of Anglican unity. He calls the once-a-decade Lambeth Conference, chairs the meeting of primates, Anglicans base their Christian faith on the Bible, traditions of the apostolic Church, apostolic succession, and writings of the Church Fathers. Anglicanism forms one of the branches of Western Christianity, having declared its independence from the Holy See at the time of the Elizabethan Religious Settlement. Many of the new Anglican formularies of the mid-16th century corresponded closely to those of contemporary Protestantism, the word Anglican originates in ecclesia anglicana, a medieval Latin phrase dating to at least 1246 that means the English Church. Adherents of Anglicanism are called Anglicans, as an adjective, Anglican is used to describe the people, institutions and churches, as well as the liturgical traditions and theological concepts developed by the Church of England. As a noun, an Anglican is a member of a church in the Anglican Communion, the word is also used by followers of separated groups which have left the communion or have been founded separately from it, although this is sometimes considered as a misuse. The word Anglicanism came into being in the 19th century, although the term Anglican is found referring to the Church of England as far back as the 16th century, its use did not become general until the latter half of the 19th century. Elsewhere, however, the term Anglican Church came to be preferred as it distinguished these churches from others that maintain an episcopal polity, as such, it is often referred to as being a via media between these traditions. Anglicans understand the Old and New Testaments as containing all necessary for salvation and as being the rule. Reason and Tradition are seen as means to interpret Scripture. Anglicans understand the Apostles Creed as the symbol and the Nicene Creed as the sufficient statement of the Christian faith. Anglicans celebrate the sacraments, with special emphasis being given to the Eucharist, also called Holy Communion. Unique to Anglicanism is the Book of Common Prayer, the collection of services that worshippers in most Anglican churches used for centuries and it was called common prayer originally because it was intended for use in all Church of England churches which had previously followed differing local liturgies. The term was kept when the church became international because all Anglicans used to share in its use around the world, in 1549, the first Book of Common Prayer was compiled by Thomas Cranmer, who was then Archbishop of Canterbury. The founding of Christianity in Britain is commonly attributed to Joseph of Arimathea, according to Anglican legend, Saint Alban, who was executed in 209 AD, is the first Christian martyr in the British Isles. A new culture emerged around the Irish Sea among the Celtic peoples with Celtic Christianity at its core, what resulted was a form of Christianity distinct from Rome in many traditions and practices
4.
Arthur Blomfield
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Sir Arthur William Blomfield ARA was an English architect. The fourth son of Charles James Blomfield, Anglican Bishop of London, born in Fulham Palace, Arthur Blomfield was educated at Rugby and Trinity College, Cambridge. He was then articled as an architect to Philip Charles Hardwick, the young Thomas Hardy joined Blomfields practice as assistant architect in April 1862, and the writer remained friends with Blomfield. He became president of the Architectural Association in 1861, a Fellow of the Royal Institute of British Architects in 1867 and he was awarded the Royal Gold Medal in 1891. His second wife, Lady Blomfield, was an author and humanitarian and he had two sons, Charles J. Blomfield and Arthur Conran Blomfield, who he brought up to his own profession, of which they became distinguished representatives. These are in Commonwealth cemeteries in many countries, in 1882 Blomfield designed the Royal College of Music in London. In 1887 he became architect to the Bank of England and, in association with A. E. Street, Street was the son of the architect G. E. In 1890-7 he rebuilt the nave of St. Saviours parish church, Southwark and it is a notable example of his use of a Gothic Revival style. I am confident that anyone who had been privileged to see the work that is being done, would not withhold his subscriptions even though he was as ardent an anti-restorer as your obedient servant. St. Marys parish church, Adwell, Oxfordshire,1865 St, St. Saviours parish church, Oxford Street, London 1870–73. St. John the Baptist, Bathwick, Bath,1871 St. Nicholas Church, St. James parish church, Ramsden, Oxfordshire,1872. Church of St. Mary and St. Ethelbert, Luckington, Wiltshire,1872 St. Andrews parish church, Surbiton, St. John the Baptist parish church, Crowthorne, Berkshire,1873. St. John the Baptists Church, Eltham, Kent,1875, St. Michael and All Angels Church, Maidstone, Kent,1876. Chapel Royal, Brighton, internal repairs and reordering 1876, new exterior 1896 Christ Church parish church, Epsom, Surrey,1876 Holy Innocents parish church, Hornsey, London N8. Holy Trinity Church, Privett, 1876–78 Haileybury and Imperial Service College Chapel,1877, St Andrews Church, Collingbourne Ducis, Wiltshire, restoration,1877. All Saints parish church, Roffey, West Sussex,1878, St. Mary Magdalene parish church, Woodstock, Oxfordshire, restoration,1878 Trinity College, Cambridge Bishops Hostel additions 1878. St. Nicholas parish church, Heythrop, Oxfordshire,1880 St John the Evangelists Church, St Leonards-on-Sea, chester Cathedral restoration and additions,1882. St Andrews Church, Worthing, West Sussex St Lukes Church, Queens Park, Brighton, Sussex, St Stephens Church, North Mundham, West Sussex – Addition of a Chancel and re-ordering of interior
5.
Church (building)
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A church building, often simply called a church, is a building used for Christian religious activities, particularly worship services. The term in its sense is most often used by Christians to refer to their religious buildings. In traditional Christian architecture, the church is arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle, towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. The earliest identified Christian church was a church founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, a cathedral is a church, usually Roman Catholic, Anglican, Oriental Orthodox or Eastern Orthodox, housing the seat of a bishop. In standard Greek usage, the word ecclesia was retained to signify both a specific edifice of Christian worship, and the overall community of the faithful. This usage was retained in Latin and the languages derived from Latin, as well as in the Celtic languages. In the Germanic and some Slavic languages, the word kyriak-ós/-ē/-ón was adopted instead, in Old English the sequence of derivation started as cirice, then churche, and eventually church in its current pronunciation. German Kirche, Scottish kirk, Russian церковь, etc. are all similarly derived, according to the New Testament, the earliest Christians did not build church buildings. Instead, they gathered in homes or in Jewish worship places like the Second Temple or synagogues, the earliest archeologically identified Christian church is a house church, the Dura-Europos church, founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, in addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a place for guilds or a hall for banquets. Mystery plays were performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain, a common architecture for churches is the shape of a cross. These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, another common feature is the spire, a tall tower on the west end of the church or over the crossing. The Latin word basilica was used to describe a Roman public building
6.
Sacred architecture
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Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity, conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public. Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, while the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms, religious buildings increasingly became centres of worship, prayer, the Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry, iconography, and the use of sophisticated semiotics such as signs, symbols, Sacred and/or religious architecture is sometimes called sacred space. Architect Norman L. Koonce has suggested that the goal of sacred architecture is to make transparent the boundary between matter and mind, flesh and the spirit, meanwhile, Richard Kieckhefer suggests that entering into a religious building is a metaphor for entering into spiritual relationship. Sacred architecture spans a number of ancient architectural styles including Neolithic architecture, ancient Egyptian architecture, ancient religious buildings, particularly temples, were often viewed as the dwelling place, the temenos, of the gods and were used as the site of various kinds of sacrifice. Ancient tombs and burial structures are examples of architectural structures reflecting religious beliefs of their various societies. The Temple of Karnak at Thebes, Egypt was constructed across a period of 1300 years, ancient Egyptian religious architecture has fascinated archaeologists and captured the public imagination for millennia. Around 600 BCE the wooden columns of the Temple of Hera at Olympia were replaced by stone columns, with the spread of this process to other sanctuary structures a few stone buildings have survived through the ages. Greek architecture preceded Hellenistic and Roman periods, since temples are the only buildings which survive in numbers, most of our concept of classical architecture is based on religious structures. The Parthenon which served as a building as well as a place for veneration of deity, is widely regarded as the greatest example of classical architecture. Indian architecture is related to the history and religions of the time periods as well as to the geography, the diversity of Indian culture is represented in its architecture. Indian architecture comprises a blend of ancient and varied native traditions, with building types, forms and technologies from West, Central Asia, buddhist architecture developed in South Asia beginning in the third century BCE. Two types of structures are associated with early Buddhism, viharas and stupas, an existing example is at Nalanda. The initial function of the stupa was the veneration and safe-guarding of the relics of the Buddha, the earliest existing example of a stupa is in Sanchi. In accordance with changes in practice, stupas were gradually incorporated into chaitya-grihas. These reached their highpoint in the first century BCE, exemplified by the cave complexes of Ajanta, the pagoda is an evolution of the Indian stupa that is marked by a tiered tower with multiple eaves common in China, Japan, Korea, Nepal and other parts of Asia
7.
Gothic Revival architecture
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Gothic Revival is an architectural movement that began in the late 1740s in England. Gothic Revival draws features from the original Gothic style, including decorative patterns, finials, scalloping, lancet windows, hood mouldings, the Gothic Revival movement emerged in 19th-century England. Its roots were intertwined with deeply philosophical movements associated with a re-awakening of High Church or Anglo-Catholic belief concerned by the growth of religious nonconformism, ultimately, the Anglo-Catholicism tradition of religious belief and style became widespread for its intrinsic appeal in the third quarter of the 19th century. The Gothic Revival was paralleled and supported by medievalism, which had its roots in antiquarian concerns with survivals, as industrialisation progressed, a reaction against machine production and the appearance of factories also grew. Proponents of the such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation, poems such as Idylls of the King by Alfred Tennyson, 1st Baron Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature, the Gothic Revival also had a grounding in literary fashions, guarino Guarini, a 17th-century Theatine monk active primarily in Turin, recognized the Gothic order as one of the primary systems of architecture and made use of it in his practice. Some of the earliest evidence of a revival in Gothic architecture is from Scotland, inveraray Castle, constructed from 1746, with design input from William Adam, displays the incorporation of turrets. These were largely conventional Palladian style houses that incorporated some features of the Scots baronial style. The eccentric landscape designer Batty Langley even attempted to improve Gothic forms by giving them classical proportions, a younger generation, taking Gothic architecture more seriously, provided the readership for J. Brittens series of Cathedral Antiquities, which began appearing in 1814. In 1817, Thomas Rickman wrote an Attempt. to name and define the sequence of Gothic styles in English ecclesiastical architecture, the categories he used were Norman, Early English, Decorated, and Perpendicular. It went through numerous editions and was still being republished by 1881. The largest and most famous Gothic cathedrals in the U. S. A. are St. Patricks Cathedral in New York City and Washington National Cathedral on Mount St. Alban in northwest Washington, D. C. One of the biggest churches in Gothic Revival style in Canada is Basilica of Our Lady Immaculate in Ontario, Gothic Revival architecture was to remain one of the most popular and long-lived of the Gothic Revival styles of architecture. The revived Gothic style was not limited to architecture, classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace ant lattice work were applied to a range of Gothic Revival objects. Sir Walter Scotts Abbotsford exemplifies in its furnishings the Regency Gothic style, parties in medieval historical dress and entertainment were popular among the wealthy in the 1800s but has spread in the late 20th century to the well-educated middle class as well. By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper, the illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery
8.
Listed building
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A listed building or listed structure, in the United Kingdom, is one that has been placed on the Statutory List of Buildings of Special Architectural or Historic Interest. The statutory bodies maintaining the list are Historic England in England, Cadw in Wales, Historic Scotland in Scotland, however, the preferred term in Ireland is protected structure. In England and Wales, an amenity society must be notified of any work to a listed building which involves any element of demolition. Owners of listed buildings are, in circumstances, compelled to repair and maintain them. When alterations are permitted, or when listed buildings are repaired or maintained, slightly different systems operate in each area of the United Kingdom, though the basic principles of the listing remain the same. It was the damage to caused by German bombing during World War II that prompted the first listing of buildings that were deemed to be of particular architectural merit. The listings were used as a means of determining whether a building should be rebuilt if it was damaged by bombing. Listing was first introduced into Northern Ireland under the Planning Order 1972, the listing process has since developed slightly differently in each part of the UK. In the UK, the process of protecting the historic environment is called ‘designation’. A heritage asset is a part of the environment that is valued because of its historic. Only some of these are judged to be important enough to have legal protection through designation. However, buildings that are not formally listed but still judged as being of heritage interest are still regarded as being a consideration in the planning process. Almost anything can be listed – it does not have to be a building, Buildings and structures of special historic interest come in a wide variety of forms and types, ranging from telephone boxes and road signs, to castles. Historic England has created twenty broad categories of structures, and published selection guides for each one to aid with assessing buildings and these include historical overviews and describe the special considerations for listing each category. Both Historic Scotland and Cadw produce guidance for owners, in England, to have a building considered for listing or delisting, the process is to apply to the secretary of state, this can be done by submitting an application form online to Historic England. The applicant does not need to be the owner of the building to apply for it to be listed, full information including application form guidance notes are on the Historic England website. Historic England assesses buildings put forward for listing or delisting and provides advice to the Secretary of State on the architectural, the Secretary of State, who may seek additional advice from others, then decides whether or not to list or delist the building. In England and Wales the authority for listing is granted to the Secretary of State by the Planning Act 1990, Listed buildings in danger of decay are listed on the Historic England Heritage at Risk Register
9.
Samuel Johnson
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Johnson was a devout Anglican and committed Tory, and is described by the Oxford Dictionary of National Biography as arguably the most distinguished man of letters in English history. He is also the subject of perhaps the most famous biography in English literature, born in Lichfield, Staffordshire, Johnson attended Pembroke College, Oxford for just over a year, before his lack of funds forced him to leave. After working as a teacher, he moved to London, where he began to write for The Gentlemans Magazine and his early works include the biography Life of Mr Richard Savage, the poems London and The Vanity of Human Wishes, and the play Irene. After nine years of work, Johnsons A Dictionary of the English Language was published in 1755 and it had a far-reaching effect on Modern English and has been described as one of the greatest single achievements of scholarship. This work brought Johnson popularity and success, until the completion of the Oxford English Dictionary 150 years later, Johnsons was viewed as the pre-eminent British dictionary. His later works included essays, an annotated edition of The Plays of William Shakespeare. In 1763, he befriended James Boswell, with whom he travelled to Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, Johnson was a tall and robust man. His odd gestures and tics were disconcerting to some on first meeting him, after a series of illnesses, he died on the evening of 13 December 1784, and was buried in Westminster Abbey. Born on 18 September 1709, to Michael Johnson, a bookseller and he did not cry and, with doubts surrounding the newborns health, his aunt exclaimed that she would not have picked such a poor creature up in the street. Since it was feared that the baby die, the vicar of St Marys was summoned to perform a baptism. Two godfathers were chosen, Samuel Swynfen, a physician and graduate of Pembroke College, Oxford, and Richard Wakefield, a lawyer, coroner, Johnsons health improved and he was put to wet-nurse with Joan Marklew. He soon contracted scrofula, known at time as the Kings Evil because it was thought royalty could cure it. Sir John Floyer, former physician to King Charles II, recommended that the young Johnson should receive the royal touch, however, the ritual was ineffective, and an operation was performed that left him with permanent scars across his face and body. Johnson demonstrated signs of intelligence as a child, and his parents, to his later disgust. His education began at the age of three, and was provided by his mother, who had him memorise and recite passages from the Book of Common Prayer. When Samuel turned four, he was sent to a nearby school, a year later, Johnson went to Lichfield Grammar School, where he excelled in Latin. During this time, Johnson started to exhibit the tics that would influence how people viewed him in his years
10.
Wrought iron
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Wrought iron is an iron alloy with a very low carbon content in contrast to cast iron. It is a mass of iron with fibrous slag inclusions which gives it a grain resembling wood. Wrought iron is tough, malleable, ductile, corrosion-resistant and easily welded, before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. A wrought product is one that has been worked by forging, extruding, rolling, hammering, etcetera, to change its form. Wrought iron is a worked iron product that is seldom produced today as other cheaper. Historically, a modest amount of iron was refined into steel. The demand for wrought iron reached its peak in the 1860s with the adaptation of ironclad warships, however, as properties such as brittleness of mild steel improved, it became less costly and more widely available than wrought iron, whose usage then declined. Wrought iron is no longer produced on a commercial scale, many products described as wrought iron, such as guard rails, garden furniture and gates, are actually made of mild steel. They retain that description because they are made to resemble objects which in the past were wrought by hand by a blacksmith, the word wrought is an archaic past participle of the verb to work, and so wrought iron literally means worked iron. Wrought iron is a term for the commodity, but is also used more specifically for finished iron goods. It was used in that sense in British Customs records. Cast iron, unlike wrought iron, is brittle and cannot be worked either hot or cold, Cast iron can break if struck with a hammer. In the 17th, 18th, and 19th centuries, wrought iron went by a variety of terms according to its form, origin. While the bloomery process produced wrought iron directly from ore, cast iron or pig iron were the materials used in the finery forge. Pig iron and cast iron have higher content than wrought iron. Cast and especially pig iron have excess slag which must be at least partially removed to produce quality wrought iron, at foundries it was common to blend scrap wrought iron with cast iron to improve the physical properties of castings. Fusion eventually became accepted as relatively more important than composition below a given low carbon concentration. Another difference is that steel can be hardened by heat treating, historically, wrought iron was known as commercially pure iron, however, it no longer qualifies because current standards for commercially pure iron require a carbon content of less than 0.008 wt%
11.
Baptismal font
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A baptismal font is an article of church furniture used for baptism. The fonts of many Christian denominations are for baptisms using an immersion method, the simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity, Father, Son, in many churches of the Middle Ages and Renaissance there was a special chapel or even a separate building for housing the baptismal fonts, called a baptistery. Both fonts and baptisterys were often octagonal, saint Ambrose wrote that fonts and baptistries were octagonal because on the eighth day, by rising, Christ loosens the bondage of death and receives the dead from their graves. Saint Augustine similarly described the day as everlasting. Hallowed by the resurrection of Christ, the quantity of water is usually small. There are some fonts where water pumps, a natural spring and this visual and audible image communicates a living waters aspect of baptism. Some church bodies use special holy water while others use water straight out of the tap to fill the font. A special silver vessel called a ewer can be used to fill the font, the mode of a baptism at a font is usually one of sprinkling, pouring, washing, or dipping in keeping with the Koine Greek verb βαπτιζω. Βαπτιζω can also mean immerse, but most fonts are too small for that application, some fonts are large enough to allow the immersion of infants, however. The earliest baptismal fonts were designed for full immersion, and were often cross-shaped with steps leading down into them, often such baptismal pools were located in a separate building, called a baptistery, near the entrance of the church. As infant baptism became common, fonts became smaller. Full-immersion baptisms may take place in a tank or pool. The entire body is immersed, dunked, submerged or otherwise placed completely under the water. This practice symbolizes the death of the old nature, as found in Romans 6, in the Eastern Orthodox Church, baptism is always by full triple immersion, even in the case of infant baptism. For this reason, Eastern baptismal fonts tend to be larger than Western, and are shaped like a large chalice. During the baptismal service, three candles will be lit on or around the font, in honor of the Holy Trinity
12.
Reredos
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A reredos or raredos is a large altarpiece, a screen, or decoration placed behind the altar in a church. A reredos can be made of stone, wood, metal, ivory, the images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry is used, or other such as silk or velvet. The term reredos is sometimes confused with the term retable, while a reredos is generally placed on the floor behind an altar, a retable is placed either on the altar or immediately behind and attached to the altar. In French, a reredos is called a retable, in Catalan a retaule, in Spanish a retablo, reredos is derived through Middle English from the 14th century Anglo-Norman areredos, which in turn is from arere behind +dos back, from Latin dorsum. The term referred generally to a hearth of a fireplace or a screen placed behind a table. Used in the 14th and 15th centuries, reredos had become obsolete until revived in the 19th century. Many altars have both a reredos and a retable, but this distinction may not always be observed. The retable may have part of the reredos when an altar was moved away from the wall. For altars that are still against the wall, the retable often sits on top of the altar, at the back, the retable may hold flowers and candlesticks. The term may also be used for structures, if elaborate, in secular architecture
