1.
Pella
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Pella, is an ancient city located in Central Macedonia, Greece, best known as the historical capital of the ancient Greek kingdom of Macedon in the time of Alexander the Great. On the site of the ancient city is the Archaeological Museum of Pella, a common folk etymology is traditionally given for the name Pella, deriving it from the Ancient Macedonian word pélla, stone, and it appears in some toponyms in Greece like Pallini (Παλλήνη. With the prefix a- it forms the Doric apella, meaning in this case fence, the word apella originally meant fold, fence for animals, and then assembly of people into the limits of the square. Τhe original meaning was wooden bowl, and later it meant stone, according to Xenophon, in the beginning of the 4th century BC it was the largest Macedonian city. It was probably built as the capital of the kingdom by Archelaus I, in antiquity, Pella was a strategic port connected to the Thermaic Gulf by a navigable inlet, but the harbour and gulf have since silted up, leaving the site landlocked. Archelaus invited the painter Zeuxis, the greatest painter of the time and he also later hosted the poet Timotheus of Miletus and the Athenian playwright Euripides who finished his days there writing and producing Archelaus. Euripides Bacchae was first staged here, about 408 BC, Pella was the birthplace and seats of Philip II, in 382 BC and of Alexander the Great, his son, in 356 BC. It became the largest and richest city in Macedonia and flourished particularly under Cassanders rule, the reign of Antigonus most likely represented the height of the citys prosperity, as this is the period which has left us most archaeological remains. The famous poet Aratus died in Pella c.240 BC, Pella is further mentioned by Polybius and Livy as the capital of Philip V and of Perseus during the Macedonian Wars fought against the Roman Republic. It is situated on the south-west slope of a hill and surrounded by a marsh too deep to be crossed on foot either in summer or winter. At a distance it appears to be continuous with the city wall, but it is really separated by a channel which flows between the two walls and is connected with the city by a bridge. Thus it cuts off all means of access from a foe, and if the king shut anyone up there, there could be no possibility of escape except by the bridge. Pella was declared capital of the 3rd administrative division of the Roman province of Macedonia, activity continued to be vigorous until the early 1st century BC and, crossed by the Via Egnatia, Pella remained a significant point on the route between Dyrrachium and Thessalonika. Cicero stayed there in 58 BC, though by then the seat had already transferred to Thessalonika. Pella was promoted to a Roman Colony sometime between 45 and 30 BC and its currency was marked Colonia Iulia Augusta Pella, augustus settled peasants there whose land he had usurped to give to his veterans. But, unlike other Macedonian colonies such as Philippi, Dion, four pairs of colonial magistrates are known for this period. In fact, the Roman city was somewhat to the west of and distinct from the original capital, despite its decline, archaeology has shown that the southern part of the city near the lagoon continued to be occupied until the 4th century. In about 180 AD, Lucian of Samosata could describe it in passing as now insignificant, in the Byzantine period, the Roman site was occupied by a fortified village
2.
Alexander the Great
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Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception
3.
Hephaestus
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Hephaestus is the Greek god of blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes. In Greek mythology, Hephaestus was the son of Zeus and Hera, in another version, he was Heras parthenogenous child, rejected by his mother because of his deformity and thrown off Mount Olympus and down to earth. As a smithing god, Hephaestus made all the weapons of the gods in Olympus and he served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centers of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos, Hephaestus symbols are a smiths hammer, anvil, and a pair of tongs. The name of the god in Greek has a root which can be observed in names of places of Pre-Greek origin, Hephaestus had his own palace on Olympus, containing his workshop with anvil and twenty bellows that worked at his bidding. Hephaestus crafted much of the magnificent equipment of the gods, in later accounts, Hephaestus worked with the help of the chthonic Cyclopes—among them his assistants in the forge, Brontes, Steropes and Pyracmon. Hephaestus built automatons of metal to work for him and this included tripods that walked to and from Mount Olympus. He gave to the blinded Orion his apprentice Cedalion as a guide, in some versions of the myth, Prometheus stole the fire that he gave to man from Hephaestuss forge. Hephaestus also created the gift that the gods gave to man, being a skilled blacksmith, Hephaestus created all the thrones in the Palace of Olympus. The Greek myths and the Homeric poems sanctified in stories that Hephaestus had a power to produce motion. He made the golden and silver lions and dogs at the entrance of the palace of Alkinoos in such a way that they could bite the invaders, the Greeks maintained in their civilization an animistic idea that statues are in some sense alive. This kind of art and the animistic belief goes back to the Minoan period, when Daedalus, a statue of the god was somehow the god himself, and the image on a mans tomb indicated somehow his presence. Homers Odyssey and Iliad have Hephaestus being born of the union of Zeus, in another tradition, attested by Hesiod, Hera bore Hephaestus alone. In Hesiods Zeus-centered cosmology, Hera gave birth to Hephaestus as revenge for Zeus giving birth to Athena without her, several later texts follow Hesiods account, including Bibliotheke, Hyginus, and the preface to Fabulae. In the account of Attic vase painters, Hephaestus was present at the birth of Athena, in the latter account, Hephaestus is there represented as older than Athena, so the mythology of Hephaestus is inconsistent in this respect. In one branch of Greek mythology, Hera ejected Hephaestus from the heavens because he was shrivelled of foot and he fell into the ocean and was raised by Thetis and the Oceanid Eurynome. In another account, Hephaestus, attempting to rescue his mother from Zeus advances, was flung down from the heavens by Zeus. He fell for a day and landed on the island of Lemnos
4.
Hephaestion
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Hephaestion, son of Amyntor, was a Macedonian nobleman and a general in the army of Alexander the Great. By far the dearest of all the friends, he had been brought up with Alexander. This friendship lasted throughout their lives, and was compared, by others as well as themselves, to that of Achilles and Patroclus. Besides being a soldier, engineer and diplomat he corresponded with the philosophers Aristotle and Xenocrates and actively supported Alexander in his attempts to integrate the Greeks, Alexander formally made him his second-in-command when he appointed him Chiliarch of the empire. Alexander also made him part of the family when he gave him as his bride Drypetis, sister to his own second wife Stateira. When he died suddenly at Ecbatana around age thirty-two, Alexander was overwhelmed with grief and he petitioned the oracle at Siwa to grant Hephaestion divine status and thus Hephaestion was honoured as a Divine Hero. Hephaestion was cremated in Babylon in the presence of the entire army, at the time of his own death a mere eight months later, Alexander was still planning lasting monuments to Hephaestions memory. Hephaestion’s exact age is not known, Many scholars cite Hephaestion’s age as being similar to Alexander’s so it is fair to assume that he was born about 356 BC. He is said to have become a page in 343 BC, as a member of the court, he may have met Alexander around this time. The only surviving anecdote from Hephaestion’s youth comes courtesy of the Alexander Romance. One day when Alexander was 15 years old sailing with Hephaestion, his friend, he easily reached Pisa and he went off to stroll with Hephaestion. ”That Alexander’s exact age is given provides another clue to Hephaestion’s upbringing because at fifteen Alexander and his companions were at Mieza studying under Aristotle. Hephaestion has never been named among those who attended the lectures at Mieza, more telling is Hephaestion’s name being found in a catalogue of Aristotle’s correspondences. The letters themselves no longer exist, but for them to have found their way into an official catalogue and it implies that Hephaestion received a good education and shows that Aristotle was impressed enough by his pupil to send letters throughout Alexanders expanding empire to converse with him. A few years after the lectures at Mieza, Hephaestion’s presence was absent when several of Alexander’s close friends were exiled as a result of the Pixodarus affair. Among those exiled by Philip II after Alexander’s failed attempt to himself as groom to the Carian princess were Ptolemy, Nearchus, Harpalus, Erigyius. The reason for Hephaestion’s absence from this list could be due to the fact all of the exiled men were older friends of Alexander. Hephaestion was a contemporary of Alexander and it is likely that his influence might have seen as less of a threat than these more mature companions. Whatever Hephaestion’s opinion had been on the affair, like many of Alexander’s other childhood companions he was not exiled in its aftermath
5.
Common Era
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Common Era or Current Era is a year-numbering system for the Julian and Gregorian calendars that refers to the years since the start of this era, i. e. since AD1. The preceding era is referred to as before the Common or Current Era, the Current Era notation system can be used as a secular alternative to the Dionysian era system, which distinguishes eras as AD and BC. The two notation systems are equivalent, thus 2017 CE corresponds to AD2017 and 400 BCE corresponds to 400 BC. The year-numbering system for the Gregorian calendar is the most widespread civil calendar used in the world today. For decades, it has been the standard, recognized by international institutions such as the United Nations. The expression has been traced back to Latin usage to 1615, as vulgaris aerae, the term Common Era can be found in English as early as 1708, and became more widely used in the mid-19th century by Jewish academics. He attempted to number years from a reference date, an event he referred to as the Incarnation of Jesus. Dionysius labeled the column of the table in which he introduced the new era as Anni Domini Nostri Jesu Christi, numbering years in this manner became more widespread in Europe with its usage by Bede in England in 731. Bede also introduced the practice of dating years before what he supposed was the year of birth of Jesus, in 1422, Portugal became the last Western European country to switch to the system begun by Dionysius. The first use of the Latin term vulgaris aerae discovered so far was in a 1615 book by Johannes Kepler, Kepler uses it again in a 1616 table of ephemerides, and again in 1617. A1635 English edition of that book has the title page in English – so far, a 1701 book edited by John LeClerc includes Before Christ according to the Vulgar Æra,6. A1716 book in English by Dean Humphrey Prideaux says, before the beginning of the vulgar æra, a 1796 book uses the term vulgar era of the nativity. The first so-far-discovered usage of Christian Era is as the Latin phrase aerae christianae on the page of a 1584 theology book. In 1649, the Latin phrase æræ Christianæ appeared in the title of an English almanac, a 1652 ephemeris is the first instance so-far-found for English usage of Christian Era. The English phrase common Era appears at least as early as 1708, a 1759 history book uses common æra in a generic sense, to refer to the common era of the Jews. The first-so-far found usage of the phrase before the era is in a 1770 work that also uses common era and vulgar era as synonyms. The 1797 edition of the Encyclopædia Britannica uses the terms vulgar era, the Catholic Encyclopedia in at least one article reports all three terms being commonly understood by the early 20th century. Thus, the era of the Jews, the common era of the Mahometans, common era of the world
6.
Mosaic
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A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
7.
Helen of Troy
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In Greek mythology, Helen of Troy, also known as Helen of Sparta, or simply Helen, was the daughter of Zeus and Leda, and was a sister of Castor, Pollux, and Clytemnestra. In Greek myths, she was considered the most beautiful woman in the world, by marriage she was Queen of Laconia, a province within Homeric Greece, the wife of King Menelaus. Her abduction by Prince Paris of Troy brought about the Trojan War, elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides and Homer. In her youth, she was abducted by Theseus, a competition between her suitors for her hand in marriage sees Menelaus emerge victorious. An oath sworn beforehand by all the suitors requires them to military assistance in the case of her abduction. When she marries Menelaus she is very young, whether her subsequent involvement with Paris is an abduction or a seduction is ambiguous. The legends recounting Helens fate in Troy are contradictory, Homer depicts her as a wistful figure, even a sorrowful one, who comes to regret her choice and wishes to be reunited with Menelaus. Other accounts have a treacherous Helen who simulates Bacchic rites and rejoices in the carnage, ultimately, Paris was killed in action, and in Homers account Helen was reunited with Menelaus, though other versions of the legend recount her ascending to Olympus instead. A cult associated with her developed in Hellenistic Laconia, both at Sparta and elsewhere, at Therapne she shared a shrine with Menelaus and she was also worshiped in Attica and on Rhodes. Her beauty inspired artists of all time to represent her, frequently as the personification of ideal beauty, Christopher Marlowes lines from his tragedy Doctor Faustus are frequently cited, Was this the face that launchd a thousand ships/And burnt the topless towers of Ilium. However, in the play this meeting and the ensuing temptation are not unambiguously positive, closely preceding death, images of her start appearing in the 7th century BC. In classical Greece, her abduction by—or elopement with—Paris was a popular motif, in medieval illustrations, this event was frequently portrayed as a seduction, whereas in Renaissance painting it is usually depicted as a rape by Paris. The fact that rape and kidnapping were interchangeable terms lends additional ambiguity to the story, the etymology of Helens name continues to be a problem for scholars. Georg Curtius related Helen to the moon, Émile Boisacq considered Ἑλένη to derive from the noun ἑλένη meaning torch. It has also suggested that the λ of Ἑλένη arose from an original ν. Linda Lee Clader, however, says none of the above suggestions offers much satisfaction. Inversely, others have connected this etymology to a hypothetical proto-indo-european sun goddess, in particular, her marriage myth may be connected to a broader indo-european marriage drama of the sun goddess, and she is related to the divine twins, just as many of these goddesses are. The origins of Helens myth date back to the Mycenaean age, the first record of her name appears in the poems of Homer, but scholars assume that such myths invented or received by the Mycenaean Greeks made their way to Homer
8.
Macedonia (ancient kingdom)
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Macedonia or Macedon was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and at first ruled by the royal Argead dynasty, the reign of Philip II saw the rise of Macedonia, during which the kingdom rose to control the entire Greek world. With a reformed army containing phalanxes wielding the sarissa pike, Philip II defeated the old powers of Athens and Thebes in the decisive Battle of Chaeronea in 338 BC, Sparta was kept isolated and was occupied a century later by Antigonus III Doson. Alexander then led a roughly decade-long campaign of conquest against the Achaemenid Empire, in the ensuing wars of Alexander the Great, he overthrew the Achaemenid Empire and conquered a territory that stretched as far as the Indus River. For a brief period, his Macedonian empire was the most powerful in the world – the definitive Hellenistic state, Greek arts and literature flourished in the new conquered lands and advances in philosophy, engineering, and science were spread throughout much of the ancient world. Of particular importance were the contributions of Aristotle, who had been imported as tutor to Alexander, important cities such as Pella, Pydna, and Amphipolis were involved in power struggles for control of the territory. New cities were founded, such as Thessalonica by the usurper Cassander, Macedonias decline began with the Macedonian Wars and the rise of Rome as the leading Mediterranean power. At the end of the Second Macedonian War in 168 BC, a short-lived revival of the monarchy during the Third Macedonian War in 150–148 BC ended with the establishment of the Roman province of Macedonia. The name Macedonia comes from the ethnonym Μακεδόνες, which itself is derived from the ancient Greek adjective μακεδνός, meaning tall and it also shares the same root as the noun μάκρος, meaning length in both ancient and modern Greek. The name is believed to have meant either highlanders, the tall ones. Robert S. P. Beekes supports that both terms are of Pre-Greek substrate origin and cannot be explained in terms of Indo-European morphology. Contradictory legends state that either Perdiccas I of Macedon or Caranus of Macedon were the founders of the Argead dynasty, the kingdom of Macedonia was situated along the Haliacmon and Axius rivers in Lower Macedonia, north of Mount Olympus. Historian Malcolm Errington posits the theory one of the earliest Argead kings must have established Aigai as their capital in the mid-7th century BC. Prior to the 4th century BC, the kingdom covered a region corresponding to the western. Achaemenid Persian hegemony over Macedonia was briefly interrupted by the Ionian Revolt, although Macedonia enjoyed a large degree of autonomy and was never made a satrapy of the Achaemenid Empire, it was expected to provide troops for the Achaemenid army. Following the Greek victory at Salamis in 480 BC, Alexander I was employed as an Achaemenid diplomat to strike a treaty and alliance with Athens. Soon afterwards the Achaemenid forces were forced to withdraw from mainland Europe, although initially a Persian vassal, Alexander I of Macedon fostered friendly diplomatic relations with his former Greek enemies, the Athenian and Spartan-led coalition of Greek city-states. Two separate wars were fought against Athens between 433 and 431 BC, spurred by an Athenian alliance with a brother and cousin of Perdiccas II who had rebelled against him
9.
Signature
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A signature is a handwritten depiction of someones name, nickname, or even a simple X or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer, similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature and this can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. The traditional function of a signature is to give evidence of the provenance of a document, in many countries, signatures may be witnessed and recorded in the presence of a notary public to carry additional legal force. On legal documents, an illiterate signatory can make a mark, in some countries, illiterate people place a thumbprint on legal documents in lieu of a written signature. In the United States, signatures encompass marks and actions of all sorts that are indicative of identity, the legal rule is that unless a statute specifically prescribes a particular method of making a signature it may be made in any number of ways. These include by a mechanical or rubber stamp facsimile, many individuals have much more fanciful signatures than their normal cursive writing, including elaborate ascenders, descenders and exotic flourishes, much as one would find in calligraphic writing. As an example, the k in John Hancocks famous signature on the US Declaration of Independence loops back to underline his name. This kind of flourish is also known as a paraph, paraphe is a term meaning flourish, initial or signature in French. The paraph is used in graphology analyses, for these languages, to write or to sign involves the same written characters. Special signature machines, called autopens, are capable of reproducing an individuals signature. These are typically used by people required to sign a lot of printed matter, such as celebrities, more recently, Members of Congress in the United States have begun having their signature made into a TrueType font file. Some government agencies require that persons or official reviewers sign originals. In the United States this is prevalent with architectural and construction plans and its intent is to prevent mistakes or fraud but the practice is not known to be effective. In e-mail and newsgroup usage, another type of signature exists which is independent of ones language, users can set one or more lines of custom text known as a signature block to be automatically appended to their messages. This text usually includes a name, contact information, and sometimes quotations, a shortened form of a signature block, only including ones name, often with some distinguishing prefix, can be used to simply indicate the end of a post or response. Some web sites also allow graphics to be used, note, however, that this type of signature is not related to electronic signatures or digital signatures, which are more technical in nature and not directly understandable by humans. On Wikipedia, an online wiki-based encyclopedia edited by volunteers, the contributors sign their comments on talk pages with their username, the signature on a painting or other work of art has always been an important item in the assessment of art
10.
Ancient Greek art
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The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be reconstructed due to the lack of original survivals of quality. The art of ancient Greece is usually divided stylistically into four periods, the Geometric, Archaic, Classical, and Hellenistic. The Geometric age is dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years. The 7th century BC witnessed the development of the Archaic style as exemplified by the black-figure style of vase painting. From some point in the 1st century BC onwards Greco-Roman is used, in reality, there was no sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, strong local traditions, and the requirements of local cults, enable historians to locate the origins even of works of art found far from their place of origin. Greek art of various kinds was widely exported, the whole period saw a generally steady increase in prosperity and trading links within the Greek world and with neighbouring cultures. The survival rate of Greek art differs starkly between media and we have huge quantities of pottery and coins, much stone sculpture, though even more Roman copies, and a few large bronze sculptures. Almost entirely missing are painting, fine metal vessels, and anything in perishable materials including wood, the stone shell of a number of temples and theatres has survived, but little of their extensive decoration. By convention, finely painted vessels of all sorts are called vases, sculptural or architectural pottery, also very often painted, are referred to as terracottas, and also survive in large quantities. In much of the literature, pottery means only painted vessels, pottery was the main form of grave goods deposited in tombs, often as funerary urns containing the cremated ashes, and was widely exported. Other colours were limited, normally to small areas of white. Within the restrictions of these techniques and other conventions, vase-painters achieved remarkable results, combining refinement. White ground technique allowed more freedom in depiction, but did not wear well and was made for burial. Conventionally, the ancient Greeks are said to have made most pottery vessels for everyday use, not for display. Most surviving pottery consists of vessels for storing, serving or drinking liquids such as amphorae, kraters, hydria, libation bowls, oil and perfume bottles for the toilet, jugs, painted vessels for serving and eating food are much less common. Painted pottery was affordable even by people, and a piece decently decorated with about five or six figures cost about two or three days wages
11.
Archaeological Museum of Pella
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The Archaeological Museum of Pella is a museum in Pella in the Pella regional unit of Central Macedonia. The building was designed by architect Kostas Skroumpellos and is on the site of the ancient city of Pella and it was completed in 2009 with the support of the Greeces Third Community Support Framework. It is situated near the site of the ancient Macedonian palace. The building has an atrium, as a reference to the central peristyle courtyard of ancient houses in Pella. The information section provides texts, photographs, maps, drawings a model of the archaeological site, in the entrance there are two important exhibits, A head considered a portrait of Alexander the Great and a statuette with the characteristic attributes of the god Pan. The daily life of Pella is the first thematic group of the exhibition, the most important exhibits are the mosaic floors from the Houses of Dionysus, and of the Abduction of Helen from the House of the Wall Plasters. The excavation finds provide much information about life in ancient Pella The second thematic group is about public life in Pella. The finds come from excavations in the Agora and are related to the citys administration, the third thematic group consists of mosaics from Pella’s sanctuaries, and other findings as inscriptions, vases, metal objects. The fourth thematic group is the findings from the city’s cemeteries, there are burials from the Bronze Age, the Iron Age, Geometric and Archaic periods, the Classical era, and the Hellenistic period. The findings give information about the language of the residents, the funeral customs etc, the last grouping is the palace gallery and presents information about the architectural form of the palace, and the life and personality of Alexander the Great.0 license. Hellenic Ministry of Culture and Tourism Archaeological Museum of Pella - Ebook by Latsis Foundation
12.
Central Macedonia
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Central Macedonia is one of the thirteen administrative regions of Greece, consisting of the central part of the geographical and historical region of Macedonia. With a population of almost 1.9 million, it is the second most populous in Greece after Attica, the region was established in the 1987 administrative reform. With the 2010 Kallikratis plan, its powers and authority were redefined and extended, along with East Macedonia and Thrace, it is supervised by the Decentralized Administration of Macedonia and Thrace, based in Thessaloniki. The region is based at its capital city of Thessaloniki and is divided into seven units, Chalkidiki, Imathia, Kilkis, Pella, Pieria, Serres. These are further subdivided into 38 municipalities, although geographically part of central Macedonia, Mount Athos is not administratively part of the region, but an autonomous self-governing state under the sovereignity of Greece. Central Macedonia is Greeces most visited region and accounts for 18. 2% of the total tourist flow in the country, with 3.21 million tourists in 2008. In 2011, the GDP per capita of Central Macedonia was €14,400, marking a 9th place of the 13 regions of Greece, alexandria Aridaea Edessa Giannitsa Katerini Kilkis Koufalia Litochoro Naoussa Nea Kallikratia Nea Moudania Polygyros Polykastro Serres Thessaloniki Veria Official website
13.
Floral
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A flower, sometimes known as a bloom or blossom, is the reproductive structure found in plants that are floral. The biological function of a flower is to effect reproduction, usually by providing a mechanism for the union of sperm with eggs, Flowers may facilitate outcrossing or allow selfing. Some flowers produce diaspores without fertilization, Flowers contain sporangia and are the site where gametophytes develop. Many flowers have evolved to be attractive to animals, so as to them to be vectors for the transfer of pollen. After fertilization, the ovary of the flower develops into fruit containing seeds, the essential parts of a flower can be considered in two parts, the vegetative part, consisting of petals and associated structures in the perianth, and the reproductive or sexual parts. A stereotypical flower consists of four kinds of structures attached to the tip of a short stalk, each of these kinds of parts is arranged in a whorl on the receptacle. The four main whorls are as follows, Collectively the calyx, corolla, the next whorl toward the apex, composed of units called petals, which are typically thin, soft and colored to attract animals that help the process of pollination. Androecium, the whorl, consisting of units called stamens. Stamens consist of two parts, a called a filament, topped by an anther where pollen is produced by meiosis. Gynoecium, the innermost whorl of a flower, consisting of one or more units called carpels, the carpel or multiple fused carpels form a hollow structure called an ovary, which produces ovules internally. Ovules are megasporangia and they in turn produce megaspores by meiosis which develop into female gametophytes and these give rise to egg cells. The gynoecium of a flower is described using an alternative terminology wherein the structure one sees in the innermost whorl is called a pistil. A pistil may consist of a carpel or a number of carpels fused together. The sticky tip of the pistil, the stigma, is the receptor of pollen, the supportive stalk, the style, becomes the pathway for pollen tubes to grow from pollen grains adhering to the stigma. The relationship to the gynoecium on the receptacle is described as hypogynous, perigynous, although the arrangement described above is considered typical, plant species show a wide variation in floral structure. These modifications have significance in the evolution of flowering plants and are used extensively by botanists to establish relationships among plant species, the four main parts of a flower are generally defined by their positions on the receptacle and not by their function. Many flowers lack some parts or parts may be modified into other functions and/or look like what is typically another part, in some families, like Ranunculaceae, the petals are greatly reduced and in many species the sepals are colorful and petal-like. Other flowers have modified stamens that are petal-like, the flowers of Peonies and Roses are mostly petaloid stamens
14.
Wind wave
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In fluid dynamics, wind waves, or wind-generated waves, are surface waves that occur on the free surface of bodies of water. They result from the wind blowing over an area of fluid surface, Waves in the oceans can travel thousands of miles before reaching land. Wind waves on Earth range in size from small ripples, to waves over 100 ft high, when directly generated and affected by local winds, a wind wave system is called a wind sea. After the wind ceases to blow, wind waves are called swells, more generally, a swell consists of wind-generated waves that are not significantly affected by the local wind at that time. They have been generated elsewhere or some time ago, wind waves in the ocean are called ocean surface waves. Wind waves have an amount of randomness, subsequent waves differ in height, duration. The key statistics of wind waves in evolving sea states can be predicted with wind wave models, although waves are usually considered in the water seas of Earth, the hydrocarbon seas of Titan may also have wind-driven waves. The great majority of large breakers seen at a result from distant winds. Water depth All of these work together to determine the size of wind waves. Further exposure to that wind could only cause a dissipation of energy due to the breaking of wave tops. Waves in an area typically have a range of heights. For weather reporting and for analysis of wind wave statistics. This figure represents an average height of the highest one-third of the waves in a time period. The significant wave height is also the value a trained observer would estimate from visual observation of a sea state, given the variability of wave height, the largest individual waves are likely to be somewhat less than twice the reported significant wave height for a particular day or storm. Wave formation on a flat water surface by wind is started by a random distribution of normal pressure of turbulent wind flow over the water. This pressure fluctuation produces normal and tangential stresses in the surface water and it is assumed that, The water is originally at rest. There is a distribution of normal pressure to the water surface from the turbulent wind. Correlations between air and water motions are neglected, the second mechanism involves wind shear forces on the water surface
15.
Cement
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A cement is a binder, a substance used in construction that sets, hardens and adheres to other materials, binding them together. Cement is seldom used solely, but is used to bind sand, Cement is used with fine aggregate to produce mortar for masonry, or with sand and gravel aggregates to produce concrete. Non-hydraulic cement will not set in wet conditions or underwater, rather, it sets as it dries and it is resistant to attack by chemicals after setting. Hydraulic cements set and become adhesive due to a reaction between the dry ingredients and water. The chemical reaction results in mineral hydrates that are not very water-soluble and so are quite durable in water and this allows setting in wet condition or underwater and further protects the hardened material from chemical attack. The chemical process for hydraulic cement found by ancient Romans used volcanic ash with added lime, the word cement can be traced back to the Roman term opus caementicium, used to describe masonry resembling modern concrete that was made from crushed rock with burnt lime as binder. The volcanic ash and pulverized brick supplements that were added to the burnt lime, to obtain a hydraulic binder, were referred to as cementum, cimentum, cäment. In modern times, organic polymers are used as cements in concrete. Non-hydraulic cement, such as slaked lime, hardens by carbonation in the presence of carbon dioxide which is present in the air. The carbonation reaction requires the dry cement to be exposed to air and this whole process is called the lime cycle. Conversely, hydraulic cement hardens by hydration when water is added, Hydraulic cements are made of a mixture of silicates and oxides, the four main components being, Belite, Alite, Tricalcium aluminate, Brownmillerite. The chemistry of the above listed reactions is not completely clear and is still the object of research, Cement, chemically speaking, is a product that includes lime as the primary curing ingredient, but is far from the first material used for cementation. The Babylonians and Assyrians used bitumen to bind together burnt brick or alabaster slabs, in Egypt stone blocks were cemented together with a mortar made of sand and roughly burnt gypsum, which often contained calcium carbonate. Lime was used on Crete and by the ancient Greeks, there is evidence that the Minoans of Crete used crushed potshards as an artificial pozzolan for hydraulic cement. A kind of powder which from natural causes produces astonishing results and it is found in the neighborhood of Baiae and in the country belonging to the towns round about Mt. Vesuvius. This substance when mixed with lime and rubble not only lends strength to buildings of other kinds, the Greeks used volcanic tuff from the island of Thera as their pozzolan and the Romans used crushed volcanic ash with lime. This mixture was able to set under water increasing its resistance, the material was called pozzolana from the town of Pozzuoli, west of Naples where volcanic ash was extracted. In the absence of ash, the Romans used powdered brick or pottery as a substitute
16.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
17.
Red-figure pottery
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Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BC and remained in use until the late 3rd century BC and it replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the depictions in red colour on a black background. The most important areas of production, apart from Attica, were in Southern Italy, the style was also adopted in other parts of Greece. Etruria became an important centre of production outside the Greek World, Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics, only few centres of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red figure vases produced in Athens alone, more than 40,000 specimens, from the second most important production centre, Southern Italy, more than 20,000 vases and fragments are preserved. Starting with the studies by John D. Beazley and Arthur Dale Trendall, some vases can be ascribed to individual artists or schools. The images provide evidence for the exploration of Greek cultural history, everyday life, iconography, red figure is, put simply, the reverse of the black figure technique. Both were achieved by using the three-phase firing technique, the paintings were applied to the shaped but unfired vessels after they had dried to a leathery, near-brittle texture. In Attica, the normal unburnt clay was of orange colour at this stage, the outlines of the intended figures were drawn either with a blunt scraper, leaving a slight groove, or with charcoal, which would disappear entirely during firing. Then the contours were redrawn with a brush, using a clay slip. Occasionally, the decided to somewhat change the figural scene. In such cases the grooves from the original sketch sometimes remain visible, important contours were often drawn with a thicker slip, leading to a slightly protruding outline, less important lines and internal details were drawn with diluted glossy clay. Detail in other colours, like white or red, were applied at this point, the relief line was probably drawn with a bristle brush or a hair, dipped in thick paint. The suggestion of a hollow needle seems somewhat unlikely, the application of relief outlines was necessary, as the rather liquid glossy clay would otherwise have turned out too dull. After the techniques initial phase of development, both alternatives were used, so as to differentiate gradations and details more clearly, the space between figures was filled with a glossy grey clay slip. Then, the vases underwent triple-phase firing, during which the glossy clay reached its characteristic black or black-brown colour through reduction, the new technique had the primary advantage of permitting a far better execution of internal detail
18.
Shading
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Shading refers to depicting depth perception in 3D models or illustrations by varying levels of darkness. There are various techniques of shading including cross hatching where perpendicular lines of varying closeness are drawn in a pattern to shade an area. The closer the lines are together, the darker the area appears, likewise, the farther apart the lines are, the lighter the area appears. Light patterns, such as objects having light and shaded areas, powder shading is a sketching shading method. In this style, the powder and paper stumps are used to draw a picture. The stumping powder is smooth and doesnt have any shiny particles, the paper to be used should have small grains on it so that the powder remains on the paper. Shading is performed during the process by a program called a shader. Shading alters the colors of faces in a 3D model based on the angle of the surface to a source or light sources. The first image below has the faces of the box rendered, edge lines have been rendered here as well which makes the image easier to see. The second image is the same model rendered without edge lines and it is difficult to tell where one face of the box ends and the next begins. The third image has shading enabled, which makes the image more realistic, Shading is also dependent on the lighting used. Usually, upon rendering a scene a number of different lighting techniques will be used to make the look more realistic. Different types of sources are used to give different effects. An ambient light source represents an omni-directional, fixed-intensity and fixed-color light source that affects all objects in the scene equally, upon rendering, all objects in the scene are brightened with the specified intensity and color. This type of source is mainly used to provide the scene with a basic view of the different objects in it. This is the simplest type of lighting to implement and models how light can be scattered or reflected many times producing a uniform effect. Ambient lighting can be combined with ambient occlusion to represent how exposed each point of the scene is and this produces diffuse, non-directional lighting throughout the scene, casting no clear shadows, but with enclosed and sheltered areas darkened. The result is usually similar to an overcast day
19.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
20.
Depth perception
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Depth perception is the visual ability to perceive the world in three dimensions and the distance of an object. Depth perception arises from a variety of depth cues, Binocular cues include stereopsis, eye convergence, disparity, and yielding depth from binocular vision through exploitation of parallax. Monocular cues include size, distant objects subtend smaller visual angles than near objects, grain, size, Monocular cues provide depth information when viewing a scene with one eye. Motion parallax When an observer moves, the apparent relative motion of several stationary objects against a background gives hints about their relative distance, If information about the direction and velocity of movement is known, motion parallax can provide absolute depth information. This effect can be seen clearly when driving in a car, nearby things pass quickly, while far off objects appear stationary. Some animals that lack binocular vision due to their eyes having little common field-of-view employ motion parallax more explicitly than humans for depth cueing. Depth from motion When an object moves toward the observer, the projection of an object expands over a period of time. Another name for this phenomenon is depth from optical expansion, the dynamic stimulus change enables the observer not only to see the object as moving, but to perceive the distance of the moving object. Thus, in context, the changing size serves as a distance cue. However, calculation of TTC is, strictly speaking, perception of velocity rather than depth, but if the cube rotates, the visual system will extract the necessary information for perception of the third dimension from the movements of the lines, and a cube is seen. This is an example of the depth effect. Perspective The property of parallel lines converging in the distance, at infinity, an example would be standing on a straight road, looking down the road, and noticing the road narrows as it goes off in the distance. Relative size If two objects are known to be the size but their absolute size is unknown, relative size cues can provide information about the relative depth of the two objects. If one subtends a visual angle on the retina than the other. For example, people are familiar with the size of an average automobile. This prior knowledge can be combined with information about the angle it subtends on the retina to determine the depth of an automobile in a scene. Due to this, images seem hazy the farther they are away from a point of view. In computer graphics, this is called distance fog
21.
Three-dimensional space
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Three-dimensional space is a geometric setting in which three values are required to determine the position of an element. This is the meaning of the term dimension. In physics and mathematics, a sequence of n numbers can be understood as a location in n-dimensional space, when n =3, the set of all such locations is called three-dimensional Euclidean space. It is commonly represented by the symbol ℝ3 and this serves as a three-parameter model of the physical universe in which all known matter exists. However, this space is one example of a large variety of spaces in three dimensions called 3-manifolds. Furthermore, in case, these three values can be labeled by any combination of three chosen from the terms width, height, depth, and breadth. In mathematics, analytic geometry describes every point in space by means of three coordinates. Three coordinate axes are given, each perpendicular to the two at the origin, the point at which they cross. They are usually labeled x, y, and z, below are images of the above-mentioned systems. Two distinct points determine a line. Three distinct points are either collinear or determine a unique plane, four distinct points can either be collinear, coplanar or determine the entire space. Two distinct lines can intersect, be parallel or be skew. Two parallel lines, or two intersecting lines, lie in a plane, so skew lines are lines that do not meet. Two distinct planes can either meet in a line or are parallel. Three distinct planes, no pair of which are parallel, can meet in a common line. In the last case, the three lines of intersection of each pair of planes are mutually parallel, a line can lie in a given plane, intersect that plane in a unique point or be parallel to the plane. In the last case, there will be lines in the plane that are parallel to the given line, a hyperplane is a subspace of one dimension less than the dimension of the full space. The hyperplanes of a space are the two-dimensional subspaces, that is
22.
Pottery
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Pottery is the craft of making ceramic material into pots or potterywares using mud. Major types of potterywares include earthenware, stoneware and porcelain, the place where such wares are made by a potter is also called a pottery. Early Neolithic pottery have found in places such as Jomon Japan. A clay body can be decorated before or after firing, however, prior to shaping processes. Kneading helps to ensure an even moisture content throughout the body, air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a called a vacuum pug or manually by wedging. Wedging can also produce an even moisture content. Once a clay body has been kneaded and de-aired or wedged, after shaping, it is dried and then fired. Clay ware takes on varying physical characteristics during the making of pottery, at sufficient moisture content, bodies at this stage are in their most plastic form. Leather-hard refers to a body that has been dried partially. At this stage the clay object has approximately 15% moisture content, clay bodies at this stage are very firm and only slightly pliable. Trimming and handle attachment often occurs at the leather-hard state, bone-dry refers to clay bodies when they reach a moisture content at or near 0%. It is now ready to be bisque fired, bisque refers to the clay after the object is shaped to the desired form and fired in the kiln for the first time, known as bisque fired or biscuit fired. This firing changes the body in several ways. Mineral components of the body will undergo chemical changes that will change the colour of the clay. Glaze fired is the stage of some pottery making. A glaze may be applied to the form and the object can be decorated in several ways. After this the object is glazed fired, which causes the material to melt
23.
Verb
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A verb, from the Latin verbum meaning word, is a word that in syntax conveys an action, an occurrence, or a state of being. In the usual description of English, the form, with or without the particle to, is the infinitive. In many languages, verbs are inflected to encode tense, aspect, mood, a verb may also agree with the person, gender or number of some of its arguments, such as its subject, or object. Verbs have tenses, present, to indicate that an action is being carried out, past, to indicate that an action has been done, future, in languages where the verb is inflected, it often agrees with its primary argument in person, number or gender. With the exception of the verb to be, English shows distinctive agreements only in the person singular, present tense form of verbs. The rest of the persons are not distinguished in the verb, Latin and the Romance languages inflect verbs for tense–aspect–mood, and they agree in person and number with the subject. Verbs vary by type, and each type is determined by the kinds of words that accompany it, classified by the number of their valency arguments, usually three basic types are distinguished, intransitives, transitives, ditransitives and double transitive verbs. In addition, verbs can be nonfinite, namely, not inflected for tense, an intransitive verb is one that does not have a direct object. Intransitive verbs may be followed by an adverb or end a sentence, for example, The woman spoke softly. The athlete ran faster than the official, a transitive verb is followed by a noun or noun phrase. These noun phrases are not called predicate nouns, but are called direct objects because they refer to the object that is being acted upon. For example, My friend read the newspaper, the teenager earned a speeding ticket. A way to identify a verb is to invert the sentence. For example, The newspaper was read by my friend, a speeding ticket was earned by the teenager. Ditransitive verbs precede either two noun phrases or a phrase and then a prepositional phrase often led by to or for. For example, The players gave their teammates high fives, the players gave high fives to their teammates. When two noun phrases follow a transitive verb, the first is an object, that which is receiving something, and the second is a direct object. Indirect objects can be noun phrases or prepositional phrases, double transitive verbs are followed by a noun phrase that serves as a direct object and then a second noun phrase, adjective, or infinitive phrase
24.
Greek (language)
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
25.
Knowledge
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Knowledge can refer to a theoretical or practical understanding of a subject. It can be implicit or explicit, it can be more or less formal or systematic, however, several definitions of knowledge and theories to explain it exist. Knowledge acquisition involves complex cognitive processes, perception, communication, and reasoning, the eventual demarcation of philosophy from science was made possible by the notion that philosophys core was theory of knowledge, a theory distinct from the sciences because it was their foundation. Without this idea of a theory of knowledge, it is hard to imagine what philosophy could have been in the age of modern science, the definition of knowledge is a matter of ongoing debate among philosophers in the field of epistemology. Some claim that conditions are not sufficient, as Gettier case examples allegedly demonstrate. Richard Kirkham suggests that our definition of knowledge requires that the evidence for the belief necessitates its truth. In contrast to this approach, Ludwig Wittgenstein observed, following Moores paradox, that one can say He believes it, but it isnt so, but not He knows it, but it isnt so. He goes on to argue that these do not correspond to distinct mental states, what is different here is not the mental state of the speaker, but the activity in which they are engaged. For example, on account, to know that the kettle is boiling is not to be in a particular state of mind. Wittgenstein sought to bypass the difficulty of definition by looking to the way knowledge is used in natural languages and he saw knowledge as a case of a family resemblance. Following this idea, knowledge has been reconstructed as a concept that points out relevant features. Symbolic representations can be used to indicate meaning and can be thought of as a dynamic process, hence the transfer of the symbolic representation can be viewed as one ascription process whereby knowledge can be transferred. Other forms of communication include observation and imitation, verbal exchange, philosophers of language and semioticians construct and analyze theories of knowledge transfer or communication. In his collection of essays Technopoly, Neil Postman demonstrates the argument against the use of writing through an excerpt from Platos work Phaedrus, in this excerpt, the scholar Socrates recounts the story of Thamus, the Egyptian king and Theuth the inventor of the written word. In this story, Theuth presents his new invention writing to King Thamus, King Thamus is skeptical of this new invention and rejects it as a tool of recollection rather than retained knowledge. Media theorists like Andrew Robinson emphasise that the depiction of knowledge in the modern world was often seen as being truer than oral knowledge. It is harder to preserve records of what was said or who originally said it – usually neither the nor the content can be verified. Gossip and rumors are examples prevalent in both media, major libraries today can have millions of books of knowledge
26.
General officer
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A general officer is an officer of high rank in the army, and in some nations air forces or marines. The term general is used in two ways, as the title for all grades of general officer and as a specific rank. It originates in the 16th century, as a shortening of captain general, the adjective general had been affixed to officer designations since the late medieval period to indicate relative superiority or an extended jurisdiction. Today, the title of General is known in countries as a four-star rank. However different countries use different systems of stars for senior ranks and it has a NATO code of OF-9 and is the highest rank currently in use in a number of armies. The various grades of general officer are at the top of the rank structure. Lower-ranking officers in military forces are typically known as field officers or field-grade officers. There are two systems of general ranks used worldwide. In addition there is a system, the Arab system of ranks. Variations of one form, the old European system, were used throughout Europe. It is used in the United Kingdom, from which it spread to the Commonwealth. The other is derived from the French Revolution, where ranks are named according to the unit they command. The system used either a general or a colonel general rank. The rank of marshal was used by some countries as the highest rank. Many countries actually used two brigade command ranks, which is why some countries now use two stars as their brigade general insignia, mexico and Argentina still use two brigade command ranks. As a lieutenant outranks a sergeant major, confusion arises because a lieutenant is outranked by a major. Originally the serjeant major was, exclusively, the commander of the infantry, junior only to the captain general, the distinction of serjeant major general only applied after serjeant majors were introduced as a rank of field officer. Serjeant was eventually dropped from both titles, creating the modern rank titles
27.
Peritas
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Peritas was Alexander the Greats favorite dog, who accompanied him during his military exploits. The name Peritas seems to come from the Macedonian word for January, not much is known of the historical Peritas aside from a city named in his honor. Peritas death, however it happened, was a venerable one, like Alexanders horse Bucephalus, Peritas was awarded a city named in his honor, with a monument to his glory in its central square. The breed of Peritas is hard to ascertain and remains unknown, Peritas is sometimes referred to as a Molosser or Bulldog, perhaps from the fierce nature of a few stories. Others will say Peritas would have been a greyhound, according to Pliny, it was perhaps the king Pyrrhus of Epirus, who delighted Alexander by giving him a dog which had attacked and beaten both a lion and an elephant. There is also the story of Alexander meeting Sopeithes, a ruler of an area probably around Jech Doab in Punjab, Sopeithes gave Alexander one hundred and fifty dogs known for their fearsome strength and courage. Wishing to test their strength, Sopeithes had a fight two of the weakest dogs. He released two others to help once those two seemed at a disadvantage, the four were doing well against the lion when Sopeithes sent a man with a scimitar to hack at a leg of one of the dogs. Alexander protested strongly, and guards took the man with the blade away, the dog then calmly accepted its fate without making a sound, and continued to have a firm bite on the lion until it had succumbed to its loss of blood. It is unsure whether any of these pertain to Peritas, one tale about the dog involves its biting the lip of an elephant in the Battle of Gaugamela against Persias Darius III, resulting in the dogs death. Perhaps this is the story of Plinys embellished, another says when Alexander was trapped behind Mallian fortifications, Leonnatus heard Peritas howl from behind him. While still fighting, Leonnatus told Peritas to run to Alexander, and Peritas attacked the Mallians and this allowed the troops to salvage Alexander in time. In saving Alexander, Peritas had also wounded by a javelin
28.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
29.
Actaeon
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Actaeon, in Greek mythology, son of the priestly herdsman Aristaeus and Autonoe in Boeotia, was a famous Theban hero. Like Achilles in a generation, he was trained by the centaur Chiron. This is the iconic motif by which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. Among others, John Heath has observed, The unalterable kernel of the tale was a transformation into a deer. But authors were free to suggest different motives for his death and he stopped and stared, amazed at her ravishing beauty. Once seen, Artemis got revenge on Actaeon, she forbade him speech — if he tried to speak, upon hearing the call of his hunting party, he cried out to them and immediately transformed. At this he fled deep into the woods, and doing so he came upon a pond and, seeing his reflection and his own hounds then turned upon him and pursued him, not recognizing him. In an endeavour to save himself, he raised his eyes toward Mount Olympus, the gods did not heed his plea, and he was torn to pieces. An element of the earlier myth made Actaeon the familiar hunting companion of Artemis, in an embroidered extension of the myth, the hounds were so upset with their masters death, that Chiron made a statue so lifelike that the hounds thought it was Actaeon. Diodorus Siculus, in a variant of Actaeons hubris that has largely ignored, has it that Actaeon wanted to marry Artemis. Other authors say the hounds were Artemis own, some lost elaborations of the myth seem to have them all names. This version also appears in Callimachus Fifth Hymn, as a parallel to the blinding of Tiresias after he sees Athena bathing. His reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess, the following list is as given in Hyginus Fabulae. The first part of the list is taken from Ovids Metamorphoses, note, In the first part of the list, Hyginus fails to correctly differentiate between masculine and feminine names. Bitches, Agre, Nape, Poemenis, Harpyia, Canache, Sticte, Alce, Lycisce, Lachne, Melanchaetes, Therodamas, Oresitrophos. In the second century AD, the traveller Pausanias was shown a spring on the road in Attica leading to Plataea from Eleutherae, just beyond Megara and a little farther on a rock. It is called the bed of Actaeon, for it is said that he slept thereon when weary with hunting, but you hit him and turned him into a wolf, His own herd-boys hunt him down And his dogs tear at his haunches. Actaeon, torn apart by dogs incited by Artemis, finds another Near Eastern parallel in the Ugaritic hero Aqht, torn apart by eagles incited by Anath who wanted his hunting bow
30.
Parthenon
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The Parthenon is a former temple, on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power and it was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order and its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an symbol of Ancient Greece, Athenian democracy and western civilization. The Greek Ministry of Culture is currently carrying out a programme of restoration and reconstruction to ensure the stability of the partially ruined structure. The Parthenon itself replaced a temple of Athena, which historians call the Pre-Parthenon or Older Parthenon. The temple is aligned to the Hyades. While a sacred building dedicated to the patron goddess, the Parthenon was actually used primarily as a treasury. For a time, it served as the treasury of the Delian League, in the final decade of the sixth century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest, it was turned into a mosque in the early 1460s, on 26 September 1687, an Ottoman ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion damaged the Parthenon and its sculptures. From 1800 to 1803, Thomas Bruce, 7th Earl of Elgin removed some of the sculptures with the alleged permission of the Ottoman Empire. These sculptures, now known as the Elgin Marbles or the Parthenon Marbles, were sold in 1816 to the British Museum in London, since 1983, the Greek government has been committed to the return of the sculptures to Greece. The Liddell–Scott–Jones Greek–English Lexicon states that this room was the western cella of the Parthenon, jamauri D. Christopher Pelling asserts that Athena Parthenos may have constituted a discrete cult of Athena, intimately connected with, but not identical to, that of Athena Polias. According to this theory, the name of the Parthenon means the temple of the virgin goddess and it has also been suggested that the name of the temple alludes to the maidens, whose supreme sacrifice guaranteed the safety of the city. Parthénos has also applied to the Virgin Mary, Parthénos Maria. The first instance in which Parthenon definitely refers to the building is found in the writings of the 4th century BC orator Demosthenes. In 5th-century building accounts, the structure is simply called ho naos, because the Parthenon was dedicated to the Greek goddess Athena, it has sometimes been referred to as the Temple of Minerva, the Roman name for Athena, particularly during the 19th century
31.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
32.
Apelles
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Apelles of Kos was a renowned painter of ancient Greece. Pliny the Elder, to whom we owe much of our knowledge of this artist, rated him superior to preceding and he dated Apelles to the 112th Olympiad, possibly because he had produced a portrait of Alexander the Great. Much of what we know of Apelles is derived from Pliny the Elder and his skill at drawing the human face is the point of a story connecting him with Ptolemy I Soter. Ptolemys jester was suborned by Apelles rivals to convey to the artist a spurious invitation to dine with Ptolemy, apelless unexpected arrival enraged the king. Apelles was a contemporary of Protogenes, whose reputation he advocated, arriving at Protogenes studio, he encountered an old woman who told him that Protogenes was out and asked for his name so she could report who had enquired after him. On seeing this, Protogenes admitted defeat, and went out to seek Apelles, Pliny claims that this very painting had been part of the collection of Julius Caesar, but was destroyed when Caesars mansion on the Palatine Hill burned down. While sketching one of Alexander the Greats concubines, Campaspe, Apelles fell in love with her, as a mark of appreciation for the great painters work, Alexander presented her to him. Apelles is said to have been working on a painting of Aphrodite of Kos when he died, the story occasioning the painting was alleged to have been false accusations by a rival artist that Apelles took part in a conspiracy against Ptolemy. This almost led to the artists execution, in the Renaissance the exemplar of the poetic painting which was invariably cited whenever the art-poetry question was discussed was the Calumny of Apelles, known through Lucians description. Sandro Botticellis panel of Calumny of Apelles was painted in conscious striving to equal the painting in Lucians ekphrasis, the physician and philosopher Sextus Empiricus used Apelles in an analogy for Ataraxia. The skeptical acquisition of ataraxia was likened to the process where Apelles was trying to paint a horse and he wished to represent its foam. He was so unsuccessful that, in a rage, he gave up and threw the sponge he was using to clean his brushes with at the medium, the portraits of Clitus the Black and Archelaus I of Macedon. The procession of the high priest of Artemis at Ephesus, few things are more hopeless than the attempt to realize the style of a painter whose works have vanished. But a great wealth of stories, true or invented, clung to Apelles in antiquity and we are told, for example, that he attached great value to the drawing of outlines, practising every day. The tale is known of his visit to Protogenes. The power of drawing such lines is conspicuous in the decoration of red-figured vases of Athens. Apelles is said to have treated his rival with generosity, for he increased the value of his pictures by spreading a report that he meant to buy them and it was especially in that undefinable quality grace that Apelles excelled. He probably used but a variety of colours, and avoided elaborate perspective, simplicity of design, beauty of line
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