1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
Oasis (band)
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Oasis were an English rock band formed in Manchester in 1991. Developed from a group, the Rain, the band originally consisted of Liam Gallagher, Paul Bonehead Arthurs, Paul Guigsy McGuigan. They were later joined by Liams older brother Noel Gallagher as a fifth member, Oasis signed to independent record label Creation Records in 1993 and released their record-setting debut album Definitely Maybe. The following year the band recorded Morning Glory. with drummer Alan White, formerly of Starclub, McGuigan and Arthurs left Oasis in 1999 as the band went on to record and release Standing on the Shoulder of Giants. Their fifth studio album Heathen Chemistry saw Noel Gallaghers releasing strict creative control in the output with all members contributing songs. Following the recording of the seventh album Dig Out Your Soul in May 2008, Starkey departed the band and with Chris Sharrock as touring member. Liam Gallagher will release his debut album As You Were in 2017, by 2009, Oasis had sold over 70 million records worldwide. The band were listed in the Guinness World Records book in 2010 for Longest Top 10 UK Chart Run by a Group after a run of 22 top 10 hits in the UK. The band also holds the Guinness World Record for being the most successful act in the UK between the years 1995 and 2005, spending 765 weeks in the top 75 singles and albums charts. Oasis evolved from a band called the Rain, composed of Paul McGuigan, Paul Arthurs, Tony McCarroll. Unsatisfied with Hutton, Arthurs invited and auditioned acquaintance Liam Gallagher as a replacement, Liam suggested that the band name be changed to Oasis. This change was inspired by an Inspiral Carpets tour poster that hung in the Gallagher brothers bedroom, one of the venues the poster listed was the Oasis Leisure Centre in Swindon, Wiltshire. Oasis played their first ever gig on 18 August 1991 at the Boardwalk club in Manchester. Liams brother Noel Gallagher, who was a roadie for Inspiral Carpets, Noel approached the group about joining with the proviso that he would become the bands sole songwriter and leader, and that they would commit to an earnest pursuit of commercial success. He had loads of stuff written, Arthurs recalled, when he walked in, we were a band making a racket with four tunes. All of a sudden, there were loads of ideas, after over a year of live shows, rehearsals and a recording of a proper demo, the bands big break came in May 1993 when they were spotted by Creation Records co-owner Alan McGee. Oasis were invited to play a gig at King Tuts Wah Wah Hut club in Glasgow, Scotland, by a band called Sister Lovers, Oasis, along with a group of friends, found the money to hire a van and make the journey to Glasgow. When they arrived, they were refused entry to the club as they were not on that nights set list and they were given the opening slot and impressed McGee, who was there to see 18 Wheeler, one of his own bands, that night
3.
Be Here Now (album)
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Be Here Now is the third studio album by the English rock band Oasis, released on 21 August 1997 by Creation Records. Oasis had achieved success with their 1994 debut album Definitely Maybe and 1995 follow up Morning Glory. The third album was anticipated by both fans and music critics. Oasis management company, Ignition, were aware of the dangers of overexposure, the campaign included limiting pre-release radio airplay and forcing journalists to sign gag orders. The tactics resulted in the alienation of both the press and many industry personnel connected with the band, and fueled large-scale speculation and wide publicity within the British music scene. On the first day of release, Be Here Now sold over 424,000 copies, becoming the album in British chart history. Retrospectively, however, the album is viewed by music journalists and fans and by most members of the band as over-indulgent. The albums producer Owen Morris said the sessions were marred by arguments and drug abuse. As of 2008, the album had eight million copies worldwide. By the summer of 1996, Oasis were widely considered, according to guitarist Noel Gallagher, bigger than, dare I say it, fucking God. The commercial success of the two previous albums had resulted in media frenzy and an ubiquity in the mainstream press that was in danger of leading to a backlash. Oasis members were by then being invited to functions at 10 Downing Street by Prime Minister Tony Blair and holidaying with Johnny Depp, during their last stay on the island, Noel wrote the majority of the songs that would make up Oasiss third album. He had suffered from writers block during the winter, and has since admitted he wrote only a single guitar riff in the six months following the release of Morning Glory. Noel has later said about the album, most of the songs were written before I even got a record deal, I went away and wrote the lyrics in about two weeks. The bands producer Owen Morris joined Gallagher later with a TASCAM 8-track recorder, and they recorded demos with a drum machine and a keyboard. In August 1996, the band performed two concerts before crowds of 250,000 at Knebworth House, Hertfordshire, while more than 2,500,000 fans had applied for tickets. The dates were to be the zenith of Oasiss popularity, by this time however, there was much instability and internal conflict emerging between the band members. On 23 August 1996, vocalist Liam Gallagher refused to sing for an MTV Unplugged performance at Londons Royal Festival Hall, though he did attend the concert, he spent the evening heckling Noel from the upper level balcony
4.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
5.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
6.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
7.
Cassette single
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A cassette single is a music single in the form of a Compact Cassette. Bow Wow Wows C·30 C·60 C·90 Go was the first cassette single released in the U. K. in 1980, records released the first cassette single in the U. S. with the Go-Gos Vacation in 1982. The ZTT label made good use of the format by 1984, with singles by Frankie Goes to Hollywood, Art of Noise, the format was used as a promotion in the 1990s, with Disney giving a cassingle to attendees of Hercules promotional events. Originally, most cassette singles were released in a sleeve that slipped over the outside of the release. This was then usually shrink wrapped in plastic, some singles contained one song on each side, much as 45s had done, but others repeated the songs on both sides. In some markets, cassette singles generally used the packaging as standard cassettes. As the cassette maxi-single was released, more intricate packaging was incorporated that looked similar to the packaging of a cassette release. These were placed in regular plastic cassette cases with a paper/cardstock insert, unlike a full-length cassette album, these were generally only one two-sided inlay instead of a fold-out. Maxi-singles usually contained four versions of a song, i. e. unique mixes & edits. In the U. S. cassette singles were completely phased out by the early 2000s, one reason for their lesser popularity was because they appeared to be an inefficient use of the media to consumers - a cassette single took up the same storage space as a full album
8.
Britpop
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The most successful bands associated with the movement are Oasis, Blur, Suede and Pulp, those groups would come to be known as its big four. The timespan of Britpop is generally considered to be 1993-1997, with 1994-1995, an influence they shared in particular was the Smiths. These bands were joined by others including Oasis, Pulp, The Verve, Supergrass, Cast, Placebo, Space, Sleeper. Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement called Cool Britannia, the Battle of Britpop brought Britpop to the forefront of the British press in 1995. By 1997, however, the movement began to slow down, many began to falter. The popularity of the pop group the Spice Girls snatched the spirit of the age from those responsible for Britpop. Although its more popular bands were able to spread their commercial success overseas, especially to the United States, the movement largely fell apart by the end of the decade. Britpop bands show elements from the British pop music of the Sixties, glam rock and punk rock of the Seventies, and indie pop of the Eighties in their music, attitude, and clothing. Specific influences vary, Blur and Oasis drew from the Kinks, regardless, Britpop artists project a sense of reverence for British pop sounds of the past. Alternative rock acts from the scene of the Eighties and early Nineties were the direct ancestors of the Britpop movement. The influence of the Smiths is common to the majority of Britpop artists, local identity and regional British accents are common to Britpop groups, as well as references to British places and culture in lyrics and image. Stylistically, Britpop bands use catchy hooks and lyrics that were relevant to young British people of their own generation, Britpop bands conversely denounced grunge as irrelevant and having nothing to say about their lives. Damon Albarn of Blur summed up the attitude in 1993 when after being asked if Blur were a band he said, Well. If punk was about getting rid of hippies, then Im getting rid of grunge, in spite of the professed disdain for the genres, some elements of both crept into the more enduring facets of Britpop. The imagery associated with Britpop was equally British and working class, a rise in unabashed maleness, exemplified by Loaded magazine and lad culture in general, would be very much part of the Britpop era. The emphasis on British reference points made it difficult for the genre to achieve success in the US, journalist John Harris has suggested that Britpop began when Blurs single Popscene and Suedes The Drowners were released around the same time in the spring of 1992. He stated, f Britpop started anywhere, it was the deluge of acclaim that greeted Suedes first records, all of them audacious, successful and very, very British. Suede were the first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britains answer to Seattles grunge sound and their debut album Suede became the fastest-selling debut album in the history of the UK
9.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
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