Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
In Tom, Tom, the Piper's Son (1969), Ken Jacobs rephotographs the 1905 Billy Bitzer film of the same name.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Poster for The Great Blondino, a 1960s counterculture film directed by Robert Nelson and William T. Wiley
Lithuanian artist Jonas Mekas, regarded as godfather of American avant-garde cinema