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Caspar David Friedrich, Wanderer above the Sea of Fog, 1817, Kunsthalle Hamburg. Romantic artists during the 19th century used the epic of nature as a
Caspar David Friedrich, Wanderer above the Sea of Fog, 1817, Kunsthalle Hamburg. Romantic artists during the 19th century used the epic of nature as an expression of the sublime.
Hahnen, Swiss Alps. British writers, taking the Grand Tour in the 17th and 18th centuries, first used the sublime to describe objects of nature.
Hahnen, Swiss Alps. British writers, taking the Grand Tour in the 17th and 18th centuries, first used the sublime to describe objects of nature.
Viviano Codazzi: Rendition of St. Peter's Square, Rome, dated 1630. Kant referred to St. Peter's as "splendid", a term he used for objects producing f
Viviano Codazzi: Rendition of St. Peter's Square, Rome, dated 1630. Kant referred to St. Peter's as "splendid", a term he used for objects producing feeling for both the beautiful and the sublime.
Maurizio Bolognini, SMSMS (SMS Mediated Sublime), 2000–2006, an interactive installation that aims to involve the audience in the experience of the ma
Maurizio Bolognini, SMSMS (SMS Mediated Sublime), 2000–2006, an interactive installation that aims to involve the audience in the experience of the manipulation and consumption of the technological sublime
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A man enjoying a painting of a landscape. The nature of such experience is studied by aesthetics.
A man enjoying a painting of a landscape. The nature of such experience is studied by aesthetics.
Rainbows often have aesthetic appeal.
Rainbows often have aesthetic appeal.
The Mandelbrot set with continuously colored environment
The Mandelbrot set with continuously colored environment