A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a home computer, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9% of all music sales in the US in 2012. By the beginning of 2011, Apple's iTunes Store alone made US$1.1 billion of revenue in the first quarter of its fiscal year. Paid downloads are sometimes encoded with Digital Rights Management that restricts copying the music or playing purchased songs on certain digital audio players, they are always compressed using a lossy codec, which reduces file size and bandwidth requirements. These music resources have been created as a response to expanding technology and needs of customers that wanted easy, quick access to music, their business models respond to the "download revolution" by making legal services attractive for users.
Legal music downloads have faced a number of challenges from artists, record labels and the Recording Industry Association of America. In July 2007, the Universal Music Group decided not to renew their long-term contracts with iTunes; this decision was based upon the issue of pricing of songs, as Universal wanted to be able to charge more or less depending on the artist, a shift away from iTunes' standard—at the time—99 cents per song pricing. Many industry leaders feel that this is only the first of many show-downs between Apple Inc. and the various record labels. According to research by the website TorrentFreak, 38% of Swedish artists support file share downloading and claim that it helps artists in early career stages; the Swedish rock group Lamont has profited from file sharing. The Recording Industry Association of America oversees about 85% of published music production and manufacturing in the United States, they work to protect musicians while supporting the First Amendment rights. Their stated goal is to support artists' creativity and help them not be cheated out of money by illegal downloading.
The Recording Industry Association of America launched its first lawsuits on 8 September 2003, against individuals who illegally downloaded music files from the Kazaa FastTrack network. Two years after it began, the campaign survived at least one major legal challenge; the RIAA said it filed 750 suits in February 2006 against individuals downloading music files without paying for them in hopes of putting an end to Internet music piracy. The RIAA hopes their campaign will force people to respect the copyrights of music labels and minimize the number of illegal downloads; the Official Charts Company began to incorporate downloads in the UK Singles Chart on 17 April 2005, at which time Radio 1 stopped broadcasting the separate download chart, although the chart is still compiled. This was on condition that the song must have a physical media release at the same time. Music downloads have been measured by the Official Charts Company since 2004 and included in the main UK Singles Chart from 2005.
The most downloaded song in the UK is "Happy" by Pharrell Williams with over 1.8 million downloads. In November 2005, the record for the best-selling downloaded single in the United States was held by Gwen Stefani's "Hollaback Girl", which sold over one million downloads, making it the first song to achieve platinum download status; as of July 2012, the record for the best-selling downloaded single in the United States on the iTunes Store is held by The Black Eyed Peas's "I Gotta Feeling", which has sold over 8 million downloads. Soon after his death in 2009, Michael Jackson became the first artist to sell over one million songs downloaded via the Internet in one week. However, Adele marks the most downloads sold by a single song in a week, with "Hello" selling 1.12 million copies in November 2015. Eminem's seventh studio album, became the first album to sell one million digital copies. Beyoncé's self-titled fifth studio album became the fastest-selling album within 24 hours in iTunes history after its release in December 2013.
Within 24 hours of availability, the album sold 430,000 digital copies. Adele's third studio album 25 became the fastest-selling album in a week iTunes history after it was released on 20 November 2015, it sold 1.64 million digital copies in its first week. In 2006, the Recording Industry Association of Japan began issuing certifications for digitally released music in Japan, compiling data from the early 2000s onwards; the best-selling song is Fukushima-based vocal group Greeeen's song "Kiseki", certified for being downloaded four million times between 2008 and 2015, followed by R&B singer Thelma Aoyama's "Soba ni Iru ne" featuring rapper SoulJa, certified for three million downloads between 2008 and 2014. Greeeen's song "Ai Uta" ranks as the third highest certified song, with 2.5 million downloads tracked between 2007 and 2009. Two more songs have sold more than two million paid downloads: Ayaka's "Mikazuki" and Kobukuro's "Tsubomi"; the most successful ringtone in Japan is Moldovan-Romanian band O-Zone's "Dragostea din tei", known locally as "Koi no Maiahi", certified as having four million units sold.
In Japan, only two albums have received digital certifications by the RIAJ. The first was Songs for Japan, a charity compilation album raising profits for the 2011 Tōhoku earthquake and tsunami, certified gold for 100,000 downloa
David Jordan (singer)
David Jordan is an English singer-songwriter. His debut album, Set the Mood, was released in October 2007, peaking at number 13 on the UK Albums Chart. Born to a mother from Montserrat and a father from Calcutta, Jordan has been writing pop-rock songs since he was 11. Growing up, his music idol was Prince. After spending the first nine years of his life in North London, when his parents split up Jordan chose to live with his grandmother in Enfield until he moved into a council flat in Finchley aged 16; as a teenager, Jordan associated with a group of young hopefuls signed to Simon Fuller's 19 management company, including a young Amy Winehouse, with whom he remained friends. Jordan was obsessed with gaining a record deal, he would study drama at college during the day, work at Starbucks in New Oxford Street in the evening and work on songs with his producer friend Jack Freegard at Fortress Studios in Old Street. On 22 October 2007, he released "Place in My Heart" as the lead single from his debut studio album.
He released his debut studio album, Set the Mood, on 29 October 2007, peaking to number 13 on the UK Albums Chart. On 4 February 2008, he released "Sun Goes Down" as the second single from the album, peaking to number 4 on the UK Singles Chart, he performed the song at the Royal Variety Performance. On 4 May 2008, he released "Move On" as the third single from the album, peaking to number 68 on the UK Singles Chart. On 26 March 2011, Jordan uploaded a music video for "Don't Wanna" to YouTube. In July 2011, he featured on Kane Ricca's single "One Nation" with Defi'. On 5 April 2012, he uploaded a music video for "Fallen Star" to YouTube. On 25 July 2012, he uploaded a music video for "Wild, Wasted & Wonderful" to YouTube and published 8 acoustic videos on YouTube made by Methodworks. In spring of 2012, he applied for the lead dancer role as Michael Jackson in the Thriller Live musical at the West End, London, he got the role and debuted as Michael Jackson at the Lyric Theatre in the West End on July 2012
A CD single is a music single in the form of a compact disc. The standard in the Red Book for the term CD single is an 8cm CD, it now refers to any single recorded onto a CD of any size the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs up to six songs like an EP; some contain multiple mixes of one or more songs, in the tradition of 12" vinyl singles, in some cases, they may contain a music video for the single itself as well as a collectible poster. Depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Dire Straits' "Brothers in Arms" is reported to have been the world's first CD single, issued in the UK in two separate singles as a promotional item, one distinguished with a logo for the tour, Live in'85, a second to commemorate the Australian leg of the tour marked Live in'86.
Containing four tracks, it had a limited print run. The first commercially released CD Single was Angeline by John Martyn released on 1 February 1986. CD singles were first made eligible for the UK Singles Chart in 1987, the first number 1 available on the format in that country was "I Wanna Dance with Somebody" by Whitney Houston in May 1987; the Mini CD single CD3 format was created for use for singles in the late 1980s, but met with limited success in the US. The smaller CDs were more successful in Japan and had a resurgence in Europe early this century, marketed as "Pock it" CDs, being small enough to fit in a shirt pocket. By 1989, the CD3 was in decline in the US, it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would release two CDs but these consisted of three tracks or more each. During the 1990s, CD single releases became less common in certain countries and were released in smaller editions, as the major record labels feared they were cannibalizing the sales of higher-profit-margin CD albums.
Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single being released. In the US, the Billboard Hot 100 made this change in December 1998, after which few songs were released in the CD single format in the US, but they remained popular in the UK and other countries, where charts were still based on single sales and not radio airplay. At the end of the 1990s, the CD was the biggest-selling single format in the UK, but in the US, the dominant single format was airplay. With the advent of digital music sales, the CD single has been replaced as a distribution format in most countries, most charts now include digital download counts as well as physical single sales. In Australia, the Herald Sun reported the CD single is "set to become extinct". In early July 2009, leading music store JB Hi-Fi ceased stocking CD singles because of declining sales, with copies of the week's No. 1 single selling as few as only 350 copies across all their stores nationwide.
While CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artist's albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most Delta Goodrem, whose then-recent singles were released on CD in limited quantities; the ARIA Singles Chart is now "predominantly compiled from legal downloads", ARIA stopped compiling their physical singles sales chart. "On a Mission" by Gabriella Cilmi was the last CD single to be stocked in Kmart and Big W, who concluded stocking newly released singles. Sanity Entertainment, having resisted the decline for longer than the other major outlets, has ceased selling CD singles. In China and South Korea, CD single releases have been rare since the format was introduced, due of the amount of infringement and illegal file sharing over the internet, most of the time singles have been album cuts chart based only on airplay, but with the advent of digital music the charts have occasionally included digital download counts.
In Greece and Cyprus, the term "CD single" is used to describe an extended play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles; the original CD single is a music single released on a mini Compact Disc that measures 8 cm in diameter, rather than the standard 12 cm. They are manufactured using the same methods as standard full-size CDs, can be played in most standard audio CD players and CD-ROM disc drives; the format was first released in the United States, United Kingdom, France, West Germany, Hong Kong in 1987 as the replacement for the 7-inch single. While mini CDs have fallen out of popularity among most major record labels, they remain a popular, low cost way for independent musicians and groups to release music. Capable of holding up to 20 minutes of music, most mini CD singles contain at least two tracks, ofte
The Bahamas, known as the Commonwealth of The Bahamas, is a country within the Lucayan Archipelago. The archipelagic state consists of more than 700 islands and islets in the Atlantic Ocean, is located north of Cuba and Hispaniola, northwest of the Turks and Caicos Islands, southeast of the U. S. state of Florida, east of the Florida Keys. The capital is Nassau on the island of New Providence; the designation of "the Bahamas" can refer either to the country or to the larger island chain that it shares with the Turks and Caicos Islands. The Royal Bahamas Defence Force describes the Bahamas territory as encompassing 470,000 km2 of ocean space; the Bahamas is the site of Columbus's first landfall in the New World in 1492. At that time, the islands were inhabited by the Lucayans, a branch of the Arawakan-speaking Taíno people. Although the Spanish never colonised the Bahamas, they shipped the native Lucayans to slavery in Hispaniola; the islands were deserted from 1513 until 1648, when English colonists from Bermuda settled on the island of Eleuthera.
The Bahamas became a British crown colony in 1718. After the American Revolutionary War, the Crown resettled thousands of American Loyalists in the Bahamas. Africans constituted the majority of the population from this period; the slave trade was abolished by the British in 1807. Subsequently, the Bahamas became a haven for freed African slaves. Today, Afro-Bahamians make up nearly 90% of the population; the Bahamas became an independent Commonwealth realm in 1973 with Elizabeth II as its queen. In terms of gross domestic product per capita, the Bahamas is one of the richest countries in the Americas, with an economy based on tourism and finance; the name Bahamas is most derived from either the Taíno ba ha ma, a term for the region used by the indigenous Native Americans, or from the Spanish baja mar reflecting the shallow waters of the area. Alternatively, it may originate from a local name of unclear meaning; the word The constitutes an integral part of the short form of the name and is, capitalised.
So in contrast to "the Congo" and "the United Kingdom", it is proper to write "The Bahamas." The name The Bahamas is thus comparable with certain non-English names that use the definite article, such as Las Vegas or Los Angeles. The Constitution of the Commonwealth of The Bahamas, the country's fundamental law, capitalizes the "T" in "The Bahamas." Taino people moved into the uninhabited southern Bahamas from Hispaniola and Cuba around the 11th century, having migrated there from South America. They came to be known as the Lucayan people. An estimated 30,000 Lucayans inhabited the Bahamas at the time of Christopher Columbus's arrival in 1492. Columbus's first landfall in the New World was on an island; some researchers believe this site to be present-day San Salvador Island, situated in the southeastern Bahamas. An alternative theory holds that Columbus landed to the southeast on Samana Cay, according to calculations made in 1986 by National Geographic writer and editor Joseph Judge, based on Columbus's log.
Evidence in support of this remains inconclusive. On the landfall island, Columbus exchanged goods with them; the Spanish forced much of the Lucayan population to Hispaniola for use as forced labour. The slaves suffered from harsh conditions and most died from contracting diseases to which they had no immunity; the population of the Bahamas was diminished. In 1648, the Eleutherian Adventurers, led by William Sayle, migrated from Bermuda; these English Puritans established the first permanent European settlement on an island which they named Eleuthera—the name derives from the Greek word for freedom. They settled New Providence, naming it Sayle's Island after one of their leaders. To survive, the settlers salvaged goods from wrecks. In 1670, King Charles II granted the islands to the Lords Proprietors of the Carolinas in North America, they rented the islands from the king with rights of trading, appointing governors, administering the country. In 1684 Spanish corsair Juan de Alcon raided Charles Town.
In 1703, a joint Franco-Spanish expedition occupied the Bahamian capital during the War of the Spanish Succession. During proprietary rule, the Bahamas became a haven for pirates, including Blackbeard. To put an end to the'Pirates' republic' and restore orderly government, Great Britain made the Bahamas a crown colony in 1718 under the royal governorship of Woodes Rogers. After a difficult struggle, he succeeded in suppressing piracy. In 1720, Rogers led local militia to drive off a Spanish attack. During the US War of Independence in the late 18th century, the islands became a target for US naval forces under the command of Commodore Esek Hopkins. US Marines occupied the capital of Nassau for 2 weeks. In 1782, following the British defeat at Yorktown, a Spanish fleet appeared off the coast of Nassau; the city surrendered without a fight. Spain returned possession of the Bahamas to Great Britain the following year, u
BBC Radio 1
BBC Radio 1 is a British radio station operated by the British Broadcasting Corporation which broadcasts internationally, specialising in modern popular music and current chart hits throughout the day. Radio 1 provides alternative genres after 7 pm, including electronica, hip hop and indie; the choice of music and presenting style is that of programme hosts, however those who present in the daytime have to rotate a number of songs a specific number of times per week. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population was 27; the BBC claim that they target the 15–29 age group, the average age of its UK audience since 2009 is 30. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. Radio 1 was established in 1967 as a successor to the BBC Light Programme, which had broadcast popular music and other entertainment since 1945. Radio 1 was conceived as a direct response to the popularity of offshore pirate radio stations such as Radio Caroline and Radio London, outlawed by Act of Parliament.
Radio 1 was launched at 6:55 am on Saturday 30 September 1967. Broadcasts were on 247 metres high wave, using a network of transmitters which had carried the Light Programme. Most were of comparatively low power, at less than 50 kilowatts, leading to patchy coverage of the country; the first disc jockey to broadcast on the new station was Tony Blackburn, whose cheery style, first heard on Radio Caroline and Radio London, won him the prime slot on what became known as the "Radio 1 Breakfast Show". The first words on Radio 1 – after a countdown by the Controller of Radios 1 and 2, Robin Scott, a jingle, recorded at PAMS in Dallas, beginning "The voice of Radio 1" – were: And, good morning everyone. Welcome to the exciting new sound of Radio 1; this was the first use of US-style jingles on BBC radio, but the style was familiar to listeners who were acquainted with Blackburn and other DJs from their days on pirate radio. The reason jingles from PAMS were used was that the Musicians' Union would not agree to a single fee for the singers and musicians if the jingles were made "in-house" by the BBC.
The first music to be heard on the station was "Theme One", specially composed for the launch by George Martin. It was followed by an extract from "Beefeaters" by Johnny Dankworth; the first complete record played on Radio 1 was "Flowers in the Rain" by The Move, the number 2 record in that week's Top 20. The second single was "Massachusetts" by The Bee Gees; the breakfast show remains the most prized slot in the Radio 1 schedule, with every change of breakfast show presenter exciting considerable media interest. The initial rota of staff included John Peel and a gaggle of others, some transferred from pirate stations, such as Keith Skues, Ed Stewart, Mike Raven, David Ryder, Jim Fisher, Jimmy Young, Dave Cash, Kenny Everett, Simon Dee, Terry Wogan, Duncan Johnson, Doug Crawford, Tommy Vance, Chris Denning, Emperor Rosko, Pete Murray, Bob Holness. Many of the most popular pirate radio voices, such as Simon Dee, had only a one-hour slot per week Initially, the station was unpopular with some of its target audience who, it is claimed, disliked the fact that much of its airtime was shared with Radio 2 and that it was less unequivocally aimed at a young audience than the offshore stations, with some DJs such as Jimmy Young being in their 40s.
The fact that it was part of an "establishment" institution such as the BBC was a turn-off for some, needle time restrictions prevented it from playing as many records as offshore stations had. It had limited finances and as in January 1975, suffered disproportionately when the BBC had to make financial cutbacks, strengthening an impression that it was regarded as a lower priority by senior BBC executives. Despite this, it gained massive audiences, becoming the most listened-to station in the world with audiences of over 10 million claimed for some of its shows. In the early-mid-1970s Radio 1 presenters were out of the British tabloids, thanks to the Publicity Department's high-profile work; the touring summer live broadcasts called the Radio 1 Roadshow – as part of the BBC'Radio Weeks' promotions that took Radio 1, 2 and 4 shows on the road – drew some of the largest crowds of the decade. The station undoubtedly played a role in maintaining the high sales of 45 rpm single records although it benefited from a lack of competition, apart from Radio Luxembourg and Manx Radio in the Isle of Man..
Alan Freeman's'Saturday Rock Show' was voted'Best Radio Show' five years running by readers of a national music publication, was axed by controller Derek Chinnery. Annie Nightingale, who joined in 1970, was Britain's first female DJ and is now the longest serving presenter, having evolved her musical tastes with the times. On Thursday 23 November 1978 the station moved to two new medium wave frequencies which allowed a major increase in transmitter powers and improved coverage of the UK. 247 metres was passed to Radio 3. The station was on medium wave only until the early 80s, when it took over the Radio 2 FM frequency for a number of hours on weekend afternoons and late weekday evenings; the BBC set up an FM channel specifically
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
Set the Mood
Set the Mood is the debut studio album of British singer-songwriter David Jordan. Before the release of the album, Jordan had written between 100 songs; these songs were whittled down to 11 for the final track listing of Set the Mood. The album was produced by Trevor Horn, who has worked with Seal and the English dance-pop band Frankie Goes To Hollywood. "Place in My Heart" was released as Set the Mood's lead single on 22 October. The album was released in the UK, France and Germany a week later. Set the Mood and Jordan received many positive reviews following the album's 29 October release; the singer was dubbed the British version of Justin Timberlake, compared with artists such as Lenny Kravitz and Michael Jackson. Prior to recording Set the Mood, Jordan had written between 60 and 100 songs, within a four-year time period; the singer's record company chose the best 11 songs for the album. "Sun Goes Down" was written. Jordan stated that the song was about the parties he and his friends held at Old Street Studios in London, what he would see there.
"It's about when the sun goes down in London, all the madness starts." The album was produced by Trevor Horn, who has produced for Seal and the English dance-pop band Frankie Goes To Hollywood. Horn assembled the album over 18 months. Jordan praised the producer. Jordan discovered by Jill Sinclair, co-founder of ZTT Records. Jordan was not aware of who Horn was. "My reaction was,'Who?' I'd never heard of ABC, Seal or Frankie Goes To Hollywood. I wasn't aware of Trevor's amazing track record but when I discovered who he'd been involved with I felt honoured." "Place in My Heart" was released as Set the Mood's lead single on 22 October. The album was released in the UK, France and Germany a week later. Set the Mood and Jordan received many positive reviews following the album's release; the singer was dubbed the British version of Justin Timberlake, compared with artists such as Lenny Kravitz and Michael Jackson. The Times described the album as being "soft-rock nostalgia, with the odd nod to Justin Timberlake's crossover style".
They noted that the "playground political" "Place in My Heart" was "pretty ace". Combined with the "naggingly catchy" "Move On" and the "positively Slavic" "Sun Goes Down", Set the Mood was summed up as being "enjoyably timewarped". "Love Song" was described by The Guardian as being "strikingly, struttingly Jacko-esque". Nigel Gould of The Belfast Telegraph compared the album's 1980s-style pop to Michael Jackson and the soul to British funk group Linx; the BBC declared that Set The Mood "works" as a soul pop album. They added that the singer "could have been made in a laboratory, cloned from the DNA of Lenny Kravitz and Michael Jackson". Despite the positive reviews, Jordan insisted. "I still make my own dinner and clean out the cat litter. I've yet to taste the trappings of pop stardom."