Superman II

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Superman II
Superman II.jpg
Theatrical release poster
Directed by Richard Lester
Richard Donner
(uncredited)
Produced by Pierre Spengler
Screenplay by
Story by Mario Puzo
Based on Superman
by Jerry Siegel
Joe Shuster
Starring
Music by Ken Thorne
Cinematography Robert Paynter
Edited by John Victor-Smith
Production
companies
  • Dovemead Ltd.
  • Film Export A.G.
  • International Film Production
Distributed by
Release date
  • December 4, 1980 (1980-12-04) (Australia)[1]
  • April 9, 1981 (1981-04-09) (United Kingdom)[2]
Running time
127 minutes
Country United Kingdom[3]
United States[3]
Language English
Budget $54 million
Box office $190.4 million[4]

Superman II is a 1980[5][6][7] superhero film directed by Richard Lester and written by Mario Puzo and David and Leslie Newman, based on the DC Comics character Superman. It is a sequel to the 1978 film Superman and stars Gene Hackman, Christopher Reeve, Terence Stamp, Ned Beatty, Sarah Douglas, Margot Kidder, and Jack O'Halloran. The film was released in Australia and mainland Europe on December 4, 1980,[1] and in other countries throughout 1981. Selected premiere engagements of Superman II were presented in Megasound, a high-impact surround sound system similar to Sensurround.

In 1977, it was decided to film both Superman (1978) and its sequel simultaneously, with principal photography beginning in March 1977 and ending in October 1978. Tensions arose between Richard Donner and the producers in which a decision was made to stop filming the sequel, of which 75 percent had already been completed, and finish the first film. Following the release of Superman in December 1978, Donner was controversially fired as director, and was replaced by Richard Lester. Several members of the cast and crew declined to return in the wake of Donner's firing. In order to officially credited as the director, Lester re-shot most of the film with a new alternate opening and ending for which principal photography began in September 1979 and ended in March 1980.

The film received positive reviews from film critics who praised the performances from Reeve and Hackman, the visual effects, and humor. It grossed $190 million against a production budget of $54 million. A sequel, Superman III, was released, for which Lester returned as director.

Plot[edit]

Before the destruction of Krypton, the criminals General Zod, Ursa and Non are sentenced to banishment into the Phantom Zone. Years later, the Phantom Zone is shattered near Earth by the shockwave of a space-borne hydrogen bomb. The three criminals are freed and find themselves with superpowers granted by the yellow light of Earth's sun.

The Daily Planet sends journalist Clark Kent—whose secret identity is Superman—and his colleague Lois Lane to Niagara Falls. Lois suspects Clark and Superman are the same person. That night, when Clark recovers Lois' comb from a lit fireplace, Lois discovers that his hand is unburned, forcing Clark to admit he is Superman. He takes her to his Fortress of Solitude in the Arctic, and shows her the traces of his past stored in energy crystals. One is the green crystal that created the Fortress and opened Superman's contact with his parents. Superman declares his love for Lois and his wish to spend his life with her. After conferring with the artificial intelligence of his mother Lara, Superman removes his superpowers by exposing himself to red Kryptonian sunlight in a crystal chamber, becoming a mortal. Clark and Lois spend the night together, then leave the Fortress and return from the Arctic by automobile. Arriving at a diner, Clark is beaten up by a truck driver named Rocky.

Meanwhile, the Zod gang, after becoming accustomed to earth, travels to the White House and forces the President of the United States to surrender on behalf of the entire planet during an international television broadcast. When the President pleads for Superman to save the Earth, General Zod demands that Superman come and "kneel before Zod!" Clark and Lois learn of Zod's conquest and, realizing that humanity alone cannot fight Zod, Clark returns to the Fortress to try to regain his powers.

Lex Luthor escapes from prison with Eve Teschmacher's help, leaving his accomplice Otis behind. Luthor and Teschmacher infiltrate the Fortress of Solitude before Superman and Lois arrive. Luthor learns of Superman's connection to Jor-El and General Zod. He finds Zod at the White House and tells him Superman is the son of Jor-El, their jailer, and offers to lead him to Superman in exchange for control of Australia. The three Kryptonians ally with Luthor and go to the offices of the Daily Planet. Superman arrives, after having found the green crystal that restores his powers, and battles the three. Zod realizes Superman cares for the humans and takes advantage of this by threatening bystanders. Superman realizes the only way to stop Zod and the others is to lure them to the Fortress. Superman flies off, with Zod, Ursa, and Non in pursuit, kidnapping Lois and taking along Luthor. Upon arrival, Zod declares Luthor has outlived his usefulness and plans to kill both him and Superman. Superman tries to get Luthor to lure the three into the crystal chamber to depower them, but Luthor, eager to get back in Zod's favor, reveals the chamber's secret to the villains. Zod forces Superman into the chamber and activates it; however, Superman crushes Zod's hand and tosses him into a crevice. Luthor deduces that Superman reconfigured the chamber to expose the trio to red sunlight while Superman was protected from it. Non falls into another crevice when trying to fly over it and Lois knocks Ursa into a third. Superman flies back to civilization, returning Luthor to prison and Lois home.

At the Daily Planet the following day, Clark finds Lois upset about knowing his secret and not being able to be open about her true feelings. He kisses her, using his abilities to wipe her mind of her knowledge of the past few days. Later, Clark returns to the diner and has a rematch with Rocky the truck driver and defeats him easily. Superman restores the damage done by Zod, replacing the flag atop the White House and tells the president he won't abandon his duty again.

Cast[edit]

  • Gene Hackman as Lex Luthor: Criminal genius and Superman's nemesis. Armed with vast resources and scientific brilliance, Luthor's contempt for mankind is only surpassed by his hatred for Superman. Luthor strikes a bargain with the three Kryptonian criminals in an effort to destroy Superman.[7]
  • Christopher Reeve as Clark Kent / Superman: Born on Krypton and raised on Earth, Superman is a being of immense strength, speed, and power. Morally upstanding and instilled with a strong sense of duty, Superman tirelessly uses his formidable powers, which he gets from the Earth's yellow sun, to protect the people of his adoptive homeworld. His alter ego is mild-mannered Daily Planet reporter Clark Kent. Superman's abilities include: X-ray and heat vision, vast strength, speed and invulnerability, super-intelligence and flight.[7]
  • Ned Beatty as Otis: Luthor's incompetent henchman.
  • Jackie Cooper as Perry White: Mercurial editor-in-chief of the Daily Planet newspaper and Lois and Clark's boss.
  • Sarah Douglas as Ursa: Zod's second-in-command and consort. Ursa's evil will and power-lust are equal to and sometimes surpass those of General Zod's. Her contempt and utter disregard for humans, men in particular, make her a very deadly adversary. She has an inclination to collect insignia and heraldry from people she defeats or dominates, such as the NASA patch from the EVA suit of an astronaut she kills.
  • Margot Kidder as Lois Lane: The ace reporter for the Daily Planet and Superman's love interest. Lois, is a driven career journalist, who lets nothing stand in the way of breaking the next big story and scooping rival reporters while ignoring the potential consequences that sometimes put her in peril. She finds out that Clark is Superman, but her memory is erased when Clark kisses her.
  • Jack O'Halloran as Non: The third of the Kryptonian criminals, Non is "as without thought as he is without voice." At 7 ft (2.1 m) tall, Non is a formidable hulking mute, who easily matches Superman's strength but has the intelligence and sometimes curiosity of a child and communicates only with guttural grunts and growls. Though he lacks the mental ability to use his powers effectively, he does however possess the same taste for destruction as his Kryptonian companions.
  • Valerie Perrine as Eve Teschmacher: Lex Luthor's beautiful assistant and girlfriend who helps Lex Luthor escape from prison.
  • Susannah York as Lara: Jor-El's wife and Superman's biological mother.
  • Clifton James as Sheriff.
  • E.G. Marshall as the President of the United States.
  • Marc McClure as Jimmy Olsen: Young photographer at the Daily Planet.
  • Terence Stamp as General Zod: The ruthless, arrogant and megalomaniacal leader of three Kryptonian criminals banished to the Phantom Zone and unwittingly set free by Superman. Zod, upon landing on Earth and gaining the same superpowers as Superman, immediately views humans as a weak and insignificant sub-species and imposes his evil will for world dominance. However, his arrogance causes him to quickly become bored with his powers and he is almost disappointed at how little of a challenge humans are. His insatiable lust for power is replaced however by revenge when he learns that the son of Jor-El stands in the way of his absolute rule of the planet.

According to the 2006 documentary You Will Believe: The Cinematic Saga of Superman, Sarah Douglas was the only cast member to do extensive around-the-world press tours in support of the film and was one of the few actors who held a neutral point of view in the Donner-Lester controversy.

Richard Donner briefly appears in a "walking cameo" in the film. In the sequence where the de-powered Clark and Lois are seen approaching the truck-stop diner by car, Donner appears walking "camera left" past the driver's side. He is wearing a light tan jacket and appears to be smoking a pipe. In his commentary for Superman II, Ilya Salkind states that the inclusion of his cameo in that scene is proof that the Salkinds held no animosity towards Donner, because if there were, then surely they would have cut it out. Conversely, Donner has used his inclusion in the scene to debunk praise heaped on Lester around the release of the film where Lester took credit for the intense nature of the "bully" scene in the diner, pointing out that he (Donner) filmed the scene and not Lester.

Production history[edit]

Original production[edit]

Principal photography for both Superman films began on March 28, 1977 at Pinewood Studios for the Krypton scenes, but by May 1977, production had ran two weeks behind schedule.[8] It was reported that Donner had developed tensions with the Salkinds and Pierre Spengler concerning the escalating production budget and production schedule. Donner responded by claiming he was never given a budget.[9] In July 1977, Richard Lester—who had previously directed The Three Musketeers (1973) and The Four Musketeers (1974) for the Salkinds—came on-board the project as an uncredited associate producer and intermediary on Superman to mediate the relationship between Donner and the Salkinds whom were no longer on speaking terms.[10] Prior to this, Lester had won a lawsuit against the Salkinds for money still owned to him from making the films, but the assets were held in legal entanglements in the Bahamas. The Salkinds then offered to compensate him if he would help on the Superman films, in which Lester became a second unit director where he and Donner formed an effective partnership.[11][12] By October 1977, Gene Hackman, Ned Beatty, and Valerie Perrine had completed their scenes as they were all under contract to finish both pictures. Nevertheless, with months left of filming, the Salkinds had halted filming Superman II and focus on finishing Superman[13] by which Donner had already completed 75% of the sequel.[14] During the pause in filming, the Salkinds agreed to a negative pickup deal with Warner Bros. granting the studio rights to foreign distribution and television airings in exchange for more financing.[15]

Replacing Richard Donner[edit]

Following the release of Superman in December 1978, Spengler encountered Variety columnist Army Archerd at a Christmas party that, in which he confirmed that while there had been tension between him and Donner, he was proud of the film and looked forward to working with him on the sequel. Archerd then contacted Donner in which he responded "If he's on it—I'm not."[16] Two days after the first film's general release, Brando had sued the Salkinds for $50 million claiming he had never received his percentage of the film's gross and filed a restraining order to prevent the use of his likeness. While his restraining order request was thrown out, Brando received $15 million from the settlement.[17] Following this, producers Alexander and Ilya Salkind announced that Marlon Brando's completed scenes for Superman II would be excised from the movie in order for them to avoid having to pay the actor the reported 11.75%[18] of gross U.S. box-office takings he was now demanding for his performance in the sequel. In addition to this, Ilya Salkind had also claimed Brando was removed due to creative differences, in which he suggested to his father: "What if it's the mother [instead]? She talks about love to her son. And it kind of made sense creatively....Jor-El had done his thing if you want."[19] Donner publicly lambasted this decision, in which he told Variety, "That means no games... They have to want me to do it. It has to be on my terms and I don't mean financially. I mean control."[20]

As Donner had become unavailable during the European promotional campaign for Superman, the Salkinds approached Guy Hamilton to take over directional reins for Superman II since Lester was filming Cuba (1979) at the time. However, Hamilton was unavailable, but by the time Superman II was ready to being filming, Lester had completed Cuba and was available to direct.[21] Eventually, on March 15, 1979, the Salkinds decided to replace Donner with Richard Lester. Donner recalled that "One day, I got a telegram from them saying my services are no longer needed and that my dear friend Richard Lester would take over. To this day, I have not heard from them." Ilya Salkind countered, "Dick Donner said, 'I will do the second movie on my terms and without [Pierre] Spengler'...Spengler was my friend since childhood and my father and I were very loyal guys. We said no, and it really boiled down to that."[22]

The decision to replace Donner was controversial amongst the cast and crew.[22] Creative consultant Tom Mankiewicz was approached by Terry Semel, then a Warner Bros. vice president, to return for the sequel, but he declined out of loyalty to Donner. He recounted "I have a lot of respect for him. [referring to Richard Lester] Friendship is more important than anything. And Dick [Donner] brought me on the picture and my loyalty was with Dick and I couldn't believe that they fired him."[23][24] Editor Stuart Baird also declined to return for the sequel. Gene Hackman declined to return for re-shoots, which necessitated the need for a stand-in actor and a voice double for several scenes.[25]

Production under Richard Lester[edit]

To replace Mankiewicz, Superman co-screenwriters David and Leslie Newman were then brought back to re-tool the script constructing a new opening and a ending. The new script featured newly conceived scenes such as a new opening involving Superman thwarting the nuclear terrorists at the Eiffel Tower, Clark rescuing Lois at Niagara Falls, and a new ending in which Clark causes Lois to forget his secret identity through a hypnotic kiss.[25] Furthermore, cinematographer Geoffrey Unsworth had died before the release of Superman. With Lester as director, he was not sympathetic to Donner's filmmaking style commenting "I think that Donner was emphasizing a kind of grandiose myth. There was a kind of David Lean-ish attempt in several sequences, and enormous scale. There was a type of epic quality which isn't in my nature, so my work really didn't embrace that...That's not me. That's his vision of it. I'm more quirky and I play around with slightly more unexpected silliness."[26] Lester then brought on cinematographer Robert Paynter to have the film evoke the garish color scheme of the comics.[27] Another more replacement happened when set designer John Barry suddenly collapsed on the nearby set of The Empire Strikes Back (1980) and died from meningitis. Peter Murton was then hired in Barry's place.

Before filming was to begin, Christopher Reeve was initially unavailable as he had accepted to star in the romantic fantasy film, Somewhere in Time, five months into the production shutdown by which his contract to shoot both Superman films back-to-back had expired. Reeve had claimed that twelve hours after his casting was announced, he received a letter from the producers to be available for Superman II on July 16, which was only five days after he was to finish filming Somewhere in Time.[28] In March 1979, the Salkinds filed suit against Reeve alleging he had breached his contract by walking off the sequel.[29] Furthermore, Reeve had held reservations with Lester and the Newmans' script following the departure of Donner. During the renegotiation of his contract, Reeve agreed to the financial terms, but demanded more artistic control.[30]

Filming for Superman II commenced in September 1979[31] at Pinewood Studios. The remaining sequences left to shot included the scenes of the super-villains in Midwest America and the battle in Metropolis. With Brando cut from the film, the decision was made to re-shoot the scene in which Clark confesses his love for Lois and surrender his powers. Another scene, as written in the film's original shooting script and shot, was to have Jor-El restore his superpowers by reaching out to him in a tableau reminiscent of the painting, The Creation of Adam, but the younger Salkind felt it was over-the-top.[19] The first scene was re-shot with actress Susannah York taking Brando's place while the restoration of Superman's powers would take place off-screen.[25] Location shooting took place in Canada, Paris, Norway and St Lucia, and the Metropolis scenes—in contrast to the first film where they were filmed on location in New York—were filmed entirely on the back lot at Pinewood. Throughout filming, Lester caused tensions as he opted to retain his directorial technique for his three-camera setup, which frustrated the actors as they did not know when they were being filmed for their close-ups.[27] Filming was completed on March 10, 1980.[32]

Due to budgetary reasons and actors being unavailable, key scenes filmed by Donner were added to the final film. Since the Lester footage was shot two years later, continuity errors are present in the physique and styling of stars Margot Kidder and Christopher Reeve. In Donner's footage, Reeve appears less bulked as he was still gaining muscle for the part. Kidder also has dramatic changes throughout; in the montage of Lester-Donner material, shot inside the Daily Planet and the Fortress of Solitude near the movie's conclusion, her hairstyle, hair color, and even make-up are all inconsistent. Kidder's physical appearance in the Lester footage is noticeably different; during the scenes shot for Donner she appears slender, whereas in the Lester footage she looks thinner.

Before the film's release, Warner Bros. had appealed to the Directors Guild of America to assign the appropriate the co-director credit, in which they argued Lester could not be credited unless he shot 40 percent of the film. Although Lester had earlier thought he would not be credited, he approached Donner to see if he wished to be credited as co-director, in which Donner replied, "I don't share credit".[33][34]

Music[edit]

Composer John Williams was originally slated to score Superman II in which he was given a screening with Ilya Salkind and Richard Lester. When Salkind left the projection room, Williams and Lester fell into an argument, and when Salkind returned, Williams told him that he "could not get along with this man". To take his place, Richard Lester's frequent composer Ken Thorne was selected to score the sequel.[32][35][36] Thorne wrote minimal original material and adapted source music, such as Average White Band's "Pick Up the Pieces", which appears both in the restaurant in Idaho and during Clark's second encounter with Rocky in the Alaska diner. The music was performed at the CTS Studios, Wembley, London in the spring of 1980 by a studio session orchestra (rather than the London Symphony Orchestra, who had played for the first film). The soundtrack was released on Warner Bros. Records, with one edition featuring laser-etched "S" designs repeated five times on each side.[37]

A complete score was released in 2008, as part of Superman: The Music--1978-1988, an 8-CD box set released by Film Score Monthly, with a limited edition of 6.000 units.

Release[edit]

During a preview of the finished film, Warner Bros. executives had hoped to maximize its box office returns by releasing the film in every part of the world during their peak movie-going period. The film premiered in Australia on December 4, 1980, which was followed with Christmastime releases in France, Italy, Spain, and South Africa. The film opened in the United Kingdom and West Germany in Easter 1981.[38] On June 1, 1981, the film premiered at the National Theater in New York City, and received its general release in 1,354 theaters in the United States and Canada on June 19—six months after its release in other parts of the world.[32]

Marketing[edit]

To promote the film, The New York Times reported that Warner Bros. had licencees for 34 products including posters, Pepsi-Cola, pajamas, and T-shirts with Superman carrying the American flag. They had also enlisted their publishing division to produce calendars, pop-up books, a film novelization, a behind-the-scenes book, and a children's dictionary.[38]

Before production on Superman II resumed in 1979, the Philip Morris Company had paid $40,000 (approx £20,000) for their Marlboro cigarette to appear in the film.[39] Lois Lane was shown as a chain smoker in the film, although she never smoked in the comic book version.[40] A prop included a truck sign written with the Marlboro logo, although actual vehicles for tobacco distribution are unmarked, for security reasons.[41] This led to a congressional investigation.[42][43]

Reception[edit]

Critical reaction[edit]

Roger Ebert of the Chicago Sun-Times, who gave the original film very high acclaim,[44] also praised Superman II, giving it four out of four stars. He wrote in his review, "This movie's most intriguing insight is that Superman's disguise as Clark Kent isn't a matter of looks as much as of mental attitude: Clark is disguised not by his glasses but by his ordinariness. Beneath his meek exterior, of course, is concealed a superhero. And, the movie subtly hints, isn't that the case with us all?"[45] Janet Maslin, reviewing for The New York Times, wrote that "Superman II is a marvelous toy. It's funny, it's full of tricks and it manages to be royally entertaining, which is really all it aims for." She further praised the performances of Reeve and Hackman and found the direction between Donner and Lester to be indistinguishable.[46] Similarly, David Denby, reviewing for the New York magazine, praised the film's light approach by crediting Lester for the film in particularly Hackman's performance.[47] Tom Mankiewicz, who had served as creative consultant for the first film, shot back in a mailed letter writing, "Just for the record, Gene Hackman did 100 percent with Dick Donner and it was all written by me", but New York never issued a correction.[33] Reeve said that Superman II is "the best of the series".[48]

British cinema magazine Total Film named Terence Stamp's version of General Zod No. 32 on their 'Top 50 Greatest Villains of All Time' list (beating out the No. 38 place of Lex Luthor) in 2007.[49] Pop culture website IGN placed General Zod at No. 30 on their list of the 'Top 50 Comic Book Villains' while commenting "Stamp is Zod" (emphasis in original).[50]

On the review aggregator website Rotten Tomatoes, the film has an approval rating of 85% based on 40 reviews with an average rating of 7.5 out of 10; the site's critical consensus says, "The humor occasionally stumbles into slapstick territory, and the special effects are dated, but Superman II meets, if not exceeds, the standard set by its predecessor."[51] On Metacritic, the film has a score of 87 (out of 100), indicating "universal acclaim".[52]

Box office[edit]

On its opening weekend, Superman II broke the box office record with a first day gross receiving $4.4 million. The next day, it grossed $5.6 million, which at the time was the highest-single box office day, surpassing the record previously set by Star Wars (1977) at $4.5 million.[53][54] The film grossed $108.2 million in the United States,[55] with its worldwide gross at $190.4 million.[4]

Awards and nominations[edit]

Year Award Category Recipient Result
1982 Saturn Awards Best Science Fiction Film Superman II Won
Best Actor Christopher Reeve Nominated
Best Actress Margot Kidder Nominated
Best Music Ken Thorne Nominated

Broadcast television versions[edit]

As with the first film, Alexander and Ilya Salkind prepared a version for worldwide television release that re-inserted unused footage (in this case 24 minutes) into the film. It was through this extended version that viewers first caught a glimpse into the Superman II that might have happened had Richard Donner remained as director. In fact, a majority of the added footage was shot by Donner before Richard Lester became director. This footage (or alternative takes of it) would be recycled into the Richard Donner cut of "II".

17 of the 24 added minutes were utilized by ABC for its 1984 network premiere. Subsequent ABC airings of the longer version would be cut further for more advertising time. The full 146-minute extended cut was shown internationally, including parts of Canada.

Additional footage[edit]

The added footage offers an alternative ending to the film. In the theatrical cut, it is implied that Superman has killed the three Kryptonian villains (going against the strict code that Superman does not kill), while leaving Lex Luthor stranded at the Fortress of Solitude. In the extended ending, a U.S. "polar patrol" is shown picking up the three Kryptonians and Lex Luthor (thus explaining the latter's return in Superman IV: The Quest for Peace), after which Superman, with Lois standing beside him, destroys the Fortress of Solitude.

Among the other "lost" scenes:

  • Superman passes a Concorde jet on his way to Paris. This is not in the video release and was actually an outtake from Superman: The Movie as a bridge between Superman saving Air Force One and his conversation with Jor-El after his first night.
  • At the end of the film, Clark Kent bumps into a large bald man, which reminds him to go to the diner to face the obnoxious trucker who beat him up earlier.
  • The Phantom Zone villains land outside the Fortress of Solitude with Lex Luthor and Lois Lane, trying to figure out how to get in.
  • Extended scenes of the three Kryptonians invasion of the White House, with Zod using a gun and Non frightening a dog.
  • Superman cooks soufflé using his heat vision, during dinner with Lois at the Fortress of Solitude.
  • Extended discussion between Zod and Ursa on the Moon.
  • A little boy tries to get help and escape the town being overrun by Zod, only to be blown up by Non who throws a superheated police siren at him.

Some telecast versions remove the following for content:

  • Much violence in the opening White House scene was left out.
  • Much of the bully's line in the bar ("I don't like your meat anyway!") was re-edited to ("I don't like you anyway").
  • About 35 seconds of the "battle of Metropolis Road" (Superman flying over Metropolis River) was deleted.
  • Some language and profanity were re-dubbed.

Among the footage seen in the international/Canadian telecasts:

  • A little girl watching the destruction of East Huston by the Kryptonians on TV.
  • Longer conversation between Lois and Superman after he destroys the Fortress of Solitude.
  • Lex Luthor taking Perry White's coffee during the Times Square battle.
  • Lex and Miss Tessmacher admiring the Fortress of Solitude.
  • Lex's negotiating with Superman after they leave the fortress is longer.

It should be mentioned that some Canadian telecasts were slightly cut for time.

In 2004, the fan-restored DVD known as Superman II: Restored International Cut was released through many Superman fan sites.[56] It featured extended scenes pulled from international television broadcasts over the years, in which Warner Bros. threatened legal action over the bootleg release.[57][58]

The Richard Donner Cut[edit]

During the production of Superman Returns, Warner Bros. acquired the rights from Marlon Brando's estate to use the late actor's footage from Superman into the film.[59] Shortly after, Ilya Salkind confirmed that Donner was involved in the project to re-cut Superman II using Brando's unused footage. Editor Michael Thau worked on the project alongside Donner and Tom Mankiewicz, who supervised the Superman II reconstruction.[60] Despite some initial confusion, Thau confirmed that all the footage shot by Donner in 1977 was recovered and transferred from a vault in England.

The new edition, titled Superman II: The Richard Donner Cut was released on DVD, HD DVD, and Blu-ray on November 28, 2006. In order to make Donner's vision of Superman II feel less incomplete, finished scenes by Lester that Donner was unable to shoot were incorporated into the film as well as the screen tests by Reeve and Kidder for one pivotal scene. The film also restores several cut scenes including Marlon Brando as Jor-El, an alternate prologue and opening sequence at the Daily Planet that omits the Eiffel Tower opening from the original, as well as the original scripted and filmed ending for Superman II featuring Superman reversing time before it was cut and placed at the end of the first film.

In other media[edit]

Comics[edit]

  • Superman's publisher DC Comics published a commemorative magazine of Superman II in 1981. Published as DC Special Series #25, it was produced in "Treasury format" and included photos and background photos, actor profiles, panel-to-scene comparisons, and pin-ups.[61][62]
  • Near the end of the film, Clark uses a "super-kiss" to make Lois forget he is Superman. While this was a real power Superman had in the comics (originally displayed in Action Comics #306),[63] it was rarely used, and eventually eliminated after the 1985–1986 reboot of the character following the limited series Crisis on Infinite Earths.
  • In the film, after attacking the White House, Lex Luthor enters the Oval Office to make a deal with the Kryptonians. By the end of the scene, he is sitting behind the President's desk. In the comics (in the year 2000), Lex Luthor ran for President of the United States and won.[64]
  • In 2006, the Superman comics themselves adapted elements from the Superman movies, specifically the ice-like look of Krypton, and Jor-El banishing the criminals to the Phantom Zone. Ursa and Non made their first appearances in the comic book continuity. (This was facilitated in the "Last Son" story arc, co-written by Richard Donner.)[65]

Television[edit]

  • In the animated series Young Justice, in the episode "Satisfaction" of its second season, Lex Luthor appears briefly talking to one of his assistants on the phone, who is called Otis, as a reference to the character in the films.

See also[edit]

References[edit]

  1. ^ a b Langford, David (2005). The Sex Column and Other Misprints. Wildside Press. p. 42. ISBN 978-1-930997-78-3.
  2. ^ "Entertainments (cinema listings)". The Guardian. April 9, 1981.
  3. ^ a b "Superman II". American Film Institute. Retrieved 21 December 2015.
  4. ^ a b Box office
  5. ^ "Release – Superman II". British Film Institute. Retrieved July 10, 2011.
  6. ^ "Superman II (1980)". Turner Classic Movies. Retrieved July 10, 2011.
  7. ^ a b c "Superman II (1980) – Cast, Credits and Awards". The New York Times. Retrieved May 15, 2011.
  8. ^ Scivally 2008, p. 83.
  9. ^ Harmetz, Aljean (June 14, 1981). "The Life and Exceedingly Hard Times of Superman". The New York Times. Retrieved October 8, 2018.
  10. ^ "Short Takes" (Subscription required). Los Angeles Times. July 13, 1977. Retrieved October 8, 2018 – via Newspapers.com.
  11. ^ Rossen 2008, pp. 93–4.
  12. ^ Weldon 2013, pp. 185–6.
  13. ^ Scivally 2008, pp. 86–7.
  14. ^ Richard Fyrbourne (January 1979). "The Man Behind Superman: Richard Donner". Starlog. pp. 40–44.
  15. ^ Scivally 2008, pp. 87–8.
  16. ^ You Will Believe: The Cinematic Saga Of Superman (DVD) (Documentary film). Warner Home Video. 2006 – via YouTube.
  17. ^ Rossen 2008, p. 106.
  18. ^ Morris, Clint. "Exclusive Interview: Ilya Salkind". Moviehole.net. Archived from the original on June 23, 2006.
  19. ^ a b Freiman, Barry. "One-on-One Interview with Producer Ilya Salkind". Superman Homepage. Retrieved October 8, 2018.
  20. ^ Scivally 2008, p. 91.
  21. ^ Scivally 2008, pp. 91–2.
  22. ^ a b Tye 2013, p. 232.
  23. ^ Tom Mankiewicz (2006). "The 2006 Tom Mankiewicz Interview" (Interview). CapedWonder.com. Retrieved October 8, 2018.
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