1.
Album
–
Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
The Beach Boys
–
The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The groups original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The Beach Boys began as a band managed by the Wilsons father Murry. Emerging at the vanguard of the California Sound, they performed material that reflected a southern California youth culture of surfing, cars. After 1964, they abandoned the surfing aesthetic for more personal lyrics, in 1966, the Pet Sounds album and Good Vibrations single vaulted the group to the top level of rock innovators and established the band as symbols of the nascent counterculture era. Following Smiles dissolution, Brian gradually ceded production and songwriting duties to the rest of the band, reducing his input because of mental health and substance abuse issues. The continued success of their greatest hits albums during the mid 1970s precipitated the transition into an oldies act. Since the 1980s, much-publicized legal wrangling over royalties, songwriting credits, Dennis drowned in 1983 and Carl died of lung cancer in 1998. After Carls death, many live configurations of the band fronted by Mike Love, Even though Wilson and Jardine have not performed with Love and Johnstons band since their one-off 2012 reunion tour, they remain a part of the Beach Boys corporation, Brother Records Inc. The Beach Boys are one of the most critically acclaimed, commercially successful, the group had over eighty songs chart worldwide, thirty-six of them US Top 40 hits, four reaching number-one on the Billboard Hot 100 chart. They received their only Grammy Award for The Smile Sessions, the core quintet of the three Wilsons, Love and Jardine were inducted into the Rock and Roll Hall of Fame in 1988. At the time of his birthday on June 20,1958, Brian Wilson shared a bedroom with his brothers, Dennis and Carl – aged thirteen and eleven. He had watched his father, Murry Wilson, play piano, after dissecting songs such as Ivory Tower and Good News, Brian would teach family members how to sing the background harmonies. For his birthday that year, Brian received a tape recorder. He learned how to overdub, using his vocals and those of Carl, Brian played piano with Carl and David Marks, an eleven-year-old longtime neighbor, playing guitars they had each received as Christmas presents. Soon Brian and Carl were avidly listening to Johnny Otis KFOX radio show, inspired by the simple structure and vocals of the rhythm and blues songs he heard, Brian changed his piano-playing style and started writing songs. His enthusiasm interfered with his studies at school. Family gatherings brought the Wilsons in contact with cousin Mike Love, Brian taught Loves sister Maureen and a friend harmonies
3.
Rock music
–
It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
4.
Smile (The Beach Boys album)
–
Smile was a projected album by American rock band the Beach Boys intended to follow their 11th studio album, Pet Sounds. Some of the original Smile tracks eventually found their way onto subsequent Beach Boys studio, working with lyricist Van Dyke Parks, Smile was composed as a multi-thematic concept album, existing today in its unfinished and fragmented state as an unordered series of abstract musical vignettes. Its genesis came during the recording of Pet Sounds, when Wilson began recording a new single, the track was created by an unprecedented recording technique, over 90 hours of tape was recorded, spliced, and reduced into a three-minute pop song. It quickly became the bands biggest international hit yet, Smile was to be produced in a similar fashion and its projected singles were Heroes and Villains, a Western musical comedy, and Vega-Tables, a satire of physical fitness. The albums collapse has been attributed to personal, technical. The majority of its tracks were completed between August and December 1966. A deadline set for January 1967 was missed, and Parks soon distanced himself from the project, in June, the Beach Boys reconvened at Brians makeshift home studio to record Smiley Smile. Many attempts were made to complete the original Smile, most of which were derailed by Wilson. As a solo artist, Wilson reinterpreted the project for concert performances in 2004, although he had ostensibly completed the work, Wilson clarified that his 2004 arrangement differed substantially from how he had first conceptualized the album during the 1960s. On October 31,2011, The Smile Sessions was released containing an approximation of what the Beach Boys completed Smile might have sounded like based on the structure of Brian Wilson Presents Smile. In 2012, the compilation was ranked number 381 in Rolling Stones 500 Greatest Albums of All Time list, in 2013, it won the Best Historical Album award at the 55th Grammy Awards. In May 1966, the Beach Boys released their studio album, Pet Sounds. He intended the album as a collection of art pieces which belong together yet could stand alone. Its stylistic shift had alienated fans, containing an expanded palette of orchestral timbres. Wilson was then beginning to be questioned by the group over their new direction, meanwhile, without the groups approval, Capitol issued a rushed greatest hits compilation to follow Pet Sounds, Best of The Beach Boys. It was quickly certified gold by the RIAA, cementing a demand for material in the Beach Boys earlier style, crucial to the inception and creation of Smile was Wilsons meeting with burgeoning songwriter Van Dyke Parks in February 1966. They had been introduced to other by mutual friends David Crosby and Terry Melcher. When Wilson took notice of Parks unique manner of speaking, he asked him if he could write lyrics for Good Vibrations, Parks declined for the reason that he thought there was nothing he could add to the track
5.
Counterculture of the 1960s
–
Many key movements related to these issues were born or advanced within the counterculture of the 1960s. This embracing of creativity is particularly notable in the works of British Invasion bands such as the Beatles, in addition to the trendsetting Beatles, many other creative artists, authors, and thinkers, within and across many disciplines, helped define the counterculture movement. Several factors distinguished the counterculture of the 1960s from the movements of previous eras. Post-war affluence allowed many of the generation to move beyond a focus on the provision of the material necessities of life that had preoccupied their Depression-era parents. The counterculture era essentially commenced in earnest with the assassination of John F. Kennedy in November 1963, poor outcomes from some of these activities set the stage for disillusionment with, and distrust of, post-war governments. In the US, President Dwight D, the Partial Test Ban Treaty divided the establishment within the US along political and military lines. In the UK, the Profumo Affair also involved establishment leaders being caught in deception, leading to disillusionment and serving as a catalyst for liberal activism. The Cuban Missile Crisis, which brought the world to the brink of war in October 1962, was largely fomented by duplicitous speech. The assassination of US President John F. Kennedy in November 1963, many social issues fueled the growth of the larger counterculture movement. On college and university campuses, student activists fought for the right to exercise their constitutional rights, especially freedom of speech. The availability of new and more effective forms of control was a key underpinning of the sexual revolution. With this change in attitude, by the 1990s the ratio of children out of wedlock rose from 5% to 25% for Whites. The end of censorship resulted in a reformation of the western film industry. Communes, collectives, and intentional communities regained popularity during this era, Some of these self-sustaining communities have been credited with the birth and propagation of the international Green Movement. The emergence of an interest in expanded spiritual consciousness, yoga, occult practices, in 1957, 69% of US residents polled by Gallup said religion was increasing in influence. By the late 1960s, polls indicated less than 20% still held that belief, the Generation Gap, or the inevitable perceived divide in worldview between the old and young, was perhaps never greater than during the counterculture era. Ultimately, practical and comfortable casual apparel, namely updated forms of T-shirts, many began to live largely clandestine lives because of their choice to use such drugs and substances, fearing retribution from their governments. The confrontations between college students and law enforcement officials became one of the hallmarks of the era, many younger people began to show deep distrust of police, and terms such as fuzz and pig as derogatory epithets for police reappeared, and became key words within the counterculture lexicon
6.
Grateful Dead
–
The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California. Their music, writes Lenny Kaye, touches on ground that most other groups dont even know exists and these various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead the pioneering Godfathers of the jam band world. The band was ranked 57th by Rolling Stone magazine in its The Greatest Artists of All Time issue, the Grateful Dead have sold more than 35 million albums worldwide. The Grateful Dead was founded in the San Francisco Bay Area amid the rise of the counterculture of the 1960s, the founding members were Jerry Garcia, Bob Weir, Ron Pigpen McKernan, Phil Lesh, and Bill Kreutzmann. Members of the Grateful Dead had played together in various San Francisco bands, including Mother McCrees Uptown Jug Champions, Lesh was the last member to join the Warlocks before they became the Grateful Dead, he replaced Dana Morgan Jr. who had played bass for a few gigs. Drummer Mickey Hart and nonperforming lyricist Robert Hunter joined in 1967, with the exception of McKernan, who died in 1973, and Hart, who took time off from 1971 to 1974, the core of the band stayed together for its entire 30-year history. The other official members of the band are Tom Constanten, John Perry Barlow, Keith Godchaux, Donna Godchaux, Brent Mydland, pianist Bruce Hornsby was a touring member from 1990 to 1992, as well as guesting with the band on occasion before and after the tours. After the death of Jerry Garcia in 1995, former members of the band, along with musicians, toured as the Other Ones in 1998,2000, and 2002, and the Dead in 2003,2004. In 2015, the four surviving core members marked the bands 50th anniversary in a series of concerts that were billed as their last performances together. There have also been several spin-offs featuring one or more members, such as Dead & Company, Furthur, the Rhythm Devils, Phil Lesh & Friends, RatDog. The Grateful Dead began their career as the Warlocks, a group formed in early 1965 from the remnants of a Palo Alto, the bands first show was at Magoos Pizza located at 639 Santa Cruz Avenue in suburban Menlo Park, California, on May 5,1965. They were initially known as the Warlocks, coincidentally, the Velvet Underground was also using that name on the East Coast, the show was not recorded but the set list has been preserved. Gigging as a bar band, the group changed its name after finding out that another band of the same name had signed a recording contract. The first show under the new name Grateful Dead was in San Jose, California on December 4,1965, at one of Ken Keseys Acid Tests. Earlier demo tapes have survived, but the first of over 2,000 concerts known to have recorded by the bands fans was a show at the Fillmore Auditorium in San Francisco on January 8,1966. Later that month, the Grateful Dead played at the Trips Festival, the name Grateful Dead was chosen from a dictionary. According to Phil Lesh, in his autobiography, picked up an old Britannica World Language Dictionary. In that silvery elf-voice he said to me, Hey, man, the definition there was the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial
7.
Fillmore East
–
It was open from March 8,1968 to June 27,1971 and featured some of the biggest acts in rock music at the time. The Fillmore East was a companion to Grahams Fillmore Auditorium, and its successor, called the Commodore Theater, and independently operated, it eventually was taken over by Loews Inc. and became a movie theater, the Loews Commodore. It later became the Village Theatre, when Graham took over the theatre in 1967, it had fallen into disrepair. Despite the deceptively small marquee and façade, the theater had a capacity of almost 2,700, the venue provided Graham with an East Coast counterpart to his existing Fillmore in San Francisco, California. Opening on March 8,1968, the Fillmore East quickly became known as The Church of Rock and Roll, with two-show, Graham would regularly alternate acts between the East and West Coast venues. Until early 1971, bands were booked to two shows per night, at 8 pm and 11 pm, on both Friday and Saturday nights. Among the notable acts to play the Fillmore East was Jimi Hendrix and his album Band of Gypsys was recorded live on New Years Day 1970. The Kinks played October 17th and 18th,1969, supported by the Bonzo Dog Band, john Lennon and Yoko Ono sat in with Frank Zappa and the Mothers of Invention at the theater on June 6,1971. Jefferson Airplane performed six shows and Taj Mahal played eight shows at the venue, while Crosby, Stills, Nash and Young did four shows in September 1969, Led Zeppelin made four appearances in early 1969, opening for Iron Butterfly. Amateur film footage of their January 31 performance can be viewed at the Led Zeppelin website, the Joshua Light Show, headed by Joshua White, was an integral part of many performances, with its psychedelic art lighting on a backdrop behind many live bands. National Educational Television taped a show on September 23,1970 for broadcast and it featured The Byrds, Elvin Bishop Group, Albert King, Sha Na Na, Van Morrison and Joes Lights. The Allman Brothers were also taped for broadcast but due to technical difficulties, the show, Welcome To Fillmore East was aired on WNET channel 13 in NYC and simulcast on WNEW-FM radio on October 10,1970 at 10,00 PM in the NYC area. A thirty-minute clip from that show of the Allmans can be seen on YouTube, released by The Island Def Jam Music Group,2014. Six CD set released in 2006 on Hip-O Select,3, four CD set of the complete shows from June 17,18,19 &20,1970 plus three bonus tracks from April 11,1970 at Fillmore West. Y. Iron Butterfly - Fillmore East 1968, a two disc set recorded on April 26 &27,1968, released by Rhino Entertainment 2011, jefferson Airplane – Bless Its Pointed Little Head, this album was split between the Fillmore East and Fillmore West. The Allman Brothers Band set was released as the disc of the deluxe edition/remastered version of their Eat a Peach album. On November 17,1972 the Fillmore East reopened as Villageast with Virgin, after a short run the Rock Opera closed and on December 15,1972, Jerry Fuchs presented the opening night of concerts with a performance featuring Bloodrock, Elephants Memory and Trapeze. On December 16,1972, the bill was Bloodrock, Foghat, on December 7,1974, Barry Stuart, reopened the venue as the NFE Theatre – NFE standing for New Fillmore East – with a concert presenting Bachman-Turner Overdrive
8.
Warner Bros. Records
–
Warner Bros. Records was established on March 19,1958, as the recorded-music division of the American film studio Warner Bros. For most of its existence it was one of a group of labels owned and operated by larger parent corporations. The sequence of companies that controlled Warner Bros. and its allied labels evolved through a series of corporate mergers. Over this period, Warner Bros. Records grew from a minor player in the music industry to become one of the top recording labels in the world. In 2003, these assets were divested by their then owner Time Warner. This independent company traded as the Warner Music Group before being bought by Access Industries in 2011, WMG is the smallest of the three major international music conglomerates and the worlds last publicly traded major music company. Cameron Strang serves as CEO of the company, artists currently signed to Warner Bros. At the end of the silent movie period, Warner Bros, pictures decided to expand into publishing and recording so that it could access low-cost music content for its films. This new group controlled valuable copyrights on standards by George and Ira Gershwin and Jerome Kern, the label signed rising radio and recording stars Bing Crosby, Mills Brothers, and Boswell Sisters. In December 1931, Warner Bros. offloaded Brunswick to the American Record Corporation for a fraction of its former value, in a lease arrangement which did not include Brunswicks pressing plants. Warner Bros. sold Brunswick a second time, this time along with the old Brunswick pressing plants Warner owned, to Decca Records in exchange for a financial interest in Decca. The studio stayed out of the business for more than 25 years. Warner Bros. reëntered the record business in 1958 with the establishment of its own recording division, by this time, the established Hollywood studios were reeling from multiple challenges to their former dominance - the most notable being the introduction of television in the late 1940s. Legal changes also had a impact on their business—lawsuits brought by major stars had effectively overthrown the old studio contract system by the late 1940s. Pictures sold off much of its library in 1948 and, beginning in 1949. Semenenko in particular had a professional interest in the entertainment business. With the record business booming - sales had topped US$500 million by 1958 - Semnenko argued that it was foolish for Warner Bros, another impetus for the labels creation was the brief music career of Warner Bros. actor Tab Hunter. In 1958, the studio signed Hunter as its first artist to its newly formed record division, to establish the label, the company hired former Columbia Records president James B
9.
James Earle Fraser (sculptor)
–
James Earle Fraser was an American sculptor during the first half of the 20th century. His work is integral to many of Washington, D. C. s most iconic structures, Fraser was born in Winona, Minnesota. His father, Thomas Fraser, was an engineer who worked for companies as they expanded across the American West. As a child, James Fraser was exposed to life and the experience of Native Americans. Fraser began carving figures from pieces of limestone scavenged from a quarry close to his home near Mitchell. He attended classes at the The School of The Art Institute of Chicago in 1890 and studied at the École des Beaux Arts, early in his career, Fraser served as an assistant to Richard Bock and Augustus Saint-Gaudens, he formed his own studio in 1902. He also taught at the Art Students League in New York City beginning in 1906, among his earliest works were sculptural pieces at the Worlds Columbian Exposition of 1893 and, for the San Francisco Exposition of 1915, one of his most famous pieces, End of the Trail. While it was meant to be cast in bronze, material shortages due to World War I prevented this, after the Exposition, the original plaster statue was moved to Mooneys Grove Park in Visalia, CA. Exposed to the elements, it deteriorated until it was obtained by the National Cowboy & Western Heritage Museum in 1968. The restored statue is currently on display in the entryway of the Oklahoma City museum, the original bronze replica statue of the End of the Trail Statue is located in Shaler Park, in Waupun, Wisconsin. The statue was purchased by inventor and sculptor, Clarence Addison Shaler and his commissions also include coins and medals, such as the World War I Victory Medal, the Navy Cross, and the Indian Head nickel. This coin was discontinued after 1938, but has since been reprised in 2001 on a US commemorative coin, Fraser’s major works include two heroic bronze equestrian statues titled The Arts of Peace, designed for the entrance to the Rock Creek and Potomac Parkway, behind the Lincoln Memorial. The pair was a companion to sculptor Leo Friedlanders The Arts of War, the groups had been designed in the 1930s but were not cast until the 1950s, because of a shortage of metals during World War II. Fraser was a member of the National Academy of Design, the National Sculpture Society, and his numerous awards and honors include election to the National Institute of Arts and Letters and gold medal from the Architectural League in 1925. Commission of Fine Arts in Washington, D. C. from 1920 to 1925, muralist Barry Faulkner, a friend of Fraser’s from their days in Paris together described Fraser like this, His character was like a good piece of Scotch tweed, handsome, durable and warm. James Earle Fraser died on October 11,1953, at Westport, Connecticut, los Angeles CA1991 Craven, Wayne, Sculpture in America, Thomas Y. Crowell Co, NY, NY1968 Freundlich, A. L. The Sculpture of James Earle Fraser, Universal Publishers / uPublish. com USA2001 Goode, the Outdoor Sculpture of Washington D. C. Smithsonian Institution Press, Washington D. C.1974 Gurney, George, Sculpture, walker, Famous Sculptors of America, Dodd, Mead and Company, Inc. com
10.
Mike Love
–
Michael Edward Mike Love is an American singer, songwriter, musician, and activist who co-founded the Beach Boys. Characterized by his nasal, sometimes baritone singing, Love has been one of the vocalists and lyricists for most of their career. He is often regarded as a figure in the bands history. In the 1960s, Love collaborated with Wilson and was a lyricist on singles including Fun, Fun, Fun, during this period, his lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop cultures perception of the California Dream. Starting in 1968, Love became a teacher of Transcendental Meditation under Maharishi Mahesh Yogi, the experience influenced his lyrics to take on themes of astrology, meditation, politics and ecology. Following this, Loves lyrical direction shifted to attempt to recapture the bands earlier, in the late 1970s, Love began working on solo albums, releasing his first and only in 1981, Looking Back with Love. In 1988, he, along with the founding members of the Beach Boys, was inducted into the Rock. The same year, the song, Kokomo, co-written by Love, in 1998, following the death of cousin Carl Wilson, Love and longtime Beach Boy Bruce Johnston were given an exclusive license to tour under the name the Beach Boys. The other surviving Beach Boys, Brian Wilson and Al Jardine, in 2011, the group reunited to produce a new album and embark on a tour for their 50th anniversary. Following the 50th anniversary reunion shows, Love resumed touring only with Johnston, Loves mother, Emily Wilson, was the sister of Mary and Murry Wilson, a family resident in Los Angeles since the early 1920s. Glee married Edward Milton Love, the son of the founder of the Love Sheet Metal Company, michael Edward, the first of six children, was born in the Baldwin Hills district of Los Angeles, in 1941, thereafter the family moved to the upmarket View Park area. Mike attended Dorsey High School and graduated in 1959, unsure of a career direction, he pumped gas and briefly joined his fathers company, whose fortunes dramatically declined in the late 1950s. Both Milt and Glee Love were active in sports, and Glee had a distinct interest in painting, like her brother, Murry, however, she was also strong-willed and, according to her husband, a dominant personality. The family was close-knit and regularly socialized with Murry and Audree Wilson, Murry Wilson was a part-time songwriter. Mike Love befriended the Wilson sons and often sang at family get-togethers at the Wilsons home in nearby Hawthorne and it was here, under the vocal harmony guidance of Brian Wilson, that the Beach Boys sound was established, predominantly influenced by Brians devotion to the Four Freshmens arrangements. Musical accompaniment during this phase was solely Brians self-taught piano. With the failure of Love Sheet Metal, the family was forced to move to a modest two-bedroom house in Inglewood, Love played rudimentary saxophone in the first years of the fledgling garage band that evolved from the Pendletones to the Beach Boys. He also established himself, along with neighbor Gary Usher, local DJ Roger Christian, as the Beach Boys career developed, all members contributed lead vocals to hit songs, but Love remained the central vocal focus on songs like Do It Again
11.
Pump organ
–
The pump organ, reed organ, harmonium, or melodeon is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed, the finer instruments have a unique tone, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the USA, during this time Estey Organ and Mason & Hamlin were popular manufacturers. The harmoniums design incorporates free reeds and derives from the earlier regal, a harmonium-like instrument was exhibited by Gabriel Joseph Grenié in 1810. He called it an orgue expressif, because his instrument was capable of greater expression, alexandre Debain improved Greniés instrument and gave it the name harmonium when he patented his version in 1840. There was concurrent development of similar instruments, beginning in 1885, the firm of Mason & Hamlin, of Boston made their instruments with the suction bellows, and this method of construction soon superseded all others in America. Harmoniums reached the height of their popularity in the West in the late 19th, an added attraction of the harmonium in tropical regions was that the instrument held its tune regardless of heat and humidity, unlike the piano. This export market was lucrative for manufacturers to produce harmoniums with cases impregnated with chemicals to prevent woodworm. At the peak of the instruments Western popularity around 1900, a variety of styles of harmoniums were being produced. These ranged from simple models with plain cases and only four or five stops, up to large instruments with ornate cases, up to a dozen stops, expensive harmoniums were often built to resemble pipe organs, with ranks of fake pipes attached to the top of the instrument. Small numbers of harmoniums were built with two manuals, some were even built with pedal keyboards, which required the use of an assistant to run the bellows or, for some of the later models, an electrical pump. The invention of the organ in the mid-1930s spelled the end of the harmoniums success in the West. By this time, harmoniums had reached high levels of complexity, not only through the need to provide instruments with a greater tonal range. The last mass-producer of harmoniums in North America was the Estey company, which ceased manufacture in the mid-1950s, as the existing stock of instruments aged and spare parts became hard to find, more and more were either scrapped or sold. It was not uncommon for harmoniums to be modernised by having electric blowers fitted, the majority of Western harmoniums today are in the hands of enthusiasts, though the instrument remains popular in South Asia. Modern electronic keyboards can emulate the sound of the pump organ, the acoustical effects described below are a result of the free-reed mechanism. Therefore, they are identical for the Western and Indian harmoniums. And as its vibrators also admit of a delicate and durable tuning and this arrangement was difficult to play on
12.
Pipe organ
–
The pipe organ is a musical instrument that produces sound by driving pressurized air through organ pipes selected via a keyboard. Because each pipe produces a pitch, the pipes are provided in sets called ranks, each of which has a common timbre. Most organs have multiple ranks of pipes of differing timbre, pitch, a pipe organ has one or more keyboards played by the hands, and a pedalboard played by the feet, each keyboard has its own group of stops. The keyboard, pedalboard, and stops are housed in the organs console, the smallest portable pipe organs may have only one or two dozen pipes and one manual, the largest may have over 20,000 pipes and seven manuals. A list of some of the most notable and largest pipe organs in the world can be viewed at List of pipe organs. The origins of the organ can be traced back to the water organ in Ancient Greece, in the 3rd century BC. By the 6th or 7th century AD, bellows were used to supply organs with wind, beginning in the 12th century, the organ began to evolve into a complex instrument capable of producing different timbres. A pipe organ with great leaden pipes was sent to the West by the Byzantine emperor Constantine V as a gift to Pepin the Short, King of the Franks, in 757. Pepins son Charlemagne requested a similar organ for his chapel in Aachen in 812, by the 17th century, most of the sounds available on the modern classical organ had been developed. From that time, the organ was the most complex man-made device - a distinction it retained until it was displaced by the telephone exchange in the late 19th century. Pipe organs are installed in churches, synagogues, concert halls, schools and they are used in the performance of classical music, sacred music, secular music, and popular music. The beginning of the 21st century has seen a resurgence in installations in concert halls, the organ boasts a substantial repertoire, which spans over 500 years. The organ is one of the oldest instruments used in European classical music that has commonly been credited as having derived from Greece. Its earliest predecessors were built in Ancient Greece in the 3rd century BC. The word organ is derived from the Greek όργανον, a term for an instrument or a tool, via the Latin organum. The Greek engineer Ctesibius of Alexandria is credited with inventing the organ in the 3rd century BC and he devised an instrument called the hydraulis, which delivered a wind supply maintained through water pressure to a set of pipes. The hydraulis was played in the arenas of the Roman Empire, the 9th century Persian geographer Ibn Khurradadhbih, in his lexicographical discussion of instruments, cited the urghun as one of the typical instruments of the Eastern Roman Empire. It was often used in the Hippodrome in the capital of Constantinople
[22]
