Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.
The Treachery of Images, by René Magritte (1929), featuring the declaration "Ceci n'est pas une pipe" ("This is not a pipe")
Max Ernst, The Elephant Celebes, 1921
Cover of the first issue of La Révolution surréaliste, December 1924
Yvan Goll, Surréalisme, Manifeste du surréalisme, Volume 1, Number 1, October 1, 1924, cover by Robert Delaunay
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy.
Jacques-Louis David, The Coronation of Napoleon, (1806), Musée du Louvre, Neoclassicism
Eugène Delacroix, Liberty Leading the People 1830, Romanticism
Thomas Cole, The Course of Empire: The Savage State, 1836, Hudson River School
Gustave Courbet, Stone-Breakers, 1849, Realist School