1.
Hector Berlioz
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Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts. Berlioz made significant contributions to the orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works, and he also composed around 50 songs. His influence was critical for the development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss. Hector Berlioz was born in France at La Côte-Saint-André in the département of Isère, Louis was an agnostic, with a liberal outlook, his mother, Marie-Antoinette, was a devout Roman Catholic. He had five siblings in all, three of whom did not survive to adulthood, the other two, Nanci and Adèle, remained close to Berlioz throughout his life. Berlioz was not a prodigy, unlike some other famous composers of the time, he began studying music at age 12, writing small compositions. As a result of his fathers discouragement, he never learned to play the piano and he became proficient at guitar, flageolet and flute. He learned harmony from textbooks alone—he was not formally trained, the majority of his early compositions were romances and chamber pieces. While yet at age twelve, as recalled in his Mémoires, he experienced his first passion for a woman and he also began to visit the Paris Conservatoire library, seeking out scores of Glucks operas and making personal copies of parts of them. He recalled in his Mémoires his first encounter with Luigi Cherubini, Cherubini attempted to throw the impetuous Berlioz out of the library since he was not a formal music student at that time. Berlioz also heard two operas by Gaspare Spontini, a composer who influenced him through their friendship, and whom he later championed when working as a critic, from then on, he devoted himself to composition. He was encouraged in his endeavors by Jean-François Le Sueur, director of the Royal Chapel, in 1823, he wrote his first article—a letter to the journal Le corsaire defending Spontinis La vestale. Despite his parents disapproval, in 1824 he formally abandoned his studies to pursue a career in music. This work was rehearsed and revised after the rehearsal but not performed until the following year, Berlioz later claimed to have burnt the score, but it was re-discovered in 1991. Later that year or in 1825, he began to compose the opera Les francs-juges, the work survives only in fragments, the overture has been much recorded and is sometimes played in concert. In 1826 he began attending the Conservatoire to study composition under Jean-François Le Sueur and he also submitted a fugue to the Prix de Rome, but was eliminated in the primary round. Winning the prize would become an obsession until he won it in 1830
2.
Pierre Petit (photographer)
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Pierre Petit is not to be confused with Pierre Yves-Petit, another French photographer who usually operated under the name Yvon. Pierre Lanith Petit was a French photographer and he is sometimes credited as Pierre Lamy Petit. Petit learned photography in Paris in the workshop of André-Adolphe-Eugène Disdéri, in 1858, he opened his own workshop in Paris with Antoine René Trinquart, later to be called La Photographie des Deux Mondes. This proved to be successful and workshops were opened in Baden-Baden. In his lifetime he made thousands of photographs, in 1908 he handed over the business to his son. Some highlights in Petits career, He was the photographer of the International Exposition of 1867. He went to New York City several times to report on the construction of the Statue of Liberty, Petit made many photographs of the Siege of Paris. In 1898, he was the first photographer to attempt underwater photography and he exhibited many times at the Société française de photographie. Paul Getty Museum website Websites showing photographs by Pierre Petit Gallica, the BNF website The Past to Present website Pierre Petit on Flickr
3.
Nicholas I of Russia
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Nicholas I was the Emperor of Russia from 1825 until 1855. He was also the King of Poland and Grand Duke of Finland and his biographer Nicholas V. Riasanovsky says that Nicholas displayed determination, singleness of purpose, and an iron will, along with a powerful sense of duty and a dedication to very hard work. He saw himself as a junior officer totally consumed by spit. A handsome man, he was nervous and aggressive. Trained as an engineer, he was a stickler for minute detail, in his public persona, says Riasanovsky, Nicholas I came to represent autocracy personified, infinitely majestic, determined and powerful, hard as stone, and relentless as fate. His reign had an ideology called Official Nationality that was proclaimed officially in 1833 and it was a reactionary policy based on orthodoxy in religion, autocracy in government, and Russian nationalism. He was the brother of his predecessor, Alexander I. Nicholas inherited his brothers throne despite the failed Decembrist revolt against him and his aggressive foreign policy involved many expensive wars, having a disastrous effect on the empires finances. He was successful against Russias neighbouring southern rivals as he seized the last territories in the Caucasus held by Persia by successfully ending the Russo-Persian War and he ended the Russo-Turkish War successfully as well. Later on, however, he led Russia into the Crimean War with disastrous results, historians emphasize that his micromanagement of the armies hindered his generals, as did his misguided strategy. Fuller notes that historians have concluded that the reign of Nicholas I was a catastrophic failure in both domestic and foreign policy. On the eve of his death, the Russian Empire reached its zenith, spanning over 20 million square kilometers. Nicholas was born at Gatchina Palace in Gatchina to Grand Duke Paul, five months after his birth, his grandmother, Catherine the Great, died and his parents became emperor and empress of Russia. He was a brother of Emperor Alexander I of Russia, who succeeded to the throne in 1801. Riasanovsky says he was, the most handsome man in Europe, Nicholas was not brought up to become the Emperor of Russia, he had two elder brothers. However, as both of them failed to produce sons, Nicholas remained second in the line of succession, in 1825, when Alexander I died suddenly of typhus, Nicholas was caught between swearing allegiance to his second-eldest brother, Constantine Pavlovich, and accepting the throne for himself. The interregnum lasted until Constantine, who was in Warsaw at that time, additionally, on 25 December, Nicholas issued the manifesto proclaiming his accession to the throne. That manifesto retroactively named 1 December, the date of Alexander Is death, during this confusion, a plot was hatched by some members of the military to overthrow Nicholas and to seize power
4.
Orchestra
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The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus. A full-size orchestra may sometimes be called an orchestra or philharmonic orchestra. The actual number of employed in a given performance may vary from seventy to over one hundred musicians, depending on the work being played. The term chamber orchestra usually refers to smaller-sized ensembles of about fifty musicians or fewer, the typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras called for in the works of Richard Wagner, and later, Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, the conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble. The first violin, commonly called the concertmaster, also plays an important role in leading the musicians, the typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings. The orchestra, depending on the size, contains almost all of the instruments in each group. Chamber orchestra usually refers to smaller-sized ensembles, a chamber orchestra might employ as many as fifty musicians. The term concert orchestra may also be used, as in the BBC Concert Orchestra, the so-called standard complement of doubled winds and brass in the orchestra from the first half of the 19th century is generally attributed to the forces called for by Beethoven. The composers instrumentation almost always included paired flutes, oboes, clarinets, bassoons, horns, the exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No,4, which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral palette in Symphonies 3,5,6, the third horn in the Eroica Symphony arrives to provide not only some harmonic flexibility, but also the effect of choral brass in the Trio movement. Piccolo, contrabassoon, and trombones add to the finale of his Symphony No.5. A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth, for several decades after his death, symphonic instrumentation was faithful to Beethovens well-established model, with few exceptions. Apart from the core orchestral complement, various instruments are called for occasionally. These include the guitar, heckelphone, flugelhorn, cornet, harpsichord. Saxophones, for example, appear in some 19th- through 21st-century scores.6 and 9 and William Waltons Belshazzars Feast, and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked tenor tuba, including Gustav Holsts The Planets, cornets appear in Pyotr Ilyich Tchaikovskys ballet Swan Lake, Claude Debussys La Mer, and several orchestral works by Hector Berlioz
5.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
6.
Conservatoire de Paris
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The Conservatoire de Paris is a college of music and dance founded in 1795, now situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music, dance, and drama, today the conservatories operate under the auspices of the Ministry of Culture and Communication. On 3 December 1783 Papillon de la Ferté, intendant of the Menus-Plaisirs du Roi, the school was instituted by a decree of 3 January 1784 and opened on 1 April with the composer François-Joseph Gossec as the provisional director. Piccinni refused the directorship, but did join the faculty as a professor of singing, the new school was located in buildings adjacent to the Hôtel des Menus-Plaisirs at the junction of the rue Bergère and the rue du Faubourg Poissonnière. In June, a class in dramatic declamation was added, in 1792, Bernard Sarrette created the École gratuite de la garde nationale, which in the following year became the Institut national de musique. On 3 August 1795, the government combined the École royale with the Institut national de musique, the combined organization remained in the facilities on the rue Bergère. The first 351 pupils commenced their studies in October 1796, a concert hall, designed by the architect François-Jacques Delannoy, was inaugurated on 7 July 1811. The hall, which exists today, was in the shape of a U. It held an audience of 1055, the acoustics were generally regarded as superb. The French composer and conductor Antoine Elwart described it as the Stradivarius of concert halls, in 1828 François Habeneck, a professor of violin and head of the Conservatorys orchestra, founded the Société des Concerts du Conservatoire. The Society held concerts in the hall almost continuously until 1945, the French composer Hector Berlioz premiered his Symphonie fantastique in the conservatorys hall on 5 December 1830 with an orchestra of more than a hundred players. The original library was created by Sarrette in 1801, after the construction of the concert hall, the library moved to a large room above the entrance vestibule. In the 1830s, Berlioz became a curator in the Conservatory library and was the librarian from 1852 until his death in 1869. He was succeeded as librarian by Félicien David, Sarrette was dismissed on 28 December 1814, after the Bourbon Restoration, but was reinstated on 26 May 1815, after Napoleons return to power during the Hundred Days. However, after Napoleons fall, Sarrette was finally compelled to retire on 17 November, in 1819, François Benoist was appointed professor of organ. Probably the best known director in the 19th century was Luigi Cherubini, Cherubini maintained high standards and his staff included teachers such as François-Joseph Fétis, Habeneck, Fromental Halévy, Le Sueur, Ferdinando Paer, and Anton Reicha. Cherubini was succeeded by Daniel-François-Esprit Auber in 1842, in 1852, Camille Urso, who studied with Lambert Massart, became the first female student to win a prize on violin. The Conservatory Instrument Museum, founded in 1861, was formed from the instrument collection of Louis Clapisson, the French music historian Gustave Chouquet became the curator of the museum in 1871 and did much to expand and upgrade the collection
7.
Leonard Bernstein
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Leonard Bernstein was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim, according to music critic Donal Henahan, he was one of the most prodigiously talented and successful musicians in American history. Bernstein was the first conductor to give a series of lectures on classical music, starting in 1954. He was a skilled pianist, often conducting piano concertos from the keyboard, as a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are performed around the world, although none has matched the tremendous popular. He was born Louis Bernstein in Lawrence, Massachusetts, the son of Ukrainian-Jewish parents Jennie and Samuel Joseph Bernstein and he was not related to film composer Elmer Bernstein, but the two men were friends, and even shared a certain physical similarity. Within the world of music, they were distinguished from each other by the use of the nicknames Bernstein West. His family spent their summers at their home in Sharon. His grandmother insisted that his first name be Louis, but his parents called him Leonard. He officially changed his name to Leonard when he was fifteen, to his friends and many others he was simply known as Lenny. His father, Sam Bernstein, was a businessman and owner of a hair product store in downtown Lawrence, it is no longer standing on the corners of Amesbury, Sam initially opposed young Leonards interest in music. Despite this, the elder Bernstein took him to concerts in his teenage years. As a child, Bernstein attended the Garrison Grammar School and Boston Latin School, as a child he was very close to his younger sister Shirley, and would often play entire operas or Beethoven symphonies with her at the piano. He had a variety of teachers in his youth, including Helen Coates. After graduation from Boston Latin School in 1935, Bernstein attended Harvard University, one of his friends at Harvard was philosopher Donald Davidson, with whom he played piano four hands. Bernstein wrote and conducted the score for the production Davidson mounted of Aristophanes play The Birds in the original Greek. Bernstein reused some of this music in the ballet Fancy Free, during his time at Harvard he was briefly an accompanist for the Harvard Glee Club. Bernstein also mounted a student production of The Cradle Will Rock, Blitzstein, who heard about the production, subsequently became a friend and influence on Bernstein
8.
Psychedelia
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Psychedelia is a name given to the subculture of people, originating in the 1960s, who often use psychedelic drugs such as LSD, mescaline and psilocybin. The term is used to describe a style of psychedelic artwork. Psychedelic art and music typically try to recreate or reflect the experience of altered consciousness, the term psychedelic is derived from the Ancient Greek words psychē and dēloun, translating to soul-revealing. Psychedelic states may be elicited by various techniques, such as meditation, sensory stimulation or deprivation, when these psychoactive substances are used for religious, shamanic, or spiritual purposes, they are termed entheogens. The term was first coined as a noun in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. Seeking a name for the experience induced by LSD, Osmond contacted Aldous Huxley, Huxley coined the term phanerothyme, from the Greek terms for manifest and spirit. This mongrel spelling of the word psychedelic was loathed by American ethnobotanist Richard Evans Schultes, but championed by Timothy Leary, who thought it sounded better. In the same period Lysergic acid diethylamide, better known as LSD, or acid, began to be used in the US and UK as an experimental treatment, initially promoted as a potential cure for mental illness. There had long been a culture of use among jazz and blues musicians, and use of drugs had begun to grow among folk and rock musicians. By the mid-1960s, the psychedelic life-style had already developed in California, and this was particularly true in San Francisco, due in part to the first major underground LSD factory, established there by Owsley Stanley. Leary was a proponent of the use of psychedelics, as was Aldous Huxley. However, both advanced widely different opinions on the use of psychedelics by state and civil society. Leary promulgated the idea of such substances as a panacea, while Huxley suggested that only the cultural and intellectual elite should partake of entheogens systematically, in the mid-1960s the use of psychedelic drugs became widespread in modern Western culture, particularly in the United States and Britain. The movement is credited to Michael Hollingshead who arrived in America from London in 1965 and he was sent to the U. S. by other members of the psychedelic movement to get their ideas exposure. Resurgences of the style are common in the modern era, in science, hallucinogen remains the standard term. Advances in printing and photographic technology in the 1960s saw the traditional lithography printing techniques rapidly superseded by the printing system. Many artists in the late 1960s and early 1970s attempted to illustrate the psychedelic experience in paintings, drawings, illustrations, in the modern era, computer graphics may be used to produce psychedelic effects for artwork. The counterculture music scene frequently used psychedelic designs on posters during the Summer of Love, many of these works are now regarded as classics of the poster genre, and original items by these artists command high prices on the collector market today
9.
Opium
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Opium is the dried latex obtained from the opium poppy. The latex also contains the closely related opiates codeine and thebaine, the word meconium historically referred to related, weaker preparations made from other parts of the opium poppy or different species of poppies. The production of opium has not changed since ancient times, through selective breeding of the Papaver somniferum plant, the content of the phenanthrene alkaloids morphine, codeine, and to a lesser extent thebaine has been greatly increased. For the illegal trade, the morphine is extracted from the opium. It is then converted to heroin which is two to four times as potent, and increases the value by two to four times, the reduced weight and bulk make it easier to smuggle. Evidence from ancient Greece indicate that opium was consumed in several ways, including inhalation of vapors, suppositories, medical poultices, Opium is mentioned in the most important medical texts of the ancient world, including the Ebers Papyrus and the writings of Dioscorides, Galen, and Avicenna. Widespread medical use of unprocessed opium continued through the American Civil War before giving way to morphine and its successors, Opium has been actively collected since prehistoric times. Though western scholars typically estimate this to be around 1500 BCE, Indian scholars maintain that the verses and the history contained in them have been orally transmitted thousands of years before. A common name for males in Afghanistan is Redey, which in Pashto means poppy and this term may be derived from the Sanskrit words rddhi and hrdya, which mean magical, a type of medicinal plant, and heart-pleasing, respectively. The upper Asian belt of Afghanistan, Pakistan, northern India, numerous finds of P. somniferum or P. setigerum from Bronze Age and Iron Age settlements have also been reported. The first known cultivation of poppies was in Mesopotamia, approximately 3400 BCE, by Sumerians, who called the plant hul gil. Tablets found at Nippur, a Sumerian spiritual center south of Baghdad, described the collection of juice in the morning. Opium production continued under the Babylonians and Egyptians, Opium was used with poison hemlock to put people quickly and painlessly to death, but it was also used in medicine. The Ebers Papyrus, c. 1500 BCE, describes a way to stop a child using grains of the poppy plant strained to a pulp. Spongia somnifera, sponges soaked in opium, were used during surgery, the Egyptians cultivated opium thebaicum in famous poppy fields around 1300 BCE. Opium was traded from Egypt by the Phoenicians and Minoans to destinations around the Mediterranean Sea, including Greece, Carthage, and Europe. By 1100 BCE, opium was cultivated on Cyprus, where surgical-quality knives were used to score the poppy pods, and opium was cultivated, traded, Opium was also mentioned after the Persian conquest of Assyria and Babylonian lands in the 6th century BCE. From the earliest finds, opium has appeared to have ritual significance, and anthropologists have speculated ancient priests may have used the drug as a proof of healing power
10.
Harriet Smithson
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Harriet Constance, most commonly known as Harriet Smithson, who also went by Henrietta Constance Smithson, Harriet Smithson Berlioz, and Miss H. C. Smithson, was a famous Shakespearean actress, who is best known as the first wife, Harriet Smithson was born on March 18,1800, at Ennis, Co. Clare, Ireland, between William Joseph Smithson and Mrs. Smithson and her father was an actor and theatrical manager from Gloucestershire, England, and her mother was an actress whose full name is unknown. She also had a brother, Joseph Smithson, and a sister, in October 1801, Harriet was left in the care of Reverend James Barrett, the pastor of the Church of Ireland, parish of Drumcliffe, and later the Dean of Killaloe. Barrett became her guardian and brought her up as though she were his own daughter and he instructed her in the precepts of religion, and kept everything connected with the stage from her view. After Barretts death on February 16,1808, the Smithsons sent Harriet to a school in Waterford. On May 27,1814, Smithson made her first stage appearance at the Theatre Royal and her performance was well received, and the Freemans Journal gave her a positive review. In 1815, Harriet Smithson took her parents place in Montague Talbots company in Belfast after they returned to Dublin, the season opened on January 1,1816, where she extended her range in roles, performing in multiple comedies. She then traveled to Newry, Limerick, Dublin, and Burmingham and she spent the next two months playing over forty roles in varying genres. Four years later, January 20,1818, Smithson made her first London appearance at Drury Lane as Letitia Hardy in The Belles Stratagem and her first performance received mixed reviews from critics, but she quickly gained some favor of critics and performers as she obtained more experience. She joined the permanent company at the Royal Coburg later that year, however, she rejoined Drury Lane Company in the autumn of 1820. On February 20,1821, she filled in as the female role in Thérèse by John Howard Payne. Though she received negative reviews for this role, she was praised for her beauty and ability in the subsequent performance of She Stoops to Conquer. On September 11,1827, she was given the part of Ophelia next to Charles Kemble in Shakespeares Hamlet. She left a lasting impression on the French through her interpretation of Ophelias madness utilizing pantomime. Miss Smithson acted the scene in which, robbed of her sanity, she takes her own veil to be her fathers body with utmost grace, Smithson was cast as Juliet, where she revolutionized the womens role in theater by becoming as important as her male counterpart, Romeo. Until this point, womens lines in theater were heavily cut and censored to deemphasize the role for the companys “restricted talent. ”Again, Miss Smithson was charged with the role of Juliet, and she was excellent in it. It was in the scene in the act, where she has a night meeting with Romeo
11.
Hamlet
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The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet, is a tragedy written by William Shakespeare at an uncertain date between 1599 and 1602. Set in the Kingdom of Denmark, the play dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlets father, Claudius had murdered his own brother and seized the throne, also marrying his deceased brothers widow. It has inspired many other writers—from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and he almost certainly wrote his version of the title role for his fellow actor, Richard Burbage, the leading tragedian of Shakespeares time. In the 400 years since its inception, the role has been performed by highly acclaimed actors in each successive century. Three different early versions of the play are extant, the First Quarto, the Second Quarto, each version includes lines and entire scenes missing from the others. The plays structure and depth of characterisation have inspired much critical scrutiny, the protagonist of Hamlet is Prince Hamlet of Denmark, son of the recently deceased King Hamlet, and nephew of King Claudius, his fathers brother and successor. Claudius hastily married King Hamlets widow, Gertrude, Hamlets mother, Denmark has a long-standing feud with neighboring Norway, which culminated when King Hamlet slew King Fortinbras of Norway in a battle years ago. Although Denmark defeated Norway, and the Norwegian throne fell to King Fortinbrass infirm brother, Denmark fears that an invasion led by the dead Norwegian kings son, Prince Fortinbras, is imminent. On a cold night on the ramparts of Elsinore, the Danish royal castle and they vow to tell Prince Hamlet what they have witnessed. As the court gathers the next day, while King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser Polonius, after the court exits, Hamlet despairs of his fathers death and his mothers hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself, as Poloniuss son Laertes prepares to depart for a visit to France, Polonius gives him contradictory advice that culminates in the ironic maxim to thine own self be true. Poloniuss daughter, Ophelia, admits her interest in Hamlet, and that night on the rampart, the ghost appears to Hamlet, telling the prince that he was murdered by Claudius and demanding that Hamlet avenge him. Hamlet agrees and the ghost vanishes, the prince confides to Horatio and the sentries that from now on he plans to put an antic disposition on and forces them to swear to keep his plans for revenge secret. Privately, however, he remains uncertain of the ghosts reliability, soon thereafter, Ophelia rushes to her father, telling him that Hamlet arrived at her door the prior night half-undressed and behaving crazily. Polonius blames love for Hamlets madness and resolves to inform Claudius, as he enters to do so, the king and queen finish welcoming Rosencrantz and Guildenstern, two student acquaintances of Hamlet, to Elsinore. The royal couple has requested that the students investigate the cause of Hamlets mood, additional news requires that Polonius wait to be heard, messengers from Norway inform Claudius that the King of Norway has rebuked Prince Fortinbras for attempting to re-fight his fathers battles. The forces that Fortinbras conscripted to march against Denmark will instead be sent against Poland, Polonius tells Claudius and Gertrude his theory regarding Hamlets behavior, and speaks to Hamlet in a hall of the castle to try to uncover more information. Hamlet feigns madness but subtly insults Polonius all the while, when Rosencrantz and Guildenstern arrive, Hamlet greets his friends warmly, but quickly discerns that they are spies
12.
Ophelia
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Ophelia is a character in William Shakespeares play Hamlet. She is a noblewoman of Denmark, the daughter of Polonius, sister of Laertes. She is one of the two characters in the play. In Ophelias first speaking appearance in the play, she is seen with her brother, Laertes, Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants. Ophelias father, Polonius, who enters while Laertes is leaving, also forbids Ophelia from pursuing Hamlet, based on what Ophelia told him, Polonius concludes that he was wrong to forbid Ophelia from seeing Hamlet, and that Hamlet must be mad with love for her. Polonius immediately decides to go to Claudius, the new King of Denmark and also Hamlets uncle and stepfather, Polonius later suggests to Claudius that they hide behind an arras to overhear Hamlet speaking to Ophelia, when Hamlet thinks the conversation is private. Since Polonius is now sure that Hamlet is lovesick for Ophelia, Claudius agrees to try the eavesdropping plan later. The plan leads to what is called the Nunnery Scene. Polonius instructs Ophelia to stand in the lobby of the castle while he, Hamlet enters the room in a different world from the others, and recites his To be, or not to be soliloquy. Hamlet approaches Ophelia and talks to her, saying Get thee to a nunnery, Hamlet asks Ophelia where her father is and she lies to him, saying her father must be at home. Hamlet realizes he is being spied and he exits after declaring, I say we will have no more marriages. Ophelia is left bewildered and heartbroken, sure that Hamlet is insane and she knows that ultimately it is she that broke him because she lied. She was the woman he had loved and a friend whom he trusted, after Hamlet storms out, Ophelia makes her O, what a noble mind is here oerthrown soliloquy. The next time Ophelia appears is at the Mousetrap Play, which Hamlet has arranged in order to try to prove that Claudius killed King Hamlet, Hamlet sits with Ophelia and makes sexually suggestive remarks, he also says that womans love is brief. Later that night, after the play, Hamlet kills Polonius during a meeting between Hamlet and his mother, Queen Gertrude. At Ophelias next appearance, after her fathers death, she has gone mad and she talks in riddles and rhymes, and sings some mad and bawdy songs about death and a maiden losing her virginity. She exits after bidding everyone a good night, the last time Ophelia appears in the play is after Laertes comes to the castle to challenge Claudius over the death of his father, Polonius. Ophelia sings more songs and hands out flowers, citing their symbolic meanings, although interpretations of the meanings differ
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