Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
The Prophet-5, one of the first polyphonic synthesizers. It was widely used in 1980s synth-pop, along with the Roland Jupiter and Yamaha DX7.
Kraftwerk, one of the major influences on synth-pop, in 1976
Yellow Magic Orchestra in 2008
Gary Numan performing in 1980
New Romantic was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels.
Boy George performing at Ronnie Scott's Jazz Club in 2001
Vivienne Westwood and Malcolm McLaren hand screen-printed cotton dress and sash, Pirate collection, 1981
David Bowie's androgynous Ziggy Stardust and the Spiders look, which was a major influence on the movement
The Live Aid stage at the JFK Stadium in Philadelphia in July 1985, where Duran Duran played, while Ultravox and Spandau Ballet appeared on the Wembley stage in the UK