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Tōru Takemitsu
Takemitsu, 1961
Takemitsu, 1961
Example 1. Bar 10 of Masque I, Continu, for two flutes (1959). An early example of Takemitsu's incorporation of traditional Japanese music in his writ
Example 1. Bar 10 of Masque I, Continu, for two flutes (1959). An early example of Takemitsu's incorporation of traditional Japanese music in his writing, shown in the unusually notated quarter-tone pitch bend above.
Example 5. Various examples of Takemitsu's S–E–A motive, derived from the German spelling of the notes E♭, E, A ("Es–E–A")
Example 5. Various examples of Takemitsu's S–E–A motive, derived from the German spelling of the notes E♭, E, A ("Es–E–A")
Woodward (right) with Patricia Ludgate and sons Elroy and Benjamin, Cazenac 2018
Woodward (right) with Patricia Ludgate and sons Elroy and Benjamin, Cazenac 2018