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Tachi
Itomaki-no-tachi style sword mounting with chrysanthemum and paulownia crests on nashiji laquer ground. The blade was made by Masatsune. Blade, 12th c
Itomaki-no-tachi style sword mounting with chrysanthemum and paulownia crests on nashiji laquer ground. The blade was made by Masatsune. Blade, 12th century; mounting, 18th century. Tokyo National Museum.
In the noh drama Sanjō Kokaji, the 10th-century blacksmith Munechika, aided by a kitsune (fox spirit), forges the tachi (samurai sword) Ko-Gitsune Mar
In the noh drama Sanjō Kokaji, the 10th-century blacksmith Munechika, aided by a kitsune (fox spirit), forges the tachi (samurai sword) Ko-Gitsune Maru.
Tachi, Okanehira, by Kanehira. Ko-Bizen (old Bizen) school. 12th century, Heian period, National Treasure, Tokyo National Museum. Okanehira, together
Tachi, Okanehira, by Kanehira. Ko-Bizen (old Bizen) school. 12th century, Heian period, National Treasure, Tokyo National Museum. Okanehira, together with Dojikiri, is considered one of the best Japanese swords in terms of art and is compared to the yokozuna (the highest rank of a sumo wrestler) of Japanese swords.
Kazari tachi. 12th century, Heian period. National Treasure. Tokyo National Museum.
Kazari tachi. 12th century, Heian period. National Treasure. Tokyo National Museum.
Example of a hamon. It is not the entire white hadori area, but a fuzzy line within the hadori. It is difficult to photograph, and to appreciate hamon
Example of a hamon. It is not the entire white hadori area, but a fuzzy line within the hadori. It is difficult to photograph, and to appreciate hamon, the viewer must hold the sword in his hand and change the angle of the light on the blade as he views it.
Difference between Oshigata (left), an exact copy of hamon, and the photograph (right).
Difference between Oshigata (left), an exact copy of hamon, and the photograph (right).
Katana, showing the hamon as the outline of the yakiba. The nioi appears faintly as the bright line following the hamon; especially visible at the tip
Katana, showing the hamon as the outline of the yakiba. The nioi appears faintly as the bright line following the hamon; especially visible at the tip (kissaki).
The formation of a hamon during quenching first produces a downward bend as the edge cools fast, followed by an upward bend as the rest of the blade c
The formation of a hamon during quenching first produces a downward bend as the edge cools fast, followed by an upward bend as the rest of the blade cools.