A tachi is a type of sabre-like traditionally made Japanese sword (nihonto) worn by the samurai class of feudal Japan. Tachi and uchigatana generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the mei (銘), or signature, on the tang. The tachi style of swords preceded the development of the katana, which was not mentioned by name until near the end of the twelfth century. Tachi were the mainstream Japanese swords of the Kotō period between 900 and 1596. Even after the Muromachi period (1336–1573), when katana became the mainstream, tachi were often worn by high-ranking samurai.
Itomaki-no-tachi style sword mounting with chrysanthemum and paulownia crests on nashiji laquer ground. The blade was made by Masatsune. Blade, 12th century; mounting, 18th century. Tokyo National Museum.
In the noh drama Sanjō Kokaji, the 10th-century blacksmith Munechika, aided by a kitsune (fox spirit), forges the tachi (samurai sword) Ko-Gitsune Maru.
Tachi, Okanehira, by Kanehira. Ko-Bizen (old Bizen) school. 12th century, Heian period, National Treasure, Tokyo National Museum. Okanehira, together with Dojikiri, is considered one of the best Japanese swords in terms of art and is compared to the yokozuna (the highest rank of a sumo wrestler) of Japanese swords.
Kazari tachi. 12th century, Heian period. National Treasure. Tokyo National Museum.
In swordsmithing, hamon (刃文) is a visible effect created on the blade by the hardening process. The hamon is the outline of the hardened zone which contains the cutting edge. Blades made in this manner are known as differentially hardened, with a harder cutting edge than spine. This difference in hardness results from clay being applied on the blade prior to the cooling process (quenching). Less or no clay allows the edge to cool faster, making it harder but more brittle, while more clay allows the center and spine to cool slower, thus retaining its resilience.
Example of a hamon. It is not the entire white hadori area, but a fuzzy line within the hadori. It is difficult to photograph, and to appreciate hamon, the viewer must hold the sword in his hand and change the angle of the light on the blade as he views it.
Difference between Oshigata (left), an exact copy of hamon, and the photograph (right).
Katana, showing the hamon as the outline of the yakiba. The nioi appears faintly as the bright line following the hamon; especially visible at the tip (kissaki).
The formation of a hamon during quenching first produces a downward bend as the edge cools fast, followed by an upward bend as the rest of the blade cools.