1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Yoko Ono
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Yoko Ono is a Japanese multimedia artist, singer, songwriter, and peace activist who is also known for her work in performance art and filmmaking. She is the wife and widow of singer-songwriter John Lennon of the Beatles. Ono grew up in Tokyo, and studied at Gakushuin and she withdrew from her course after two years and rejoined her family in New York in 1953. She spent some time at Sarah Lawrence College, and then involved in New York Citys downtown artists scene. She first met Lennon in 1966 at her own art exhibition in London and she brought feminism to the forefront in her music, influencing artists as diverse as the B-52s and Meredith Monk. Ono achieved commercial and critical acclaim in 1980 with the chart-topping album Double Fantasy, public appreciation of Onos work has shifted over time, helped by a retrospective at a Whitney Museum branch in 1989 and the 1992 release of the six-disc box set Onobox. She received a Golden Lion Award for lifetime achievement from the Venice Biennale in 2009, as Lennons widow, Ono works to preserve his legacy. She funded Strawberry Fields in New York City, the Imagine Peace Tower in Iceland, and she has made significant philanthropic contributions to the arts, peace, Philippine and Japan disaster relief, and other causes. In 2012 Yoko Ono received the Dr. Rainer Hildebrandt Human Rights Award endowed by Alexandra Hildebrandt, the award is given annually in recognition of extraordinary, non-violent commitment to human rights. Ono continues her activism, inaugurating a biennial $50,000 LennonOno Grant for Peace in 2002. She has a daughter, Kyoko Chan Cox, from her marriage to Anthony Cox, Ono was born on February 18,1933, in Tokyo, to Isoko Ono and Eisuke Ono, a banker and former classical pianist. Isokos father was ennobled in 1915, isokos maternal grandfather Zenjiro Yasuda was an affiliate of the Yasuda clan and zaibatsu. Eisuke came from a line of samurai warrior-scholars. The kanji translation of Yokos first name Yoko means ocean child, Two weeks before Yokos birth, Eisuke was transferred to San Francisco by his employer, the Yokohama Specie Bank. The rest of the family followed soon after, with Yoko meeting Eisuke when she was two and her younger brother Keisuke was born in December 1936. Yoko was enrolled in piano lessons from the age of 4, in 1937, the family was transferred back to Japan and Ono enrolled at Tokyos Gakushuin, one of the most exclusive schools in Japan. In 1940, the moved to New York City. The next year, Eisuke was transferred from New York City to Hanoi, Ono was enrolled in Keimei Gakuen, an exclusive Christian primary school run by the Mitsui family
3.
Plastic Ono Band
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The Plastic Ono Band is a band formed by John Lennon and Yoko Ono in 1969 as a vehicle for their collaborative and solo projects. Lennon and Ono had begun a personal and artistic relationship in 1968, following their marriage in 1969, they decided that all of their future endeavours would be credited to a conceptual and collaborative vehicle, Plastic Ono Band. After the Lennons move to New York, they began collaborating with Elephants Memory, Lennons collaborations continued under similar names, until the winding down of the concept in 1974. Since 2009, Ono and her son Sean Lennon have led a new incarnation of the group, known as the Yoko Ono Plastic Ono Band, John Lennon and Yoko Ono first met in 1966. Lennon was a member of the Beatles, and Ono was an avant-garde artist. By 1968, the two established a relationship and they began collaborating on a number of musical projects. They first recorded together in May 1968 and these recordings would be released in November as the experimental album Unfinished Music No.1, Two Virgins. The pair also worked throughout the summer on Revolution 9, a piece that appeared on the Beatles White Album. Lennon and Ono continued with their experimental releases parallel to Lennons activities in the Beatles,2, Life with the Lions in May 1969. On 20 March 1969, Lennon and Ono married, and subsequently began their first Bed-in for Peace event, the event saw the new couple using press coverage of their marriage to advocate for peace. Recordings made around this time would be released as their third and final experimental album, following the success of the first bed-in, Lennon and Ono held a second in Montreal in May. During the Bed-in, the couple and their guests recorded the Lennon-penned song Give Peace a Chance and these were released on 4 July as a single credited to the Plastic Ono Band. It was the first single released by Lennon outside of the Beatles, although an independent composition and release by Lennon, his Beatles writing partner Paul McCartney was still credited, as both a contractual and personal agreement of sharing credit. The single was preceded by a launch for the Plastic Ono band on 3 July. According to Ono, the name was coined by Lennon as a result of Onos use of stands for recording. Press material outlined the band as a movement, not limited to a strict membership like a normal band. Lennon and Ono also stated that the audience were members, with the accompanying slogan YOU are the Plastic Ono Band, the Plastic Ono Band remained dormant for most of the summer of 1969 as the Beatles worked on completing Abbey Road. On 12 September, Lennon received a call from John Brower, organizer of the Toronto Rock and Roll Revival festival, Lennon offered instead to perform at the festival
4.
Art rock
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Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from teen entertainment to an artistic statement, influences may be drawn from genres such as experimental rock, avant-garde music, classical music, and jazz. The genres greatest level of popularity was in the early 1970s through British artists, art rock is most associated with a certain period of rock music, beginning in 1966–67 and ending with the arrival of punk in the mid 1970s. After, the genre would be infused within later popular music genres of the 1970s–90s, in the rock music of the 1970s, the art descriptor was generally understood to mean aggressively avant-garde or pretentiously progressive. Art rock is used synonymously with progressive rock. Historically, the term has been used to describe at least two related, but distinct, types of rock music, art rock emphasizes Romantic and autonomous traditions, in distinction to the aesthetic of the everyday and the disposable embodied by art pop. Common characteristics include album-oriented music divided into compositions rather than songs, with complicated and long instrumental sections. Its music was used within the context of concept records. Compared to progressive rock, art rock is more challenging, noisy and unconventional and less classically influenced, art rock can also to refer to either classically driven rock, or a progressive rock-folk fusion. S. Eliot than to Carl Perkins or Willie Dixon, the boundaries between art and pop music became increasingly blurred throughout the second half of the 20th century. The first usage of the art rock, according to Merriam-Webster Online Dictionary, was in 1968. As pop musics dominant format transitioned from singles to albums, many rock bands created works that aspired to make grand artistic statements, as it progressed in the late 1960s – in tandem with the development of progressive rock – art rock acquired notoriety alongside experimental rock. According to biographer Richard Williams, created a new concept, the producer as overall director of the creative process, Spector transformed rock music as a performing art to an art which could only exist in the recording studio, which paved the way for art rock. The Beach Boys leader Brian Wilson is also cited as one of the first examples of the music producer. Like Spector, Wilson was known as an eremitic studio obsessive who laboriously produced fantastical soundscapes through his mastery of recording technology. Biographer Peter Ames Carlin wrote that Wilson was the forerunner of a new kind of art-rock that would combine the transcendent possibilities of art with the accessibility of pop music. According to journalist Richard Goldstein, many musicians from California desired to be acknowledged as artists. They yearned for fame, as only needy people can, but they wanted to make art
5.
Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
6.
Indie rock
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Indie rock is a genre of alternative rock that originated in the United States and the United Kingdom in the 1980s. Originally used to independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. In the mid-1980s, the term began to be used to describe the music produced on punk and post-punk labels. Some prominent indie rock record labels were founded during the 1980s, during the 1990s, Grunge bands broke into the mainstream, and the term alternative lost its original counter-cultural meaning. The term indie rock became associated with the bands and genres that remained dedicated to their independent status, by the end of the 1990s indie rock developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success. In the early 2000s, a new group of bands played a stripped-down. The commercial breakthrough from these scenes was led by four bands, The Strokes, The White Stripes, The Hives, emo also broke into mainstream culture in the early 2000s. By the end of the 2000s the proliferation of bands was being referred to as indie landfill. The term indie rock, which comes from independent, describes the small and relatively low-budget labels on which it is released, the influences and styles of the artists have been extremely diverse, including punk, psychedelia, post-punk and country. Allmusic identifies indie rock as including a number of varying musical approaches compatible with mainstream tastes, in fact, there is an everlasting list of genres and subgenres of indie rock. Many countries have developed a local indie scene, flourishing with bands with enough popularity to survive inside the respective country. However, there are still indie bands that start off locally, Indie rock has been identified as a reaction against the macho culture that developed in alternative rock in the aftermath of Nirvanas success. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits, The Story of Indie pinpoints the birth of indie as the 1977 self-publication of the Spiral Scratch EP by Manchester band Buzzcocks, Indie pop and indie were originally synonymous. In the mid-1980s, indie began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the rock that dominated college radio playlists. In the United States, the term was associated with the abrasive, distortion-heavy sounds of the Pixies, Hüsker Dü, Minutemen, Meat Puppets, Dinosaur Jr
7.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
8.
Sean Lennon
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Sean Taro Ono Lennon is an American singer, songwriter and actor. He is the son of John Lennon and Yoko Ono, sean Lennon was born in New York City on October 9,1975, his fathers 35th birthday. He is of Irish, Welsh, and English descent on his fathers side, julian Lennon is his half-brother, and Kyoko Chan Cox is his half-sister. After Seans birth, John became a husband, caring for his young son until his death on December 8,1980. He attended Columbia University for three semesters before dropping out to focus on his music, in January 1984, when Steve Jobs was visiting Manhattan, he attended a party that his mother was throwing for Lennon, and Jobs gave him one of the very first Macintosh computers. His parents kick-started his musical career, his debut into the world came at age five. From childhood into his teen years, Lennon continued to collaborate with his mother, contributing vocals and receiving credit on her solo albums Its Alright, Starpeace. At 16 Lennon co-wrote the song All I Ever Wanted with Lenny Kravitz for his 1991 album Mama Said, by 1995 Lennon had formed the band IMA to play alongside his mother on her album Rising. Lennon also made appearances in film, featured in the cast of Michael Jacksons 1988 Moonwalker, Escher prints in Sonys 1990 promotional short-film Infinite Escher. In 1996, Miho Hatori and Yuka Honda of Cibo Matto were invited by Ono to remix the song Talking to the Universe for a Rising remix EP Rising Mixes and they met Lennon and invited him to join them on tour as a bass player. This eventually led to Lennons contributing to their side-project Butter 08 and he continued to play with them on tour, joining them on television and providing bass guitar and vocals on their EP Super Relax. Through his association with Cibo Matto, Lennon was approached by Adam Yauch, regarding Grand Royal, Lennon has said, I think I found the only label on the planet who doesnt care who my parents are and what my name is. Its a good feeling to know that I wouldnt have gotten the offer if they wouldnt have liked my songs, thats pretty rare in the music business. Lennons solo debut Into the Sun, was released in 1998, a music video for Home, a single from the album, was directed by Spike Jonze and enjoyed extended airplay on MTV. The album was produced by fellow Cibo Matto member Yuka Honda and they struck up a personal relationship as well as a creative one. He went on to tour supporting Into the Sun, during this period he appeared on radio programs such as The Howard Stern Show and KCRWs Morning Becomes Eclectic. He later recalled promoting the album as a bitter experience due to the focus on his family rather than his own music. In 1999, Lennons EP Half Horse, Half Musician was released featuring new such as Heart & Lung
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