Tareque Masud was a Bangladeshi independent film director, film producer, screenwriter and lyricist. He first found success with the films Muktir Gaan (1995) and Matir Moina (2002), for which he won three international awards, including the International Critics' FIPRESCI Prize, in the Directors' Fortnight at 2002 Cannes Film Festival. The film became Bangladesh's first film to compete for the Academy Award for Best Foreign Language Film.

The Cinema of Bangladesh is a diverse and vibrant entity, consisting of films produced across various regions, each contributing its unique linguistic and cultural perspective. Beyond the dominant Dhaka based Bengali-language film industry Dhallywood', which is a portmanteau of "Dhaka" and "Hollywood", Bangladesh is home to cinema in several other languages and dialects. For instance, Chakma cinema from Bandarban, Garo cinema from Sherpur, Meitei and Sylheti cinema from Sylhet, Chatgaiya cinema from Chattogram. These regional cinemas play a crucial role in preserving and promoting the linguistic and cultural heritage of the country. The dominant style of Bangladeshi cinema is melodramatic cinema, which developed from 1947 to 1990 and characterizes most films to this day. Cinema was introduced in Bangladesh in 1898 by the Bradford Bioscope Company, credited to have arranged the first film release in Bangladesh. Between 1913 and 1914, the first production company, Picture House, was opened. A 1928 short silent film titled Sukumari was the first Bengali-produced film in the region. The first full-length film, The Last Kiss, was released in 1931.