1.
Vestal Virgin
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In ancient Rome, the Vestals or Vestal Virgins were priestesses of Vesta, goddess of the hearth. The College of the Vestals and its well-being were regarded as fundamental to the continuance and they cultivated the sacred fire that was not allowed to go out. Livy, Plutarch, and Aulus Gellius attribute the creation of the Vestals as a state-supported priestesshood to king Numa Pompilius, according to Livy, Numa introduced the Vestals and assigned them salaries from the public treasury. Livy also says that the priestesshood of Vesta had its origins at Alba Longa, the 2nd century antiquarian Aulus Gellius writes that the first Vestal taken from her parents was led away in hand by Numa. Plutarch attributes the founding of the Temple of Vesta to Numa, ambrose alludes to a seventh in late antiquity. Numa also appointed the pontifex maximus to watch over the Vestals, the first Vestals, according to Varro, were named Gegania, Veneneia, Canuleia, and Tarpeia. In myth, Tarpeia, daughter of Spurius Tarpeius, was portrayed as traitorous, the Vestals became a powerful and influential force in the Roman state. When Sulla included the young Julius Caesar in his proscriptions, the Vestals interceded on Caesars behalf, augustus included the Vestals in all major dedications and ceremonies. They were held in awe, and attributed certain magical powers and this gift was preserved inviolate till the time of the degenerate moneychangers, who diverted the maintenance of sacred chastity into a fund for the payment of base porters. A public famine ensued on this act, and a bad harvest disappointed the hopes of all the provinces and it was sacrilege which rendered the year barren, for it was necessary that all should lose that which they had denied to religion. The College of the Vestals was disbanded and the fire extinguished in 394. Zosimus records how the Christian noblewoman Serena, niece of Theodosius, entered the temple and took from the statue of the goddess a necklace and placed it on her own neck. An old woman appeared, the last of the Vestals, who proceeded to rebuke Serena, according to Zosimus, Serena was then subject to dreadful dreams predicting her own untimely death. The chief Vestal oversaw the efforts of the Vestals, and was present in the College of Pontiffs, the Vestalis Maxima Occia presided over the Vestals for 57 years, according to Tacitus. The last known chief vestal was Coelia Concordia, who stepped down in 394 with the disbanding of the College of the Vestals, the Vestalium Maxima was the most important of Romes high priestesses. The Flaminica Dialis and the regina sacrorum each held unique responsibility for religious rites. According to Plutarch, there were only two Vestal Virgins when Numa began the College of the Vestals and this number later increased to four, and then to six. It has been suggested by some authorities that a seventh was added later, the Vestals were committed to the priestesshood before puberty and sworn to celibacy for a period of 30 years
2.
Augustus
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Augustus was the founder of the Roman Principate and considered the first Roman emperor, controlling the Roman Empire from 27 BC until his death in AD14. He was born Gaius Octavius into an old and wealthy equestrian branch of the plebeian gens Octavia and his maternal great-uncle Julius Caesar was assassinated in 44 BC, and Octavius was named in Caesars will as his adopted son and heir, then known as Octavianus. He, Mark Antony, and Marcus Lepidus formed the Second Triumvirate to defeat the assassins of Caesar, following their victory at the Battle of Philippi, the Triumvirate divided the Roman Republic among themselves and ruled as military dictators. The Triumvate was eventually torn apart by the ambitions of its members. Lepidus was driven into exile and stripped of his position, in reality, however, he retained his autocratic power over the Republic as a military dictator. By law, Augustus held a collection of powers granted to him for life by the Senate, including supreme military command, and it took several years for Augustus to develop the framework within which a formally republican state could be led under his sole rule. He rejected monarchical titles, and instead called himself Princeps Civitatis, the resulting constitutional framework became known as the Principate, the first phase of the Roman Empire. The reign of Augustus initiated an era of peace known as the Pax Romana. Augustus dramatically enlarged the Empire, annexing Egypt, Dalmatia, Pannonia, Noricum, and Raetia, expanding possessions in Africa, expanding into Germania, beyond the frontiers, he secured the Empire with a buffer region of client states and made peace with the Parthian Empire through diplomacy. Augustus died in AD14 at the age of 75 and he probably died from natural causes, although there were unconfirmed rumors that his wife Livia poisoned him. He was succeeded as Emperor by his adopted son Tiberius, Augustus was known by many names throughout his life, At birth, he was named Gaius Octavius after his biological father. Historians typically refer to him simply as Octavius between his birth in 63 until his adoption by Julius Caesar in 44 BC, upon his adoption, he took Caesars name and became Gaius Julius Caesar Octavianus in accordance with Roman adoption naming standards. He quickly dropped Octavianus from his name, and his contemporaries referred to him as Caesar during this period, historians. In 27 BC, following his defeat of Mark Antony and Cleopatra and it is the events of 27 BC from which he obtained his traditional name of Augustus, which historians use in reference to him from 27 BC until his death in AD14. While his paternal family was from the town of Velletri, approximately 40 kilometres from Rome and he was born at Ox Head, a small property on the Palatine Hill, very close to the Roman Forum. He was given the name Gaius Octavius Thurinus, his cognomen possibly commemorating his fathers victory at Thurii over a band of slaves. Due to the nature of Rome at the time, Octavius was taken to his fathers home village at Velletri to be raised. Octavius only mentions his fathers equestrian family briefly in his memoirs and his paternal great-grandfather Gaius Octavius was a military tribune in Sicily during the Second Punic War
3.
Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
4.
The Rape of the Sabine Women
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The rape of the Sabine Women is the common name of an incident from Roman mythology, in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists, particularly during the Renaissance and post-Renaissance eras, use of the word rape comes from the conventional translation of the Latin word used in the ancient accounts of the incident, raptio. Modern scholars tend to interpret the word as abduction as opposed to violation, controversy remains, however, as to how the acts committed against the women should be judged. The Rape occurred in the history of Rome, shortly after its founding by Romulus. Seeking wives in order to establish families, the Romans negotiated unsuccessfully with the Sabines, the Sabines feared the emergence of a rival society and refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women during a festival of Neptune Equester and they planned and announced a marvelous festival to attract people from all nearby towns. According to Livy, many people from Romes neighboring towns attended, including folk from the Caeninenses, Crustumini, and Antemnates, at the festival, Romulus gave a signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were implored by Romulus to accept Roman husbands. Livy says that Romulus offered them free choice and promised civic and this did not include the men being responsible for meeting the needs of the children. Outraged at the occurrence, the king of the Caeninenses entered upon Roman territory with his army, Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault, returning to Rome, he dedicated a temple to Jupiter Feretrius and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC, at the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle, according to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated, Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome. The Sabines themselves finally declared war, led into battle by their king, Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for what they bore on their arms, instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel, the Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way and they retreated to the gate of the Palatium
5.
Capitoline Hill
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The Capitoline Hill, between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was known as Mons Saturnius, dedicated to the god Saturn. The word Capitolium first meant the temple of Jupiter Optimus Maximus later built here, Ancient sources refer the name to caput and the tale was that, when laying the foundations for the temple, the head of a man was found. Some sources even saying it was the head of some Tolus or Olus, the Capitolium was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, Capitolinus had become Capitolino in Italian, influenced by Roman architecture and Roman republican times, the word Capitolium still lives in the English word capitol. The Capitol Hill in Washington, D. C. is widely assumed to be named after the Capitoline Hill, at this hill, the Sabines, creeping to the Citadel, were let in by the Roman maiden Tarpeia. For this treachery, Tarpeia was the first to be punished by being flung from a cliff overlooking the Roman Forum. This cliff was named the Tarpeian Rock after the Vestal Virgin. The Sabines, who immigrated to Rome following the Rape of the Sabine Women, the Vulcanal, an 8th-century BC sacred precinct, occupied much of the eastern lower slopes of the Capitoline, at the head of what would later become the Roman Forum. The summit was the site of a temple for the Capitoline Triad, started by Romes fifth king, Tarquinius Priscus and it was considered one of the largest and the most beautiful temples in the city. The city legend starts with the recovery of a human skull when foundation trenches were being dug for the Temple of Jupiter at Tarquins order, recent excavations on the Capitoline uncovered an early cemetery under the Temple of Jupiter. There are several important temples built on Capitoline hill, the temple of Juno Moneta, the temple of Virtus, the Temple of Jupiter Optimus Maximus Capitolinus is the most important of the temples. It was built in 509 BC and was nearly as large as the Parthenon, the hill and the temple of Jupiter became the symbols of Rome, the capital of the world. The Temple of Saturn was built at the foot of Capitoline Hill in the end of the Forum Romanum. According to legend Marcus Manlius Capitolinus was alerted to the Gallic attack by the geese of Juno. Vespasians brother and nephew were also besieged in the temple during the Year of Four Emperors, the Tabularium, located underground beneath the piazza and hilltop, occupies a building of the same name built in the 1st century BC to hold Roman records of state. The Tabularium looks out from the rear onto the Roman Forum, the main attraction of the Tabularium, besides the structure itself, is the Temple of Veiovis. During the lengthy period of ancient Rome, the Capitoline Hill was the geographical and ceremonial center, however, by the Renaissance, the former center was an untidy conglomeration of dilapidated buildings and the site of executions of criminals
6.
Relief
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Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise, to create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a surface of stone or wood is a lowering of the field. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting. There are different degrees of relief depending on the degree of projection of the form from the field. There is also sunk relief, which was restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only used to discuss most work. Hyphens may or may not be used in all these terms, works in the technique are described as in relief, and, especially in monumental sculpture, the work itself is a relief. Reliefs are common throughout the world on the walls of buildings and a variety of settings. Relief is more suitable for depicting complicated subjects with figures and very active poses, such as battles. Most ancient architectural reliefs were painted, which helped to define forms in low relief. Rock reliefs are carved into solid rock in the open air. This type is found in cultures, in particular those of the Ancient Near East and Buddhist countries. A stele is a standing stone, many of these carry reliefs. The distinction between high and low relief is somewhat subjective, and the two are often combined in a single work. In particular, most later high reliefs contain sections in low relief, a low relief or bas-relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. Other versions distort depth much less and it is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required
