Tarquinia Molza was an Italian singer, poet, conductor, composer, and natural philosopher. She was considered a great virtuosa. She was involved with the famous Concerto delle donne, although whether she sang with them or coached them is not clear. She also played the viola bastarda, viola da mano, clavier, and lute. Trained in both distinctly male and female singing styles, her contributions helped combine them into the madrigal of the late Renaissance.
Tarquinia Molza
The concerto delle donne was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini.
Second page of O dolcezz'amarissime d'amore, written for the concerto by Luzzasco Luzzaschi. The excerpt displays the fast-moving virtuosic passages in which the group specialized.
Luzzaschi's Quinto libro dei madrigali for five voices (Ferrara, 1595) acknowledges Vittorio Baldini's printing and the patronage of Alfonso II d'Este.
Title page of Luzzaschi's Madrigali a uno, e'doi, e'tre' soprani, showing Verovi's mark and acknowledgement of Alfonso.
The harp, L'Arpa di Laura [it], of Laura Peperara, kept in the Galleria Estense