1.
Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
2.
Kom Ombo
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Kom Ombo or Ombos or Latin, Ambo and Ombi – is an agricultural town in Egypt famous for the Temple of Kom Ombo. It was originally an Egyptian city called Nubt, meaning City of Gold and it became a Greek settlement during the Greco-Roman Period. In antiquity the city was in the Thebaid, the capital of the Nomos Ombites, upon the east bank of the Nile, latitude 24°6 north. Ombos was a town under every dynasty of Egypt, Pharaonic, Macedonian, and Roman. Ombos was the first city below Syene at which any remarkable remains of antiquity occur, the Nile, indeed, at this portion of its course, was ill-suited to a dense population in antiquity. It runs between steep and narrow banks of sandstone, and deposits but little of its fertilizing slime upon the dreary, there are two temples at Ombos, constructed of the stone obtained from the neighboring quarries of Hadjar-selseleh. The smaller temple to the northwest was sacred to the goddess Isis, both, indeed, are of an imposing architecture, and still retain the brilliant colors with which their builders adorned them. They are, however, of the Ptolemaic age, with the exception of a doorway of sandstone and this was part of a temple built by Tuthmosis III in honor of the crocodile-headed god Sobek. The monarch is represented on tress, the doorjambs, holding the reed and chisel, the emblems of construction. The Ptolemaic portions of the larger temple present an exception to an almost universal rule in Egyptian architecture and it has no propylon or dromos in front of it, and the portico has an uneven number of columns, in all fifteen, arranged in a triple row. Of these columns, thirteen are still erect, as there are two principal entrances, the temple would seem to be two united in one, strengthening the supposition that it was the Pantheon of the Ombite nome. The hill on which the Ombite temples stand has been excavated at its base by the river. The crocodile was held in especial honor by the people of Ombos, juvenal, in his 15th satire, has given a lively description of a fight, of which he was an eye-witness, between the Ombitae and the inhabitants of Tentyra, who were hunters of the crocodile. On this occasion the men of Ombos had the worst of it, the satirist, however, has represented Ombos as nearer to Tentyra than it actually is, these towns, in fact, being nearly 100 miles from each other. The Roman coins of the Ombite nome exhibit the crocodile and the effigy of the crocodile-headed god Sobek, at this site there is another Nilometer used to measure the level of the river waters. On the opposite side of the Nile was a suburb of Ombos, the city was a bishopric before the Muslim conquest, and under the name Ombi is included in the Catholic Churchs list of titular sees. Karol Wojtyła was titular bishop of Ombi from 1958 until 1963, the Köppen-Geiger climate classification system classifies its climate as hot desert. Today, irrigated sugar cane and corn account for most of the agricultural industry, most of the 60,000 villagers are native Egyptians, although there is a large population of Nubians who were displaced from their land upon the creation of Lake Nasser
3.
Aswan Governorate
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Aswan Governorate is one of the governorates of Egypt. The southernmost governorate in Upper Egypt, its capital is Aswan, the Aswan Governorate borders Qena to the north, Red Sea Governorate to the east, New Valley Governorate to the west, and Sudans Northern state to the south. It has a population of 1,394,687 inhabitants, according to population estimates from 2015 the majority of residents in the governorate live in rural areas, with an urbanization rate of only 42. 3%. Out of an estimated 1,431,488 people residing in the governorate,826,543 people live in areas as opposed to only 604,945 in urban areas
4.
Upper Egypt
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Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
5.
Ptolemaic dynasty
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Their rule lasted for 275 years, from 305 to 30 BC. They were the last dynasty of ancient Egypt, Ptolemy, one of the seven somatophylakes who served as Alexander the Greats generals and deputies, was appointed satrap of Egypt after Alexanders death in 323 BC. In 305 BC, he declared himself Ptolemy I, later known as Sōter Saviour, the Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemys family ruled Egypt until the Roman conquest of 30 BC, all the male rulers of the dynasty took the name Ptolemy. Ptolemaic queens regnant, some of whom were the sisters of their husbands, were usually called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII and her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt. Dates in brackets represent the dates of the Ptolemaic pharaohs. They frequently ruled jointly with their wives, who were also their sisters. Of these, one of the last and most famous was Cleopatra, several systems exist for numbering the later rulers, the one used here is the one most widely used by modern scholars. Arsinoe IV, in opposition to Cleopatra Ptolemy Keraunos - eldest son of Ptolemy I Soter, Ptolemy Apion - son of Ptolemy VIII Physcon. Ptolemy Philadelphus - son of Mark Antony and Cleopatra VII, Ptolemy of Mauretania - son of King Juba II of Numidia and Mauretania and Cleopatra Selene II, daughter of Cleopatra VII and Mark Antony. Contemporaries describe a number of the Ptolemaic dynasty members as extremely obese, whilst sculptures and coins reveal prominent eyes, familial Graves disease could explain the swollen necks and eye prominence, although this is unlikely to occur in the presence of morbid obesity. A. Lampela, Rome and the Ptolemies of Egypt, the development of their political relations 273-80 B. C. J. G. Manning, The Last Pharaohs, Egypt Under the Ptolemies, 305-30 BC. Livius. org, Ptolemies — by Jona Lendering
6.
Sobek
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Sobek, in Greek, Suchos and from Latin Suchus, was an ancient Egyptian deity with a complex and fluid nature. He is associated with the Nile crocodile and is represented in its form or as a human with a crocodile head. Sobek enjoyed a longstanding presence in the ancient Egyptian pantheon, from the Old Kingdom through the Roman period and he is first known from several different Pyramid Texts of the Old Kingdom, particularly from spell PT317. Unis has appeared as Sobek, Neiths son, Unis will eat with his mouth, Unis will urinate and Unis will copulate with his penis. Unis is lord of semen, who takes women from their husbands to the place Unis likes according to his hearts fancy. The origin of his name, Sbk in ancient Egyptian, is debated among scholars, though Sobek was worshipped in the Old Kingdom, he truly gained prominence in the Middle Kingdom, most notably under the Twelfth Dynasty king, Amenemhat III. Amenemhat III had taken a particular interest in the Faiyum region of Egypt, Amenemhat and many of his dynastic contemporaries engaged in building projects to promote Sobek – projects that were often executed in the Faiyum. In this period, Sobek also underwent an important change, he was fused with the falcon-headed god of divine kingship. This brought Sobek even closer with the kings of Egypt, thereby giving him a place of prominence in the Egyptian pantheon. The fusion added a level of complexity to the god’s nature, as he was adopted into the divine triad of Horus. Sobek-Horus persisted as a figure in the New Kingdom, but it was not until the last dynasties of Egypt that Sobek-Ra gained prominence and this understanding of the god was maintained after the fall of Egypts last native dynasty in Ptolemaic and Roman Egypt. The entire Faiyum region – the Land of the Lake in Egyptian – served as a center of Sobek. Most Faiyum towns developed their own localized versions of the god, such as Soknebtunis at Tebtunis, Sokonnokonni at Bacchias, at Karanis, two forms of the god were worshipped, Pnepheros and Petsuchos. There, mummified crocodiles were employed as cult images of Petsuchos, Sobek Shedety, the patron of the Faiyums centrally located capital, Crocodilopolis, was the most prominent form of the god. Extensive building programs honoring Sobek were realized in Shedet, as it was the capital of the entire Arsinoite nome and it is thought that the effort to expand Sobeks main temple was initially driven by Ptolemy II. Outside the Faiyum, Kom Ombo, in southern Egypt, was the biggest cultic center of Sobek, particularly during the Ptolemaic, located about 30 miles north of Aswan and was built during the Graeco-Roman period. The temple at this site was called the Per-Sobek, meaning the house of Sobek, Sobek is, above all else, an aggressive and animalistic deity who lives up to the vicious reputation of his patron animal, the large and violent Nile crocodile. Some of his common epithets betray this nature succinctly, the most notable of which being, he who loves robbery, he who eats while he also mates, however, he also displays grand benevolence in more than one celebrated myth
7.
Hathor
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Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
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