1.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
2.
Montserrat
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Montserrat is a Caribbean island—specifically in the Leeward Islands, which is part of the chain known as the Lesser Antilles, in the British West Indies. It is a British Overseas Territory, Montserrat measures approximately 16 km long and 11 km wide, with approximately 40 km of coastline. Montserrat is nicknamed The Emerald Isle of the Caribbean both for its resemblance to coastal Ireland and for the Irish ancestry of many of its inhabitants, on 18 July 1995, the previously dormant Soufrière Hills volcano, in the southern part of the island, became active. Eruptions destroyed Montserrats Georgian era capital city of Plymouth, between 1995 and 2000, two-thirds of the islands population was forced to flee, primarily to the United Kingdom, leaving fewer than 1,200 people on the island as of 1997. Visitors are generally not permitted entry into the zone. Relatively quiet since early 2010, the continues to be closely monitored by the Montserrat Volcano Observatory. It is the most studied volcano in the world and Montserrat has been regarded as a Modern Day Pompeii in the Caribbean, a new town and port is being developed at Little Bay, which is on the northwest coast of the island. While this construction proceeds, the centre of government and businesses is at Brades, in 1493, Christopher Columbus named the island Santa María de Montserrate, after the Virgin of Montserrat in the Monastery of Montserrat, on Montserrat mountain, near Barcelona in Catalonia, Spain. Montserrat means serrated mountain in Catalan, archaeological field work in 2012, in Montserrats Centre Hills indicated there was an Archaic occupation between 4000 and 2500 BP. Later coastal sites show the presence of the Saladoid culture, in November 1493, Christopher Columbus passed Montserrat in his second voyage, after being told that the island was unoccupied due to raids by the Caribs. A number of Irishmen settled in Montserrat in 1642, the island was captured by the French in 1666. It was captured shortly afterwards by the English and English control of the island was confirmed under the Treaty of Breda the following year, despite the interruption to English rule, the islands legal status is that of a colony acquired by settlement. A neo-feudal colony developed amongst the redlegs, the colonists began to transport Sub-Saharan African slaves for labour, as was common to most Caribbean islands. The colonists built an economy based on the production of sugar, rum, arrowroot and sea island cotton, by the late 18th century, numerous plantations had been developed on the island. Many Irish continued to be transported to the island, to work as indentured servants, on 17 March 1768, slaves rebelled but failed to achieve freedom. The people of Montserrat celebrate St Patricks Day as a public holiday due to the slave revolt, festivities held that week commemorate the culture of Montserrat in song, dance, food and traditional costumes. In 1782, during the American Revolutionary War, France briefly captured Montserrat after supporting the American rebels, the French returned the island to Great Britain under the 1783 Treaty of Paris, which ended that conflict. The Irish constituted the largest proportion of the population from the founding of the colony in 1628
3.
New wave music
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New wave is a genre of rock music popular from the late 1970s to the mid-1980s with ties to 1970s punk rock. New wave moved away from smooth blues and rock and roll sounds to create pop music that incorporated electronic and experimental music, mod, initially new wave was similar to punk rock, before becoming a distinct genre. It subsequently engendered subgenres and fusions, including synth-pop, college rock, common characteristics of new wave music include the use of synthesizers and electronic productions, the importance of styling and the arts, as well as diversity. In the mid-1980s, differences between new wave and other genres began to blur. New wave has enjoyed resurgences since the 1990s, after a rising nostalgia for several new wave-influenced artists, subsequently, the genre influenced other genres. During the 2000s, a number of acts explored new wave and post-punk influences, such as the Strokes, Interpol, Franz Ferdinand and these acts were sometimes labeled new wave of new wave. The catch-all nature of new music has been a source of much confusion. The 1985 discography Whos New Wave in Music listed artists in over 130 separate categories, the New Rolling Stone Encyclopedia of Rock calls the term virtually meaningless, while AllMusic mentions stylistic diversity. New wave first emerged as a genre in the early 1970s, used by critics including Nick Kent and Dave Marsh to classify such New York-based groups as the Velvet Underground. It gained currency beginning in 1976 when it appeared in UK punk fanzines such as Sniffin Glue and newsagent music weeklies such as Melody Maker and New Musical Express. In November 1976 Caroline Coon used Malcolm McLarens term new wave to designate music by bands not exactly punk, the term was also used in that sense by music journalist Charles Shaar Murray in his comments about the Boomtown Rats. For a period of time in 1976 and 1977, the new wave. By the end of 1977, new wave had replaced punk as the definition for new music in the UK. As radio consultants in the United States had advised their clients that punk rock was a fad, like the filmmakers of the French new wave movement, its new artists were anti-corporate and experimental. At first, most U. S. writers exclusively used the new wave for British punk acts. Music historian Vernon Joynson claimed that new wave emerged in the UK in late 1976, in the U. S. the first new wavers were the not-so-punk acts associated with the New York club CBGB. CBGB owner Hilly Kristal, referring to the first show of the band Television at his club in March 1974, said, furthermore, many artists who would have originally been classified as punk were also termed new wave. A1977 Phonogram Records compilation album of the same name features US artists including the Dead Boys, Ramones, Talking Heads, New wave is much more closely tied to punk and came and went more quickly in the United Kingdom than in the United States
4.
United Kingdom
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The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom or Britain, is a sovereign country in western Europe. Lying off the north-western coast of the European mainland, the United Kingdom includes the island of Great Britain, Northern Ireland is the only part of the United Kingdom that shares a land border with another sovereign state—the Republic of Ireland. The Irish Sea lies between Great Britain and Ireland, with an area of 242,500 square kilometres, the United Kingdom is the 78th-largest sovereign state in the world and the 11th-largest in Europe. It is also the 21st-most populous country, with an estimated 65.1 million inhabitants, together, this makes it the fourth-most densely populated country in the European Union. The United Kingdom is a monarchy with a parliamentary system of governance. The monarch is Queen Elizabeth II, who has reigned since 6 February 1952, other major urban areas in the United Kingdom include the regions of Birmingham, Leeds, Glasgow, Liverpool and Manchester. The United Kingdom consists of four countries—England, Scotland, Wales, the last three have devolved administrations, each with varying powers, based in their capitals, Edinburgh, Cardiff and Belfast, respectively. The relationships among the countries of the UK have changed over time, Wales was annexed by the Kingdom of England under the Laws in Wales Acts 1535 and 1542. A treaty between England and Scotland resulted in 1707 in a unified Kingdom of Great Britain, which merged in 1801 with the Kingdom of Ireland to form the United Kingdom of Great Britain and Ireland. Five-sixths of Ireland seceded from the UK in 1922, leaving the present formulation of the United Kingdom of Great Britain, there are fourteen British Overseas Territories. These are the remnants of the British Empire which, at its height in the 1920s, British influence can be observed in the language, culture and legal systems of many of its former colonies. The United Kingdom is a country and has the worlds fifth-largest economy by nominal GDP. The UK is considered to have an economy and is categorised as very high in the Human Development Index. It was the worlds first industrialised country and the worlds foremost power during the 19th, the UK remains a great power with considerable economic, cultural, military, scientific and political influence internationally. It is a nuclear weapons state and its military expenditure ranks fourth or fifth in the world. The UK has been a permanent member of the United Nations Security Council since its first session in 1946 and it has been a leading member state of the EU and its predecessor, the European Economic Community, since 1973. However, on 23 June 2016, a referendum on the UKs membership of the EU resulted in a decision to leave. The Acts of Union 1800 united the Kingdom of Great Britain, Scotland, Wales and Northern Ireland have devolved self-government
5.
Nightclub
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A nightclub is an entertainment venue and bar which serves alcoholic beverages that usually operates late into the night. Another distinction is that whereas many pubs and sports bars aim at a market, nightclubs typically aim at a niche market of music and dancing enthusiasts. The upmarket nature of nightclubs can be seen in the inclusion of VIP areas in some nightclubs, for celebrities, nightclubs are much more likely than pubs or sports bars to use bouncers to screen prospective clubgoers for entry. Some nightclub bouncers do not admit people with ripped jeans or other clothing or gang apparel as part of a dress code. The busiest nights for a nightclub are Friday and Saturday night, most clubs or club nights cater to certain music genres, such as house music or gothic rock. A nightclub may also be called a discothèque, disco, or dance club, from about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on a piano or a jukebox. Webster Hall is credited as the first modern nightclub, being built in 1886 and starting off as a hall, originally functioning as a home for dance. During Prohibition in the United States, nightclubs went underground as illegal speakeasy bars, with Webster Hall staying open, with rumors circulating of Al Capones involvement and police bribery. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New Yorks 21 Club, Copacabana, El Morocco, in Germany, possibly the first discothèque was Scotch-Club. These discothèques were also patronized by anti-Vichy youth called zazous, there were also underground discothèques in Nazi Germany patronized by anti-Nazi youth called the swing kids. In Harlem, Connies Inn and the Cotton Club were popular venues for white audiences, before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. The Whisky à Gogo set into place the elements of the modern post World War II discothèque-style nightclub. At the end of the 1950s, several of the bars in Soho introduced afternoon dancing. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabels, in Berkeley Square, in 1962, the Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, disco has its roots in the underground club scene. It brought together people from all walks of life and backgrounds and these clubs acted as safe havens for homosexual partygoers to dance in peace and away from public scrutiny. Disco allowed patrons to explore sexuality and push the envelope on the dance floor, disco clubs acted as an escape from such depressing environments and acted as the fantasy marginalized peoples could escape to forget oppression and racism. Disco clubs originally functioned as liberated party spaces and were seen as places of political statement, a smooth mix of long single records to keep people dancing all night long
6.
Nikola Tesla
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He immigrated to the United States in 1884, where he would become a naturalized citizen. He worked for a time at the Edison Machine Works in New York City before he struck out on his own. With the help of partners to finance and market his ideas, attempting to develop inventions he could patent and market, Tesla conducted a range of experiments with mechanical oscillators/generators, electrical discharge tubes, and early X-ray imaging. He also built a boat, one of the first ever exhibited. Tesla became well known as an inventor and would demonstrate his achievements to celebrities and wealthy patrons at his lab, in 1893, he made pronouncements on the possibility of wireless communication with his devices. After Wardenclyffe, Tesla went on to try and develop a series of inventions in the 1910s and 1920s with varying degrees of success, having spent most of his money, he lived in a series of New York hotels, leaving behind unpaid bills. The nature of his work and the pronouncements he made to the press later in life earned him the reputation of an archetypal mad scientist in American popular culture. Tesla died in New York City in January 1943 and his work fell into relative obscurity following his death, but in 1960, the General Conference on Weights and Measures named the SI unit of magnetic flux density the tesla in his honor. There has been a resurgence in popular interest in Tesla since the 1990s, Tesla was born on 10 July 1856 into a Serb family in the village of Smiljan, Austrian Empire. His father, Milutin Tesla, was an Orthodox priest, Teslas mother, Đuka Tesla, whose father was also an Orthodox priest, had a talent for making home craft tools and mechanical appliances and the ability to memorize Serbian epic poems. Đuka had never received a formal education, Tesla credited his eidetic memory and creative abilities to his mothers genetics and influence. Teslas progenitors were from western Serbia, near Montenegro, Tesla was the fourth of five children. He had a brother, Dane, and three sisters, Milka, Angelina and Marica. Dane was killed in an accident when Tesla was aged five. In 1861 Tesla attended primary school in Smiljan, where he studied German, arithmetic, in 1862 the Tesla family moved to Gospić, Austrian Empire, where Teslas father worked as parish priest. Nikola completed primary school, followed by middle school, in 1870 Tesla moved to Karlovac to attend school at the Higher Real Gymnasium. The classes were held in German, as it was a school within the Austro-Hungarian Military Frontier, Tesla would later write that he became interested in demonstrations of electricity by his physics professor. Tesla noted that these demonstrations of this mysterious phenomena made him want to more of this wonderful force
7.
Hammersmith Apollo
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The Hammersmith Apollo is an entertainment venue and a Grade II* listed building located in Hammersmith, London. Designed by Robert Cromie in Art Deco style, it opened in 1932 as the Gaumont Palace and it has had a string of names and owners, most recently AEG Live and Eventim UK. The venue was opened in 1932 as the Gaumont Palace and seated nearly 3,500 people and it was designed by Robert Cromie in the Art Deco style. In 1962, the building was renamed Hammersmith Odeon, a name many people use for the venue along with the abbreviation Hammy-O. It became a Grade II listed building in 1990, the venue was later refurbished and renamed Labatts Apollo following a sponsorship deal with Labatt Brewing Company. In 2002, the venue was renamed, this time to Carling Apollo after Carling brewery struck a deal with the owners. The venues listing was upgraded to Grade II* status in 2005, in 2003, the stalls seats were made removable and now some concerts have full seating whilst others have standing-only in the stalls. In the latter format the venue can accommodate around 5,000 people, the event was marked by rock band AC/DC playing an exclusive one-off concert and only charging £10 per ticket. All 5,000 tickets sold out in 4 minutes, in 2006, the venue reverted to its former name, the Hammersmith Apollo. In 2007, the original 1932 Compton pipe organ, still present from the days as a cinema, was restored. The building then changed hands and was bought by the MAMA Group, as a result, the venue was named HMV Apollo from 2009 until 2012. Other venues purchased include The Forum in Londons Kentish Town, the Birmingham Institute, the venue was sold by HMV Group in May 2012 to AEG Live and CTS Eventim. In 2013, the venue was closed for a refurbishment which was carried out by award-winning architect Foster Wilson. The venue reopened as the Eventim Apollo on 7 September 2013, the original 1932 Compton pipe organ is still present at the Apollo and was fully restored to playing condition in 2007. It has a console which rises through the stage on a new lift. Having fallen into disrepair, the organ was disconnected in the 1990s, however at English Heritage and the councils insistence it has been reinstated and the entire organ restored. A launch party was held on 25 July 2007, at which an invited audience, pipe organs such as this were installed in most cinemas of the pre-war period to provide music for film shows, accompany silent movies and to feature in solo performances. Many were also broadcast on the radio and recorded on 78 rpm records and these organs were based on church-type instruments but had many other sounds including percussion instruments built in
8.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
9.
Alternating current
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Alternating current, is an electric current which periodically reverses direction, whereas direct current flows only in one direction. A common source of DC power is a cell in a flashlight. The abbreviations AC and DC are often used to mean simply alternating and direct, the usual waveform of alternating current in most electric power circuits is a sine wave. In certain applications, different waveforms are used, such as triangular or square waves, audio and radio signals carried on electrical wires are also examples of alternating current. These types of alternating current carry information encoded onto the AC signal and these currents typically alternate at higher frequencies than those used in power transmission. Electrical energy is distributed as alternating current because AC voltage may be increased or decreased with a transformer, use of a higher voltage leads to significantly more efficient transmission of power. The power losses in a conductor are a product of the square of the current and this means that when transmitting a fixed power on a given wire, if the current is halved, the power loss will be four times less. Power is often transmitted at hundreds of kilovolts, and transformed to 100–240 volts for domestic use, high voltages have disadvantages, such as the increased insulation required, and generally increased difficulty in their safe handling. In a power plant, energy is generated at a convenient voltage for the design of a generator, near the loads, the transmission voltage is stepped down to the voltages used by equipment. Consumer voltages vary somewhat depending on the country and size of load, the voltage delivered to equipment such as lighting and motor loads is standardized, with an allowable range of voltage over which equipment is expected to operate. Standard power utilization voltages and percentage tolerance vary in the different mains power systems found in the world, high-voltage direct-current electric power transmission systems have become more viable as technology has provided efficient means of changing the voltage of DC power. HVDC systems, however, tend to be expensive and less efficient over shorter distances than transformers. Three-phase electrical generation is very common, the simplest way is to use three separate coils in the generator stator, physically offset by an angle of 120° to each other. Three current waveforms are produced that are equal in magnitude and 120° out of phase to each other, if coils are added opposite to these, they generate the same phases with reverse polarity and so can be simply wired together. In practice, higher pole orders are commonly used, for example, a 12-pole machine would have 36 coils. The advantage is that lower rotational speeds can be used to generate the same frequency, for example, a 2-pole machine running at 3600 rpm and a 12-pole machine running at 600 rpm produce the same frequency, the lower speed is preferable for larger machines. If the load on a system is balanced equally among the phases. Even in the worst-case unbalanced load, the current will not exceed the highest of the phase currents
10.
Bootleg recording
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A bootleg recording is an audio or video recording of a performance that was not officially released by the artist or under other legal authority. The process of making and distributing such recordings is known as bootlegging, bootlegs usually consist of either unreleased studio recordings, live performances or interviews with an unpredictable level of quality. The following year, the Rolling Stones Liver Than Youll Ever Be, subsequent bootlegs became more sophisticated in packaging, particularly the Trademark of Quality label with William Stouts cover artwork. Compact disc bootlegs first appeared in the 1980s, and internet distribution became popular in the 1990s. Changing technologies have affected the recording, distribution, and varying profitability of the underground industry, the copyrights for the song and the right to authorise recordings often reside with the artist, according to several international copyright treaties. The recording, trading and sale of bootlegs continues to thrive, however, even as artists, the word bootleg originates from the practice of smuggling illicit items in the legs of tall boots, particularly the smuggling of alcohol during the American Prohibition era. The word, over time, has come to refer to any illegal or illicit product and this term has become an umbrella term for illicit, unofficial, or unlicensed recordings, including vinyl LPs, silver CDs, or any other commercially sold media or material. The alternate term ROIO or VOI arose among Pink Floyd collectors, to clarify the recording source, although unofficial and unlicensed recordings had existed before the 1960s, the very first rock bootlegs came in plain sleeves with the title rubber stamped on it. However, they developed into more sophisticated packaging, in order to distinguish the manufacturer from inferior competitors. With todays packaging and desktop publishing technology, even the layman can create official looking CDs, with the advent of the cassette and CD-R, however, some bootlegs are traded privately with no attempt to be manufactured professionally. This is even more evident with the ability to share bootlegs via the Internet, some record companies have considered that any record issued outside of their control, and for which they do not receive payment, to be a counterfeit, which includes bootlegs. The most common type is the live bootleg, or audience recording, a number of bootlegs originated with FM radio broadcasts of live or previously recorded live performances. Other bootlegs may be soundboard recordings taken directly from a mixing console used to feed the public address system at a live performance. Artists may record their own shows for review, but engineers may surreptitiously take a copy of this. Some bootlegs consist of private or professional studio recordings distributed without the involvement, including demos. A theme of early rock bootlegs was to copy deleted records, such as old singles and B-sides, onto a single LP, some bootlegs, however, did lead to official releases. According to enthusiast and author Clinton Heylin, the concept of a record can be traced back to the days of Shakespeare. The US did not agree to the terms, resulting in many piratical reprints of sheet music being published there by the end of the century
11.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
12.
Kim Wilde
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Kim Wilde is an English pop singer, author, DJ and television presenter who burst onto the music scene in 1981 with her debut single Kids in America, which reached number two in the UK. In 1983, she received the Brit Award for Best British Female. In 1986, she had a UK number two hit with her version of the Supremes song You Keep Me Hangin On, which went on to be a major US hit. Between 1981 and 1996, she had 25 singles reach the Top 50 of the UK singles chart and her other hits include Chequered Love, You Came and Never Trust a Stranger. In 2003, she collaborated with Nena on the song Anyplace, Anywhere, Anytime, worldwide, she has sold over 10 million albums and 20 million singles. Starting in 1998, while active in music, she has branched into an alternative career as a landscape gardener. When she was nine, the moved to Hertfordshire, where she was educated at Tewin. In 1980, at age 20, she completed a course at St Albans College of Art & Design. Kim Wilde, was signed to RAK Records by Mickie Most, Wilde released her debut single Kids in America in January 1981. An instant success, it reached two in the UK Singles Chart and scaled the Top 5 in other countries such as Germany, France. Although it achieved moderate success in the US, peaking at number 25 when released in 1982. Her debut album Kim Wilde repeated the success of the single, Wildes follow-up album was 1982s Select, led by the hit singles Cambodia and View from a Bridge. Both were number 1 hits in France and reached Top 10 positions in Germany, at the time, there was some controversy about Wildes hesitation to do live concerts. Her first concerts in September 1982 took place in Denmark, before embarking on a UK-wide tour in October, Wildes third album, Catch as Catch Can was a relative failure. The first single from the album, Love Blonde, was another success in France and Scandinavia, the failure of the album led to her leaving RAK and signing with MCA Records in the summer of 1984. The video for this song appeared in an episode of the 1980s TV hit Knight Rider in 1985, the second single, The Touch, was not a commercial success, but the third single, the rockabilly Rage to Love, made the UK top 20 in 1985. All of Wildes songs up to point, including all her major hits, had been written by her father Marty and brother. On Teases & Dares she penned two songs, meanwhile, Wilde had embarked on three European concert tours
