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History
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The entrance to the Théâtre de l'Ambigu-Comique on the day of a free show. Louis-Léopold Boilly (1819)
The entrance to the Théâtre de l'Ambigu-Comique on the day of a free show. Louis-Léopold Boilly (1819)
The Théâtre de l'Ambigu-Comique on the boulevard Saint-Martin
The Théâtre de l'Ambigu-Comique on the boulevard Saint-Martin
Plans of the Ambigu-Comique (left) and the Théâtre de Nicolet (Théâtre de la Gaîté (boulevard du Temple), right), on the boulevard du Temple. The Ambi
Plans of the Ambigu-Comique (left) and the Théâtre de Nicolet (Théâtre de la Gaîté (boulevard du Temple), right), on the boulevard du Temple. The Ambigu-Comique and the Gaîté had a smaller number of boxes for privileged clientele than other Parisian theatres. These were separated by only half partitions that were more steeply angled toward the stage. The boxes usually found at the rear of a theatre were replaced with galleries of benches which seated more people. These arrangements provided more patrons with a better view of the stage, rather than a view of the other members of the audience.
Poster for an 1896 production at the Theâtre
Poster for an 1896 production at the Theâtre
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Boulevard du Temple
Boulevard du Temple
The earliest photograph of the Boulevard du Temple is by Louis Daguerre (1838)
The earliest photograph of the Boulevard du Temple is by Louis Daguerre (1838)
The theatres of the boulevard du Temple (ca. 1862)
The theatres of the boulevard du Temple (ca. 1862)