1.
Saul Bass
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Saul Bass was an American graphic designer and Academy Award-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. During his 40-year career Bass worked for some of Hollywoods most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Bass designed some of the most iconic logos in North America, including the Bell System logo in 1969. He also designed Continental Airlines 1968 jet stream logo and United Airlines 1974 tulip logo and he died from non-Hodgkins lymphoma in Los Angeles on April 25,1996 at the age of 75. Saul Bass was born on May 8,1920, in the Bronx, New York, United States and he graduated from James Monroe High School in the Bronx and studied part-time at the Art Students League in Manhattan until attending night classes with György Kepes at Brooklyn College. He began his time in Hollywood in the 1940s, designing print advertisements for films including Champion, Death of a Salesman and The Moon Is Blue and his next collaboration with Preminger was to design a film poster for his 1954 film Carmen Jones. Preminger was so impressed with Basss work that he asked him to produce the sequence as well. Bass was one of the first to realize the potential of the opening and closing credits of a movie. Bass became widely known in the industry after creating the title sequence for Otto Premingers The Man with the Golden Arm. The subject of the film was a musicians struggle to overcome his heroin addiction. Bass decided to create a title sequence to match the films controversial subject. He chose the arm as the image, as it is a strong image relating to heroin addiction. The titles featured an animated, white on black paper cut-out arm of a heroin addict, as he hoped, it caused quite a sensation. For Alfred Hitchcock, Bass provided effective, memorable title sequences, inventing a new type of kinetic typography, for North by Northwest, Vertigo, working with John Whitney and it was this kind of innovative, revolutionary work that made Bass a revered graphic designer. One of the most studied film credit designers, Bass is known for integrating a stylistic coherence between the designs and the films in which they appear. Bass once described his goal for his title sequences as being to ‘’try to reach for a simple, visual phrase that tells you what the picture is all about. Another philosophy that Bass described as influencing his title sequences was the goal of getting the audience to see parts of their world in an unfamiliar way. In 1955, Elaine Makatura came to work with Bass in his Los Angeles office, by 1960, with the opening to Spartacus, she was directing and producing title sequences, and in 1961 the two married, beginning more than 40 years of close collaboration
Saul Bass
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Saul Bass
Saul Bass
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The Man with the Golden Arm poster designed by Bass
Saul Bass
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Vertigo poster designed by Bass
Saul Bass
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Anatomy of a Murder poster designed by Bass
2.
William Wyler
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William Wyler, born as Willy Wyler was an American film director, producer and screenwriter of Ashkenazi Jewish descent. Wyler received his first Oscar nomination for directing Dodsworth in 1936, starring Walter Huston, Ruth Chatterton and Mary Astor, Film historian Ian Freer calls Wyler a bona fide perfectionist, whose penchant for retakes and an attempt to hone every last nuance, became the stuff of legend. Through his talent for staging, editing, and camera movement and he helped propel a number of actors to stardom, finding and directing Audrey Hepburn in her Hollywood debut film, Roman Holiday, and directing Barbra Streisand in her debut film, Funny Girl. He directed Olivia de Havilland to her second Oscar in The Heiress and Laurence Olivier in Wuthering Heights, Olivier credited Wyler with teaching him how to act for the screen. And Bette Davis, who received three Oscar nominations under his direction and won her second Oscar in Jezebel, said Wyler made her a far, far better actress than she had ever been. Other popular Wyler films include, Hells Heroes, Dodsworth, The Westerner, The Letter, Friendly Persuasion, The Big Country, The Childrens Hour, Wyler was born to a Jewish family in Mulhouse, Alsace. His Swiss father, Leopold, started as a traveling salesman which he turned into a thriving haberdashery business in Mulhouse. His mother, Melanie, was German, and a cousin of Carl Laemmle, during Wylers childhood, he attended a number of schools and developed a reputation as something of a hellraiser, being expelled more than once for misbehavior. His mother often took him and his older brother Robert to concerts, opera, sometimes at home his family and their friends would stage amateur theatricals for personal enjoyment. Wyler was supposed to take over the family business in Mulhouse. After World War I, he spent a year working in Paris at 100.000 Chemises selling shirts. He was so poor that he spent his time wandering around the Pigalle district. After realizing that Willy was not interested in the business, his mother, Melanie, contacted her distant cousin, Carl Laemmle who owned Universal Studios. Laemmle was in the habit of coming to Europe each year, in 1921, Wyler, while traveling as a Swiss citizen, met Laemmle who hired him to work at Universal Studios in New York. As Wyler said, America seemed as far away as the moon, booked onto a ship to New York with Laemmle upon his return voyage, he met a young Czech man, Paul Kohner, aboard the same ship. Their enjoyment of the first class trip was short-lived, however, after working in New York for several years, and even serving in the New York Army National Guard for a year, Wyler moved to Hollywood to become a director. Around 1923, Wyler arrived in Los Angeles and began work on the Universal Studios lot in the gang, cleaning the stages. His break came when he was hired as an assistant editor
William Wyler
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William Wyler
3.
The Saturday Evening Post
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The Saturday Evening Post is a bimonthly American magazine. It was published weekly under this title from 1897 until 1963, the magazine declined in readership through the 1960s, and in 1969 The Saturday Evening Post folded for two years before being revived as a quarterly publication in 1971. It now appears six times a year, the magazine was redesigned in 2013. The Saturday Evening Post was founded in 1821 and grew to become the most widely circulated magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer, the editors claimed it had historical roots in the Pennsylvania Gazette, which was first published in 1728 by Samuel Keimer and sold to Benjamin Franklin in 1729. It was known for commissioning lavish illustrations and original works of fiction, illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations became popular and continue to be reproduced as posters or prints, Curtis Publishing Co. stopped publishing the Post in 1969 after the company lost a landmark defamation suit and was ordered to pay over $3 million in damages. The Post was revived in 1971 as a limited circulation quarterly publication, as of the late 2000s, The Saturday Evening Post is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982. In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwells illustrations of the American family and rural life of a bygone era became icons, during his 50-year career with the Post, Rockwell painted more than 300 covers. He produced 120 covers for the Post between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers, another prominent artist was Charles R. Chickering, a freelance illustrator who went on to design numerous postage stamps for the U. S. Other popular cover illustrators include the artists George Hughes, Constantin Alajalov, John Clymer, W. H. D. Koerner, J. C. Leyendecker, Charles Archibald MacLellan, John E. Sheridan, Douglass Crockwell, the magazines line-up of cartoonists included Bob Barnes, Irwin Caplan, Tom Henderson, Al Johns, Clyde Lamb, Jerry Marcus, Frank ONeal, B. Tobey, Pete Wyma and Bill Yates, the magazine ran Ted Keys cartoon panel series Hazel from 1943 to 1969. Each issue featured several original stories and often included an installment of a serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, the opening pages of stories featured paintings by the leading magazine illustrators. Lincoln, John P. Marquand, Edgar Allan Poe, Sax Rohmer, William Saroyan, John Steinbeck and Rex Stout and it also published poetry by such noted poets as Carl Sandburg, Ogden Nash, Dorothy Parker and Hannah Kahn. Jack Londons best-known novel The Call of the Wild was first published, in serialized form, emblematic of the Posts fiction was author Clarence Budington Kelland, who first appeared in 1916–17 with stories of homespun heroes, Efficiency Edgar and Scattergood Baines
The Saturday Evening Post
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1903 cover of The Saturday Evening Post:
Otto von Bismarck illustrated by
George Gibbs
The Saturday Evening Post
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December 28, 1907. Cover by
J. C. Leyendecker
The Saturday Evening Post
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April 16, 1910. Cover by
Anton Otto Fischer
The Saturday Evening Post
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December 4, 1920 Cover by
Norman Rockwell
4.
Gregory Peck
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Eldred Gregory Peck was an American actor who was one of the most popular film stars from the 1940s to the 1960s. Peck continued to major film roles until the late 1980s. His performance as Atticus Finch in the 1962 film To Kill a Mockingbird earned him the Academy Award for Best Actor and he had also been nominated for an Oscar for the same category for The Keys of the Kingdom, The Yearling, Gentlemans Agreement and Twelve OClock High. Other notable films he appeared in include Spellbound, Roman Holiday, Moby Dick, The Guns of Navarone, Cape Fear, How the West Was Won, The Omen, President Lyndon Johnson honored Peck with the Presidential Medal of Freedom in 1969 for his lifetime humanitarian efforts. In 1999, the American Film Institute named Peck among Greatest Male Stars of Classic Hollywood cinema and he was named to the International Best Dressed List Hall of Fame in 1983. His father was of English and Irish heritage and his mother of English and she converted to her husbands religion, Roman Catholicism, when she married his father, and Peck was raised as a Catholic. Pecks parents divorced when he was five and he was brought up by his maternal grandmother, at the age of 10 he was sent to a Catholic military school, St. Johns Military Academy in Los Angeles. While he was a student there, his grandmother died, at 14, he moved back to San Diego to live with his father, attended San Diego High School, and after graduating enrolled for one year at San Diego State Teachers College. While there he joined the team, took his first theatre and public-speaking courses. Peck however had ambitions to be a doctor and the following year gained admission to the University of California, Berkeley, as an English major, standing 6 ft 3 in, he rowed on the university crew. Although his tuition fee was only $26 per year, Peck still struggled to pay, at Berkeley, encouraged by the acting coach, who saw in him perfect material for university theatre, Peck became more and more interested in acting. He was recruited by Edwin Duerr, director of the universitys Little Theater, Peck would later say about Berkeley that, it was a very special experience for me and three of the greatest years of my life. It woke me up and made me a human being, in 1997, Peck donated $25,000 to the Berkeley rowing crew in honor of his coach, the renowned Ky Ebright. He was often broke and sometimes slept in Central Park and he worked at the 1939 Worlds Fair and as a tour guide for NBCs television broadcasting. In 1940, Peck learned more of the craft, working in exchange for food, at the Barter Theatre in Abingdon, Virginia, appearing in five plays including Family Portrait. His stage career began in 1941 when he played the secretary in a Katharine Cornell production of George Bernard Shaws play The Doctors Dilemma, unfortunately, the play opened in San Francisco just one week before the attack on Pearl Harbor. He made his Broadway debut as the lead in Emlyn Williams The Morning Star in 1942 and his second Broadway performance that year was in The Willow and I with Edward Pawley. Twentieth Century Fox claimed he had injured his back while rowing at university, ive been trying to straighten out that story for years
Gregory Peck
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Publicity photo of Peck, 1948
Gregory Peck
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Gregory Peck in the
Designing Woman trailer
Gregory Peck
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Gregory Peck in
The Snows of Kilimanjaro, 1952
Gregory Peck
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Peck in 1973, by
Allan Warren
5.
Jean Simmons
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Jean Merilyn Simmons, OBE was an English-born American actress and singer. One of J. Simmons was nominated for the Academy Award for Best Supporting Actress for Hamlet, and won a Golden Globe Award for Best Actress for Guys and Dolls. Other notable film appearances included Young Bess, The Robe, Elmer Gantry, Spartacus, and she also won an Emmy Award for the 1983 miniseries The Thorn Birds. Simmons was born in Lower Holloway, London, to Charles Simmons, jean was the youngest of four children with siblings Lorna, Harold and Edna. She began acting at the age of 14, during the Second World War, the Simmons family was evacuated to Winscombe, Somerset. Returning to London and just enrolled at the Aida Foster School of Dance, Simmons was spotted by the director Val Guest, small roles in several other films followed including the high-profile Caesar and Cleopatra, produced by Gabriel Pascal. Pascal saw potential in Simmons and in 1945 he signed her to a seven-year contract, prior to moving to Hollywood, she played the young Estella in David Leans version of Great Expectations and Ophelia in Laurence Oliviers Hamlet, for which she received her first Oscar nomination. She played an Indian girl in the Powell-Pressburger film Black Narcissus, but I figured Id just go off and get married and have children like my mother. It was working with David Lean that convinced me to go on, in 1949 Simmons starred with Stewart Granger in Adam and Evelyne. In 1950 she was voted the fourth most popular star in Britain, in 1951 Rank sold her contract to Howard Hughes, who then owned the RKO Pictures. In 1950 she married Stewart Granger, with whom she appeared in films. She made four films for Hughes, including Angel Face, directed by Otto Preminger, according to David Thomson if she had made only one film – Angel Face – she might now be spoken of with the awe given to Louise Brooks. A court case freed her from the contract with Hughes in 1952, in 1953 she starred alongside Spencer Tracy in The Actress, a film that was one of her personal favourites. In the opinion of film critic Philip French, Home Before Dark saw her give perhaps her finest performance as a housewife driven into a breakdown in Mervyn LeRoys psychodrama, by the 1970s Simmons turned her focus to stage and television acting. She toured the United States in Stephen Sondheims A Little Night Music, then took the show to London, and thus originated the role of Desirée Armfeldt in the West End. Performing in the show for three years, she said she never tired of Sondheims music, No matter how tired or off you felt, the music would just pick you up. She portrayed Fiona Fee Cleary, the Cleary family matriarch, in the 1983 miniseries The Thorn Birds, in 1985-86 she appeared in North and South, again playing the role of the family matriarch as Clarissa Main. She made a late appearance in the Star Trek, The Next Generation episode The Drumhead as a retired Starfleet admiral
Jean Simmons
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Jean Simmons in a 1955 studio publicity shot
Jean Simmons
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with
Victor Mature in
Androcles and the Lion (1952)
6.
Charlton Heston
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Charlton Heston was an American actor and political activist. As a Hollywood star, he appeared in 100 films over the course of 60 years and he played Moses in the epic film, The Ten Commandments, for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil with Orson Welles, Ben-Hur, for which he won the Academy Award for Best Actor, El Cid and he also starred in the films The Greatest Show on Earth, Secret of the Incas, and The Big Country. A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a political action committee. Hestons most famous role in politics came as the president of the National Rifle Association. After being diagnosed with Alzheimers disease in 2003, he retired from acting and the NRA presidency. Heston died on April 5,2008, aged 84, from pneumonia, Charlton Heston was born on October 4,1923, to Russell Whitford Carter, a sawmill operator and Lilla. Many sources indicate he was born in Evanston, Illinois, Hestons autobiography, however, and some other sources, place his birth in No Mans Land, Illinois, which usually refers to a then-unincorporated area now part of Wilmette, a wealthy Chicago suburb. Heston said in a 1995 interview that he was not very good at remembering addresses or his early childhood, Heston was partially of Scottish descent, including from the Clan Fraser, but the majority of his ancestry was English. His earliest immigrant ancestors arrived in America from England in the 1600s and his maternal great-grandparents, William Charlton and Mary Drysdale Charlton, were English. They emigrated to Canada, where his grandmother, Marian Emily Charlton, was born in 1872, in his autobiography, Heston refers to his father participating in his familys construction business. When Heston was an infant, his fathers work moved the family to St. Helen and it was a rural, heavily forested part of the state, and Heston lived an isolated yet idyllic existence, spending much time hunting and fishing in the backwoods of the area. When Heston was 10 years old, his parents divorced, shortly thereafter, his mother remarried and the new family moved back to Wilmette. Heston attended New Trier High School and he recalled living there, All kids play pretend games, but I did it more than most. Even when we moved to Chicago, I was more or less a loner and we lived in a North Shore suburb, where I was a skinny hick from the woods, and all the other kids seemed to be rich and know about girls. Contradictions on paper and in an interview surround when Charlton became Hestons first name, the 1930 United States Census record for Richfield, Michigan, in Roscommon County, shows his name as being Charlton J. Carter at age six. Later accounts by sources and movie studio biographies say he was born John Charles Carter, interestingly, Charlton was his maternal grandmother Marians maiden name, not his mother Lillas. This is contrary to how 20th century references read and what Heston said, when Hestons maternal grandmother and his true maternal grandfather Charles Baines separated or divorced in the early 1900s, Marian Baines married William Henry Lawton in 1907
Charlton Heston
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Heston as President
Andrew Jackson in
The President's Lady - 1953
Charlton Heston
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Charlton Heston as
Moses in
Cecil B. DeMille 's
The Ten Commandments (1956)
Charlton Heston
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In
Touch of Evil (1958)
Charlton Heston
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In
Ben-Hur (1959)
7.
Carroll Baker
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Carroll Baker is a former American film, stage, and television actress. Throughout the 1950s and 1960s, Bakers range of roles from naive ingenues to brash, while performing on Broadway in 1954, she was recruited by director Elia Kazan to play the lead in the film of Tennessee Williamss Baby Doll. Other early roles included Giant and But Not for Me, as well as such as The Big Country, How the West Was Won. In the mid-1960s, Baker became a sex symbol for her roles in The Carpetbaggers, Sylvia and she formally retired from acting in 2002. In addition to acting, Baker is also the author of three books, Carroll Baker was born and raised in Johnstown, Pennsylvania, in a Roman Catholic family, the daughter of Edith Gertrude and William Watson Baker, who was a traveling salesman. She is of Polish descent, which has given rise to a rumor that her name was Karolina Piekarski. However, this currently cannot be substantiated by known records, Bakers parents separated when she was eight years old, and she moved with her mother and younger sister, Virginia, to Turtle Creek, Pennsylvania. According to Baker, her mother struggled as a parent. Baker attended Greensburg Salem High School in Greensburg, Pennsylvania, where she was a team member and active in the marching band. At eighteen, she moved with her family to St. Petersburg, Florida, after her first year in college, Baker began working as a magicians assistant on the vaudeville circuit and joined a dance company, working as a professional dancer. In 1949, Baker won the title of Miss Florida Fruits, in 1951, Baker moved to New York City, where she rented a dirt floor basement apartment in Queens. She worked as a dancer and also took stint jobs as a chorus girl in traveling vaudeville shows, which took her to Windsor, Detroit. In 1952, Baker enrolled at the Actors Studio and studied under Lee Strasberg, there, she was a classmate of Mike Nichols, Rod Steiger, Shelley Winters, and Marilyn Monroe, she also became a close friend of James Dean for the rest of his life. The following year, she made her debut with a small walk-on part in the musical Easy to Love. In 1955, she tested and auditioned for the lead role in Picnic. She was also considered for the lead in Rebel Without a Cause after James Dean recommended her for the part to director Nicholas Ray, which she turned down. Bakers first major role was the supporting part of Luz Benedict II in Giant, opposite Elizabeth Taylor, Rock Hudson. And this was a town that had one paved street, they had one hotel, simultaneously, Baker was cast as the title character in Elia Kazans Baby Doll, a role initially intended for Marilyn Monroe
Carroll Baker
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Baker in 1964
Carroll Baker
Carroll Baker
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Baker in Baby Doll (1956)
Carroll Baker
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Baker with
Gregory Peck in The Big Country (1958)
8.
Burl Ives
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Burl Icle Ivanhoe Ives was an American singer and actor of stage, screen, radio and television. He began as an itinerant singer and banjoist, and launched his own show, The Wayfaring Stranger. In 1942, he appeared in Irving Berlins This Is the Army, in the 1960s, he successfully crossed over into country music, recording hits such as A Little Bitty Tear and Funny Way of Laughing. Ives was born near Hunt City, a town in Jasper County, Illinois, near Newton, Illinois, to Levi Frank Ives. He had six siblings, Audry, Artie, Clarence, Argola, Lillburn and his father was first a farmer and then a contractor for the county and others. One day, Ives was singing in the garden with his mother and he invited his nephew to sing at the old soldiers reunion in Hunt City. The boy performed a rendition of the folk ballad Barbara Allen, from 1927 to 1929, Ives attended Eastern Illinois State Teachers College in Charleston, Illinois, where he played football. During his junior year, he was sitting in English class, listening to a lecture on Beowulf, as he walked out of the door, the professor made a snide remark, and Ives slammed the door behind him, shattering the window in the door. Sixty years later, the school named a building after its most famous dropout, Ives was also involved in Freemasonry from 1927 onward. On July 23,1929, in Richmond, Indiana, Ives made a recording of Behind the Clouds for the Starr Piano Companys Gennett label. In later years, Ives did not recall having made the record, Ives traveled about the U. S. as an itinerant singer during the early 1930s, earning his way by doing odd jobs and playing his banjo. He was jailed in Mona, Utah, for vagrancy and for singing Foggy Dew, around 1931, he began performing on WBOW radio in Terre Haute, Indiana. He also went back to school, attending classes at Indiana State Teachers College, in 1933, Ives also attended the Juilliard School in New York. He made his Broadway debut in 1938 with a role in Rodgers and Hart’s hit musical. In 1937, he met and befriended actor Eddie Albert, the two lived together for a while in Hollywood. In 1940, Ives began his own show, titled The Wayfaring Stranger after one of his ballads. Over the next decade, he popularized several traditional songs, such as Foggy Dew, The Blue Tail Fly. He was also associated with the Almanac Singers, a group which at different times included Woody Guthrie, Will Geer, Millard Lampell
Burl Ives
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Burl Ives in the
Cat on a Hot Tin Roof trailer, 1958
Burl Ives
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Ives (left) with
Paul Newman in
Cat on a Hot Tin Roof
9.
Charles Bickford
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Charles Ambrose Bickford was an American actor best known for his strong supporting roles. He was nominated three times for the Academy Award for Best Supporting Actor, for The Song of Bernadette, The Farmers Daughter, other notable roles include Whirlpool, A Star is Born and The Big Country. Bickford was born in Cambridge, Massachusetts, during the first minute of 1891, the fifth of seven children, Charles was an intelligent but very independent and unruly child. He had a strong relationship with his maternal grandfather who was a powerful influence during his formative years. In his late teens he drifted aimlessly around the United States for a time, before breaking into acting he worked as a lumberjack, investment promoter, and for a short time, ran a pest extermination business. He was a stoker and fireman in the United States Navy when a friend dared him to get a job in Burlesque, Bickford served as an Engineer Lieutenant in the United States Army during World War I. His first entry into acting was on the stage, eventually including Broadway and this venue provided him with an occasional living and served as the principal training ground for developing his acting and vocal talents. DeMille and offered a contract with MGM studios to star in DeMilles first talking picture and he soon became a star after playing Greta Garbos lover in Anna Christie but never developed into a leading man. During the production of DeMilles Dynamite, he punched out his director following a string of heated arguments primarily, throughout his early career on both the stage and later films Bickford rejected numerous scripts and made no secret of his disdain for much of the material he was offered. Not surprisingly, his association with MGM was short-lived, with Bickford asking for, however, he soon found himself blacklisted at other studios, forcing him, 274-277 to take the highly unusual step of becoming an independent actor for several years. His career took another turn when in 1935 he was mauled by a lion, much preferring the character roles that now became his forte, Bickford appeared in many notable films, including The Farmers Daughter, Johnny Belinda, A Star is Born, and Not As a Stranger. Most often he played lovable father figures, stern businessmen, heavies, during the 1940s, he was nominated three times for the Academy Award for Best Supporting Actor. He served as host of the 1950s television series The Man Behind the Badge, on April 16,1958, Bickford appeared with Roger Smith in The Daniel Barrister Story on NBCs Wagon Train. In this first-season episode, Daniel Barrister, played by Bickford, objects to medical treatment for his wife, Jenny, meanwhile, Dr. Peter H. Culver, played by Smith, has successfully fought a smallpox epidemic in a nearby town. He is brought to the train by scout Flint McCullough, portrayed by series regular Robert Horton. Viewers never knew if Barrister yielded to allow Dr. Culver to treat Jenny, Bickford continued to act in generally prestigious projects right up to his death. He guest-starred on ABCs The Islanders and on NBCs The Barbara Stanwyck Show, in his final years, Bickford played rancher John Grainger, owner of the Shiloh Ranch, on NBCs The Virginian western series. Two of the actors most memorable late-career big-screen roles came in the western The Big Country and in the drama Days of Wine and Roses
Charles Bickford
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Bickford in trailer for
Johnny Belinda (1948)
10.
Chuck Connors
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Kevin Joseph Aloysius “Chuck” Connors was an American actor, writer and professional basketball and baseball player. He is one of only 12 athletes in the history of American professional sports to have played both Major League Baseball and in the National Basketball Association. With a 40-year film and television career, he is best known for his role as Lucas McCain in the highly rated ABC series The Rifleman. Connors was raised Roman Catholic and served as a boy at the Basilica of Our Lady of Perpetual Help in Brooklyn. Connors had one sibling, a sister, Gloria, Connors did not like his first name and was seeking another one. He tried out Lefty and Stretch before settling on Chuck, because while playing first base, he would yell, Chuck it to me, baby. The rest of his teammates and fans soon caught on and the name stuck and he loved the Brooklyn Dodgers despite their losing record during the 1930s, and hoped to someday join the team himself. Connors athletic abilities earned him scholarships to the Adelphi Academy and Seton Hall University in South Orange, New Jersey, which he left after two years. During World War II, he enlisted in the Army at Fort Knox, Kentucky, during his Army service, Connors moonlighted as a professional basketball player, joining the Rochester Royals and helping to lead them to the 1946 National Basketball League championship. Connors took a shot that caught the front of the rim of an improperly installed glass backboard during the Celtics warm up at Boston Arena on November 5,1946, Connors left the team for spring training with Major League Baseballs Brooklyn Dodgers. He played for minor league teams before joining the Dodgers in 1949. He joined the Chicago Cubs in 1951, playing in 66 games as a first baseman, in 1952, he was sent to the minor leagues again to play for the Cubs top farm team, the Los Angeles Angels. He was drafted into American Football by the NFLs Chicago Bears, Connors can be seen in the Associated Press photo with Drysdale, Koufax and Dodgers general manager Buzzie Bavasi announcing the pitchers new contracts. Connors was listed as 6 foot 5 inches when he played baseball, Connors realized that he would not make a career in professional sports, so he decided to pursue an acting career. Playing baseball near Hollywood proved fortunate, as he was spotted by an MGM casting director and subsequently signed for the 1952 Tracy–Hepburn film Pat and Mike. In 1953, he starred opposite Burt Lancaster as a rebellious Marine private in the film South Sea Woman, Connors had a rare comedic role in a 1955 episode of The Adventures of Superman. He portrayed Sylvester J. Superman, a lanky rustic yokel who shared the name as the title character of the series. Connors was cast as Lou Brissie, a professional baseball player wounded during World War II
Chuck Connors
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Chuck Connors in 1974.
Chuck Connors
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Connors as a Dodger.
Chuck Connors
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Publicity still of Connors for The Rifleman, 1962
Chuck Connors
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Connors with Johnny Crawford, 1960
11.
United Artists
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United Artists is an American film and television entertainment studio. The studio was bought, sold and restructured over the ensuing century. On December 14 of the year, however, MGM acquired the 48% stake of UAMG it did not own. UA was incorporated as a joint venture on February 5,1919, by Pickford, Chaplin, Fairbanks, each held a 20% stake, with the remaining 20% held by lawyer William Gibbs McAdoo. The idea for the venture originated with Fairbanks, Chaplin, Pickford, already Hollywood veterans, the four stars talked of forming their own company to better control their own work. They were spurred on by established Hollywood producers and distributors who were tightening their control over salaries and creative decisions. With the addition of Griffith, planning began, but Hart bowed out before anything was formalized, when he heard about their scheme, Richard A. Rowland, head of Metro Pictures, is said to have observed, The inmates are taking over the asylum. The four partners, with advice from McAdoo, formed their distribution company and its headquarters was established at 729 Seventh Avenue in New York City. The original terms called for each of the stars to produce five pictures each year, UAs first film was a success. Without selling stock to the public, following the other studios, as a result, production was slow and the company distributed an annual average of five films during its first five years. By 1924 Griffith had dropped out and the company was facing a crisis, veteran producer Joseph Schenck was hired as president. He had been producing pictures for a decade, and he brought commitments for films starring his wife, Norma Talmadge, his sister-in-law, Constance Talmadge, contracts were signed with independent producers, most notably Samuel Goldwyn, and Howard Hughes. In 1933, Schenck organized a new company with Darryl F. Zanuck, called Twentieth Century Pictures, Schenck formed a separate partnership with Pickford and Chaplin to buy and build theaters under the United Artists name. They began international operations, first in Canada and then in Mexico, by the end of the 1930s, United Artists was represented in over 40 countries. When he was denied a share in 1935, Schenck resigned. He set up 20th Century Pictures merger with Fox Film Corporation to form 20th Century Fox, al Lichtman succeeded Schenck as company president. Other independent producers distributed through United Artists in the 1930s including, Walt Disney Productions, Alexander Korda, Hal Roach, David O. Selznick, as the years passed, and the dynamics of the business changed, these producing partners drifted away. Samuel Goldwyn Productions and Disney went to RKO, and Wanger to Universal Pictures, in the late 1930s, UA turned a profit
United Artists
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List of UA stockholders in 1920
United Artists
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United Artists Media Group
United Artists
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D.W. Griffith,
Mary Pickford,
Charlie Chaplin (seated) and Douglas Fairbanks at the signing of the contract establishing United Artists motion picture studio in 1919. Lawyers Albert Banzhaf (left) and Dennis F. O'Brien (right) stand in the background.
12.
Technicolor
–
Technicolor is the name applied to a series of color motion picture processes, the first version dating from 1916, and followed by improved versions over several decades. It was the major color process, after Britains Kinemacolor. As the technology matured it was used for less spectacular dramas. Occasionally, even a film noir—such as Leave Her to Heaven or Niagara —was filmed in Technicolor, Technicolor is the trademark for a series of color motion picture processes pioneered by Technicolor Motion Picture Corporation, now a division of the French company Technicolor SA. The Technicolor Motion Picture Corporation was founded in Boston in 1914 by Herbert Kalmus, Daniel Frost Comstock, the Tech in the companys name was inspired by the Massachusetts Institute of Technology, where both Kalmus and Comstock received their undergraduate degrees and were later instructors. Technicolor, Inc. was chartered in Delaware in 1921, most of Technicolors early patents were taken out by Comstock and Wescott, while Kalmus served primarily as the companys president and chief executive officer. The term Technicolor historically has been used to describe at least five concepts, Technicolor, Technicolor process or format, several custom image origination systems used in film production, culminating in the three-strip process in 1932. Technicolor IB printing, a process for making color motion picture prints that allows the use of dyes which are more stable, originally used for printing from color separation negatives photographed on black-and-white film in a special Technicolor camera. This meaning of the name applies to nearly all Wikipedia articles about films made from 1954 onward in which Technicolor is named in the credits, Technicolor originally existed in a two-color system. Because two frames were being exposed at the time, the film had to be photographed and projected at twice the normal speed. Exhibition required a special projector with two apertures, two lenses, and a prism that aligned the two images on the screen. The results were first demonstrated to members of the American Institute of Mining Engineers in New York on February 21,1917, the near-constant need for a technician to adjust the projection alignment doomed this additive color process. Only a few frames of The Gulf Between, showing star Grace Darmond, are known to exist today, convinced that there was no future in additive color processes, Comstock, Wescott, and Kalmus focused their attention on subtractive color processes. This culminated in what would eventually be known as Process 2, the difference was that the two-component negative was now used to produce a subtractive color print. Because the colors were present in the print, no special projection equipment was required. The frames exposed behind the filter were printed on one strip of black-and-white film. After development, each print was toned to a color nearly complementary to that of the filter, orange-red for the green-filtered images, the two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. The Toll of the Sea, which debuted on November 26,1922, the second all-color feature in Process 2 Technicolor, Wanderer of the Wasteland, was released in 1924
Technicolor
–
A title card for a
Walt Disney Donald Duck cartoon with an "in Technicolor" credit. Many 1930s and '40s
American cartoon shorts were produced in Technicolor.
Technicolor
–
Frame from a surviving fragment of The Gulf Between (1917), the first publicly shown Technicolor film
Technicolor
–
Frame from the Technicolor picture
The Toll of the Sea (1922)
Technicolor
–
Frame enlargement of a Technicolor segment from
The Phantom of the Opera (1925). The film was one of the earliest uses of the process on interior sets, and demonstrated its versatility.
13.
Epic film
–
Epic film is a style of filmmaking with large scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre, like epics in the classical literary sense it is often focused on a heroic character. An epics ambitious nature helps to set it apart from other types of such as the period piece or adventure film. The most common subjects of epic films are royalty, and important figures from various periods in world history, the term epic originally came from the poetic genre exemplified by such works as the Iliad, Epic of Gilgamesh, or the Odyssey. In classical literature, epics are considered works focused on deeds or journeys of heroes upon which the fate of a number of people depend. Similarly, films described as epic typically take a historical character, common subjects of epics are royalty, gladiators, great military leaders, or leading personalities from various periods in world history. Such films usually have a setting, although fantasy or science fiction settings have become common in recent decades. The central conflict of the film is seen as having far-reaching effects. The main characters actions are often central to the resolution of the societal conflict, in its classification of films by genre, the American Film Institute limits the genre to historical films such as Ben-Hur. However, film scholars such as Constantine Santas are willing to extend the label to science-fiction films such as 2001, A Space Odyssey and Star Wars. Stylistically, films classed as epic usually employ spectacular settings and specially designed costumes, often accompanied by a musical score. Epics are usually among the most expensive of films to produce and they often use on-location filming, authentic period costumes, and action scenes on a massive scale. Biographical films may be less lavish versions of this genre, many writers may refer to any film that is long as an epic, making the definition epic a matter of dispute, and raise questions as to whether it is a genre at all. As Roger Ebert put it, in his Great Movies article on Lawrence of Arabia, what you realize watching Lawrence of Arabia is that the word epic refers not to the cost or the elaborate production, but to the size of the ideas and vision. Werner Herzogs Aguirre, The Wrath of God didnt cost as much as the catering in Pearl Harbor, but it is an epic, the comedy film Monty Python and the Holy Grail had the joking tagline Makes Ben Hur look like an epic. This boom period of international co-productions is generally considered to have ended with Cleopatra, The Fall of the Roman Empire, Epic films continue to be produced, although since the development of CGI they typically use computer effects instead of an actual cast of thousands. Since the 1950s, such films have regularly been shot with an aspect ratio for a more immersive. Epic films were recognized in a montage at the 2006 Academy Awards, War epics are generally focused on specific battles in a war, P. O. W camps or the personal consequences of living in an invaded/occupied country
Epic film
–
Charlton Heston starred in Biblical epics such as
The Ten Commandments and historical epics such as
El Cid
14.
Western film
–
Cowboys and gunslingers typically wear Stetson hats, bandannas, spurs, cowboy boots and buckskins. Other characters include Native Americans, bandits, lawmen, bounty hunters, outlaws, mounted cavalry, settlers, Westerns often stress the harshness of the wilderness and frequently set the action in an arid, desolate landscape of deserts and mountains. Often, the vast landscape plays an important role, presenting a. mythic vision of the plains, specific settings include ranches, small frontier towns, saloons, railways and isolated military forts of the Wild West. Many Westerns use a plot of depicting a crime, then showing the pursuit of the wrongdoer, ending in revenge and retribution. The Western was the most popular Hollywood genre, from the early 20th century to the 1960s, Western films first became well-attended in the 1930s. John Fords landmark Western adventure Stagecoach became one of the biggest hits in 1939, Westerns were very popular throughout the 1950s and 1960s. Many of the most acclaimed Westerns were released during this time – including High Noon, Shane, The Searchers, the Western depicts a society organized around codes of honor and personal, direct or private justice–frontier justice–dispensed by gunfights. These honor codes are played out through depictions of feuds or individuals seeking personal revenge or retribution against someone who has wronged them. The popular perception of the Western is a story that centers on the life of a semi-nomadic wanderer, a showdown or duel at high noon featuring two or more gunfighters is a stereotypical scene in the popular conception of Westerns. In some ways, such protagonists may be considered the descendants of the knight errant which stood at the center of earlier extensive genres such as the Arthurian Romances. And like knights errant, the heroes of Westerns frequently rescue damsels in distress, similarly, the wandering protagonists of Westerns share many characteristics with the ronin in modern Japanese culture. The Western typically takes these elements and uses them to tell simple morality tales, Westerns often stress the harshness and isolation of the wilderness and frequently set the action in an arid, desolate landscape. Apart from the wilderness, it is usually the saloon that emphasizes that this is the Wild West, it is the place to go for music, women, gambling, drinking, brawling and shooting. The American Film Institute defines western films as those set in the American West that embodies the spirit, the struggle, the term Western, used to describe a narrative film genre, appears to have originated with a July 1912 article in Motion Picture World Magazine. Most of the characteristics of Western films were part of 19th century popular Western fiction and were firmly in place before film became an art form. Protagonists ride between dusty towns and cattle ranches on their trusty steeds, Western films were enormously popular in the silent film era. With the advent of sound in 1927-28, the major Hollywood studios rapidly abandoned Westerns, leaving the genre to smaller studios and these smaller organizations churned out countless low-budget features and serials in the 1930s. Released through United Artists, Stagecoach made John Wayne a mainstream star in the wake of a decade of headlining B westerns
Western film
–
Justus D. Barnes, from
The Great Train Robbery
Western film
–
The
Lone Ranger; a famous heroic
gunslinger
Western film
–
Gary Cooper in
Vera Cruz
Western film
–
Western set at
Universal Studios in
Hollywood
15.
Technirama
–
Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s, the process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope, but its actually 2.25,1 on the negative. The Technirama process used an area twice that of CinemaScope. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, Technirama used a 1.5,1 anamorphic optic in front of the lens in order to stretch the vertical image. To achieve the wider format, lenses of shorter focal-length had to be used. These prints could be shown with the same lenses as CinemaScope productions. The name Super Technirama 70 was used on films where the shooting was done in Technirama, such prints would be compatible with those made by such 65-mm negative processes as Todd-AO and Super Panavision. The quality would have very good but perhaps a bit less than those processes, because the negative was not quite as large. After the 1956 delivery by Mitchell Camera Corporation, the converted Technicolor Three-Strip cameras immediately became obsolete, the logistical advantage of using 35mm film, end-to-end, should not be underestimated. A few 8-perf titles have been preserved on 65mm film, the color was enhanced through the use of a special development process that was used to good effect in films such as The Vikings and The Music Man. However, fewer than 40 films were produced using this process in the United States and it was more popular and longer-lasting in Europe. Walt Disney Productions used the process twice for animated features, Sleeping Beauty. The 2008 DVD and Blu-ray Disc release of Walt Disneys Sleeping Beauty was shown at an aspect-ratio of 2.55,1 for the first time, film,35 mm running horizontally using eight perforations at 24 frames per second. Anamorphic power,1.5 Aspect ratio,2.35,12.25,1 See List of Technirama films, List of film formats Widescreen museum Technirama page
Technirama
–
The 35 mm 8 perforation Technirama horizontal camera film. Note the circle has been stretched vertically by a factor of 1.5.
16.
Academy Awards
–
The various category winners are awarded a copy of a golden statuette, officially called the Academy Award of Merit, which has become commonly known by its nickname Oscar. The awards, first presented in 1929 at the Hollywood Roosevelt Hotel, are overseen by AMPAS, the awards ceremony was first broadcast on radio in 1930 and televised for the first time in 1953. It is now live in more than 200 countries and can be streamed live online. The Academy Awards ceremony is the oldest worldwide entertainment awards ceremony and its equivalents – the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music and recording – are modeled after the Academy Awards. The 89th Academy Awards ceremony, honoring the best films of 2016, were held on February 26,2017, at the Dolby Theatre, in Los Angeles, the ceremony was hosted by Jimmy Kimmel and was broadcast on ABC. A total of 3,048 Oscars have been awarded from the inception of the award through the 88th, the first Academy Awards presentation was held on May 16,1929, at a private dinner function at the Hollywood Roosevelt Hotel with an audience of about 270 people. The post-awards party was held at the Mayfair Hotel, the cost of guest tickets for that nights ceremony was $5. Fifteen statuettes were awarded, honoring artists, directors and other participants in the industry of the time. The ceremony ran for 15 minutes, winners were announced to media three months earlier, however, that was changed for the second ceremony in 1930. Since then, for the rest of the first decade, the results were given to newspapers for publication at 11,00 pm on the night of the awards. The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and he had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier, this made him the first Academy Award winner in history. With the fourth ceremony, however, the system changed, for the first six ceremonies, the eligibility period spanned two calendar years. At the 29th ceremony, held on March 27,1957, until then, foreign-language films had been honored with the Special Achievement Award. The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature, since 1973, all Academy Awards ceremonies always end with the Academy Award for Best Picture. The Academy also awards Nicholl Fellowships in Screenwriting, see also § Awards of Merit categories The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette. The five spokes represent the branches of the Academy, Actors, Writers, Directors, Producers. The model for the statuette is said to be Mexican actor Emilio El Indio Fernández, sculptor George Stanley sculpted Cedric Gibbons design. The statuettes presented at the ceremonies were gold-plated solid bronze
Academy Awards
–
Academy Awards
Academy Awards
–
31st Academy Awards Presentations,
Pantages Theatre, Hollywood, 1959
Academy Awards
–
81st Academy Awards Presentations,
Dolby Theatre, Hollywood, 2009
Academy Awards
–
Pantages Theatre, 2008
17.
Academy Award for Best Supporting Actor
–
The Academy Award for Best Supporting Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences. It is given in honor of an actor who has delivered a performance in a supporting role while working within the film industry. At the 9th Academy Awards ceremony held in 1937, Walter Brennan was the first winner of award for his role in Come. Initially, winners in both supporting acting categories were awarded instead of statuettes. Beginning with the 16th ceremony held in 1944, however, winners received full-sized statuettes, currently, nominees are determined by single transferable vote within the actors branch of AMPAS, winners are selected by a plurality vote from the entire eligible voting members of the Academy. Since its inception, the award has given to 72 actors. Brennan has received the most awards in this category with three awards, Brennan, Jeff Bridges, Robert Duvall, Arthur Kennedy, Jack Nicholson, and Claude Rains were nominated on four occasions, more than any other actor. As of the 2017 ceremony, Mahershala Ali is the most recent winner in category for his role as Juan in Moonlight. In the following table, the years are listed as per Academy convention, and generally correspond to the year of release in Los Angeles County. Toronto, Ontario, Canada, University of Toronto Press, ISBN 978-1-55002-574-3. org The Academy Awards Database Oscar. com Complete Downloadable List of Academy Award Nominees
Academy Award for Best Supporting Actor
–
Walter Brennan was the first winner in this category for 1936's
Come and Get It; He would also win for his roles in
Kentucky (1938) and
The Westerner (1940).
Academy Award for Best Supporting Actor
–
Van Heflin won in 1942 for his performance in
Johnny Eager.
Academy Award for Best Supporting Actor
–
George Sanders won for his role in 1950's
All About Eve.
Academy Award for Best Supporting Actor
–
Karl Malden won in 1951 for
A Streetcar Named Desire.
18.
Golden Globe Award
–
Golden Globe Awards are accolades bestowed by the 93 members of the Hollywood Foreign Press Association, recognizing excellence in film and television, both domestic and foreign. The annual ceremony at which the awards are presented is a part of the film industrys awards season. The 74th Golden Globe Awards, honoring the best in film, the 1st Golden Globe Awards, honoring the best achievements in 1943 filmmaking, was held in January 1944, at the 20th Century-Fox studios. Subsequent ceremonies were held at venues throughout the next decade, including the Beverly Hills Hotel. In 1950, the Hollywood Foreign Press Association made the decision to establish an honorary award to recognize outstanding contributions to the entertainment industry. Recognizing its subject as a figure within the entertainment industry. The official name of the award became the Cecil B. In 1963, the Miss Golden Globe concept was introduced, in its inaugural year, two Miss Golden Globes were named, one for film and one for television. The two Miss Golden Globes named that year were Eva Six and Donna Douglas, respectively, in 2009, the Golden Globe statuette was redesigned. It was unveiled at a conference at the Beverly Hilton prior to the show. The broadcast of the Golden Globe Awards, telecast to 167 countries worldwide, generally ranks as the third most-watched awards show each year, behind only the Oscars, gervais returned to host the 68th and 69th Golden Globe Awards the next two years. Tina Fey and Amy Poehler hosted the 70th, 71st and 72nd Golden Globe Awards in 2015, the Golden Globe Awards theme song, which debuted in 2012, was written by Japanese musician and songwriter Yoshiki Hayashi. On January 7,2008, it was announced due to the 2007–2008 Writers Guild of America strike. The ceremony was faced with a threat by striking writers to picket the event, the Hollywood Foreign Press Association was forced to adopt another approach for the broadcast. In acting categories, Meryl Streep holds the record for the most competitive Golden Globe wins with eight, however, including honorary awards, such as the Henrietta Award, World Film Favorite Actor/Actress Award, or Cecil B. DeMille Award, Barbra Streisand leads with nine, additionally, Streisand won for composing the song Evergreen, producing the Best Picture, and directing Yentl in 1984. Jack Nicholson, Angela Lansbury, Alan Alda and Shirley MacLaine have six awards each, behind them are Rosalind Russell and Jessica Lange with five wins. Meryl Streep also holds the record for most nominations with thirty, at the 46th Golden Globe Awards an anomaly occurred, a three way-tie for Best Actress in a Motion Picture – Drama
Golden Globe Award
–
The Golden Globe statuette
19.
American Old West
–
Frontier refers to a contrasting region at the edge of a European-American line of settlement. American historians cover multiple frontiers but the folklore is focused primarily on the 19th century west of the Mississippi River. As defined by Hine and Faragher, frontier history tells the story of the creation and defense of communities, the use of the land, the development of markets, and the formation of states. They explain, It is a tale of conquest, but also one of survival, persistence, thus, Turners Frontier Thesis proclaimed the westward frontier as the defining process of American history. As the American frontier passed into history, the myths of the West in fiction and film took firm hold in the imagination of Americans, America is exceptional in choosing its iconic self-image. David Murdoch has said, No other nation has taken a time and place from its past, the frontier line was the outer line of European-American settlement. It moved steadily westward from the 1630s to the 1880s, Turner favored the Census Bureau definition of the frontier line as a settlement density of two people per square mile. The West was the settled area near that boundary. Thus, parts of the Midwest and American South, though no longer considered western, have a frontier heritage along with the western states. In the 21st century, however, the term American West is most often used for the area west of the Mississippi River, in the colonial era, before 1776, the west was of high priority for settlers and politicians. The American frontier began when Jamestown, Virginia was settled by the English in 1607, English, French, Spanish and Dutch patterns of expansion and settlement were quite different. Although French fur traders ranged widely through the Great Lakes and mid-west region they settled down. French settlement was limited to a few small villages such as Kaskaskia. They created a rural settlement in upstate New York. Areas in the north that were in the stage by 1700 generally had poor transportation facilities. The wealthy speculator, if one was involved, usually remained at home, the class of landless poor was small. Few artisans settled on the frontier except for those who practiced a trade to supplement their primary occupation of farming, there might be a storekeeper, a minister, and perhaps a doctor, and there were a number of landless laborers. However frontier areas of 1700 that had good river connections were transformed into plantation agriculture
American Old West
–
The
cowboy, the quintessential symbol of the American frontier, circa 1887
American Old West
–
Daniel Boone escorting settlers through the
Cumberland Gap
American Old West
–
Indian leader
Tecumseh killed in battle in 1813 by
Richard M. Johnson, who later became Vice president
American Old West
–
Jefferson saw himself as a man of the frontier and a scientist; he was keenly interested in expanding and exploring the West
20.
Alfonso Bedoya
–
Benito Alfonso Bedoya y Díaz de Guzmán was a Mexican actor who frequently appeared in U. S. films. Bedoya was born in the town of Vicam, Sonora, Mexico, of Yaqui Indian heritage, to Norberto Bedoya Perea. He had a nomadic childhood upbringing in Mexico, traveling throughout the country with his parents and 19 siblings, at 14, he immigrated to the United States and was educated in Houston, Texas. He ran away from school and worked as a railroad worker, dishwasher, waiter. Bedoya found work as an actor in the US and Mexican film industries in the 1930s to 1940s. During that time, he worked in over 175 Mexican films and his last movie, The Big Country, was released in 1958 after his death. Bedoya is best remembered as Gold Hat, the leader who declares I dont have to show you any stinking badges in John Hustons 1948 adventure film The Treasure of the Sierra Madre. This movie is number 30 on AFIs 100 Years…100 Movies and Bedoyas line is number 36 on AFIs 100 Greatest Movie Quotes list, Bedoyas line has become widely imitated by entertainers. Bedoya married Gertrude Elizabeth Larky Karas on March 8,1950, Bedoya completed filming The Big Country in November,1957, in California, and returned to Mexico City on December 8. Eight days later, after a night of partying with manicurist Maria Lucia Solana Martinez, Bedoya died of a heart attack in a Mexico City motel room
Alfonso Bedoya
–
With
Dona Drake, in
Fortunes of Captain Blood (1950)
21.
Dorothy Adams
–
Dorothy Adams was an American character actress. Adams was born in Hannah, North Dakota and she later moved to Vancouver, British Columbia, and was educated there. In the 1920s, Adams was active with the Moroni Olsen Players, Adams made numerous television appearances in the 1950s. She was seen in four episodes of the western series The Adventures of Kit Carson and she appeared in four episodes of the crime drama series Dragnet, starring Jack Webb. She made two guest appearances in Perry Mason, starring Raymond Burr and she also appeared in comedy series, such as a 1958 episode of Leave it to Beaver, starring Jerry Mathers. In the 1960s, she was an acting instructor at the UCLA School of Theater, Film. Adams was married to character actor Byron Foulger from 1921 until his death in 1970 and she was the mother of soap opera actress Rachel Ames. She died in 1988 in Woodland Hills, California, Dorothy Adams at the Internet Movie Database Dorothy Adams at the Internet Broadway Database Dorothy Adams at AllMovie Dorothy Adams at Aveleyman Dorothy Adams at Find a Grave
Dorothy Adams
–
Adams at right with
Carl Betz and Dolores Mann in a scene from
My Three Angels, 1954
22.
Chuck Roberson
–
Charles Hugh Chuck Roberson was an American cowboy, actor, and stuntman. He was nicknamed Bad Chuck by director John Ford, for whom he worked many times, to him from Good Chuck. Roberson was reportedly the rowdier of the two, thus the nicknames, Roberson was born near Shannon, Texas, the son of farmer Ollie W. Roberson and Jannie Hamm Roberson. Raised on cattle ranches in Shannon, Texas, and Roswell, New Mexico, he left school at 13 to become a cowhand and he married and took his wife and daughter to California, where he joined the Culver City Police Department and guarded the gate at MGM studios. Following army service in World War II, he returned to the police force, during duty at Warner Bros. studios during a labor strike, he met stuntman Fred Kennedy, who alerted him to a stunt job at Republic Pictures. Roberson got the job, due both to his expert horsemanship and his resemblance to John Carroll, whom Roberson doubled in his first picture and his close physical resemblance to John Wayne led to nearly 30 years as Waynes stunt double. He often played roles and stunted in other roles in the same film. He graduated to supporting roles in westerns for Wayne and John Ford. Roberson also appeared in Disneys television Westerns The Swamp Fox and Texas John Slaughter and they were part of The Wonderful World of Color. Prior to that, he portrayed a Confederate Prison Captain in The Great Locomotive Chase, in 1979 he published an autobiography entitled “The Fall Guy,30 Years as the Dukes Double”. Roberson died of cancer in Bakersfield, California and is buried next to his brother, wake of the Red Witch - Seaman The Fighting Kentuckian - Militiaman Rio Grande - Officer/Indian Who Fires Arrow at Colonel Yorks Chest The Bandit Queen - Deputy Winchester 73 - Long Tom Oh. Susanna - Barfly Blackbeard the Pirate - Mounted Soldier Hondo - Kloori/Cavalry Sgt, griffin Hellfighters - Firefighter in Air Plane The Undefeated - Yankee Sgt. at River Chisum - Trail Herder Rio Lobo - Corporal in Baggage Car Big Jake - Texas Ranger Cahill U. S. S. Marshal McQ Rooster Cogburn - Stunt Double, John Wayne The Shootist Blue Thunder Chuck Roberson at the Internet Movie Database Chuck Roberson at Find a Grave
Chuck Roberson
–
Chuck Roberson
23.
Ben Hur (1959 film)
–
Ben-Hur is a 1959 American epic historical drama film, directed by William Wyler, produced by Sam Zimbalist for Metro-Goldwyn-Mayer and starring Charlton Heston as the title character. A remake of the 1925 silent film with the name, Ben-Hur was adapted from Lew Wallaces 1880 novel Ben-Hur. The screenplay is credited to Karl Tunberg but includes contributions from Maxwell Anderson, S. N. Behrman, Gore Vidal, Ben-Hur had the largest budget as well as the largest sets built of any film produced at the time. Filming commenced on May 18,1958, and wrapped on January 7,1959, with shooting lasting for 12 to 14 hours a day, pre-production began in Italy at Cinecittà around October 1957, and post-production took six months. Under cinematographer Robert L. Surtees, MGM executives made the decision to film the picture in a widescreen format, more than 200 camels and 2,500 horses were used in the shooting of the film, with some 10,000 extras. The sea battle was filmed using miniatures in a tank on the back lot at the MGM Studios in Culver City. Following a $14.7 million marketing effort, Ben-Hur premiered at Loews State Theatre in New York City on November 18,1959. It was the fastest-grossing as well as the film of 1959. Ben-Hur also won three Golden Globe Awards, including Best Motion Picture – Drama, Best Director and Best Supporting Actor – Motion Picture for Stephen Boyd. In AD26, Judah Ben-Hur is a prince and merchant in Jerusalem. Esther loves Judah but is committed to another, Judahs childhood friend, the Roman citizen Messala, is now a tribune. After several years away from Jerusalem, Messala returns as the new commander of the Roman garrison, Messala believes in the glory of Rome and its imperial power, while Judah is devoted to his faith and the freedom of the Jewish people. This difference causes tension between the friends, and results in their split after Messala issues an ultimatum to Judah, during the parade for the new governor of Judea, Valerius Gratus, loose tiles fall from the roof of Judahs house. Gratus is thrown from his horse and nearly killed. Although Messala knows this was an accident, he condemns Judah to the galleys and imprisons Miriam, by punishing a known friend and prominent citizen, he hopes to intimidate the Jewish populace. After three years as a slave, Judah is assigned to the flagship of the Roman Consul Quintus Arrius. Arrius admires Judahs determination and self-discipline and offers to him as a gladiator or charioteer. Judah declines the offer, declaring that God will aid him in his quest for vengeance, when the Roman fleet encounters the Macedonians, Arrius orders all the rowers except Judah to be chained to their oars
Ben Hur (1959 film)
–
Original theatrical poster by
Reynold Brown
Ben Hur (1959 film)
–
Charlton Heston as Judah Ben-Hur
Ben Hur (1959 film)
–
Hugh Griffith as Arab Sheik Ilderim
Ben Hur (1959 film)
–
Ben-Hur filming site near
Lifta, intended to be
Jerusalem
24.
Dwight D. Eisenhower
–
Dwight David Ike Eisenhower was an American politician and Army general who served as the 34th President of the United States from 1953 until 1961. He was a general in the United States Army during World War II. He was responsible for planning and supervising the invasion of North Africa in Operation Torch in 1942–43, in 1951, he became the first Supreme Commander of NATO. Eisenhower was of mostly Pennsylvania Dutch ancestry and was raised in a family in Kansas by parents with a strong religious background. He graduated from West Point in 1915 and later married Mamie Doud, after World War II, Eisenhower served as Army Chief of Staff under President Harry S. Truman and then accepted the post of President at Columbia University. Eisenhower entered the 1952 presidential race as a Republican to counter the non-interventionism of Senator Robert A. Taft, campaigning against communism, Korea and he won in a landslide, defeating Democratic candidate Adlai Stevenson and temporarily upending the New Deal Coalition. Eisenhower was the first U. S. president to be constitutionally term-limited under the 22nd Amendment, Eisenhowers main goals in office were to keep pressure on the Soviet Union and reduce federal deficits. He ordered coups in Iran and Guatemala, Eisenhower gave major aid to help the French in the First Indochina War, and after the French were defeated he gave strong financial support to the new state of South Vietnam. Congress agreed to his request in 1955 for the Formosa Resolution, after the Soviet Union launched Sputnik in 1957, Eisenhower authorized the establishment of NASA, which led to the space race. During the Suez Crisis of 1956, Eisenhower condemned the Israeli, British and French invasion of Egypt and he also condemned the Soviet invasion during the Hungarian Revolution of 1956 but took no action. Eisenhower sent 15,000 U. S. troops to Lebanon to prevent the government from falling to a Nasser-inspired revolution during the 1958 Lebanon crisis. Near the end of his term, his efforts to set up a meeting with the Soviets collapsed because of the U-2 incident. On the domestic front, he covertly opposed Joseph McCarthy and contributed to the end of McCarthyism by openly invoking executive privilege and he otherwise left most political activity to his Vice President, Richard Nixon. Eisenhower was a conservative who continued New Deal agencies and expanded Social Security. Eisenhowers two terms saw considerable economic prosperity except for a decline in 1958. Voted Gallups most admired man twelve times, he achieved widespread popular esteem both in and out of office, since the late 20th century, consensus among Western scholars has consistently held Eisenhower as one of the greatest U. S. Presidents. The Eisenhauer family migrated from Karlsbrunn in the Saarland, to North America, first settling in York, Pennsylvania, in 1741, accounts vary as to how and when the German name Eisenhauer was anglicized to Eisenhower. Eisenhowers Pennsylvania Dutch ancestors, who were farmers, included Hans Nikolaus Eisenhauer of Karlsbrunn
Dwight D. Eisenhower
–
Dwight D. Eisenhower
Dwight D. Eisenhower
–
The Eisenhower family home,
Abilene, Kansas.
Dwight D. Eisenhower
–
Eisenhower (2nd from left) and
Omar Bradley (2nd from right) were members of the
1912 West Point football team.
Dwight D. Eisenhower
–
Eisenhower (far right) with three unidentified people in 1919, four years after graduating from West Point.
25.
Empire (magazine)
–
Empire is a British film magazine published monthly by Bauer Consumer Media of Hamburg based Bauer Media Group. From the first issue in July 1989, the magazine was edited by Barry McIlheney, Bauer purchased Emap Consumer Media in early 2008. It is the biggest selling magazine in the United Kingdom and is also published in the United States, Australia, Turkey, Russia, Italy. Empire organises the annual Empire Awards which were sponsored by Sony Ericsson, the awards are voted for by readers of the magazine. Empire is populist in both approach and coverage and it reviews both mainstream films and art films, but feature articles concentrate on the former. As well as news, previews, and reviews, Empire has some other regular features. Each issue features a Classic Scene, a transcript from a film scene. The first such classic scene to be featured was the I could have been a scene from On the Waterfront. The regular Top 10 feature lists Empires choice of the top ten examples of something film-related, for example,10 Best Chase Scenes or 10 Best Movie Gags in The Simpsons. The Re. View section covers Blu-ray and DVD news and releases, Kim Newmans Movie Dungeon is a regular feature in the Re. View section, in which critic Kim Newman reviews the most obscure releases, mostly low budget horror movies. How much Is Pint of Milk presents celebrities answers to silly or unusual questions and this is intended as a guide to the chosen celebritys contact with reality, and as such can be more informative than a direct interview by reporting some surprising responses. Each magazine includes a Spine Quote, in which a relatively challenging quote is printed on the spine of the magazine, there are usually some obvious and obscure links from the quote to the main features of that months edition. Readers are invited to identify the source and the links to win a prize. Celebrity Mastermind is another regular in which a celebrity is given questions about the films they were in or they directed, celebrities range from Quentin Tarantino and Christopher Lee to John Carpenter and Michael Keaton. A regular feature since issue 167, the feature is a two-page essay on a film selected by Empire in the Re. View section. The selection of the films seem to be random and follow no specific pattern. Only a few issues since the first masterpiece feature have not featured one –169,179,196,197,198 and 246, Issue 240 had director Frank Darabont select 223 masterpieces. L. A. Confidential was featured twice, once in issue 191 and this list is as follows, Alien – Dinner chestburster The Omen – Glass decapitation An American Werewolf in London – Wolf transformation The Exorcist – Crucifix abuse Risky Business – Ready Ralph
Empire (magazine)
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Cover of the July 2011 issue, featuring
Emma Watson,
Daniel Radcliffe, and
Rupert Grint
26.
The Big Country (comics)
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The Big Country is a comic book adaptation and movie tie-in of the western novel The Big Country by Donald Hamilton. The story was collected for the first time in 1958, by Dell, as a Dell First Edition B115 paperback, in Aug. of 1958, the story was published by Dell Comics, as issue #946 of Dells long-running showcase anthology Four Color Comics. The Big Country was published in hardcover in the UK in 1958 by Allan Wingate, maryland sea captain James McKay goes west to Texas, to claim his bride, and steps into a violent feud over land. Filmed in 1958 starring Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston and Burl Ives
The Big Country (comics)
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Dell Four Color #946
27.
Red Rock Canyon State Park (California)
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Red Rock Canyon State Park features scenic desert cliffs, buttes and spectacular rock formations. The park is located where the southernmost tip of the Sierra Nevada converges with the El Paso Mountains, each tributary canyon is unique, with vivid colors. After wet winters, the floral displays are notable. Wildlife includes roadrunners, hawks, lizards, mice and squirrels, the park is located on State Route 14, which connects U. S. Route 395 with the communities of Southern California, where 14 is known as the Antelope Valley Freeway. The park is 25 miles northeast of Mojave on SR14, SR14 goes through the center of the park, in the canyon itself. It is not far from Cantil, California, camping, picnic, and restroom facilities are available in several sites immediately off of California Route 14. The area was home to the Kawaiisu Indians. Some petroglyphs and pictographs are found in the El Paso mountains, the Coso People were early Native American inhabitants of this locale. The colorful rock formations in the served as landmarks during the early 1870s for 20-mule team freight wagons that stopped for water. The park protects significant paleontology sites and the remains of 1890s-era mining operations, between these two photographs,66 years have elapsed. In the 1933 picture Red Rock Canyon was on U. S. Route 6, the scenery at this point in the road eventually led to the creation of Red Rock Canyon State Park in 1968. A dirt road crosses the center of the view, in the 1999 photo, a total of 17 species are now present in the foreground. No Yuccas, Joshua trees or other plants have persisted over the 66 years between the dates of the photographs, in most of the repeat photography, few Yuccas appear to live longer than about 40 years. Many more plants appear in the 1999 view, partially in response to decreased disturbance as well as increased precipitation in the part of the 20th century. For example, the road that crossed the foreground is difficult to detect. The foreground of this view is geomorphically active, and small rills, young geomorphic surfaces, such as that portrayed in this 1999 view, support young plant assemblages that recover relatively quickly following cessation of disturbance. 40 Guns to Apache Pass, the last film of Audie Murphy, was there in 1966. The 2005 music video Cater 2 U by Destinys Child was filmed at Red Rock Canyon, list of California state parks Campbell Grant, James W. Baird and J. Kenneth Pringle
Red Rock Canyon State Park (California)
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Red Rock Canyon State Park
Red Rock Canyon State Park (California)
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Red and green cliff, Red Rock Canyon State Park
Red Rock Canyon State Park (California)
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An
alluvial plain in the center of the park
28.
Farmington, California
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Farmington is a census-designated place in San Joaquin County, California. The population was 207 at the 2010 census, down from 262 at the 2000 census, Farmington was so named to distinguish its agricultural setting from the nearby mining regions. Farmington is located at 37°55′47″N 120°59′58″W, according to the United States Census Bureau, the CDP has a total area of 2.5 square miles, all of it land. The town has a school, firehouse, bar, Circle K, Shell gas station, general store, barren, low hills and an excellent almond orchard lie to the immediate east of the town, and farther east are the Sierra Nevada mountains. Stockton East Creek flows along the border of Farmington, paralleling Highway 4 for a short distance. The creek and many other places nearby were used as locations in the 1958 film The Big Country, as was scenes for the movie, Dirty Mary, the 2010 United States Census reported that Farmington had a population of 207. The population density was 81.4 people per square mile, the racial makeup of Farmington was 164 White,7 African American,1 Native American,6 Asian,0 Pacific Islander,18 from other races, and 11 from two or more races. Hispanic or Latino of any race were 42 persons, the Census reported that 207 people lived in households,0 lived in non-institutionalized group quarters, and 0 were institutionalized. There were 6 unmarried opposite-sex partnerships, and 0 same-sex married couples or partnerships,14 households were made up of individuals and 7 had someone living alone who was 65 years of age or older. The average household size was 2.62, there were 57 families, the average family size was 2.98. The median age was 43.9 years, for every 100 females there were 102.9 males. For every 100 females age 18 and over, there were 102.5 males, there were 98 housing units at an average density of 38.6 per square mile, of which 54 were owner-occupied, and 25 were occupied by renters. The homeowner vacancy rate was 11. 5%, the vacancy rate was 10. 7%. 128 people lived in owner-occupied housing units and 79 people lived in housing units. As of the census of 2000, there were 262 people,84 households, the population density was 103.1 people per square mile. There were 95 housing units at a density of 37.4 per square mile. The racial makeup of the CDP was 72. 90% White,1. 53% Asian,15. 65% from other races, hispanic or Latino of any race were 26. 34% of the population. 16. 7% of all households were made up of individuals and 3. 6% had someone living alone who was 65 years of age or older, the average household size was 3.12 and the average family size was 3.48
Farmington, California
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Location in
San Joaquin County and the state of
California
29.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
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A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
30.
IMDb
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In 1998 it became a subsidiary of Amazon Inc, who were then able to use it as an advertising resource for selling DVDs and videotapes. As of January 2017, IMDb has approximately 4.1 million titles and 7.7 million personalities in its database, the site enables registered users to submit new material and edits to existing entries. Although all data is checked before going live, the system has open to abuse. The site also featured message boards which stimulate regular debates and dialogue among authenticated users, IMDb shutdown the message boards permanently on February 20,2017. Anyone with a connection can read the movie and talent pages of IMDb. A registration process is however, to contribute info to the site. A registered user chooses a name for themselves, and is given a profile page. These badges range from total contributions made, to independent categories such as photos, trivia, bios, if a registered user or visitor happens to be in the entertainment industry, and has an IMDb page, that user/visitor can add photos to that page by enrolling in IMDbPRO. Actors, crew, and industry executives can post their own resume and this fee enrolls them in a membership called IMDbPro. PRO can be accessed by anyone willing to pay the fee, which is $19.99 USD per month, or if paid annually, $149.99, which comes to approximately $12.50 per month USD. Membership enables a user to access the rank order of each industry personality, as well as agent contact information for any actor, producer, director etc. that has an IMDb page. Enrolling in PRO for industry personnel, enables those members the ability to upload a head shot to open their page, as well as the ability to upload hundreds of photos to accompany their page. Anyone can register as a user, and contribute to the site as well as enjoy its content, however those users enrolled in PRO have greater access and privileges. IMDb originated with a Usenet posting by British film fan and computer programmer Col Needham entitled Those Eyes, others with similar interests soon responded with additions or different lists of their own. Needham subsequently started an Actors List, while Dave Knight began a Directors List, and Andy Krieg took over THE LIST from Hank Driskill, which would later be renamed the Actress List. Both lists had been restricted to people who were alive and working, the goal of the participants now was to make the lists as inclusive as possible. By late 1990, the lists included almost 10,000 movies and television series correlated with actors and actresses appearing therein. On October 17,1990, Needham developed and posted a collection of Unix shell scripts which could be used to search the four lists, at the time, it was known as the rec. arts. movies movie database
IMDb
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Internet Movie Database (IMDb)
31.
Turner Classic Movies
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Turner Classic Movies is an American movie-oriented basic cable and satellite television network owned by the Turner Broadcasting System subsidiary of Time Warner. TCM is headquartered at the Techwood Campus in Atlanta, Georgias Midtown business district, historically, the channels programming consisted mainly of featured classic theatrically released feature films from the Turner Entertainment film library – which comprises films from Warner Bros. However, TCM now has licensing deals with other Hollywood film studios as well as its Time Warner sister company, Warner Bros. and occasionally shows more recent films. The channel is available in United States, Canada, United Kingdom, Ireland, Latin America, France, Spain, Nordic countries, Middle East, Africa and Asia-Pacific. In 1986, eight years before the launch of Turner Classic Movies, concerns over Turner Entertainments corporate debt load resulted in Turner selling the studio that October back to Kirk Kerkorian, from whom Turner had purchased the studio less than a year before. As part of the deal, Turner Entertainment retained ownership of MGMs library of films released up to May 9,1986, Turner Broadcasting System was split into two companies, Turner Broadcasting System and Metro-Goldwyn-Mayer and reincorporated as MGM/UA Communications Co. The film library of Turner Entertainment would serve as the form of programming for TCM upon the networks launch. After the library was acquired, MGM/UA signed a deal with Turner to continue distributing the pre-May 1986 MGM and to begin distributing the pre-1950 Warner Bros. film libraries for video release. Turner Classic Movies debuted on April 14,1994, at 6,00 p. m. Eastern Time, the date and time were chosen for their historical significance as the exact centennial anniversary of the first public movie showing in New York City. The first movie broadcast on TCM was the 1939 film Gone with the Wind, at the time of its launch, TCM was available to approximately one million cable television subscribers. AMC had broadened its content to feature colorized and more recent films by 2002. In the early 90s AMC abandoned its format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption. In 1996, Turner Broadcasting System merged with Time Warner, which besides placing Turner Classic Movies, in March 1999, MGM paid Warner Bros. and gave up the home video rights to the MGM/UA films owned by Turner to Warner Home Video. In 2008, TCM won a Peabody Award for excellence in broadcasting, in April 2010, Turner Classic Movies held the first TCM Classic Film Festival, an event – now held annually – at the Graumans Chinese Theater and the Graumans Egyptian Theater in Hollywood. In 2007, some of the films featured on TCM were made available for streaming on TCMs website. The networks programming season runs from February until the following March of each year when a retrospective of Oscar-winning and Oscar-nominated movies is shown, called 31 Days of Oscar. Turner Classic Movies presents many of its features in their original aspect ratio whenever possible – widescreen films broadcast on TCM are letterboxed on the standard definition feed. TCM also regularly presents widescreen presentations of films not available in the format on any video release
Turner Classic Movies
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Robert Osborne at the 73rd Annual Peabody Awards
32.
AllMovie
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AllMovie is an online guide service website with information about films, television programs, and screen actors. As of 2013, AllMovie. com and the AllMovie consumer brand are owned by All Media Network, AllMovie was founded by popular-culture archivist Michael Erlewine, who also founded AllMusic and AllGame. The AllMovie database was licensed to tens of thousands of distributors and retailers for point-of-sale systems, websites, the AllMovie database is comprehensive, including basic product information, cast and production credits, plot synopsis, professional reviews, biographies, relational links and more. AllMovie data was accessed on the web at the AllMovie. com website and it was also available via the AMG LASSO media recognition service, which can automatically recognize DVDs. In late 2007, Macrovision acquired AMG for a reported $72 million, the AMG consumer facing web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in August 2013 to All Media Network, LLC. The buyers also include the founders of SideReel and Ackrell Capital investor Mike Ackrell. All Media Network offices are located in San Francisco, California, AllMusic AllGame SideReel All Media Network Official website
AllMovie
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AllMovie
33.
William Wyler filmography
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William Wyler, born as Willy Wyler was an American film director, producer and screenwriter of Ashkenazi Jewish descent. Wyler received his first Oscar nomination for directing Dodsworth in 1936, starring Walter Huston, Ruth Chatterton and Mary Astor, Film historian Ian Freer calls Wyler a bona fide perfectionist, whose penchant for retakes and an attempt to hone every last nuance, became the stuff of legend. Through his talent for staging, editing, and camera movement and he helped propel a number of actors to stardom, finding and directing Audrey Hepburn in her Hollywood debut film, Roman Holiday, and directing Barbra Streisand in her debut film, Funny Girl. He directed Olivia de Havilland to her second Oscar in The Heiress and Laurence Olivier in Wuthering Heights, Olivier credited Wyler with teaching him how to act for the screen. And Bette Davis, who received three Oscar nominations under his direction and won her second Oscar in Jezebel, said Wyler made her a far, far better actress than she had ever been. Other popular Wyler films include, Hells Heroes, Dodsworth, The Westerner, The Letter, Friendly Persuasion, The Big Country, The Childrens Hour, Wyler was born to a Jewish family in Mulhouse, Alsace. His Swiss father, Leopold, started as a traveling salesman which he turned into a thriving haberdashery business in Mulhouse. His mother, Melanie, was German, and a cousin of Carl Laemmle, during Wylers childhood, he attended a number of schools and developed a reputation as something of a hellraiser, being expelled more than once for misbehavior. His mother often took him and his older brother Robert to concerts, opera, sometimes at home his family and their friends would stage amateur theatricals for personal enjoyment. Wyler was supposed to take over the family business in Mulhouse. After World War I, he spent a year working in Paris at 100.000 Chemises selling shirts. He was so poor that he spent his time wandering around the Pigalle district. After realizing that Willy was not interested in the business, his mother, Melanie, contacted her distant cousin, Carl Laemmle who owned Universal Studios. Laemmle was in the habit of coming to Europe each year, in 1921, Wyler, while traveling as a Swiss citizen, met Laemmle who hired him to work at Universal Studios in New York. As Wyler said, America seemed as far away as the moon, booked onto a ship to New York with Laemmle upon his return voyage, he met a young Czech man, Paul Kohner, aboard the same ship. Their enjoyment of the first class trip was short-lived, however, after working in New York for several years, and even serving in the New York Army National Guard for a year, Wyler moved to Hollywood to become a director. Around 1923, Wyler arrived in Los Angeles and began work on the Universal Studios lot in the gang, cleaning the stages. His break came when he was hired as an assistant editor
William Wyler filmography
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William Wyler
34.
Counsellor at Law
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Counsellor at Law is a 1933 American Pre-Code drama film directed by William Wyler. The screenplay by Elmer Rice is based on his 1931 Broadway play of the same title, earlier in his career, he allowed a guilty client to perjure himself on the witness stand because he believed the man could be rehabilitated if freed. Rival lawyer Francis Clark Baird has learned about the incident and is threatening to expose George, the possibility of a public scandal horrifies his socialite wife Cora, who plans to flee to Europe with Roy Darwin. Devastated by his wifes infidelity, George is about to leap from the window of his office in the Empire State Building when his secretary Regina, vincent Sherman made his film debut in Counsellor at Law. He had previously appeared in a Chicago production of the play, producer Carl Laemmle Jr. paid $150,000 for the screen rights, an unusually high price tag during the Great Depression, and to ensure the films success he hired Elmer Rice to adapt his own play. In early August 1933, Wyler met Rice in Mexico City, Rice was loath to mix business with pleasure and assured the director he would begin working as soon as his holiday ended. On August 22, he shipped a first draft from his New York office to Universal Pictures, Wyler approved of the screenplay, and principal photography was slated to begin on September 8. Laemmle wanted to cast Paul Muni as George Simon, the role he had created on stage, both Wyler and Rice wanted to cast performers from the various stage productions, and although several screen tests were made, most of the roles were filled by studio contract players. Another cast member, Richard Quine, then 13, similarly went on to a career as a director, writer and producer. Soon after filming began, Wyler realized much of the material Rice had excised from his play was necessary to build scenes, eventually he worked with both the screenplay and play script at hand, a procedure he would follow when making The Little Foxes in later years. Barrymore had signed for $25,000 per week, and Wyler was ordered to film all his scenes as quickly as possible, what should have taken two weeks ultimately took three-and-a-half because the actor could not remember his lines. After taking twenty-seven takes to complete one brief scene, Wyler decided to resort to cue cards strategically placed around the set, also adding to delays was Barrymores heavy drinking, which frequently gave his face a puffy appearance that required the makeup crew to tape his jowls. Three months after filming began, the film opened to critical and commercial success at Radio City Music Hall on December 11,1933. Mordaunt Hall of the New York Times said the moves along with lusty energy. Parts of the work have perforce been omitted, but where this occurs Mr. Rice. He praised Barrymore for giving his role the vigor, imagination and authority one might expect and added, The characterization is believable, the Hollywood Reporter said the film proved the value of having a playwright adapt his own brainchild to the screen. It also praised Wyler for giving it a far better tempo than the possessed and added, He milks each situation. Many scenes which could easily have ensnared a less capable director, years later, in a critique of Barrymores career, Pauline Kael described his portrayal of George Simon as one of the few screen roles that reveal his measure as an actor
Counsellor at Law
–
original poster
Counsellor at Law
–
L. to. R.:
Joseph P. Bickerton, Jr. (theatre producer),
Elmer Rice (playwright) and
Carl Laemmle Jr. (Universal producer) sign a contract for the film version of Counsellor at Law
35.
Glamour (1934 film)
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Glamour is a 1934 American Pre-Code drama film directed by William Wyler and starring Paul Lukas, Constance Cummings and Phillip Reed. An ambitious chorus girl marries an up-and-coming composer, millie Glamour at the Internet Movie Database
Glamour (1934 film)
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Film poster
36.
The Good Fairy (film)
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The film was directed by William Wyler and stars Margaret Sullavan, Herbert Marshall, Frank Morgan and Reginald Owen. Sturges screenplay diverges significantly from the Molnár play, and later became the basis for the book of the 1951 Broadway musical Make a Wish, in particular, Sturges added a movie-within-the-movie in which the actors communicate in one-syllable sentences. Luisa Ginglebusher is a young, naive orphan who is given a job as an usherette in a Budapest movie palace, when the lucky man, stuffy but poor Dr. Many complications ensue when Lu gets curious about Sporum, and pays him a visit, at only nine years old, it was already her seventh film appearance. Matt McHugh of the McHugh acting family has an uncredited part as a moving man. The Good Fairy was in production from September 13 to December 17,1934, during filming, director William Wyler and star Margaret Sullavan, for whom writer Preston Sturges had tailored the lead role, clashed frequently, with Sullavan walking off the set several times. When it was brought to Wylers attention that Sullavans work was better on the days when they didnt fight, then, on November 25, Wyler and Sullavan eloped to Yuma, Arizona and got married. Their marriage would last two years, there were problems between the studio, Universal, and the films principals. Eventually both Wyler and Sturges were dropped from the studio payroll, the Good Fairy premiered in New York City on January 31,1935, in Hollywood on February 12, and went into general release on February 18. It was the first film to be booked into Radio City Music Hall without first being previewed. On television, Hallmark Hall of Fame presented The Good Fairy on NBC in 1956, produced by Maurice Evans, directed by George Schaefer, and starring Julie Harris, Walter Slezak and Cyril Ritchard
The Good Fairy (film)
–
video cover
37.
These Three
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These Three is a 1936 American drama film directed by William Wyler. The screenplay by Lillian Hellman is based on her 1934 play The Childrens Hour, a 1961 remake of the film directed by Wyler was released as The Childrens Hour in the US and The Loudest Whisper in the UK. Karen and local doctor Joe Cardin begin to date, unaware Martha is in love with him, complications arise when Marthas aunt Lily Mortar comes for a visit. One evening, Joe falls asleep in a chair in Marthas room while waiting for Karen to return to the school, when she and Martha quarrel, Lily decides to leave, but not before confronting her niece with her suspicions about the young womans true feelings for Joe. Martha discovers Rosalie Wells listening at the door and accidentally closes it on her arm, when Mary finds a missing bracelet that belongs to another student among Rosalies things, she forces her into revealing what she overheard outside Marthas room. Mrs. Tilford is shocked by the revelation and has all the parents withdraw their daughters from the school, leaving Martha, when one of the girls chauffeurs tells the women the reason behind the mass exodus, they confront Mrs. Tilford. Terrified her theft will be revealed, Rosalie insists the story is true, Martha and Karen sue Mrs. Tilford for libel but lose their case when Lily fails to testify on their behalf. She later claims she assumed her corroboration was unnecessary, although the women have been humiliated and Joe has been dismissed from the hospital due to the scandal, the three hope to repair the damage to their lives. But Karen and Joe go their ways when she confesses she believes the story Mary told. Martha admits to Karen she loves Joe but assures her she never told him, Martha decides to leave with Lily, who later mentions the missing bracelet. Realizing what happened, Martha confronts Rosalie and convinces her to reveal the truth, aware of the wrong she has committed, Mrs. Tilford offers Martha compensation, but Martha asks only that she tell Karen the truth and urge her to reunite with Joe. At the time, the mention of homosexuality on stage was illegal in New York State, because the Hays Code in effect at the time would never permit a film to focus on or even hint at lesbianism, Samuel Goldwyn was the only producer interested in purchasing the rights. He signed Hellman to adapt her play for the screen, because the Production Code prevented even the use of or a reference to the plays original title, Hellman changed the title of her script to The Lie. After principal photography was completed, the film was christened These Three, Goldwyn had already cast the three leads when he offered William Wyler, who until then had helmed mostly B pictures and Westerns, the opportunity to direct the film, along with a five-year contract. Although Wyler wasnt completely happy with Goldwyns casting choices, he accepted the offer but insisted on a three-year contract instead. The Lux Radio Theater aired an adaptation of the film on December 5,1937, with Barbara Stanwyck as Martha Dobie, Errol Flynn as Dr. Joe Cardin, Alma Kruger and Marcia Mae Jones reprised their roles as Amelia Tilford and Rosalie Wells, respectively. In addition, Constance Collier appeared as Lily Mortar, agatha Frank S. Nugent of the New York Times observed, Miss Hellmans job of literary carpentry is little short of brilliant. Upon the framework of her success she has constructed an absorbing, tautly written
These Three
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Original poster
38.
Dodsworth (film)
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Dodsworth is a 1936 American drama film directed by William Wyler and starring Walter Huston, Ruth Chatterton and Mary Astor. Sidney Howard based the screenplay on his 1934 stage adaptation of the 1929 novel of the name by Sinclair Lewis. The center of the film is a study of a marriage in crisis, recently retired auto magnate Samuel Dodsworth and his narcissistic wife Fran, while on a grand European tour, discover that they want very different things out of life, straining their marriage. The film was praised and nominated for several Academy Awards. Dodsworth was nominated for AFIs 100 Years.100 Movies in 1997 and 2007, Samuel Sam Dodsworth is the successful, self-made and unsophisticated head of Dodsworth Motor Company, an American automobile parts manufacturing firm, based in the small Midwestern town of Zenith. His wife Fran, feeling trapped by the social life of their small-town existence, convinces her spouse to sell his interest in the company. Sam disregards the warning of Tubby Pearson, his banker and friend, while on the luxury cruise to England, Sam meets Edith Cortright, an American divorcee now living in Italy, who is sympathetic to his eagerness to expand his horizons and learn new things. Meanwhile, Fran indulges in a flirtation with a handsome officer. Becoming bolder, Fran pretends to be younger than she actually is. In the process, she becomes infatuated with cultured playboy Arnold Iselin and she suggests Sam return home and allow her to spend the summer in Europe, and, feeling rather out of place in the urbane Old World, he consents. He is happily welcomed by not only his old friends, but also his daughter and new son-in-law, before long, though, Sam realizes that life back home has left him behind—and he is tormented by the idea that Fran might have, as well. He has a Dodsworth manager in Europe confirm that she is in fact seeing Iselin, Fran tries to deny the affair, but breaks down when Sam reveals he has summoned Iselin to confirm everything. She immediately begs for forgiveness, and he loves her and their shared past. However, it is evident that they have grown far apart. When news of the birth of their first grandchild arrives, although initially excited and she eventually informs Sam that she wants a divorce after all, especially after the poor, but charming young Baron Kurt von Obersdorf tells her he would marry her if she were free. Traveling aimlessly throughout the Continent while the divorce is being arranged, in Naples and she invites him out to stay at her peaceful, charming Italian villa. The two rapidly fall in love, Sam feels so rejuvenated he decides to investigate starting a new business, a Moscow-to-Seattle airline. He asks Edith to marry him and come with him to Samarkand, meanwhile, Frans idyllic plans are shattered when Kurts mother refuses to give her blessing to Fran marrying her son
Dodsworth (film)
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Theatrical release poster
39.
Come and Get It (film)
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Come and Get It is a 1936 American drama film directed by Howard Hawks and William Wyler. The screenplay by Jane Murfin and Jules Furthman is based on the 1935 novel of the title by Edna Ferber. The story focuses on ruthless Barney Glasgow, who stop at nothing to achieve his goal as he rises in rank from lowly lumberjack to the head of the logging industry in 19th century Wisconsin. Two decades later, Barney and Emma Louises son Richard strongly objects to his fathers practice of destroying forests without planting new trees, Barney visits his old friend Swan Bostrom, who married Lotta when Barney rejected her. Swan is now a widower raising a daughter, also named Lotta, Barney finds himself attracted to the girl and, foolishly hoping to recapture the love he abandoned as a young man, offers to finance her education. Complications arise when Richard meets Lotta and takes a strong interest in her, which is reciprocated, much to Barneys displeasure and jealousy. Samuel Goldwyn paid $150,000 for the rights to the Edna Ferber novel. By the wholesale robber barons of that day, Goldwyn was attracted to the melodramatic Barbary Coast-like aspects of the story, which prompted him to hire that films director, Howard Hawks, to bring Come and Get It to the screen. He also was intrigued by the fact Hawks grandfather had served as the basis for the character of Barney Glasgow. Ferber had approved Jane Murfins script, which Hawks found wanting, Goldwyn announced Miriam Hopkins would play the dual roles of Lotta Morgan and Lotta Bostrom, but Hawks was not happy with his choice. He looked at numerous screen tests of aspiring starlets and finally settled on Andrea Leeds, eventually he replaced her with the even less experienced Frances Farmer and cast Leeds in the supporting role of Ewie Glasgow, Richards younger sister, instead. Soon after filming began, Goldwyn underwent two major surgeries that incapacitated him for a period of time, keeping him away from the studio. The character of Richard Glasgow, intended to be the lead, barely was in the film. When the director refused to comply with Goldwyns demands for major changes, William Wyler had begun post-production work on Dodsworth when he was summoned to Goldwyns home and told he would be completing Come and Get It. Wyler was loath to take over a film started by someone else and he did so reluctantly, and in later years he recalled, I was talked into doing it, and Ive been sorry about that ever since. Wyler spent two weeks filming what amounted to about the third of the completed film. He strongly objected to Goldwyns desire to give him sole directing credit and he finally relented but only when Goldwyn agreed to give Hawks top billing. Exterior scenes were filmed along the North Fork Clearwater River in Idaho, the soundtrack includes Aura Lea by George R. Poulton and W. W. Fosdick and The Bird on Nellies Hat by Alfred Solman and Arthur J. Lamb
Come and Get It (film)
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Come and Get It
40.
Dead End (1937 film)
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Dead End is a 1937 crime drama film directed by William Wyler. It is an adaptation of the Sidney Kingsley 1935 Broadway play of the same name and it stars Humphrey Bogart, Joel McCrea, and Sylvia Sidney. It is notable as being the first film appearance of the Dead End Kids, in the filthy slums of New York, wealthy people have built luxury apartments there because of the view of the picturesque East River. While they live in opulence, the destitute and dirt poor live nearby in crowded, at the end of the street is a dock on the East River, to the left are the luxury apartments and to the right are the slums. The Dead End Kids, led by Tommy Gordon, are a petty gang of street urchins who are already well onto a path to a life of crime. Members of the gang besides Tommy include, Dippy, Angel, Spit, T. B. and Milty, Spit is a bit malicious with a cruel streak and initially bullies the newcomer and takes his pocket change. However, Tommy eventually lets Milty join the gang, and he turns out to be both a loyal and generous friend, Dave Connell, raised on the same street as Martin, recognizes him and warns him to stay away, but Martin contemptuously ignores him. Dave, an architect who currently works odd jobs, is Drinas childhood friend. He is having an affair with a mans mistress, Kay Burton. Although Dave and Kay love each other, they know they cant be together because Dave cannot provide Kay with the kind of lifestyle she desires, meanwhile, the kids lure Philip, a rich kid from the apartments, into a cellar where they beat and rob him. When the boys father tries to intervene, Tommy winds up stabbing him in the arm and he escapes the police and goes into hiding. Martin is subsequently rejected by his mother, who denounces him as a murderer, and repulsed by his ex-girlfriend, Francie, despondent over the failed visit, he decides to kidnap the rich child for ransom to make the trip back worthwhile. Dave sees Martin and his accomplices planning the kidnapping and again warns him to leave, Martin knifes him and Hunk pushes him into the river. Managing to pull out of the river, Dave pursues the hoodlums, knocking out Hank. Among a hail of bullets, he manages to kill Martin who falls onto the street below. As the police and a crowd of people gather around Martins body, Spit exonerates himself by informing the police that the man was cut by Tommy, who has returned to say goodbye to Drina before running away. Meanwhile, Kay approaches Dave asking him to go away with her, Dave refuses, and Kay returns to the man whom she doesnt love, but can provide her with financial security. Tommy hears of Spits betrayal and tries to him the mark of the squealer
Dead End (1937 film)
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Theatrical release poster
41.
Jezebel (film)
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Jezebel is a 1938 American romantic drama film released by Warner Bros. and directed by William Wyler. It stars Bette Davis and Henry Fonda, supported by George Brent, Margaret Lindsay, Donald Crisp, Richard Cromwell, the film was adapted by Clements Ripley, Abem Finkel, John Huston, and Robert Buckner, from the play by Owen Davis, Sr. The film tells the story of a headstrong young Southern woman during the period whose actions cost her the man she loves. The film is based on a 1933 stage play starring Miriam Hopkins, tallulah Bankhead was originally slated for the role, but fell severely ill during rehearsals. In 1852 New Orleans, spoiled, strong-willed belle Julie Marsden is engaged to banker Preston Pres Dillard, all of Julies friends are shocked, but no one can convince her to give up her whim. At the Olympus ball, Pres and Julies entrance is met with shock and she finally realizes the magnitude of her social blunder and begs Pres to take her away, but instead he forces her to dance with him. All of the dancers leave the floor. When the orchestra playing at the instruction of one of the balls sponsors. Pres and Julie finish the dance, afterwards, Pres takes his leave of Julie, implicitly breaking their engagement. In a final bit of spite, Julie slaps him in the face, aunt Belle Massey urges her to go after Pres and beg his forgiveness, but she refuses, confident that he will return to her. Instead, he goes north on business, Julie shuts herself up in her house and refuses to see visitors. A year later, Pres finally returns, to help Dr. Livingstone try to convince the city authorities to take measures against an outbreak of yellow fever, before Pres can stop her, Julie humbles herself and begs for his forgiveness and a return of his love. Then Pres introduces her to his wife, Northerner Amy, dismayed, Julie eggs on her admirer, skilled duellist Buck Cantrell, to quarrel with Pres, but the scheme goes awry. Press inexperienced brother Ted is the one who is goaded into challenging Buck, in an unexpected twist, Ted shoots and kills Buck. Then something happens that overshadows everything else, as Dr. Livingstone had warned repeatedly, a deadly epidemic of yellow fever sweeps the city, as it had done numerous times before. Pres is stricken and, like all other victims, is to be quarantined on an island. Amy prepares to go along to care for him, risking her own life and she begs to go in her place, as an act of redemption. Amy agrees, but only after Julie admits that Pres no longer has any love for Julie, the Turner Classic Movies Database states that the film was offered as compensation for Bette Davis after she failed to win the part of Scarlett OHara in Gone with the Wind
Jezebel (film)
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Theatrical poster
Jezebel (film)
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Bette Davis and
George Brent in Jezebel
Jezebel (film)
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Fonda and Davis
42.
Wuthering Heights (1939 film)
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Wuthering Heights is a 1939 American drama romance film directed by William Wyler and produced by Samuel Goldwyn. It is based on the novel, Wuthering Heights by Emily Brontë, the film depicts only sixteen of the novels thirty-four chapters, eliminating the second generation of characters. The novel was adapted for the screen by Charles MacArthur, Ben Hecht, the film won the 1939 New York Film Critics Award for Best Film. It earned nominations for eight Academy Awards, including for Best Picture, the 1940 Academy Award for Best Cinematography, black-and-white category, was awarded to Gregg Toland for his work. Nominated for original score was the film composer, Alfred Newman. In 2007, Wuthering Heights was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. A traveller named Lockwood is caught in the snow and stays at the estate of Wuthering Heights, despite the cold behaviour of his aged host, Heathcliff. Late that night, after being shown into a room that was once a bridal chamber, Lockwood is awakened by a cold draft and finds the window shutter flapping back. Just as he is about to close it, he feels an icy hand clutching his and sees a woman outside calling, Heathcliff, Lockwood calls Heathcliff and tells him what he saw, whereupon the enraged Heathcliff throws him out of the room. As soon as Lockwood is gone, Heathcliff frantically calls out to Cathy, runs down the stairs and out of the house, Ellen, the housekeeper, tells the amazed Lockwood that he has seen the ghost of Cathy Earnshaw, Heathcliffs great love, who died years before. When Lockwood says that he doesnt believe in ghosts, Ellen tells him that he might if she told him the story of Cathy, and so the main plot begins as a long flashback. The plot then flashes back 40 years, as a boy, Heathcliff is found on the streets by Mr. Earnshaw, who brings him home to live with his two children, Cathy and Hindley. At first reluctant, Cathy eventually welcomes Heathcliff and they become very close, about ten years later, the now-grown Heathcliff and Cathy have fallen in love and are meeting secretly on Peniston Crag. Hindley has become dissolute and tyrannical and hates Heathcliff, one night, as Cathy and Heathcliff are out together, they hear music and realize that their neighbors, the Lintons, are giving a party. Cathy and Heathcliff sneak to the Lintons and climb over their garden wall, Heathcliff is forced to leave Cathy in their care. Enraged that Cathy would be so entranced by the Lintons glamor and wealth, he blames them for her injury, months later, Cathy is fully recuperated but still living at the Lintons. Edgar Linton has fallen in love with Cathy and soon proposes, Ellen reminds her about Heathcliff, but Cathy flippantly remarks that it would degrade her to marry him. Cathy realizes that Heathcliff has overheard, is overcome by guilt, Edgar finds her and nurses her back to health once again, and soon he and Cathy marry
Wuthering Heights (1939 film)
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Theatrical release poster
Wuthering Heights (1939 film)
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Heathcliff (
Laurence Olivier) and Cathy (
Merle Oberon) meet on Peniston Crag in Wuthering Heights
Wuthering Heights (1939 film)
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Heathcliff (Laurence Olivier) at the deathbed of Cathy (Merle Oberon) in Wuthering Heights
Wuthering Heights (1939 film)
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Laurence Olivier and Merle Oberon
43.
The Westerner (film)
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The Westerner is a 1940 American film directed by William Wyler and starring Gary Cooper, Walter Brennan, and Doris Davenport. The film is remembered for one of Walter Brennans best performances, as Judge Roy Bean. Lake also received Academy Award nominations for Best Art Direction, Black and White, in 1882 the town of Vinegaroon, Texas is run by Judge Roy Bean who calls himself the only law west of the Pecos. Conducting his trials from his saloon, Bean makes a nice corrupt living collecting fines and those who stand up to him are usually hanged—given what Bean calls suspended sentences. Cole Harden is a drifter brought in on a charge of stealing a horse belonging to Beans main sidekick, Hardens conviction by a jury composed of Beans hangers-on seems certain, even the undertaker waits eagerly for the verdict and subsequent hanging. Bean dismisses Hardens contention that he bought the horse legally from another man, noticing the judges obsession with the English actress Lily Langtry, Harden claims to have met Miss Langtry, spoken with her, and to have known her intimately. He cons the judge into delaying the death sentence until Harden can send for a lock of the actress hair, the delay is long enough for the real horse thief to show up and get killed. Despite his warped sense of justice and corrupt nature, Bean genuinely likes Harden, Harden is as bold and daring as Bean was in his youth, and the judge feels something like friendship for him. But this friendship doesnt stop Bean from trying to shoot Harden when the drifter lends his support to the group led by Jane-Ellen Mathews. The struggling homesteaders have been at odds with Bean and his allies for a long time. Harden tries to appeal to the better nature. He even saves Bean from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, Harden sees no choice but to take action. He gets himself deputized by the county sheriff and swears out an arrest warrant against Bean, arresting Bean in Vinegaroon—now renamed Langtry by the judge in honor of the actress—is impossible with all of Beans men around. When Bean learns that Lily Langtry will be appearing in a nearby town, Bean dons his full Civil War regalia and rides to see the performance with some of his men as an honor guard. He enters the theater alone to await the performance, leaving his henchmen outside, unknown to Bean, Harden has been waiting in the theater to arrest the judge. A standoff and shoot-out occur, and Bean is fatally wounded during the gunfight, Harden carries his dying friend backstage to meet the woman he has adored for so long. As Bean stares at the Jersey Lily, he dies, flash forward to two years later, Harden and Jane, now married and having rebuilt the burned farm, watch as new settlers arrive to the territory. Although Goldwyn assured Cooper that his role would be expanded, Cooper remained unconvinced, writing to Samuel Goldwyn, but Goldwyn remained adamant about Coopers contractual obligations and insisted that he star in the film
The Westerner (film)
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Cinema poster
44.
The Letter (1940 film)
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The Letter is a 1940 American film noir directed by William Wyler, and starring Bette Davis, Herbert Marshall and James Stephenson. The screenplay by Howard E. Koch is based on the 1927 play of the name by W. Somerset Maugham. The play was filmed in 1929, by director Jean de Limur. On a moonlit, tropical night, the workers are asleep in their outdoor barracks. A shot is heard, the door of a house opens and a man out of it, followed by a woman who calmly shoots him several more times. Leslie tells the servant to send for her husband Robert, who is working at one of the plantations and her husband returns, having summoned his attorney and a British police inspector. Leslie tells them that Geoff Hammond tried to love to me. Only her attorney, Howard Joyce, is rather suspicious, Ong Chi Seng tells Howard that the original letter is in the possession of Hammonds widow, a Eurasian woman who lives in the Chinese quarter of town. The letter is for sale, and Ong himself, whom Howard had believed to be impeccable, Howard then confronts Leslie with the damning evidence and she breaks down and confesses to having written it, though she stands by her claim of having killed Hammond in self-defence. Yet Leslie cleverly manipulates the attorney into agreeing to buy back the letter, even though in doing so he will risk his own freedom, Robert, depicted as a decent man thoroughly in love with Leslie and somewhat gullible, is readily persuaded. Hammonds widow demands that Leslie come personally to hand over the $10,000 for the letter, with the letter suppressed, Leslie is easily acquitted. During a celebration after the trial Robert announces that he plans to draw his savings out of his account in order to buy a plantation in Sumatra. Howard and Leslie are forced to tell him that his savings are gone, after demanding to see the letter, Robert is devastated to learn from Leslie that Hammond was her lover for years and that she killed him out of jealousy. At a party celebrating Leslies acquittal, Robert tells friends of his plans to buy the plantation, Leslie, overhearing him, leaves the party, and Robert breaks down. Leslie goes to her room, tries to take up her lacemaking, stepping onto the balcony, she sees a knife laid on the matting. Robert comes into the room and offers to forgive her if she can swear that she loves him, Leslie at first agrees and tells him she loves him, and that she will do all in her power to make him happy. When he kisses her, she cries No. and then breaks down and confesses, With all my heart, Leslie looks out at the patio mat, and the knife is gone. She knows that Hammonds widow had planted it there, and then has taken it away and she knows the woman waits for her--to kill her, and she realizes this is her fate
The Letter (1940 film)
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Theatrical release poster
The Letter (1940 film)
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Bette Davis as Leslie Crosbie
The Letter (1940 film)
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Gale Sondergaard in the trailer for The Letter (1940)
45.
The Little Foxes (film)
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The Little Foxes is an American drama film directed by William Wyler. The screenplay by Lillian Hellman is based on her 1939 play of the same name, Hellmans ex-husband Arthur Kober, Dorothy Parker and her husband Alan Campbell contributed additional scenes and dialogue. Southern aristocrat Regina Hubbard Giddens struggles for wealth and freedom within the confines of an early 20th-century society where a father considered only sons as legal heirs and they approach their sister with their need for an additional $75,000 to invest in the project. Oscar initially proposes a marriage between his son Leo and Reginas daughter Alexandra – first cousins – as a means of getting Horaces money, when Regina asks Horace outright for the money, he refuses. She tells him his refusal is not important since he will die soon, Alexandra overhears the conversation and is distraught. She then comforts her father after Regina leaves the room, Ben and Oscar, aware of Horaces refusal, pressure Leo into stealing Horaces railroad bonds from his personal security box at the bank to complete the sum needed to construct the mill. After returning home from a trip to his security box at the bank. Regina, realizing her two brothers stole the bonds through Leo, who works at the bank, schemes to acquire a share of the mill by blackmailing her brothers about their theft. Immediately, Horace states he is changing his will to leave Alexandra everything except the railroad bonds which, he will claim and this story will thwart any attempt by Regina to blackmail her brothers over their theft and will deny her any claim to an ownership stake in the mill. Unfortunately, Oscar overhears part of the conversation and, after Alexandra is out of earshot, Regina argues with Horace about her contempt for him, and, when he suffers a heart attack, she makes no effort to get him his medicine from upstairs. Horace climbs the stairs to get his medicine but collapses on the way up, the final scenes of the film involve a dying Horace surrounded by family, a doctor and servants who await the chance he may survive. Eventually, Horace dies, leaving no one to contradict Regina if she accuses her brothers of theft and she thus blackmails her brothers, demanding that she be given 75% ownership of the mill business, and they are left with no choice but to accept her demands. Alexandra hears this conversation, and, upon the brothers leaving, Regina denies any wrongdoing, but Alexandra is skeptical. Alexandra runs away with newspaperman David, Regina is left wealthy, but completely alone. The same passage also inspired the title of an unrelated film, producer Samuel Goldwyn agreed, since none of Bankheads films had been box office hits. However, Davis was reluctant, On The Little Foxes I begged the producer, Samuel Goldwyn, Warner refused to lend Davis to Goldwyn, who then offered the role to Miriam Hopkins. When Wyler refused to work with her, Goldwyn resumed negotiations with Warner, Wyler encouraged Davis to see Bankhead in the original play, which she did despite major misgivings. In her autobiography, A Lonely Life, Davis gave a different version about having to see Bankhead in the play, a great admirer of hers, I wanted in no way to be influenced by her work
The Little Foxes (film)
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Original poster
The Little Foxes (film)
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Herbert Marshall, Teresa Wright, and Bette Davis
46.
Memphis Belle: A Story of a Flying Fortress
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The Memphis Belle, A Story of a Flying Fortress is a 1944 documentary film which ostensibly provides an account of the final mission of the crew of the Memphis Belle, a Boeing B-17 Flying Fortress. In May 1943 it became the first U. S. Army Air Forces heavy bomber to complete 25 missions over Europe, the dramatic 16 mm color film of actual battles was made by three cinematographers, including First Lieutenant Harold J. Tannenbaum. Tannebaum, a veteran of World War I, was killed in action during the filming when the bomber he was in was shot down over France on April 16,1943. The film was directed by Major William Wyler, narrated by Eugene Kern and it was made under the auspices of the First Motion Picture Unit, part of the United States Army Air Forces. The crew on the missions filmed included, Captain Robert K. Morgan Captain James A. Verinis Captain Vincent B. Evans Captain Charles B, Verinis finished his tour two days before the rest of Morgans crew. Nor was Morgans crew the one selected by Wyler for filming. Morgan was then selected and his crew re-united by the Eighth Air Force to complete its tour together, hells Angels actually completed 25 missions first, on May 13. Morgan states in his memoirs that he was approached by Wyler in late January 1943 after his crews eighth mission, a pretty good chance of coming back. Morgan agreed after assurances from Wyler that the crew would not interfere with operation of the airplane in combat in any way. The first mission flown in filming was not aboard the Memphis Belle, the Memphis Belle was being repaired after severe battle damage incurred on February 16. The mission experienced heavy German fighter attacks and two of the 91st groups B-17s were shot down, the camera setup is documented in the photograph of the Bad Penny, which Morgan and Wyler flew on a mission to Antwerp on April 5,1943. The 16 mm color film used did not include sound, the original crew, during their war bonds drive in the United States, made typical appropriate comments to each other while watching the silent movie in a studio. The result was difficult to distinguish from real combat recordings, king George VI and his consort Queen Elizabeth are seen congratulating the crew on May 18, after Morgans final mission but the day before that of the B-17. In 2001, the United States Library of Congress deemed the original version culturally significant, the Memphis Belle aircraft is now preserved at the National Museum of the United States Air Force at Wright-Patterson AFB, near Dayton, Ohio. A fictionalized version of the story, Memphis Belle, was produced in 1990 by David Puttnam in England and it was co-produced by Catherine Wyler, the daughter of William Wyler, directed by Michael Caton-Jones and starred Matthew Modine and Eric Stoltz. In 2010, the film was released in high definition on Blu-ray disc by Periscope Film LLC and it is also included with the 2014 Blu-ray release of the 1990 Memphis Belle
Memphis Belle: A Story of a Flying Fortress
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Theatrical poster
47.
The Best Years of Our Lives
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The Best Years of Our Lives is a 1946 American drama film directed by William Wyler and starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, and Harold Russell. The film is about three United States servicemen readjusting to life after coming home from World War II. Samuel Goldwyn was inspired to produce a film about veterans after reading an August 7,1944, Goldwyn hired former war correspondent MacKinlay Kantor to write a screenplay. His work was first published as a novella, Glory for Me, robert E. Sherwood then adapted the novella as a screenplay. In addition to its success, the film quickly became a great commercial success upon release. It remains the sixth most-attended film of all time in the UK, the film had one of the highest viewing figures of all time, with ticket sales exceeding $20.4 million. After World War II, Fred Derry, Homer Parrish, Fred was a decorated Army Air Forces captain and bombardier in Europe. Homer lost both hands from burns suffered when his aircraft carrier was sunk, and now uses mechanical hook prostheses, Al served as an infantry platoon sergeant in the Pacific. All three have trouble adjusting to civilian life, Al has a comfortable home and a loving family, wife Milly, adult daughter Peggy, and college freshman son Rob. He returns to his old job as a loan officer. The bank president views his military experience as valuable in dealing with other returning servicemen, when Al approves a loan to a young Navy veteran, however, the president advises him against making a habit of it. Before the war, Fred had been an unskilled drugstore soda jerk and he wants something better, but the tight postwar job market forces him to return to his old job. Fred had met Marie while in training and married her shortly afterward. She became a waitress while Fred was overseas. Marie makes it clear she does not enjoy being married to a soda jerk. Homer was a quarterback and became engaged to his next door neighbor, Wilma. Both Homer and his parents now have trouble dealing with his disability and he does not want to burden Wilma with his handicap so he eventually pushes her away, although she still wants to marry him. Peggy meets Fred while bringing her home from a bar where the three men meet once again
The Best Years of Our Lives
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Theatrical release poster
