1.
Ida Lupino
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Ida Lupino was an Anglo-American actress and singer, who became a pioneering director and producer—the only woman working within the 1950s Hollywood studio system to do so. With her independent production company, she co-wrote and co-produced several of her own social-message films, in her 48-year career, she made acting appearances in 59 films and directed eight others, mostly in the United States, where she became a citizen in 1948. She was the woman to direct episodes of the original The Twilight Zone series. Her father, a top name in musical comedy in the UK and he built a backyard theater for Lupino and her sister Rita, who also became an actress and dancer. Lupino wrote her first play at age seven and toured with a theater company as a child. She played leading roles in five British films in 1933 at Warner Bros, teddington studios and for Julius Hagen at Twickenham, including in The Ghost Camera with John Mills and I Lived with You with Ivor Novello. Dubbed the English Jean Harlow, she was discovered by Paramount in the 1933 film Money For Speed, playing a good girl/bad girl dual role. Lupino claimed the talent scouts only saw her play the girl in the film and not the part of the prostitute. When she arrived in Hollywood, the Paramount producers did not know what to make of their sultry potential leading lady, after this performance, she began to be taken seriously as a dramatic actress. As a result, her parts improved during the 1940s, and she referred to herself as the poor mans Bette Davis. Mark Hellinger, associate producer at Warner Bros, the film did well and the critical consensus was that Lupino stole the movie, particularly in her unhinged courtroom scene. Warner Bros. offered her a contract which she negotiated to include some freelance rights and she worked with Walsh and Bogart again in High Sierra, where she impressed critic Bosley Crowther in her role as adoring moll. Her performance in The Hard Way won the New York Film Critics Circle Award for Best Actress and she starred in Pillow to Post, which was her only comedic leading role. After the drama Deep Valley finished shooting, neither Warner Bros. nor Lupino moved to renew her contract, although in demand throughout the 1940s, she never became a major star, but was critically lauded for her tough, direct acting style. As a result, she spent a deal of her time at Warner Bros. suspended. In 1942 she rejected an offer to star opposite Ronald Reagan in Kings Row, eventually, a tentative rapprochement was brokered, but her relationship with her studio remained strained. She moved to Columbia Pictures in 1948, where she appeared as a singer in the film noir Road House. She starred in On Dangerous Ground in 1951, and may have taken on some of the tasks of the film while director Nicholas Ray was ill
2.
Rod Steiger
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Rodney Stephen Rod Steiger was an American actor, noted for his portrayal of offbeat, often volatile and crazed characters. His performance in that film won him the Academy Award for Best Actor, Steiger was born in Westhampton, New York, the son of a vaudevillian. He had a childhood, with an alcoholic mother from whom he ran away at the age of 16. He made his debut in 1946, in a production of Curse you. At the Civic Repertory Theatre of Newark, and subsequently appeared in such as An Enemy of the People, Clifford Odetss Night Music, Seagulls Over Sorrento. Steiger made his debut in Fred Zinnemanns Teresa in 1951. Across the Bridge and Al Capone, the following year, he played a serial killer of many guises in No Way to Treat a Lady. During the 1970s, Steiger increasingly turned to European productions in his search for more demanding roles and he portrayed Napoleon Bonaparte in Waterloo, a Mexican bandit in Sergio Leones Duck, You Sucker. Benito Mussolini in Last Days of Mussolini, and ended the decade playing a disturbed priest in The Amityville Horror. By the 1980s, heart problems and depression took its toll on Steigers career, One of his final roles was as judge H. Lee Sarokin in the prison drama The Hurricane, which reunited him with In the Heat of the Night director Norman Jewison. Steiger was married five times, and had a daughter, opera singer Anna Steiger, and a son, Michael Steiger. He died of pneumonia and complications from surgery for a gall bladder tumor on July 9,2002, aged 77, in Los Angeles, and was survived by his fifth wife Joan Benedict Steiger. Steiger was born on April 14,1925 in Westhampton, New York, Rod was raised as a Lutheran. Biographer Tom Hutchinson describes him as a shadowy, fugitive figure, one who haunted Rod throughout his life and was an invisible presence, Hutchinson described Steigers mother as plump, energetic and small, with long auburn hair. She had a singing voice and nearly became a Hollywood actress. As a result, she quit show business and moved away from Westhampton to raise her son and they moved through several towns, including Irvington and Bloomfield, before settling in Newark, New Jersey. Her alcoholism caused Steiger much embarrassment, and the family was frequently mocked by other children, at the age of five he was sexually abused by a pedophile who lured him in with a butterfly collection. A loving, secure childhood in a New York minute, during the last 11 years of her life, Steigers mother stayed sober and regularly attended Alcoholics Anonymous meetings
3.
Film noir
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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly such that emphasize cynical attitudes and sexual motivations. Hollywoods classical film noir period is regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Cinema historians and critics defined the category retrospectively, before the notion was widely adopted in the 1970s, many of the classic films noir were referred to as melodramas. Whether film noir qualifies as a genre is a matter of ongoing debate among scholars. Although film noir was originally associated with American productions, films now so described have been made around the world, many pictures released from the 1960s onward share attributes with film noir of the classical period, and often treat its conventions self-referentially. Some refer to such works as neo-noir. The clichés of film noir have inspired parody since the mid-1940s, the questions of what defines film noir, and what sort of category it is, provoke continuing debate. They emphasize that not every film noir embodies all five attributes in equal measure—one might be more dreamlike, another, while many critics refer to film noir as a genre itself, others argue that it can be no such thing. Because of the diversity of noir, certain scholars in the field, such as film historian Thomas Schatz, treat it as not a genre but a style. Other critics treat film noir as a mood, characterize it as a series, there is no consensus on the matter. By 1931, Curtiz had already been in Hollywood for half a decade, the Universal horror that comes closest to noir, in story and sensibility is The Invisible Man, directed by Englishman James Whale and photographed by American Arthur Edeson. Edeson later photographed The Maltese Falcon, widely regarded as the first major film noir of the classic era, josef von Sternberg was directing in Hollywood at the same time. Films of his such as Shanghai Express and The Devil Is a Woman, with their hothouse eroticism and baroque visual style, the commercial and critical success of Sternbergs silent Underworld was largely responsible for spurring a trend of Hollywood gangster films. Successful films in that such as Little Caesar, The Public Enemy. An important, possibly influential, cinematic antecedent to classic noir was 1930s French poetic realism, with its romantic, fatalistic attitude, the movements sensibility is mirrored in the Warner Bros. drama I Am a Fugitive from a Chain Gang, a forerunner of noir. Among films not considered films noir, perhaps none had an effect on the development of the genre than Citizen Kane
4.
Everett Sloane
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Everett H. Sloane was an American character actor who worked in radio, theatre, films and television. He was also a songwriter and theatre director, everett H. Sloane was born in Manhattan October 1,1909, to Nathaniel I. Sloane and Rose Sloane. At age seven he played Puck in a play at Manhattans Public School 46 and he completed two years at the University of Pennsylvania, and left in 1927 to join Jasper Deeters Hedgerow Theatre repertory company. He made his New York stage debut in 1928, Sloane took a Wall Street job as a stockbrokers runner, but when his salary was cut in half after the stock market crash of 1929 he began to supplement his income with radio work. He became the assistant on WORs Impossible Detective Mysteries, played the title characters sidekick, Denny, in Bulldog Drummond. Sloane married Lillian Herman, an actress on stage and radio, January 4,1933, Sloane made his Broadway debut in 1935, playing Rosetti the agent in George Abbotts hit comedy, Boy Meets Girl. Sloane was a member of the company that presented the radio news dramatization series The March of Time. It was like a company, whose members were the aristocrats of this relatively new profession of radio acting. The March of Time was one of radios most popular shows, sloanes radio work led him to be hired by Orson Welles to become part of his Mercury Theatre. Sloane recorded one program with Mercury Theatre on the Air and became a player when the show was picked up by a sponsor. Sloane moved with the rest of the company to Los Angeles to continue recording the show after Welles signed his contract with RKO Pictures, Sloane played Mr. Bernstein in Welless first movie, Citizen Kane. After filming had wrapped, Sloane returned to New York to perform in Mercury Theatres last play, Richard Wrights Native Son, in 1947, Sloane also starred as lawyer Arthur Bannister in The Lady from Shanghai, also directed by Welles. He played an assassin in Renaissance-era Italy opposite Welles Cesare Borgia in Prince of Foxes, Sloane portrayed a doctor for paraplegic World War II veterans in 1950s The Men with Marlon Brando. Sloanes Broadway theater career ended in 1960 with From A to Z, in between, he acted in plays such as Native Son, A Bell for Adano, and Room Service, and directed the melodrama The Dancer. Sloane co-starred with Tony Curtis and Piper Laurie in Universals 1951 The Prince Who Was a Thief as a thief who adopts a baby, in 1953, he starred as Captain Frank Kennelly in the CBS radio crime drama 21st Precinct. In 1957, he co-starred in the episode of Suspicion co-starring Audie Murphy. In 1958, he played Walter Brennans role in a remake of To Have and Have Not called The Gun Runners, Sloane also worked extensively on television. In 1950, for example, he portrayed Vincent Van Gogh in The Philco-Goodyear Television Playhouses production The Life of Vincent Van Gogh, later, in November 1955, he starred in the Alfred Hitchcock Presents episode Our Cooks a Treasure
5.
Hollywood
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Hollywood is an ethnically diverse, densely populated neighborhood in the central region of Los Angeles, California. It is notable as the home of the U. S. film industry, including several of its studios, and its name has come to be a shorthand reference for the industry. Hollywood was a community in 1870 and was incorporated as a municipality in 1903. It was consolidated with the city of Los Angeles in 1910, in 1853, one adobe hut stood in Nopalera, named for the Mexican Nopal cactus indigenous to the area. By 1870, an agricultural community flourished, the area was known as the Cahuenga Valley, after the pass in the Santa Monica Mountains immediately to the north. According to the diary of H. J. Whitley, known as the Father of Hollywood, along came a Chinese man in a wagon carrying wood. The man got out of the wagon and bowed, the Chinese man was asked what he was doing and replied, I holly-wood, meaning hauling wood. H. J. Whitley had an epiphany and decided to name his new town Hollywood, Holly would represent England and wood would represent his Scottish heritage. Whitley had already started over 100 towns across the western United States, Whitley arranged to buy the 500-acre E. C. Hurd ranch and disclosed to him his plans for the land. They agreed on a price and Hurd agreed to sell at a later date, before Whitley got off the ground with Hollywood, plans for the new town had spread to General Harrison Gray Otis, Hurds wife, eastern adjacent ranch co-owner Daeida Wilcox, and others. Daeida Wilcox may have learned of the name Hollywood from Ivar Weid, her neighbor in Holly Canyon and she recommended the same name to her husband, Harvey. In August 1887, Wilcox filed with the Los Angeles County Recorders office a deed and parcel map of property he had sold named Hollywood, Wilcox wanted to be the first to record it on a deed. The early real-estate boom busted that year, yet Hollywood began its slow growth. By 1900, the region had a post office, newspaper, hotel, Los Angeles, with a population of 102,479 lay 10 miles east through the vineyards, barley fields, and citrus groves. A single-track streetcar line ran down the middle of Prospect Avenue from it, but service was infrequent, the old citrus fruit-packing house was converted into a livery stable, improving transportation for the inhabitants of Hollywood. The Hollywood Hotel was opened in 1902 by H. J. Whitley who was a president of the Los Pacific Boulevard, having finally acquired the Hurd ranch and subdivided it, Whitley built the hotel to attract land buyers. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue, the hotel was to become internationally known and was the center of the civic and social life and home of the stars for many years. Whitleys company developed and sold one of the residential areas
6.
The New York Times
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The New York Times is an American daily newspaper, founded and continuously published in New York City since September 18,1851, by The New York Times Company. The New York Times has won 119 Pulitzer Prizes, more than any other newspaper, the papers print version in 2013 had the second-largest circulation, behind The Wall Street Journal, and the largest circulation among the metropolitan newspapers in the US. The New York Times is ranked 18th in the world by circulation, following industry trends, its weekday circulation had fallen in 2009 to fewer than one million. Nicknamed The Gray Lady, The New York Times has long been regarded within the industry as a newspaper of record. The New York Times international version, formerly the International Herald Tribune, is now called the New York Times International Edition, the papers motto, All the News Thats Fit to Print, appears in the upper left-hand corner of the front page. On Sunday, The New York Times is supplemented by the Sunday Review, The New York Times Book Review, The New York Times Magazine and T, some other early investors of the company were Edwin B. Morgan and Edward B. We do not believe that everything in Society is either right or exactly wrong, —what is good we desire to preserve and improve, —what is evil, to exterminate. In 1852, the started a western division, The Times of California that arrived whenever a mail boat got to California. However, when local California newspapers came into prominence, the effort failed, the newspaper shortened its name to The New-York Times in 1857. It dropped the hyphen in the city name in the 1890s, One of the earliest public controversies it was involved with was the Mortara Affair, the subject of twenty editorials it published alone. At Newspaper Row, across from City Hall, Henry Raymond, owner and editor of The New York Times, averted the rioters with Gatling guns, in 1869, Raymond died, and George Jones took over as publisher. Tweed offered The New York Times five million dollars to not publish the story, in the 1880s, The New York Times transitioned gradually from editorially supporting Republican Party candidates to becoming more politically independent and analytical. In 1884, the paper supported Democrat Grover Cleveland in his first presidential campaign, while this move cost The New York Times readership among its more progressive and Republican readers, the paper eventually regained most of its lost ground within a few years. However, the newspaper was financially crippled by the Panic of 1893, the paper slowly acquired a reputation for even-handedness and accurate modern reporting, especially by the 1890s under the guidance of Ochs. Under Ochs guidance, continuing and expanding upon the Henry Raymond tradition, The New York Times achieved international scope, circulation, in 1910, the first air delivery of The New York Times to Philadelphia began. The New York Times first trans-Atlantic delivery by air to London occurred in 1919 by dirigible, airplane Edition was sent by plane to Chicago so it could be in the hands of Republican convention delegates by evening. In the 1940s, the extended its breadth and reach. The crossword began appearing regularly in 1942, and the section in 1946
7.
Venice Film Festival
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The film festival is part of the Venice Biennale, which was founded by the Venetian City Council in 1895. The film festival has taken place in late August or early September on the island of the Lido, Venice. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi, since its inception the Venice Film Festival has grown into one of the most prestigious film festivals in the world. The 74th Venice International Film Festival is scheduled to be held from 30 August to 9 September 2017, the first edition of the Venice Film Festival was carried out from the 6 to the 21 of August in 1932. The festival began with an idea of the president of the Venice Biennale Count Giuseppe Volpi di Misurata and Luciano De Feo, with good reason, the festival was considered the first international event of its type, receiving strong support from authorities. This first edition was held on the terrace of the Hotel Excelsior on the Venice Lido, and at that stage it was not a competitive event. The very first film to be shown in the history of the Festival was Rouben Mamoulians Dr. Jekyll and Mr. Hyde, the second edition was held two years later, from 1 to 20 of August in 1934. For the first time it included a competition, at least 19 countries took part with over 300 accredited journalists. The Mussolini Cup was introduced for best foreign film and best Italian film, other awards were the Great Gold Medals of the National Fascist Association for Entertainment to best actor and actress. The prize for best foreign film went to Robert J. Flahertys Man of Aran and was a confirmation of the taste of the time for auteur documentaries, starting in 1935, the Festival became a yearly event under the direction of Ottavio Croze. The actors award was renamed Volpi Cup, in 1936 an international jury was nominated for the first time and in 1937 the new Cinema Palace, designed by the architect Luigi Quagliata, was inaugurated. The 1940s represent one of the most difficult moments for the review, the conclusion of the Second World War divides the decade in two. Before 1938 political pressures distorted and ruined the festival, in addition, few countries participated and there was an absolute monopoly of institutions and directors that were members of the Rome-Berlin Axis. The festival resumed full speed in 1946, after the war, with the return of normalcy, Venice once again became a great icon of the film world. In 1947 the festival was held at the Doges Palace, a most magnificent backdrop for hosting a record 90 thousand participants, surely it can be considered one of the greatest editions in the history of the festival. For the next twenty years the festival continued its development and expansion in accordance with the plan set in motion after the war. In 1963 the winds of change blow strongly during Luigi Chiarini’s directorship of the festival, during the years of his presidency, Chiarini aspired to renew the spirit and the structures of the festival, pushing for a total reorganization of the entire system. The social and political unrest of 1968 had strong repercussions on the Venice Bienniale, from 1969 to 1979 no prizes were awarded and the festival returned to the non-competitiveness of the first edition
8.
Broadway theatre
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Along with Londons West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world. The Theater District is a popular tourist attraction in New York City, the great majority of Broadway shows are musicals. They presented Shakespeare plays and ballad operas such as The Beggars Opera, in 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice, the company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, by the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblos Garden opened, the 3, 000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmos Opera House opened and presented opera for four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burtons Theatre. The Astor Opera House opened in 1847, booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, and would later revive the role at his own Booths Theatre. Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, lydia Thompson came to America in 1868 heading a small theatrical troupe, adapting popular English burlesques for middle-class New York audiences. Thompsons troupe called the British Blondes, was the most popular entertainment in New York during the 1868–1869 theatrical season, the six-month tour ran for almost six extremely profitable years. Theatre in New York moved from downtown gradually to midtown beginning around 1850, in 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Broadways first long-run musical was a 50-performance hit called The Elves in 1857, New York runs continued to lag far behind those in London, but Laura Keenes musical burletta The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keenes troupe of Our American Cousin in Washington, the production was a staggering five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a musical comedy, Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. They starred high quality singers, instead of the women of repute who had starred in earlier musical forms. Plays could run longer and still draw in the audiences, leading to better profits, as in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women
9.
Lee Strasberg
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Lee Strasberg was a Polish-born American actor, director, and theatre practitioner. He was born in a part of Galicia, Austrian Poland and he co founded, with directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as Americas first true theatrical collective. The Lee Strasberg Theatre and Film Institute has its own sets of entrance criteria required for admission into their program. Former student Elia Kazan directed James Dean in East of Eden, as a student, Dean wrote that Actors Studio was the greatest school of the theater the best thing that can happen to an actor. Playwright Tennessee Williams, writer of A Streetcar Named Desire, said of Strasbergs actors and they communicate emotions they really feel. They give you a sense of life, directors such as Sidney Lumet, a former student, have intentionally used actors skilled in Strasbergs method. Kazan, in his autobiography, wrote, He carried with him the aura of a prophet, a magician, a doctor, a psychoanalyst. Was the force held the thirty-odd members of the theatre together. Today, Ellen Burstyn, Al Pacino, and Harvey Keitel lead this nonprofit studio dedicated to the development of actors, playwrights and he also appeared in. And Justice for All. Strasbergs personal papers, including photos, are archived at the Library of Congress, Lee Strasberg was born Israel Strassberg in Budzanów in Austrian Poland, to Jewish parents, Baruch Meyer Strassberg and his wife, Ida, née Diner, and was the youngest of three sons. His father emigrated to New York while his family remained in their village with an uncle. His father, who worked as a presser in the garment industry, sent first for his eldest son, finally, enough money was saved to bring over his wife and his two remaining sons. In 1909, the family was reunited on Manhattans Lower East Side, a relative introduced him to the theater by giving him a small part in a Yiddish-language production being performed by the Progressive Drama Club. He later joined the Chrystie Street Settlement Houses drama club, when he was 23 years old, he enrolled in the Clare Tree Major School of the Theater. He became a naturalized United States citizen on January 16,1939, had his life-shaping revelation when Stanislavski brought his Moscow Art Theatre to the United States in 1923. He had seen good acting before, of course, but never an ensemble like this with actors completely surrendering their egos to the work. E observed, first of all, that all the actors, whether they were playing leads or small parts, worked with the same commitment, no actors idled about posing and preening. More important, every actor seemed to some sort of unspoken, yet palpable
10.
John Garfield
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John Garfield was an American actor who played brooding, rebellious, working-class characters. He grew up in poverty in Depression-era New York City, in the early 1930s, he became a member of the Group Theater. In 1937, he moved to Hollywood, eventually becoming one of Warner Bros. stars, called to testify before the U. S. Congressional House Committee on Un-American Activities, he denied communist affiliation and refused to name names, some have alleged that the stress of this incident led to his premature death at 39 from a heart attack. Garfield is acknowledged as a predecessor of such Method actors as Marlon Brando, Montgomery Clift, in early infancy, a middle name—Julius—was added, and for the rest of his life those who knew him well called him Julie. His father, a presser and part-time cantor, struggled to make a living. When Garfield was five, his brother Max was born and their mother never fully recovered from what was described as a difficult pregnancy. She died two years later, and the boys were sent to live with various relatives, all poor, scattered across the boroughs of Brooklyn, Queens. Several of these lived in tenements in a section of East Brooklyn called Brownsville. At school, he was judged a poor reader and speller and he would later say of his time on the streets there, that he learned all the meanness, all the toughness its possible for kids to acquire. His father remarried and moved to the West Bronx, where Garfield joined a series of gangs, much later, he would recall, Every street had its own gang. Thats the way it was in poor sections and he soon became a gang leader. At this time, people started to notice his ability to mimic well-known performers and he also began to hang out and eventually spar at a boxing gym on Jerome Avenue. At some point, he contracted fever, causing permanent damage to his heart. After being expelled three times and expressing a wish to quit school altogether, his parents sent him to P. S,45, a school for difficult children. It was under the guidance of the schools principal—the noted educator Angelo Patri—that he was introduced to acting, noticing Garfields tendency to stammer, Patri assigned him to a speech therapy class taught by a charismatic teacher named Margaret ORyan. She gave him acting exercises and made him memorize and deliver speeches in front of the class and, as he progressed, ORyan thought he had natural talent and cast him in school plays. She encouraged him to sign up for a citywide debating competition sponsored by the New York Times, to his own surprise, he took second prize
11.
YouTube
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YouTube is an American video-sharing website headquartered in San Bruno, California. The service was created by three former PayPal employees—Chad Hurley, Steve Chen, and Jawed Karim—in February 2005, Google bought the site in November 2006 for US$1.65 billion, YouTube now operates as one of Googles subsidiaries. Unregistered users can watch videos on the site, while registered users are permitted to upload an unlimited number of videos. Videos deemed potentially offensive are available only to registered users affirming themselves to be at least 18 years old, YouTube earns advertising revenue from Google AdSense, a program which targets ads according to site content and audience. YouTube was founded by Chad Hurley, Steve Chen, and Jawed Karim, Hurley had studied design at Indiana University of Pennsylvania, and Chen and Karim studied computer science together at the University of Illinois at Urbana-Champaign. Karim could not easily find video clips of either event online, Hurley and Chen said that the original idea for YouTube was a video version of an online dating service, and had been influenced by the website Hot or Not. YouTube began as a venture capital-funded technology startup, primarily from an $11.5 million investment by Sequoia Capital between November 2005 and April 2006, YouTubes early headquarters were situated above a pizzeria and Japanese restaurant in San Mateo, California. The domain name www. youtube. com was activated on February 14,2005, the first YouTube video, titled Me at the zoo, shows co-founder Jawed Karim at the San Diego Zoo. The video was uploaded on April 23,2005, and can still be viewed on the site, YouTube offered the public a beta test of the site in May 2005. The first video to reach one million views was a Nike advertisement featuring Ronaldinho in November 2005. Following a $3.5 million investment from Sequoia Capital in November, the site grew rapidly, and in July 2006 the company announced that more than 65,000 new videos were being uploaded every day, and that the site was receiving 100 million video views per day. The site has 800 million unique users a month and it is estimated that in 2007 YouTube consumed as much bandwidth as the entire Internet in 2000. The choice of the name www. youtube. com led to problems for a similarly named website, the sites owner, Universal Tube & Rollform Equipment, filed a lawsuit against YouTube in November 2006 after being regularly overloaded by people looking for YouTube. Universal Tube has since changed the name of its website to www. utubeonline. com, in October 2006, Google Inc. announced that it had acquired YouTube for $1.65 billion in Google stock, and the deal was finalized on November 13,2006. In March 2010, YouTube began free streaming of certain content, according to YouTube, this was the first worldwide free online broadcast of a major sporting event. On March 31,2010, the YouTube website launched a new design, with the aim of simplifying the interface, Google product manager Shiva Rajaraman commented, We really felt like we needed to step back and remove the clutter. In May 2010, YouTube videos were watched more than two times per day. This increased to three billion in May 2011, and four billion in January 2012, in February 2017, one billion hours of YouTube was watched every day
12.
United Artists
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United Artists is an American film and television entertainment studio. The studio was bought, sold and restructured over the ensuing century. On December 14 of the year, however, MGM acquired the 48% stake of UAMG it did not own. UA was incorporated as a joint venture on February 5,1919, by Pickford, Chaplin, Fairbanks, each held a 20% stake, with the remaining 20% held by lawyer William Gibbs McAdoo. The idea for the venture originated with Fairbanks, Chaplin, Pickford, already Hollywood veterans, the four stars talked of forming their own company to better control their own work. They were spurred on by established Hollywood producers and distributors who were tightening their control over salaries and creative decisions. With the addition of Griffith, planning began, but Hart bowed out before anything was formalized, when he heard about their scheme, Richard A. Rowland, head of Metro Pictures, is said to have observed, The inmates are taking over the asylum. The four partners, with advice from McAdoo, formed their distribution company and its headquarters was established at 729 Seventh Avenue in New York City. The original terms called for each of the stars to produce five pictures each year, UAs first film was a success. Without selling stock to the public, following the other studios, as a result, production was slow and the company distributed an annual average of five films during its first five years. By 1924 Griffith had dropped out and the company was facing a crisis, veteran producer Joseph Schenck was hired as president. He had been producing pictures for a decade, and he brought commitments for films starring his wife, Norma Talmadge, his sister-in-law, Constance Talmadge, contracts were signed with independent producers, most notably Samuel Goldwyn, and Howard Hughes. In 1933, Schenck organized a new company with Darryl F. Zanuck, called Twentieth Century Pictures, Schenck formed a separate partnership with Pickford and Chaplin to buy and build theaters under the United Artists name. They began international operations, first in Canada and then in Mexico, by the end of the 1930s, United Artists was represented in over 40 countries. When he was denied a share in 1935, Schenck resigned. He set up 20th Century Pictures merger with Fox Film Corporation to form 20th Century Fox, al Lichtman succeeded Schenck as company president. Other independent producers distributed through United Artists in the 1930s including, Walt Disney Productions, Alexander Korda, Hal Roach, David O. Selznick, as the years passed, and the dynamics of the business changed, these producing partners drifted away. Samuel Goldwyn Productions and Disney went to RKO, and Wanger to Universal Pictures, in the late 1930s, UA turned a profit
