1.
Big L
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Lamont Coleman, best known by his stage name Big L, was an American hip hop recording artist. Coleman embarked on his career in rapping, with the hip hop trio and his first notable appearance came on Lord Finesses Yes You May. Coleman released his album, Lifestylez ov da Poor & Dangerous, in 1995. In 1998, he founded Flamboyant Entertainment, his own label, through which he released one of his most popular singles. On February 15,1999, Coleman was killed by an assailant in a drive-by shooting in his native Harlem. His second studio album, The Big Picture, was put together by Colemans manager, Rich King and it was eventually certified gold by the Recording Industry Association of America. Three posthumous albums have been released, mainly consisting of unreleased songs which were put together by Rich King and his brother, multiple tributes have been given to Coleman, including in The Source, MTV, and HipHop DX. A documentary is in the works titled Street Struck, The Big L Story, about. com called him the twenty-third best MC of all time, and multiple writers at Allmusic have given him high praise. Lamont Coleman was born in Harlem neighborhood of the New York City borough of Manhattan on May 30,1974, he was the third and youngest child of Gilda Terry and his father left the family while Coleman was a child. He has two siblings, Donald and Leroy Phinazee, who were the children of Gilda Terry and Mr. Phinazee, Coleman received the nicknames Little L and mont mont as a child. At the age of 12, Coleman became a big hip hop fan and he founded a group called Three the Hard Way in 1990, but was quickly broken up due to a lack of enthusiasm. It consisted of Coleman, a Doc Reem, and a Rodney, No studio albums were released, and after Rodney left, the group was called Two Hard Motherfuckers. Around this time, people started to call him Big L, in the summer of 1990, Coleman met Lord Finesse at an autograph session in a record shop on 125th Street. After he did a freestyle, Finesse and Coleman exchanged numbers, Coleman attended Julia Richman High School. Every now and then, a party, grab the mic. Coleman began writing rhymes in 1990, on February 11, Coleman appeared on Yo. MTV Raps with Lord Finesse to help promote Finesses studio album Return of the Funky Man. Colemans first professional appearance came on Yes You May, the B-side of Party Over Here by Lord Finesse, in that same year, he won an amateur freestyle battle, which consisted of about 2,000 contestants and held by Nubian Productions
2.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
3.
Roxette
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Roxette is a Swedish pop rock duo, consisting of Marie Fredriksson and Per Gessle. Formed in 1986, the duo became an act in the late 1980s. Their third album Joyride, which was released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits and several US Hot 100 hits, including four US number-ones with The Look, Listen to Your Heart, It Must Have Been Love, and Joyride. Other hits include Dangerous, Fading Like a Flower, Dressed for Success, on the advice of the managing director of their record label, they came together to record Neverending Love, which became a hit single in Sweden. After the release of Dont Bore Us, Get to the Chorus, a greatest hits record, the duo took a hiatus from the mid-1990s before returning with the albums Have a Nice Day and Room Service. They continued to chart in other territories, mainly in Europe and Latin America, in 2002, the duo took a break from recording and touring when Fredriksson was diagnosed with a brain tumour. In 2011, they released Charm School, their first studio album in ten years and this was followed by Travelling a year later. Their songs It Must Have Been Love and Listen to Your Heart continue to receive radio airplay. Per Gessle and Marie Fredriksson first met in Halmstad, Sweden, Gessle performed in Gyllene Tider, one of Swedens most popular bands at the time, and Fredriksson in the less successful Strul and MaMas Barn before both embarked on solo careers. In 1981, Fredriksson sang for the first time with Gyllene Tider on stage and was featured as a background vocalist for a Swedish-language album the band released in 1982. Gessle also worked with ex-ABBA singer Frida, for a song that appeared on her 1982 album Somethings Going On, while working on her first solo album, Het vind, Fredriksson performed more background vocals for Gyllene Tiders only album in English, The Heartland Café. The 11-track album was released in February 1984 and sold 45,000 copies in Sweden, According to Gessle, the groups first English-language release was in response to interest expressed by EMIs American label Capitol Records. Capitol took six of the tracks and released an extended play record in the US with a title, Heartland. Gessle and the members of Gyllene Tider chose the title of a 1975 Dr. Feelgood song. The newly named Roxette issued one near-invisible release in the US, Teaser Japanese, whose video reached MTVs studio and it, and subsequent singles, fared better in Sweden, and Gyllene Tider briefly toured the country to support the album. However, the album died soon enough and the international career died before it even started and we decided to put Gyllene Tider to rest. Gessle then turned solo work, recording his second Swedish-language solo album, Scener, released in 1985, while Fredriksson recorded her second solo album, Den sjunde vågen
4.
Joyride (Roxette album)
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The album was recorded over an 11-month period in Sweden. The album was a critical and commercial success upon release, with a review for AllMusic calling it the work of two pop artists at the top of their game. Joyride topped the charts and was certified multi-platinum in several territories, Joyride, Fading Like a Flower, The Big L. Spending My Time and Church of Your Heart were released as singles, Roxette also toured extensively to support the record, the Join the Joyride. Tour saw them performing to over 1.7 million people across four continents, as of 2001, Joyride has sold over 11 million copies worldwide. The pair recorded rough demo versions of ten songs over a period, after which they were joined by vocalist Marie Fredriksson. By the end of April, the three had completed work on over twenty-five demos, work was transferred to EMI Studios in Stockholm in May, where Gessle and Fredriksson were joined by producer Clarence Öfwerman. With the success of previous album Look Sharp, Gessle has described the pressure to deliver a successful follow-up album as intense, with EMI investing almost US$2 million on pre-release promotion for Joyride. So I think she should write more and her limited input in the songwriting of Roxette material stemmed from difficulty with writing English lyrics, she has said that it feels very strange to write in another language. The song is more folk-orientated than any previously recorded by the duo. The title track was released as the albums first single and it became one of Roxettes biggest ever hits, and was one of the most successful singles of 1991. It was the duos first number one single in their home country, the song spent eight weeks at number one in Germany, where it was certified gold by the Bundesverband Musikindustrie for sales in excess of 250,000 copies. It spent three weeks atop the Australian Singles Chart, and was their fourth and last US number one single and it also topped the singles chart in Canada, where it was nominated for a Juno Award in 1992 for Best Selling Single by a Foreign Artist. Fading Like a Flower was released as the second single, the Big L. was released as the third single outside of North America in August, peaking within the top twenty of numerous territories. In September, Roxette began their Join the Joyride, opening on September 4 in Helsinki, the tour would see the band playing to over 1.7 million people during its 100 shows in Europe, Australia and North and South America. The South American leg of the tour was successful, with the band playing to nearly 350,000 people at thirteen concerts. The North American leg of the tour received mixed reviews, a review for the Los Angeles Times claimed that Fredriksson was squandering her talents in pops low-rent district. Shes clearly superior to Roxettes uncomplicated, hook-crammed material, Jon Pareles of The New York Times criticized their show for its mimicry of MTV
5.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
6.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
7.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
8.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
9.
Recording studio
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A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are designed by an acoustician or audio engineer to achieve optimum acoustic properties. The engineers and producers listen to the music and the recorded tracks on monitor speakers and/or headphones. Major recording studios typically have a range of large, heavy, Isolation booths are small sound-insulated rooms with doors, designed for instrumentalists. This equipment may interfere with the recording process, Recording studios are carefully designed around the principles of room acoustics to create a set of spaces with the acoustical properties required for recording sound with precision and accuracy. This will consist of both room treatment and soundproofing to prevent sound from leaving the property. Even though sound isolation is a key goal, the musicians, singers, audio engineers and record producers still need to be able to see other, to see cue gestures. As such, the room, isolation booths, vocal booths. Some smaller studios do not have instruments, and bands and artists are expected to bring their own instruments, having musical instruments and equipment in the studio creates additional costs for a studio, as pianos have to be tuned and instruments need to be maintained. However, it makes it convenient for recording artists, as they do not have to bring in large. As well, less costly studio time is spent moving in gear, drummers bring their own snare drum, cymbals and sticks/brushes. The types and brands of equipment owned by a studio depends on the styles of music for the bands. A studio that mainly records heavy metal music will be likely to have large, powerful guitar amp heads, in contrast, a studio which mainly records country bands will likely have a selection of small, vintage combo amps. A studio that records a lot of 1970s-style funk may have an electric piano. General purpose computers have rapidly assumed a role in the recording process. A computer thus outfitted is called a Digital Audio Workstation, or DAW, other software applications include Ableton Live, Mixcraft, Cakewalk Sonar, ACID Pro, FL Studio, Adobe Audition, Auto-Tune, Audacity, and Ardour. While Apple Macintosh is used for most studio work, there is a breadth of available for Microsoft Windows. If no mixing console is used and all mixing is done using only a keyboard and mouse, the OTB is used when mixing with other hardware and not just the PC software
10.
Stockholm
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The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time
