1.
Big L
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Lamont Coleman, best known by his stage name Big L, was an American hip hop recording artist. Coleman embarked on his career in rapping, with the hip hop trio and his first notable appearance came on Lord Finesses Yes You May. Coleman released his album, Lifestylez ov da Poor & Dangerous, in 1995. In 1998, he founded Flamboyant Entertainment, his own label, through which he released one of his most popular singles. On February 15,1999, Coleman was killed by an assailant in a drive-by shooting in his native Harlem. His second studio album, The Big Picture, was put together by Colemans manager, Rich King and it was eventually certified gold by the Recording Industry Association of America. Three posthumous albums have been released, mainly consisting of unreleased songs which were put together by Rich King and his brother, multiple tributes have been given to Coleman, including in The Source, MTV, and HipHop DX. A documentary is in the works titled Street Struck, The Big L Story, about. com called him the twenty-third best MC of all time, and multiple writers at Allmusic have given him high praise. Lamont Coleman was born in Harlem neighborhood of the New York City borough of Manhattan on May 30,1974, he was the third and youngest child of Gilda Terry and his father left the family while Coleman was a child. He has two siblings, Donald and Leroy Phinazee, who were the children of Gilda Terry and Mr. Phinazee, Coleman received the nicknames Little L and mont mont as a child. At the age of 12, Coleman became a big hip hop fan and he founded a group called Three the Hard Way in 1990, but was quickly broken up due to a lack of enthusiasm. It consisted of Coleman, a Doc Reem, and a Rodney, No studio albums were released, and after Rodney left, the group was called Two Hard Motherfuckers. Around this time, people started to call him Big L, in the summer of 1990, Coleman met Lord Finesse at an autograph session in a record shop on 125th Street. After he did a freestyle, Finesse and Coleman exchanged numbers, Coleman attended Julia Richman High School. Every now and then, a party, grab the mic. Coleman began writing rhymes in 1990, on February 11, Coleman appeared on Yo. MTV Raps with Lord Finesse to help promote Finesses studio album Return of the Funky Man. Colemans first professional appearance came on Yes You May, the B-side of Party Over Here by Lord Finesse, in that same year, he won an amateur freestyle battle, which consisted of about 2,000 contestants and held by Nubian Productions
2.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
3.
Roxette
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Roxette is a Swedish pop rock duo, consisting of Marie Fredriksson and Per Gessle. Formed in 1986, the duo became an act in the late 1980s. Their third album Joyride, which was released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits and several US Hot 100 hits, including four US number-ones with The Look, Listen to Your Heart, It Must Have Been Love, and Joyride. Other hits include Dangerous, Fading Like a Flower, Dressed for Success, on the advice of the managing director of their record label, they came together to record Neverending Love, which became a hit single in Sweden. After the release of Dont Bore Us, Get to the Chorus, a greatest hits record, the duo took a hiatus from the mid-1990s before returning with the albums Have a Nice Day and Room Service. They continued to chart in other territories, mainly in Europe and Latin America, in 2002, the duo took a break from recording and touring when Fredriksson was diagnosed with a brain tumour. In 2011, they released Charm School, their first studio album in ten years and this was followed by Travelling a year later. Their songs It Must Have Been Love and Listen to Your Heart continue to receive radio airplay. Per Gessle and Marie Fredriksson first met in Halmstad, Sweden, Gessle performed in Gyllene Tider, one of Swedens most popular bands at the time, and Fredriksson in the less successful Strul and MaMas Barn before both embarked on solo careers. In 1981, Fredriksson sang for the first time with Gyllene Tider on stage and was featured as a background vocalist for a Swedish-language album the band released in 1982. Gessle also worked with ex-ABBA singer Frida, for a song that appeared on her 1982 album Somethings Going On, while working on her first solo album, Het vind, Fredriksson performed more background vocals for Gyllene Tiders only album in English, The Heartland Café. The 11-track album was released in February 1984 and sold 45,000 copies in Sweden, According to Gessle, the groups first English-language release was in response to interest expressed by EMIs American label Capitol Records. Capitol took six of the tracks and released an extended play record in the US with a title, Heartland. Gessle and the members of Gyllene Tider chose the title of a 1975 Dr. Feelgood song. The newly named Roxette issued one near-invisible release in the US, Teaser Japanese, whose video reached MTVs studio and it, and subsequent singles, fared better in Sweden, and Gyllene Tider briefly toured the country to support the album. However, the album died soon enough and the international career died before it even started and we decided to put Gyllene Tider to rest. Gessle then turned solo work, recording his second Swedish-language solo album, Scener, released in 1985, while Fredriksson recorded her second solo album, Den sjunde vågen
4.
Joyride (Roxette album)
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The album was recorded over an 11-month period in Sweden. The album was a critical and commercial success upon release, with a review for AllMusic calling it the work of two pop artists at the top of their game. Joyride topped the charts and was certified multi-platinum in several territories, Joyride, Fading Like a Flower, The Big L. Spending My Time and Church of Your Heart were released as singles, Roxette also toured extensively to support the record, the Join the Joyride. Tour saw them performing to over 1.7 million people across four continents, as of 2001, Joyride has sold over 11 million copies worldwide. The pair recorded rough demo versions of ten songs over a period, after which they were joined by vocalist Marie Fredriksson. By the end of April, the three had completed work on over twenty-five demos, work was transferred to EMI Studios in Stockholm in May, where Gessle and Fredriksson were joined by producer Clarence Öfwerman. With the success of previous album Look Sharp, Gessle has described the pressure to deliver a successful follow-up album as intense, with EMI investing almost US$2 million on pre-release promotion for Joyride. So I think she should write more and her limited input in the songwriting of Roxette material stemmed from difficulty with writing English lyrics, she has said that it feels very strange to write in another language. The song is more folk-orientated than any previously recorded by the duo. The title track was released as the albums first single and it became one of Roxettes biggest ever hits, and was one of the most successful singles of 1991. It was the duos first number one single in their home country, the song spent eight weeks at number one in Germany, where it was certified gold by the Bundesverband Musikindustrie for sales in excess of 250,000 copies. It spent three weeks atop the Australian Singles Chart, and was their fourth and last US number one single and it also topped the singles chart in Canada, where it was nominated for a Juno Award in 1992 for Best Selling Single by a Foreign Artist. Fading Like a Flower was released as the second single, the Big L. was released as the third single outside of North America in August, peaking within the top twenty of numerous territories. In September, Roxette began their Join the Joyride, opening on September 4 in Helsinki, the tour would see the band playing to over 1.7 million people during its 100 shows in Europe, Australia and North and South America. The South American leg of the tour was successful, with the band playing to nearly 350,000 people at thirteen concerts. The North American leg of the tour received mixed reviews, a review for the Los Angeles Times claimed that Fredriksson was squandering her talents in pops low-rent district. Shes clearly superior to Roxettes uncomplicated, hook-crammed material, Jon Pareles of The New York Times criticized their show for its mimicry of MTV
5.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
6.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
7.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
8.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
9.
Recording studio
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A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are designed by an acoustician or audio engineer to achieve optimum acoustic properties. The engineers and producers listen to the music and the recorded tracks on monitor speakers and/or headphones. Major recording studios typically have a range of large, heavy, Isolation booths are small sound-insulated rooms with doors, designed for instrumentalists. This equipment may interfere with the recording process, Recording studios are carefully designed around the principles of room acoustics to create a set of spaces with the acoustical properties required for recording sound with precision and accuracy. This will consist of both room treatment and soundproofing to prevent sound from leaving the property. Even though sound isolation is a key goal, the musicians, singers, audio engineers and record producers still need to be able to see other, to see cue gestures. As such, the room, isolation booths, vocal booths. Some smaller studios do not have instruments, and bands and artists are expected to bring their own instruments, having musical instruments and equipment in the studio creates additional costs for a studio, as pianos have to be tuned and instruments need to be maintained. However, it makes it convenient for recording artists, as they do not have to bring in large. As well, less costly studio time is spent moving in gear, drummers bring their own snare drum, cymbals and sticks/brushes. The types and brands of equipment owned by a studio depends on the styles of music for the bands. A studio that mainly records heavy metal music will be likely to have large, powerful guitar amp heads, in contrast, a studio which mainly records country bands will likely have a selection of small, vintage combo amps. A studio that records a lot of 1970s-style funk may have an electric piano. General purpose computers have rapidly assumed a role in the recording process. A computer thus outfitted is called a Digital Audio Workstation, or DAW, other software applications include Ableton Live, Mixcraft, Cakewalk Sonar, ACID Pro, FL Studio, Adobe Audition, Auto-Tune, Audacity, and Ardour. While Apple Macintosh is used for most studio work, there is a breadth of available for Microsoft Windows. If no mixing console is used and all mixing is done using only a keyboard and mouse, the OTB is used when mixing with other hardware and not just the PC software
10.
Stockholm
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The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time
11.
EMI
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EMI was a British multinational conglomerate founded in March 1931 and was based in London. At the time of its break-up in 2012, it was the fourth-largest business group and its EMI Records Ltd. group of record labels included EMI Records, Parlophone, Virgin Records and Capitol Records. EMI also had a publishing arm, EMI Music Publishing—also based in London with offices globally. The company was once a constituent of the FTSE100 Index, other members of the Sony consortium include the Estate of Michael Jackson, The Blackstone Group, and Abu Dhabi–owned investment fund Mubadala Development Company. The new vertically integrated company produced sound recordings as well as recording, the companys gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set, post-war, the company resumed its involvement in making broadcasting equipment, notably providing the BBCs second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC, the commercial television ITV companies also used them alongside cameras made by Pye and Marconi. Exports of this piece of equipment were low, however, the company was also for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of Thorn-EMI, in 1958 the EMIDEC1100, the UKs first commercially available all-transistor computer, was developed at Hayes under the leadership of Godfrey Hounsfield, an electrical engineer at EMI. In 1973 EMI was awarded a prestigious Queens Award for Technological Innovation for what was called the EMI scanner. After brief, but brilliant, success in the imaging field, EMIs manufacturing activities were sold off to other companies. Subsequently, development and manufacturing activities were sold off to companies and work moved to other towns such as Crawley. Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, US and it manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established subsidiary operations in a number of countries in the British Commonwealth, including India, Australia. Over 150,000 78-rpm recordings from around the world are held in EMIs temperature-controlled archive in Hayes, in 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, during this time EMI appointed its first A&R managers. These included George Martin, who brought the Beatles into the EMI fold. When the Gramophone Company merged with the Columbia Graphophone Company in 1931, at this point RCA had a majority shareholding in the new company, giving RCA chair David Sarnoff a seat on the EMI board
12.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
13.
Per Gessle
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Per Håkan Gessle is a Swedish pop singer-songwriter, guitarist, and harmonicist. He is the singer of the Swedish pop group Gyllene Tider. With Fredrikssons illness in 2002, he went back to recording albums, reformed Gyllene Tider in 2004 and became a successful artist in his native Sweden. Per Gessle was a member of Gyllene Tider, in 1976. They quickly became a group in Sweden, but after their fourth album, The Heartland Café, sold poorly compared to their previous albums. We decided to put Gyllene Tider to rest, in 1982, Gessle released his first solo album, Per Gessle and after Gyllene Tider split-up his second album, Scener, quickly appeared in 1985. Gessle and Marie Fredriksson had been friends for a few years before came together as Roxette in 1986. After the success of their first hit Neverending Love, which was written by Gessle, Roxette went on to achieve four U. S. #1s and two #2s, with their albums Look Sharp. and Joyride attaining platinum status in a number of countries. After Roxettes early nineties success, Per released a compilation album in 1992, På väg. Bang. and subsequent world tour, Roxette took a break, in 1996, after a reunion and subsequent tour of Gyllene Tider, Gessle recorded his first English solo album, using Brainpool and Gyllene Tider as backing musicians. Christoffer Lundquist from Brainpool would also come to collaborate with Per on later releases, the World According to Gessle, released in 1997, produced three singles, Do You Wanna Be My Baby. Kix and I Want You to Know, the videos to all three songs were directed by Jonas Åkerlund. The World According to Gessle was re-released in 2008, with bonus material. In 1997 Hjärtats trakt – en samling was released as a best-of album, after Roxette released Have a Nice Day and Room Service to moderate success, Per continued with his solo work. The subsequent album Mazarin, was successful in Sweden, going five times platinum in 2004. His first album involving singer Helena Josefsson brought Gessle numerous awards, four Grammis awards, Best Artist, Best Male Pop Performer, Best Composer and Best Song. He also won three Rockbjörnen awards, Best Swedish Male Artist, Best Swedish Album and Best Swedish Song —, the song Här kommer alla känslorna, is Gessles most successful release in Sweden, spending two months at No. Also in 2004, saw Gessle and Gyllene Tider reunited for a 25th-anniversary celebration that included the bands first album in 20 years, Finn 5 fel. and another very successful tour in Sweden
14.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
15.
Fading Like a Flower (Every Time You Leave)
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Fading Like a Flower is a song by the Swedish pop duo Roxette, released as the second single from their third studio album, Joyride. According to Ultimate Guitar, the song is written in time with a moderately fast tempo of 105 beats per minute. It is a rock ballad in the key of F which modulates a step up to G halfway through the song. The track follows a chord sequence of Am–Em–Am–C–G–Am–Em–D in each verse. The first two lines of each chorus have a progression of C–F–Am–G–C–F–G–C, with the half of the chorus amending the sequence to a shortened C–F–Am–G–F–G. The bridge consists of three repetitions of Am–G–C–D followed by a progression of E–E7–Am–C–G–Am, Roxette later recorded a Spanish version of the song for their 1996 compilation album Baladas en español. The music video was mostly in the Stockholm suburb of Gamla stan. Although not as successful as previous single Joyride, the song was a top ten hit in numerous countries and it remains the duos highest-peaking single ever on the Irish Singles Chart, peaking at number four. Listen to Your Heart, It Must Have Been Love and Almost Unreal all peaked at number five, on the UK Singles Chart, the song peaked at number twelve. It charted highest in North America, peaking at two in Canada and on the US Billboard Hot 100—where it was held off the top spot in both countries by Bryan Adams I Do It for You. All songs written and composed by Per Gessle, credited as Dancing DJs vs Roxette, the remix charted in numerous territories, including Finland, Ireland, Sweden and the UK. All songs written by Per Gessle, a eurodance cover of the song was recorded by Mysterio. Lyrics of this song at MetroLyrics
16.
Spending My Time
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Spending My Time is a song by Swedish duo Roxette, released as the fourth single from their third studio album, Joyride. It was written by Per Gessle and Mats Persson, and produced by Clarence Öfwerman, a remix was created by MC King Carli and Dr Renault at EMI Studios in Stockholm, Sweden, in July 1991, and was included on the single. A Spanish version of the song, titled Un día sin ti, was released in 1996 as the single from the duos Spanish-language compilation album Baladas en español. Gessle also appears playing the guitar. The song was not as successful as the duos preceding singles. It peaked at number thirty-two on the Billboard Hot 100 in the US, in the liner notes of their 1995 greatest hits compilation Dont Bore Us, Get to the Chorus. Per Gessle said he believed that Spending My Time was going to be our biggest hit ever, at the end of 1991, EMI merged with other record companies to form EMI Records Group North America. The merger resulted in the new company firing over a hundred members of staff, the song also peaked at number nine in Canada. All songs written by Per Gessle and Mats Persson, except The Sweet Hello and it consisted of twelve of their down-tempo singles and album tracks, which were translated by Spanish songwriter Luis Gomez-Escolar. This album was released in Spanish and Portuguese-speaking territories. A translated version of Spending My Time, titled Un día sin ti, was released in November 1996 as the lead single. A new music video was filmed for this version of the song and it was created by Jonas Åkerlund, who would go on to direct a total of twelve music videos for the duo. It features close-up shots of Marie singing and Per playing guitar, interspersed with clips of a woman descending into alcoholism, music by Per Gessle and Mats Persson. Spanish lyrics by Luis G. Escolar, CD single Un día sin ti –4,39 Directamente a ti –4,44 Lyrics of this song at MetroLyrics
17.
YouTube
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YouTube is an American video-sharing website headquartered in San Bruno, California. The service was created by three former PayPal employees—Chad Hurley, Steve Chen, and Jawed Karim—in February 2005, Google bought the site in November 2006 for US$1.65 billion, YouTube now operates as one of Googles subsidiaries. Unregistered users can watch videos on the site, while registered users are permitted to upload an unlimited number of videos. Videos deemed potentially offensive are available only to registered users affirming themselves to be at least 18 years old, YouTube earns advertising revenue from Google AdSense, a program which targets ads according to site content and audience. YouTube was founded by Chad Hurley, Steve Chen, and Jawed Karim, Hurley had studied design at Indiana University of Pennsylvania, and Chen and Karim studied computer science together at the University of Illinois at Urbana-Champaign. Karim could not easily find video clips of either event online, Hurley and Chen said that the original idea for YouTube was a video version of an online dating service, and had been influenced by the website Hot or Not. YouTube began as a venture capital-funded technology startup, primarily from an $11.5 million investment by Sequoia Capital between November 2005 and April 2006, YouTubes early headquarters were situated above a pizzeria and Japanese restaurant in San Mateo, California. The domain name www. youtube. com was activated on February 14,2005, the first YouTube video, titled Me at the zoo, shows co-founder Jawed Karim at the San Diego Zoo. The video was uploaded on April 23,2005, and can still be viewed on the site, YouTube offered the public a beta test of the site in May 2005. The first video to reach one million views was a Nike advertisement featuring Ronaldinho in November 2005. Following a $3.5 million investment from Sequoia Capital in November, the site grew rapidly, and in July 2006 the company announced that more than 65,000 new videos were being uploaded every day, and that the site was receiving 100 million video views per day. The site has 800 million unique users a month and it is estimated that in 2007 YouTube consumed as much bandwidth as the entire Internet in 2000. The choice of the name www. youtube. com led to problems for a similarly named website, the sites owner, Universal Tube & Rollform Equipment, filed a lawsuit against YouTube in November 2006 after being regularly overloaded by people looking for YouTube. Universal Tube has since changed the name of its website to www. utubeonline. com, in October 2006, Google Inc. announced that it had acquired YouTube for $1.65 billion in Google stock, and the deal was finalized on November 13,2006. In March 2010, YouTube began free streaming of certain content, according to YouTube, this was the first worldwide free online broadcast of a major sporting event. On March 31,2010, the YouTube website launched a new design, with the aim of simplifying the interface, Google product manager Shiva Rajaraman commented, We really felt like we needed to step back and remove the clutter. In May 2010, YouTube videos were watched more than two times per day. This increased to three billion in May 2011, and four billion in January 2012, in February 2017, one billion hours of YouTube was watched every day
18.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
19.
Audio mixing (recorded music)
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The track may be mixed in mono, stereo, or surround sound. There are numerous approaches, methods and techniques involved in Audio mixing, some of these practices include levels setting, equalization, stereo panning, Audio mixing techniques and approaches can vary widely, and these can greatly affect the qualities of the sound recording. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved, the process is generally carried out by a mixing engineer, though sometimes the musical producer or music artist may assist. After mixing, a mastering engineer prepares the final product for production, Audio mixing may be transferred onto a mixing console or digital audio workstation. Jay bala ji In the late century, Thomas Edison. The recording and reproduction process itself was completely mechanical with little or no electrical parts, Emile Berliners gramophone system recorded music by inscribing spiraling lateral cuts onto a vinyl disc. Electronic recording became widely used during the 1920s. It was based on the principles of electromagnetic transduction, the possibility for a microphone to be connected remotely to a recording machine meant that microphones could be positioned in more suitable places. Even more useful was the fact that the outputs of the microphones could be mixed before being fed to the disc cutter, before the introduction of multitrack recording, all sounds and effects that were to be part of a record were mixed at one time during a live performance. If the recorded blend wasnt satisfactory, or if one made a mistake. Modern mixing emerged with the introduction of commercial multi-track tape machines, the ability to record sounds into a multitude of channels meant that treating these sounds could be postponed to a later stage– the mixing stage. In the 1980s, home recording and mixing became much easier, the 4-track Portastudio was introduced in 1979. Bruce Springsteen released the album Nebraska in 1982 using one, the Eurythmics topped the charts in 1983 with the song Sweet Dreams, recorded by band member Dave Stewart on a makeshift 8-track recorder. In the mid-to-late 1990s, computers replaced tape-based recording for most home studios, at the same time, digital audio workstations, first used in the mid-1980s, began to replace tape in many professional recording studios. A mixer is the heart of the mixing process. Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder, mixers typically have 2 main outputs or 8. Mixers offer three main functionalities, Mixing – summing signals together, which is normally done by a dedicated summing amplifier or in the case of digital by a simple algorithm, routing – allows the routing of source signals to internal buses or external processing units and effects. Processing – many mixers also offer on-board processors, like equalizers and compressors, Mixing consoles used for dubbing can often be seen as large and intimidating, due to the exceptional amount of controls
20.
Marie Fredriksson
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In 2002, after fainting at home, she was diagnosed with brain cancer. During her rehabilitation she continued to make music, resulting in the album The Change and she later reunited with Gessle to record more Roxette albums, embarked on worldwide tour and continued to record as a solo artist in her native Sweden. Marie Fredriksson, who was born in Össjö, was the youngest of five children, the family later moved to the small Swedish town of Östra Ljungby. Being poor, both parents were forced to work, often leaving the children on their own, together with her siblings or neighbourhood children, Fredriksson began to play music and sing. She was often asked by her mother to perform in front of friends who were impressed by her Olivia Newton-John-like singing voice, Maries interest grew stronger in her teens as she discovered artists such as Joni Mitchell, The Beatles, and Deep Purple. At 17, Fredriksson enrolled in a college and performed in local theatre. However, she found it boring, instead longing for the thrill of an audience. As she phrased it, I wanted to perform and she became involved in theatre, and after moving to the town of Halmstad, she found herself involved in the local music scene. Joining her boyfriend Stefans band Strul, they played local gigs, after that group split, Marie and a new boyfriend, Martin Sternhuvsvud, performed as MaMas Barn. Per Gessle, the lead singer of the famous Swedish group Gyllene Tider, shared a rehearsal studio with Fredriksson. Lindbom was suitably impressed with Fredrikssons voice and offered her a contract, Lasse Lindbom asked Fredriksson to record a duet with him, Så nära nu, which lead to her joining his group The Lasse Lindbom Band. Gessle started to encourage her to start a career, but she was too nervous. Fredriksson finally accepted, and she recorded her first solo album, Het vind, Ännu doftar kärlek was the first single. Lindbom, Fredriksson, Per Gessle and Mats MP Persson started a new band called Spännande Ostar and that same year, Fredriksson and Lindbom went to the Canary Islands to write songs for Maries second solo album. They returned to Sweden for the recording, the album was released in 1986, under the name Den sjunde vågen. Den bästa dagen and Silver i din hand were released as singles, Gessle and Fredriksson had talked about working together for many years. Fredrikssons career was soaring in Sweden, but Gessle was a former member whose solo career was not doing as well. Friends and people in the industry were skeptical towards the idea of Marie collaborating with Gessle and his idea was to form a duo, singing in English, and try to have some success in Europe
21.
Lead vocalist
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The lead vocalist, lead vocals or lead singer in popular music is typically the member of a group or band whose voice is the most prominent in a performance where multiple voices may be heard. The lead singer either leads the ensemble, or sets against the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, as an example in rock music, Mick Jagger is the lead singer of The Rolling Stones. Similarly in soul music, Smokey Robinson was the singer of The Miracles. The practice of using a lead singer in vocal groups, however, has a longer history, songs of the late nineteenth century frequently used a leading solo voice, followed by a choral response by other singers. From these various points - including Motown - it went on to become a device in much rock. In some bands - most famously, The Beatles - the role of lead singer alternated, while in others - for example, there are as many types and styles of lead singer as there are styles and genres of music. However, the singer of a group or band is usually the main focus of audiences attention. The lead vocalist of a band is called the front man or front woman. Pink Floyd also can be considered a band with two front men, as both the guitarist David Gilmour and the bassist Roger Waters sang and wrote most of the songs. In the beginning of the career, however, Pink Floyds lead singer and guitarist was Syd Barrett. Particularly before the 1970s, many bands were named for the leader or founder, rather than the lead singer, examples include the Dave Clark Five and Harold Melvin. In modern rock music, the singer is often, but not always, also the bands leader. While lead singers or spokespersons for any musical ensembles can be called a front man, since the position commonly has an expanded role from simple lead vocalists, there have been cases in which the front man for a band is someone other than the lead vocalist. In many bands, such as The Who, Fall Out Boy, Led Zeppelin, Living Colour, Queen and Oasis, usually, this is derived from that guitarists specific role as a co-songwriter, co-founder and/or co-vocalist. Also in some cases, there are two frontmen, such as Underoath, with singers Spencer Chamberlain and Aaron Gillespie sharing vocal duties, another example is Blink-182, in which vocal duties are split between bassist Mark Hoppus and guitarist Tom DeLonge. Hoppus usually carries out most media either by himself or together with DeLonge, linkin Park has two vocalists as well, Chester Bennington and Mike Shinoda, both considered as frontmen. Another example is the metal band Metallica, in which James Hetfield
22.
Backing vocalist
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Backing vocalists are singers who provide vocal harmony with the lead vocalist or other backing vocalists. In some cases, a singer may sing alone as a lead-in to the main vocalists entry or to sing a counter-melody. Backing vocalists are used in a range of popular music, traditional music. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts, in many rock and metal bands, the musicians doing backup vocals also play instruments, such as guitar, electric bass, drums, or keyboards. In Latin or Afro-Cuban groups, backup singers may play percussion instruments or shakers while singing, in some pop and hip-hop groups and in musical theater, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones. The style of singing used by backup singers varies according to the type of song, in pop and country songs, backup vocalists may perform vocal harmony parts to support the lead vocalist. In hardcore punk or rockabilly, other members who play instruments may sing or shout backup vocals during the chorus section of the songs. While some bands use performers whose sole on-stage role is performing backing vocals, two notable examples of band members who sang back-up are The Beach Boys and The Beatles. The Beach Boys were well known for their vocal harmonies, occasionally with all five members singing at once such as In My Room. All five members would sing lead, although most often Brian Wilson or Mike Love would sing lead with guitarists Carl Wilson and Al Jardine, examples of three-part harmonies by Lennon, McCartney and Harrison include Nowhere Man, Because, Day Tripper, and This Boy. Former guitarist John Frusciante of the Red Hot Chili Peppers sang nearly all backing vocals often singing some parts without accompaniment from lead vocalist Anthony Kiedis, the bands bassist Flea occasionally filled in for additional vocals. Frusciante usually sang one song by himself during concerts, another example is No Frontiers by The Corrs, which is sung by Sharon and Caroline. In the recording studio, some lead singers record their own backing vocals by overdubbing, one famous example is Freddie Mercury of Queen singing the first part of Bohemian Rhapsody himself by overdubbing. With the exception of a few songs on album, Dan Fogelberg, Eddie Rabbitt, David Bowie. Some bands, such as Hawthorne Heights and Finch have the backup singers do harsh vocals to highlight specific lyrics. Pop and R&B vocalists such as Diana Ross, Ariana Grande, Mariah Carey, Michael Jackson, Janet Jackson, Beyoncé Knowles, Brandy, Faith Evans, DAngelo, when they perform live, they may have backing vocalists that impersonate their voices. Some bands use backing vocals in order to contrast with the singer who may be performing an unusual vocal technique. In rap music, a rapper who chants and rhymes to support the main artist is often referred to as hype man
23.
Audio engineer
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An audio engineer works on the recording, manipulating the record using equalization and electronic effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the. technical aspect of recording—the placing of microphones, pre-amp knobs, the physical recording of any project is done by an engineer. Many audio engineers creatively use technologies to produce sound for film, radio, television, music, electronic products and computer games. Audio engineers also set up, sound check and do live sound mixing using an audio console, research and development audio engineers invent new technologies, equipment and techniques, to enhance the process and art of audio engineering. They might also be referred to as acoustic engineers, audio engineers in research and development usually possess a bachelors degree, masters degree or higher qualification in acoustics, physics, computer science or another engineering discipline. They might work in consultancy, specializing in architectural acoustics. Alternatively they might work in companies, or other industries that need audio expertise. Some positions, such as faculty require a Doctor of Philosophy, in Germany a Toningenieur is an audio engineer who designs, builds and repairs audio systems. The listed subdisciplines are based on PACS coding used by the Acoustical Society of America with some revision, audio engineers develop algorithms to allow the electronic manipulation of audio signals. These can be processed at the heart of audio production such as reverberation. Alternatively, the algorithms might carry out echo cancellation on Skype, or identify, architectural acoustics is the science and engineering of achieving a good sound within a room. For audio engineers, architectural acoustics can be about achieving good speech intelligibility in a stadium or enhancing the quality of music in a theatre, architectural Acoustic design is usually done by acoustic consultants. Electroacoustics is concerned with the design of headphones, microphones, loudspeakers, sound reproduction systems, examples of electroacoustic design include portable electronic devices, sound systems in architectural acoustics, surround sound in movie theater and vehicle audio. Musical acoustics is concerned with researching and describing the science of music, in audio engineering, this includes the design of electronic instruments such as synthesizers, the human voice, computer analysis of audio, music therapy, and the perception and cognition of music. Psychoacoustics is the study of how humans respond to what they hear. At the heart of audio engineering are listeners who are the final arbitrator as to whether a design is successful. The production, computer processing and perception of speech is an important part of audio engineering, ensuring speech is transmitted intelligibly, efficiently and with high quality, in rooms, through public address systems and through mobile telephone systems are important areas of study. Producer, engineer, and mixer Phil Ek has described audio engineering as the aspect of recording—the placing of microphones, the turning of pre-amp knobs
24.
Electric guitar
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The vibrations of the strings are sensed by a pickup, of which the most common type is the magnetic pickup, which uses the principle of direct electromagnetic induction. The signal generated by a guitar is too weak to drive a loudspeaker, so it is plugged into a guitar amplifier before being sent to a loudspeaker. The output of a guitar is an electric signal. Invented in 1931, the electric guitar was adopted by jazz guitarists. Early proponents of the guitar on record included Les Paul, Lonnie Johnson, Sister Rosetta Tharpe, T-Bone Walker. During the 1950s and 1960s, the guitar became the most important instrument in pop music. It has evolved into an instrument that is capable of a multitude of sounds and styles in genres ranging from pop and rock to country music, blues and jazz. It served as a component in the development of electric blues, rock and roll, rock music, heavy metal music. Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, Guitars may have a fixed bridge or a spring-loaded hinged bridge that lets players bend the pitch of notes or chords up or down or perform vibrato effects. The sound of a guitar can be modified by new playing techniques such as string bending, tapping, hammering on, using audio feedback, in a small group, such as a power trio, one guitarist switches between both roles. In larger rock and metal bands, there is often a rhythm guitarist, many experiments at electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century. Patents from the 1910s show telephone transmitters were adapted and placed inside violins, hobbyists in the 1920s used carbon button microphones attached to the bridge, however, these detected vibration from the bridge on top of the instrument, resulting in a weak signal. With numerous people experimenting with electrical instruments in the 1920s and early 1930s, Electric guitars were originally designed by acoustic guitar makers and instrument manufacturers. Some of the earliest electric guitars adapted hollow-bodied acoustic instruments and used tungsten pickups, the first electrically amplified guitar was designed in 1931 by George Beauchamp, the general manager of the National Guitar Corporation, with Paul Barth, who was vice president. The maple body prototype for the one-piece cast aluminum frying pan was built by Harry Watson, commercial production began in late summer of 1932 by the Ro-Pat-In Corporation, in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker, and Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company, in that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was issued in 1937. The Electro-Spanish Ken Roberts provided players a full 25 scale, with 17 frets free of the fretboard and it is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937, fewer than 10 are known to survive today. The need for the guitar became apparent during the big band era as orchestras increased in size, particularly when acoustic guitars had to compete with large
25.
Acoustic guitar
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An acoustic guitar is a guitar that produces sound acoustically—by transmitting the vibration of the strings to the air—as opposed to relying on electronic amplification. The sound waves from the strings of an acoustic guitar resonate through the guitars body and this typically involves the use of a sound board and a sound box to strengthen the vibrations of the strings. The main source of sound in a guitar is the string. The string vibrates at a frequency and also creates many harmonics at various different frequencies. The frequencies produced can depend on string length, mass, gitterns, a small plucked guitar were the first small guitar-like instruments created during the Middle Ages with a round back like that of a lute. Modern guitar shaped instruments were not seen until the Renaissance era where the body, the earliest string instruments that related to the guitar and its structure where broadly known as the vihuelas within Spanish musical culture. Vihuelas where string instruments that were seen in the 16th century during the Renaissance. Later, Spanish writers distinguished these instruments into 2 categories of vihuelas, the vihuela de arco was an instrument that mimicked the violin, and the vihuela de penola was played with a plectrum or by hand. When it was played by hand it was known as the vihuela de mano, vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. The real production of guitars kicked off in France where the popularity, the production became so large that early famous creators such as Gaspard Duyffooprucgars instruments were being sold as copies by other guitar makers in Lyon. Benoist Lejeune, a maker, offered and sold guitar copies of Duyffoprucgars instruments and was later imprisoned for using his mark and work. During this time, the production was increasing tremendously but it was not until Robert and Claude Denis appeared overproducing the early Renaissance guitar in Paris, as father and son, Robert and Claude produced hundreds of guitars that increased the popularity of the instrument greatly. Because of them and the great many guitar inventors of this time, by 1790 only six-course vihuela guitars were being created and had become the main type and model of guitar used in Spain. Most of the older 5-course guitars where still in use but were also being modified to a six-coursed acoustical guitar, by the 19th century, coursed strings where evolved into 6 single-stringed instruments much like that of the guitar today. It had evolved into the modern look except for size, retaining a smaller frame, the acoustic guitars soundboard, or top, also has a strong effect on the loudness of the guitar. No amplification actually occurs in this process, because no energy is added to increase the loudness of the sound. All the energy is provided by the plucking of the string, but without a soundboard, the string would just cut through the air without actually moving it much. The soundboard increases the surface of the area in a process called mechanical impedance matching
26.
Harmonica
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There are many types of harmonica, including diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one or more holes along a mouthpiece, behind each hole is a chamber containing at least one reed. A harmonica reed is a flat elongated spring typically made of brass, stainless steel, or bronze, when the free end is made to vibrate by the players air, it alternately blocks and unblocks the airway to produce sound. Reeds are pre-tuned to individual pitches, tuning may involve changing a reeds length, the weight near its free end, or the stiffness near its fixed end. Longer, heavier and springier reeds produce deeper, lower sounds, an important technique in performance is bending, causing a drop in pitch by making embouchure adjustments. Such two-reed pitch changes actually involve sound production by the normally silent reed, the basic parts of the harmonica are the comb, reed plates and cover plates. The comb is the body of the instrument, which. The term comb may originate from the similarity between this part of a harmonica and a hair comb, Harmonica combs were traditionally made from wood but now are also made from plastic or metal. Some modern and experimental designs are complex in the way that they direct the air. There is dispute among players about whether comb material affects the tone of a harmonica, among those saying yes are those who are convinced by their ears. Few dispute, however, that comb surface smoothness and air-tightness when mated with the reedplates can greatly affect tone, the main advantage of a particular comb material over another one is its durability. In particular, a comb can absorb moisture from the players breath. This can cause the comb to expand slightly, making the instrument uncomfortable to play, various types of wood and treatments have been devised to reduce the degree of this problem. Much effort is devoted by serious players to restoring wood combs, some players used to soak wooden-combed harmonicas in water to cause a slight expansion, which they intended to make the seal between the comb, reed plates and covers more airtight. Modern wooden-combed harmonicas are less prone to swelling and contracting, players still dip harmonicas in water for the way it affects tone and ease of bending notes. The reed plate is a grouping of several reeds in a single housing, the reeds are usually made of brass, but steel, aluminium and plastic are occasionally used. Individual reeds are usually riveted to the plate, but they may also be welded or screwed in place. Reeds fixed on the side of the reed plate respond to blowing
27.
Keyboard instrument
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A keyboard instrument is a musical instrument played using a keyboard. The most common of these are the piano, organ, and various keyboards, including synthesizers. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, today, the term keyboard often refers to keyboard-style synthesizers. Another important use of the keyboard is in historical musicology. Particularly in the 18th century, the harpsichord, the clavichord, and the piano were in competition. Hence in a phrase like Mozart excelled as a player the word keyboard is usefully noncommittal. The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ, the keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian, who says magna levi detrudens murmura tactu. Intent, that is “let him thunder forth as he presses out mighty roarings with a light touch”, from its invention until the fourteenth century, the organ remained the only keyboard instrument. Often, the organ did not feature a keyboard at all, almost every keyboard until the fifteenth century had seven naturals to each octave. The clavichord and the harpsichord appeared during the 14th century—the clavichord probably being earlier, the harpsichord and clavichord were both common until widespread adoption of the piano in the 18th century, after which their popularity decreased. The piano was revolutionary, because a pianist could vary the volume of the sound by varying the vigor with which each key was struck. The pianos full name is gravicèmbalo con piano e forte meaning harpsichord with soft and loud but can be shortened to piano-forte, which means soft-loud in Italian. In its current form, the piano is a product of the late 19th century, in fact, the modern piano is significantly different from even the 19th-century pianos used by Liszt, Chopin, and Brahms. See Piano history and musical performance, keyboard instruments were further developed in the early twentieth century. Early electromechanical instruments, such as the Ondes Martenot, appeared early in the century and this was a very important contribution to the keyboards history. Much effort has gone into creating an instrument that sounds like the piano but lacks its size, the electric piano and electronic piano were early efforts that, while useful instruments in their own right, did not convincingly reproduce the timbre of the piano. Electric and electronic organs were developed during the same period, more recent electronic keyboard designs strive to emulate the sound of specific make and model pianos using digital samples and computer models. Concerns celebrated keyboard players and the various instruments used over the centuries
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ARIA Charts
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The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia, ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report which had been Australias national charts since 1974. The Go-Set charts were Australias first national singles and albums charts published from 5 October 1966 until 24 August 1974, succeeding Go-Set, the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australias national charts from 1940–1974 in a retrospective fashion using state based data, in mid 1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, ARIA began compiling its own charts in-house from the chart dated week ending 26 June 1988. Various artists compilation albums were included in the albums chart, as they had been on the Kent Report chart, until 2 July 1989. The ARIA Report, detailing the top 100 singles and albums charts, was first available via subscription in January 1990, the printed top 50 chart ceased publication in June 1998, but resumed publication later in the year. The printed top 50 chart again ceased publication at the end of 2000, the ARIA charts are based on data collected from physical and digital retailers in Australia. Data of physical sales come from such as Sanity and JB Hi-Fi, while data of digital sales come from online retailers such as iTunes, Bandit FM, GetMusic. Since 17 February 1997, all physical sales data contributing towards the chart has been recorded electronically at point of sale. In March 1991, Do the Bartman by The Simpsons was the first single to reach #1 in Australia that was not available on 7 inch vinyl, but cassingle only. Starting from 8 October 2006, due to low physical single sales at the time, in 2006, it was announced that the Brazin retailing group, comprising major retailers HMV, Sanity and Virgin music/DVD stores would no longer contribute sales data to the ARIA charts. However, after an absence, Brazin reportedly re-commenced contributing sales figures to the ARIA Charts on 26 November 2006. The ARIA website publishes the top 50 singles and albums charts, top 40 digital tracks chart, the ARIA Report lists all charts in full and is available via paid e-mail subscription each week. These reports are uploaded to the Pandora Archive periodically, on 5 February 2006, the ARIA Chart Show was a radio program launched on the Nova network and broadcast throughout Australia, playing the official ARIA top 50 singles. The live music program was hosted by Jabba each Sunday afternoon at 3, the show was aired before the top 50 chart, dated for the following Monday, is published on the ARIA website at 6,00 pm. The charts were published online at 6,00 pm each Sunday. The diamond certification was created for albums in November 2015 to mark 500,000 sales/shipments, for music DVDs, a gold accreditation originally represented 7,500 copies shipped, with a platinum accreditation representing 15,000 units shipped. co. uk
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GfK Entertainment Charts
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The GfK Entertainment Charts are the official music charts in Germany and are gathered and published by GfK Entertainment GmbH on behalf of Bundesverband Musikindustrie. Following a lawsuit in March 2014 by Media Control AG, Media Control® GfK International had to change its name, dissemination of the charts is conducted by various media outlets, some of which include VIVA music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and MIX1, furthermore, GfK Entertainment also runs a dedicated website providing chart-related news and access to most of the charts. Charts have been published in Germany since 1959, in a magazine called Der Musikmarkt, since 1959, the growing desire to have a well-developed music program has made Bundesverband Musikindustrie work together with charts providers to improve the way the charts are determined. For this purpose, different research institutes were tested, out of which Media Control, hence, the first official charts were made available in the magazine Der Musikmarkt in September 1977. Initially, there used to be 50 positions only, which later in January 1980, was extended to 75 slots, since 1989, however, GfK Entertainment has adapted the international standards providing 100 positions, now called Offizielle Top 100 Charts. In 2001, the Top-100 singles charts was modified to reflect the sales of the singles, Media Control developed Music Video charts in 2001, which later, in 2004, was renamed as DVD charts. While music-videos have their own charts, in 2001, GfK Entertainment made it possible for the music-video singles to have the ability to enter the Top-100 singles chart. Similarly, in 2002, it was available for music-video albums to chart on the Top-100 album chart. If not, then, the DVD album could qualify for the DVD chart only, in the same vein, if an audio CD contains at least 50% of video recording, then, it could qualify to chart on the DVD chart. In 2003, Media Control joined forces with GfK, thus the name officially being changed to Media Control GfK International GmbH. In 2004, Germany became one of the first music markets wherein sales charts were reflected by online digital downloads, digital-only releases came into existence on 13 July 2007, for online downloads only, which also altered the way the sales figures were conducted up to that point. Consequently, chart positions would no longer be affected by the number of music downloads as before. Thus, the albums would not necessarily be the ones ending up in the number-one position on the charts. In March 2014, GfK announced that the official chart providers name in Germany will change from Media Control GfK International GmbH to GfK Entertainment, there are currently 3,000 outlets that report their sales on weekly bases in Germany. The weekly sales data is transmitted to GfK Entertainment via communication network channel and this is the list of categories, for each of which charts are provided by GfK Entertainment
30.
Dutch Top 40
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The Dutch Top 40 is a weekly music chart compiled by Stichting Nederlandse Top 40. It started as a program titled Veronica Top 40, on the offshore station Radio Veronica in 1965. It remained The Veronica Top 40 until 1974, when the station was forced to stop broadcasting, joost den Draaijer was the initiator of the top 40 in the Netherlands. On January 2,1965, the first Top 40 was compiled, in 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it De Nederlandse Top 40. Currently, Radio 538 is airing the Dutch Top 40 on radio, jeroen Nieuwenhuize presents the program every Friday afternoon from 14.00 until 18.00. As of February 2014 the chart is a combination of airplay, streaming, the more often a song gets played on the radio, the higher its place in the Top 40. For year end chart positions, #1 position gets 40 points and this way you just count up all numbers and sort them from most points till least points. There is a set of rules, of some have existed since 1972. Some of these have been criticised as a hindrance, singles must remain minimal two weeks in the chart. If a single officially no longer belongs in the top 40, example, Missy Elliotts Lose Control, Remained two weeks on #40 in the chart, because it did not sell enough and also wasnt played enough on the radio. Singles that highly change position upwards are noted as having superstip status and these singles are not allowed to fall down in chart position the following week. Recent example, Guus Meeuwis Ik Wil Dat Ons Land Juicht, The song entered the chart at #11, the following week it was meant to drop in chart position, but remained on the #5 position. The following two weeks, it went from #5 to #39, because of this rule, this single is the biggest fall down in the Dutch Top 40. However this is not always the case, sometimes singles with a superstip do drop for some reason Re-entry only takes place when the single re-enters within the top 30, if differently, these re-entried singles are ignored. Example, Racoon recently re-entered the Dutch Top 40 at #31 though with the song Love You More, singles with double A-side are noted separately in the top 40, due the different number of airplay the two songs get. Example, Robbie Williams first single off his 2005 album Intensive Care was Tripping with the B-side being Make Me Pure, while Tripping topped the chart by peaking at #1, Make Me Pure peaked at #15 in the Top 40. This is a listing of significant achievements and milestones based upon the Dutch Top 40 charts. & Pharrell Williams — Blurred Lines Avicii — Wake Me Up Clean Bandit featuring Jess Glynne — Rather Be OMI — Cheerleader 10 weeks Heintje — Ich bau dir ein Schloß4 Non Blondes — Whats Up
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Polish Society of the Phonographic Industry
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Founded in 1991, it is authorized by the Polish Ministry of Culture and National Heritage to act as a rights management organization in the field of phonogram and videogram producers rights. ZPAV publishes the Polish Music Charts and awards music recording sales certifications and it also issues the Fryderyk annual award for Polish music. ZPAV was officially founded on July 11,1991, following the recognition of the IFPI given in June of that year, in February 1995 ZPAV was authorized by the Polish Ministry of Culture to act as a rights management organization in the field of phonogram and videogram producers rights. This was followed in December with the right to collect a share of the 3% blank media tax,1995 also marked the beginning of awarding music awards by ZPAV. The first gold and platinum awards were granted by ZPAV in February 1995, the Fryderyk annual award was presented for the first time in March. In 1996 ZPAV started signing agreements about collecting commissions for the broadcasting of sound recordings, agreements with Telewizja Polska and the main commercial radio stations were signed in 1997 and with Polskie Radio in 1999. Agreements with other commercial premises where music is played were signed starting in 2002, commissions were first distributed to the producers in 1998. In 1998, together with the Foundation for the Protection of Audiovisual Works, in 2000, ZPAV published the first official Polish record chart, OLiS. Airplay monitoring starts when an agreement with Nielsen Music Control is signed in 2006, ZPAV publishes two official album charts, OLiS, a weekly chart based on retail sales data, and Top 100, a monthly chart based on data received from the album companies. It also publishes the Official Polish Airplay Chart, provided by Nielsen Music Control Airplay Services, the first gold and platinum awards were granted by ZPAV in February 1995, gold to Marysia Biesiadna by Maryla Rodowicz and platinum to Three Tenors Live by The Three Tenors. The diamond award was first presented in July 2000 to Kayah i Bregović by Serbian musician Goran Bregović, the current certification thresholds are as follows. The main numbers are for releases since July 2005, and the thresholds for releases prior to that are in parenthesis, ZPAV also awards multiple Platinum awards, up to the amount which rewards a Diamond award. For boxed sets, each piece in the set counts as one unit, the awards also take into account digital downloads, where ten downloads of any title in the album count as an album sold. An archive of all the awarded by ZPAV is available at the website. Note that the thresholds above were set some time in the 2000s, for instance, at last until August 2003 there were no different thresholds for foreign and Polish material. Furthermore, the threshold for albums at least until September 2001 were different, the Fryderyk is the annual award in Polish music. Its status in the Polish public can be compared to the American Grammy, the Fryderyk was established by ZPAV in 1994 and presented for the first time in 1995. Since 2007 it is organized by STX Records, since 2010 ZPAV also awards a Digital Song of the Year award, which is awarded to the best selling digital song in two categories, Polish songs and foreign songs
32.
Capitol Records
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Capitol Records, LLC is an American record label which operates as a division of the Capitol Music Group. The label was founded as the first West Coast-based record label in the United States in 1942 by three industry insiders named Johnny Mercer, Buddy DeSylva and Glenn Wallichs, in 1955, the label was acquired by the British music conglomerate EMI as its North American subsidiary. EMI was later acquired by Universal Music Group in 2012 and was merged with the company in 2013, making Capitol Records, Capitol Records circular headquarter building located in Los Angeles is a recognized landmark of California. Mercer first raised the idea of starting a company while golfing with Harold Arlen. By 1941, Mercer was a songwriter and a singer with multiple successful releases. Mercer next suggested the idea to Wallichs while visiting his record store, Wallichs expressed interest in the idea and the pair negotiated an agreement whereby Mercer would run the company and identify their artists, while Wallichs managed the business side. On February 2,1942, Mercer and Wallichs met with DeSylva at a Hollywood restaurant to inquire about the possibility of investment of the company from Paramount Pictures, while DeSylva declined the proposal, he handed the pair a check worth $15,000. On March 27,1942, the three men incorporated as Liberty Records, in May 1942, the application was amended to change the companys name to Capitol Records. On April 6,1942, Mercer supervised Capitols first recording session where Martha Tilton recorded the song Moon Dreams, on May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio, one with the orchestra, one with Ella Mae Morse called Cow-Cow Boogie, on June 4,1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the companys first free record to Los Angeles disc jockey Peter Potter, on June 5,1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the recorded five more songs in the studio. On June 11, Tex Ritter recorded Jingle Jangle Jingle and Goodbye My Little Cherokee for his first Capitol recording session, and the songs formed Capitols 110th produced record. 133 - Get On Board Little Chillun - July 31,1942 - is a Freddie Slack/Ella Mae Morse/Mellowaires recording that might be the first rock n roll record and she has sometimes been called the first rock n roll singer. A good example is her 1942 recording of song which, with strong gospel, blues, boogie. Bone Walker recorded Mean Old World a pioneering example of the use of electric guitar. The earliest recording artists included co-owner Mercer, Whiteman, Tilton, Morse, Margaret Whiting, Jo Stafford, the Pied Pipers, Johnnie Johnston, Tex Ritter, Capitols first gold single was Morses Cow Cow Boogie in 1942. Capitols first album was Capitol Presents Songs By Johnny Mercer, a three 78-rpm disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Westons Orchestra
