1.
Pulp magazine
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Pulp magazines were inexpensive fiction magazines that were published from 1896 to the 1950s. The term pulp derives from the wood pulp paper on which the magazines were printed, in contrast. The typical pulp magazine had 128 pages, it was 7 inches wide by 10 inches high, the pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter. The first pulp was Frank Munseys revamped Argosy Magazine of 1896, with about 135,000 words per issue, on paper with untrimmed edges. In six years Argosy went from a few thousand copies per month to over half a million, Street & Smith, a dime novel and boys weekly publisher, was next on the market. Seeing Argosys success, they launched The Popular Magazine in 1903, due to differences in page layout however, the magazine had substantially less text than Argosy. Haggards Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs, Robert E. Howard, Talbot Mundy and Abraham Merritt. Street and Smiths next innovation was the introduction of specialized genre pulps, with each focusing on a particular genre, such as detective stories, romance. At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue, in 1934, Frank Gruber says there were some 150 pulp titles. The most successful pulp magazines were Argosy, Adventure, Blue Book and Short Stories, although pulp magazines were primarily an American phenomenon, there were also a number of British pulp magazines published between the Edwardian era and World War II. Notable UK pulps included Pall Mall Magazine, The Novel Magazine, Cassells Magazine, The Story-Teller, The Sovereign Magazine, Hutchinsons Adventure-Story and Hutchinsons Mystery-Story. The German fantasy magazine Der Orchideengarten had a format to American pulp magazines, in that it was printed on rough pulp paper. During the Second World War paper shortages had a impact on pulp production, starting a steady rise in costs. Beginning with Ellery Queens Mystery Magazine in 1941, pulp magazines began to switch to digest size, in 1949, Street & Smith closed most of their pulp magazines in order to move upmarket and produce slicks. The pulp format declined from rising expenses, but even more due to the competition from comic books, television. In a more affluent post-war America, the price gap compared to slick magazines was far less significant, in the 1950s, mens adventure magazines began to replace the pulp. The format is still in use for some lengthy serials, like the German science fiction weekly Perry Rhodan, many titles of course survived only briefly
2.
Weird Tales
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Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in March 1923, Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wrights control was dated November 1924, the magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wrights control the magazine lived up to its subtitle, The Unique Magazine, Lovecrafts Cthulhu mythos stories first appeared in Weird Tales, starting with The Call of Cthulhu in 1928. These were well-received, and a group of associated with Lovecraft wrote other stories set in the same milieu. Other well-liked authors included Nictzin Dyalhis, E. Hoffman Price, Robert Bloch, Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere. In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with a hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, as of 2016, the most recent published issue was dated Spring 2014. In the late 19th century popular magazines typically did not print fiction to the exclusion of content, they would include non-fiction articles. In October 1896, the Frank A. Munsey companys Argosy magazine was the first to switch to printing only fiction and this is now regarded by magazine historians as having been the start of the pulp magazine era. Other titles that specialized in particular fiction genres followed, starting in 1915 with Detective Story Magazine, with Western Story Magazine following in 1919. C Henneberger, a journalist and magazine editor who had been publishing College Humor and Magazine of Fun, formed Rural Publishing Corporation of Chicago and their first venture was Detective Tales, a pulp magazine that appeared twice a month, starting with the October 1,1922 issue. It was initially unsuccessful, and as part of a refinancing plan Henneberger decided to publish another magazine that would allow him to some of his costs between the two titles. Henneberger had long been an admirer of Edgar Allan Poe, so he created a magazine that would focus on horror. Henneberger chose Edwin Baird, the editor of Detective Tales, to edit Weird Tales, Farnsworth Wright was first reader, and Otis Adelbert Kline also worked on the magazine, assisting Baird. Payment rates were low, usually between a quarter and a cent per word, the budget went up to one cent per word for the most popular writers. Sales were initially poor, and Henneberger soon decided to change the format from the standard size to large pulp
3.
H. P. Lovecraft
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Howard Phillips Lovecraft was an American author who achieved posthumous fame through his influential works of horror fiction. He was virtually unknown and published only in magazines before he died in poverty. Lovecraft was born in Providence, Rhode Island, where he spent most of his life, among his most celebrated tales are The Call of Cthulhu and The Shadow over Innsmouth, both canonical to the Cthulhu Mythos. Lovecraft was never able to support himself from earnings as author and editor and he saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in straitened circumstances in his last years, an inheritance was completely spent by the time that he died at age 46. Lovecraft was born on August 20,1890 in his home at 194 Angell Street in Providence. Both of his parents were of entirely English ancestry, and most of his ancestors had been in New England since the colonial period and his great-grandfather Joseph Lovecraft Jr. emigrated to Rochester, New York from Devon, England in 1831. Lovecraft maintained throughout his life that his father died in a condition of paralysis brought on by nervous exhaustion. It has been suggested that his fathers mental illness may have been caused by syphilis, all five resided together in the family home. Lovecraft was a prodigy, reciting poetry at the age of three and writing complete poems by six. His grandfather encouraged his reading, providing him with such as One Thousand and One Nights, Thomas Bulfinchs Age of Fable, and childrens versions of the Iliad. His grandfather also stirred the boys interest in the weird by telling him his own tales of gothic horror. Lovecraft was frequently ill as a child, and he attended school until he was eight years old because of his sickly condition. He read voraciously during this period and became enamored of chemistry. He produced several hectographed publications with a circulation, beginning in 1899 with The Scientific Gazette. Four years later, he returned to school at Hope High School. Beginning in his life, Lovecraft is believed to have suffered from sleep paralysis. Much of his work is thought to have been directly inspired by these terrors
4.
Horror fiction
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Horror is a genre of fiction which is intended to, or has the capacity to frighten, scare, disgust, or startle their readers or viewers by inducing feelings of horror and terror. Literary historian J. A. Cuddon has defined the horror story as a piece of fiction in prose of variable length, which shocks or even frightens the reader, or perhaps induces a feeling of repulsion or loathing. It creates an eerie and frightening atmosphere, Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of fiction can be interpreted as a metaphor for the larger fears of a society. The genre of horror has ancient origins with roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and these were manifested in stories of beings such as witches, vampires, werewolves and ghosts. 18th century Gothic horror drew on these sources with the seminal and controversial The Castle of Otranto by Horace Walpole and this marked the first incorporated elements of the supernatural instead of pure realism. In fact, the first edition was published disguised as a medieval romance from Italy discovered and republished by a fictitious translator. Once revealed as contemporary, many found it anachronistic, reactionary, or simply in poor taste — but it proved to be immediately popular. That first novel of Gothic horror inspired such works as Vathek by William Beckford, A Sicilian Romance, The Mysteries of Udolpho and The Italian by Ann Radcliffe and The Monk by Matthew Lewis. A significant amount of fiction of this era was written by women and marketed at a female audience. The Gothic tradition blossomed into the modern readers call horror literature in the 19th century. Each of these novels and novellas created an icon of horror seen in modern re-imaginings on the stage. The proliferation of periodicals, as early as the turn of the century. One writer who specialized in fiction for mainstream pulps such as All-Story Magazine was Tod Robbins, whose fiction dealt with themes of madness. Later, specialist publications emerged to give horror writers an outlet, including Weird Tales, influential horror writers of the early 20th century made inroads in these mediums. Early cinema was inspired by aspects of horror literature, and early horror cinema started a strong tradition of horror films. This imagery made these comics controversial, and as a consequence they were frequently censored, many modern novels claim an early description of the living dead in a precursor to the modern zombie tale, including Dennis Wheatleys Strange Conflict, H. P. Lovecraft stories such as Cool Air, In The Vault, richard Mathesons novel I Am Legend would also influence an entire genre of apocalyptic zombie fiction emblematic of the films of George A. Romero
5.
Weird fiction
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Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th century. It can be said to encompass the ghost story and other tales of the macabre, Weird fiction is distinguished from horror and fantasy in its blending of supernatural, mythical, and even scientific tropes. British authors who have embraced this style have often published their work in literary magazines even after American pulp magazines became popular. Popular weird fiction writers included Edgar Allan Poe, William Hope Hodgson, H. P. Lovecraft, Lord Dunsany, Arthur Machen, M. R. James, H. P. Lovecraft adopted the term from Sheridan Le Fanu and popularized it in his essays. In Supernatural Horror in Literature, Lovecraft defines the genre, The true weird tale has something more than secret murder, bloody bones, the pulp magazine Weird Tales published many such stories in the United States from March 1923 to September 1954. Although Lovecraft was one of the few early 20th-century writers to describe his work as weird fiction, for example, China Miéville often refers to his work as weird fiction. The following notable authors have described as writers of weird fiction. They are listed alphabetically by last name and it has been suggested by some, predominantly Ann and Jeff VanderMeer and China Mieville, that Weird fiction has seen a recent resurgence, a phenomenon they term the New Weird. Tales which fit this category, as well as discussion of the phenomenon. Cosmic horror Cthulhu Mythos Dark fantasy Gothic fiction Horror fiction List of genres Lovecraftian horror Occult detective Supernatural fiction Surrealism Urban fantasy Joshi, blog devoted to the English writer W. H. Hodgson, pioner in the weird tale. Lovecraft, Supernatural Horror in Literature H. P
6.
Brown University
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Brown is the seventh-oldest institution of higher education in the United States and one of the nine Colonial Colleges established before the American Revolution. At its foundation, Brown was the first college in the United States to accept students regardless of their religious affiliation and its engineering program was established in 1847 and was the first in the Ivy League. It was one of the early doctoral-granting U. S. institutions in the late 19th century, adding master, Browns New Curriculum is sometimes referred to in education theory as the Brown Curriculum and was adopted by faculty vote in 1969 after a period of student lobbying. In 1971, Browns coordinate womens institution Pembroke College was fully merged into the university, Pembroke Campus now operates as a place for dorms and classrooms. Undergraduate admissions is very selective, with a rate of 8.3 percent for the class of 2021. The University comprises The College, the Graduate School, Alpert Medical School, the School of Engineering, the School of Public Health, and the School of Professional Studies. The Brown/RISD Dual Degree Program, offered in conjunction with the Rhode Island School of Design, is a course that awards degrees from both institutions. Browns main campus is located in the College Hill Historic District in the city of Providence, the Universitys neighborhood is a federally listed architectural district with a dense concentration of Colonial-era buildings. On the western edge of the campus, Benefit Street contains one of the finest cohesive collections of restored seventeenth-, Browns faculty and alumni include eight Nobel Prize laureates, five National Humanities Medalists, and ten National Medal of Science laureates. Other notable alumni include eight billionaire graduates, a U. S. Supreme Court Chief Justice, to erect a public Building or Buildings for the boarding of the youth & the Residence of the Professors. Stiles and Ellery were co-authors of the Charter of the College two years later, there is further documentary evidence that Stiles was making plans for a college in 1762. On January 20, Chauncey Whittelsey, pastor of the First Church of New Haven, answered a letter from Stiles, should you make any Progress in the Affair of a Colledge, I should be glad to hear of it, I heartily wish you Success therein. Isaac Backus was the historian of the New England Baptists and an inaugural Trustee of Brown, Mr. James Manning, who took his first degree in New-Jersey college in September,1762, was esteemed a suitable leader in this important work. Manning arrived at Newport in July 1763 and was introduced to Stiles, stiless first draft was read to the General Assembly in August 1763 and rejected by Baptist members who worried that the College Board of Fellows would under-represent the Baptists. A revised Charter written by Stiles and Ellery was adopted by the Assembly on March 3,1764, in September 1764, the inaugural meeting of the College Corporation was held at Newport. Governor Stephen Hopkins was chosen chancellor, former and future governor Samuel Ward was vice chancellor, John Tillinghast treasurer, the Charter stipulated that the Board of Trustees be composed of 22 Baptists, five Quakers, five Episcopalians, and four Congregationalists. Of the 12 Fellows, eight should be Baptists—including the College president—and the rest indifferently of any or all Denominations, the Charter was not the grant of King George III, as is sometimes supposed, but rather an Act of the colonial General Assembly. In two particulars, the Charter may be said to be a uniquely progressive document, the oft-repeated statement is inaccurate that Browns Charter alone prohibited a religious test for College membership, other college charters were also liberal in that particular
7.
Relief
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Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise, to create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a surface of stone or wood is a lowering of the field. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting. There are different degrees of relief depending on the degree of projection of the form from the field. There is also sunk relief, which was restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only used to discuss most work. Hyphens may or may not be used in all these terms, works in the technique are described as in relief, and, especially in monumental sculpture, the work itself is a relief. Reliefs are common throughout the world on the walls of buildings and a variety of settings. Relief is more suitable for depicting complicated subjects with figures and very active poses, such as battles. Most ancient architectural reliefs were painted, which helped to define forms in low relief. Rock reliefs are carved into solid rock in the open air. This type is found in cultures, in particular those of the Ancient Near East and Buddhist countries. A stele is a standing stone, many of these carry reliefs. The distinction between high and low relief is somewhat subjective, and the two are often combined in a single work. In particular, most later high reliefs contain sections in low relief, a low relief or bas-relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. Other versions distort depth much less and it is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required
8.
Rhode Island
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Rhode Island, officially the State of Rhode Island and Providence Plantations, is a state in the New England region of the northeastern United States. Rhode Island is the smallest in area, the eighth least populous, and its official name is also the longest of any state in the Union. Rhode Island is bordered by Connecticut to the west, Massachusetts to the north and east, the state also shares a short maritime border with New York. It boycotted the 1787 convention that drew up the United States Constitution, on May 29,1790, Rhode Island became the 13th and last state to ratify the Constitution. Rhode Islands official nickname is The Ocean State, a reference to the fact that the state has several large bays, Rhode Island covers 1,214 square miles, of which 1,045 square miles are land. Despite its name, most of Rhode Island is located on the mainland of the United States, the official name of the state is State of Rhode Island and Providence Plantations, which is derived from the merger of four settlements. Rhode Island is now commonly called Aquidneck Island, the largest of several islands in Narragansett Bay, Providence Plantation was the name of the colony founded by Roger Williams in the area now known as the city of Providence. This was adjoined by the settlement of Warwick, hence the plural Providence Plantations and it is unclear how Aquidneck Island came to be known as Rhode Island, although there are two popular theories. Explorer Giovanni da Verrazzano noted the presence of an island near the mouth of Narragansett Bay in 1524, subsequent European explorers were unable to precisely identify the island that Verrazzano had named, but the Pilgrims who later colonized the area assumed that it was Aquidneck. A second theory concerns the fact that Adriaen Block passed by Aquidneck during his expeditions in the 1610s, historians have theorized that this reddish appearance resulted from either red autumn foliage or red clay on portions of the shore. The earliest documented use of the name Rhode Island for Aquidneck was in 1637 by Roger Williams, the name was officially applied to the island in 1644 with these words, Aquethneck shall be henceforth called the Isle of Rodes or Rhode-Island. The name Isle of Rodes is used in a document as late as 1646. Dutch maps as early as 1659 call the island Red Island, Williams was a theologian forced out of the Massachusetts Bay Colony. Seeking religious and political tolerance, he and others founded Providence Plantation as a proprietary colony. Providence referred to the concept of providence, and plantation was an English term for a colony. State of Rhode Island and Providence Plantations is the longest official name of any state in the Union, advocates for excising plantation asserted that the word specifically referred to the British colonial practice of establishing settlements which disenfranchised native people. Advocates for retaining the name argued that plantation was simply an archaic English synonym for colony, the referendum election was held on November 2,2010, and the people voted overwhelmingly to retain the entire original name. It shares a maritime border with New York State between Block Island and Long Island
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Works related to The Call of Cthulhu at Wikisource
