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Plate 34: Por una navaja (For a clasp knife). A garroted priest grasps a crucifix in his hands. Pinned to his chest is a description of the crime for
Plate 34: Por una navaja (For a clasp knife). A garroted priest grasps a crucifix in his hands. Pinned to his chest is a description of the crime for which he was killed—possession of a knife.
Plate 3: Lo mismo (The same). A Spanish civilian about to decapitate a French soldier with an axe.
Plate 3: Lo mismo (The same). A Spanish civilian about to decapitate a French soldier with an axe.
In The Third of May 1808, along with its companion work The Second of May 1808, Goya sought to commemorate Spanish resistance to Napoleon's armies dur
In The Third of May 1808, along with its companion work The Second of May 1808, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808. Both were produced in 1814, while the print series was in progress.
Francisco Goya, Portrait of the Duke of Wellington, 1812–1814. During the Peninsular War, the British, led by Wellington, led a proxy war against Napo
Francisco Goya, Portrait of the Duke of Wellington, 1812–1814. During the Peninsular War, the British, led by Wellington, led a proxy war against Napoleon's marshals and the Imperial French Army.
Jacques Callot, Lucas Vorsterman the Elder after Anthony van Dyck
Jacques Callot, Lucas Vorsterman the Elder after Anthony van Dyck
The Large Hunt, a famous technical showpiece
The Large Hunt, a famous technical showpiece
Massacre of the Innocents, showing the use of multiple stoppings-out to create the fainter lines of the distant view. 13.7 x 10.5 cm
Massacre of the Innocents, showing the use of multiple stoppings-out to create the fainter lines of the distant view. 13.7 x 10.5 cm
One of Les Grandes Misères de la guerre
One of Les Grandes Misères de la guerre