Music recording certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by nation or territory. All countries follow variations of the RIAA certification categories, which are named after precious materials; the threshold required for these awards depends upon the population of the territory where the recording is released. They are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some 10 times lower than others, may exist for different music media; the original gold and silver record awards were presented to artists by their own record companies to publicize their sales achievements. The first silver disc was awarded by Regal Zonophone to George Formby in December 1937 for sales of 100,000 copies of "The Window Cleaner"; the first gold disc was awarded by RCA Victor to Glenn Miller and His Orchestra in February 1942, celebrating the sale of 1.2 million copies of single "Chattanooga Choo Choo".
Another example of a company award is the gold record awarded to Elvis Presley in 1956 for one million units sold of his single "Don't Be Cruel". The first gold record for an LP was awarded by RCA Victor to Harry Belafonte in 1957 for the album Calypso, the first album to sell over 1,000,000 copies in RCA's reckoning. At the industry level, in 1958 the Recording Industry Association of America introduced its gold record award program for records of any kind, albums or singles, which achieved one million dollars in retail sales; these sales were restricted to U. S.-based record companies and did not include exports to other countries. For albums in 1968, this would mean shipping 250,000 units; the platinum certification was introduced in 1976 for the sale of one million units for albums and two million for singles, with the gold certification redefined to mean sales of 500,000 units for albums and one million for singles. No album was certified platinum prior to this year. For instance, the recording by Van Cliburn of the Tchaikovsky Piano Concerto from 1958 would be awarded a platinum citation, but this would not happen until two decades after its release.
In 1999, the diamond certification was introduced for sales of ten million units. In the late 1980s, the certification thresholds for singles were dropped to match that of albums; the first official designation of a "gold record" by the Recording Industry Association of America was established for singles in 1958, the RIAA trademarked the term "gold record" in the United States. On 14 March 1958, the RIAA certified its first gold record, Perry Como's hit single "Catch a Falling Star"; the Oklahoma! Soundtrack was certified as the first gold album four months later. In 1976, RIAA introduced the platinum certification, first awarded to the Eagles compilation album Their Greatest Hits on 24 February 1976, to Johnnie Taylor's single "Disco Lady" on 22 April 1976; as music sales increased with the introduction of compact discs, the RIAA created the Multi-Platinum award in 1984. Diamond awards, honoring those artists whose sales of singles or albums reached 10,000,000 copies, were introduced in 1999.
In the 20th century, for a part of the first decade of the 21st, it was common for distributors to claim certifications based on their shipments – wholesale to retail outlets – which led to many certifications which outstripped the actual final retail sales figures. This became much less common once the majority of retail sales became paid digital downloads and digital streaming. In most countries certifications no longer apply to physical media but now include sales awards recognizing digital downloads. In June 2006, the RIAA certified the ringtone downloads of songs. Streaming from on-demand services such as Apple Music, Spotify and Napster has been included into existing digital certification in the U. S since 2013 and the U. K. and Germany since 2014. In the U. S. and Germany video streaming services like YouTube, VEVO, Yahoo! Music began to be counted towards the certification, in both cases using the formula of 100 streams being equivalent to one download. Other countries, such as Denmark and Spain, maintain separate awards for digital download singles and streaming.
The International Federation of the Phonographic Industry was founded in 1996, grants the IFPI Platinum Europe Award for album sales over one million within Europe and the Middle East. Multi-platinum Europe Awards are presented for sales in subsequent multiples of one million. Eligibility is unaffected by time, is not restricted to European-based artists; the Independent Music Companies Association was founded in 2000 to grow the independent music sector and promote independent music in the interests of artistic and cultural diversity. IMPALA sales awards were launched in 2005 as the first sales awards recognising that success on a pan-European basis begins well before sales reach one million; the award levels are Silver, Double Silver, Double Gold, Diamond and Double Platinum. Below are certification thresholds for the United States, United Kingdom and France; the numbers in the tables are in terms of "units", where a unit represents one sale or one shipment of a given medium. Certific
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
Vincent Grant Gill is an American country singer and multi-instrumentalist. He has achieved commercial success and fame both as frontman to the country rock band Pure Prairie League in the 1970s and as a solo artist beginning in 1983, where his talents as a vocalist and musician have placed him in high demand as a guest vocalist and a duet partner, he has recorded more than 20 studio albums, charted over 40 singles on the U. S. Billboard charts as Hot Country Songs, has sold more than 26 million albums, he has been honored by the Country Music Association with 18 CMA Awards, including two Entertainer of the Year awards and five Male Vocalist Awards. As of 2017, Gill has earned 21 Grammy Awards, more than any other male country music artist. In 2007 he was inducted into the Country Music Hall of Fame. On February 4, 2016, Gill was inducted into the Guitar Center Rock Walk by Joe Walsh of the Eagles. In 2017, Vince Gill and Deacon Frey were hired by the Eagles in place of the late Glenn Frey. Gill has been married to singer Amy Grant since March 2000.
Vince Gill was born in Oklahoma. His mother had Bob Coen, from a previous marriage, he was Gill's half-brother, but was considered a full brother by Gill. His father, J. Stanley Gill, was a lawyer and administrative law judge who played in a country music band part-time and encouraged Gill to pursue a music career, his father encouraged him to learn to play banjo and guitar, which he did along with bass, mandolin and fiddle. Gill attended high school at Oklahoma City's Northwest Classen High School. While there he performed bluegrass in the band Mountain Smoke, which built a strong local following. After graduating from high school in 1975, he moved to Louisville, Kentucky, to join the band Bluegrass Alliance. Afterwards he spent a brief amount of time in Ricky Skaggs's Boone Creek band before moving to Los Angeles to join Sundance, a bluegrass group fronted by fiddler Byron Berline. Gill debuted on the national scene with the country rock band Pure Prairie League in 1979, appearing on that band's album Can't Hold Back.
He is the lead singer on their song "Let Me Love You Tonight". Mark Knopfler once invited him to join Dire Straits, he provided background vocals for the song "Tennessee Line", from Daughtry's second studio album, Leave This Town. Gill left Pure Prairie League in 1981 to join Cherry Bombs, the stage band that backed Rodney Crowell. There he worked with Tony Brown and Emory Gordy Jr. both of whom would produce many of his albums. He recorded a bluegrass album, Here Today, with David Grisman and friends before signing a solo deal with RCA with whom he achieved some success including the singles, "Victim of Life's Circumstance" and Country Top Ten with "If It Weren't for Him", "Oklahoma Borderline" and "Cinderella"; however his albums achieved only moderate sales and in 1989, Gill left RCA to sign with MCA Records. Here, reunited with Tony Brown as producer, he sold over a million copies of his label debut, 1989's When I Call Your Name, of which several songs, including the title track, made the U.
S. Country charts' Top Ten / Top Twenty; this was followed by the successful albums, Pocket Full of Gold and I Still Believe in You, of which the title track went to U. S. Country No. 1. Throughout the 1990s and into the 2000s Gill continued to release successful albums, capitalizing on the virtuoso quality of his electric and acoustic guitar playing, his pure and soulful tenor voice, the excellent quality of his songwriting. According to his biography on AllMusic, Gill has won more CMA Awards than any performer in history, as at 2018 has won 21 Grammy Awards, which represents the most by a country artist. Gill has been a member of the Grand Ole Opry since August 10, 1991, he celebrated his 25th Opry anniversary with a tribute show on August 13, 2016. In 2010, Gill joined the country swing group The Time Jumpers. In July 2011, Gill appeared as a guest on NPR's news quiz show Wait, Wait... Don't Tell Me. In 2011, he appeared on the second of two bluegrass tribute albums for the British rock band The Moody Blues: Moody Bluegrass TWO...
Much Love. In May 2011, Carrie Underwood was one of the seven women to be honored by the Academy of Country Music at the Girls' Night Out: Superstar Women of Country special. At the ceremony, Gill presented her with the special award, he sang one of her hits, "Jesus, Take The Wheel", joined Underwood on a rendition performance of "How Great Thou Art". The video of the performance went viral within two days. In February 2012, Gill announced, "For the first time in 30 years, I don't have a record deal. Don't know that I want one." In March 2012, he performed at the Southern Kentucky Performing Arts Center in Bowling Green, for its opening night. In April 2012, it was confirmed that Gill had been working with Bonnie Tyler on her upcoming album, performing a duet with her entitled "What You Need from Me". In June 2012, he was performing only bluegrass songs. Gill received the 2,478th star of the Hollywood Walk of Fame on September 6, 2012. On October 15, 2012, it was announced that Gill would be featured in a song by Kelly Clarkson titled "Don't Rush", which appears on Clarkson's first Greatest Hits album.
The album was certified Gold by the RIAA and has sold 509,093 copies as of October 13, 2013. On November 5, 2014, at the 48th annual CMA Awards Gill received the Irving Waugh award for excellence in country music; this was only the fourth time the award had been granted since its inception in 1983. The previous country music artist to receive the award was Johnny Cash. In 2016, Gill was selected as one of 30 artist
Psychedelic rock is a diverse style of rock music inspired, influenced, or representative of psychedelic culture, centred around perception-altering hallucinogenic drugs. The music is intended to replicate and enhance the mind-altering experiences of psychedelic drugs, most notably LSD. Many psychedelic groups differ in style, the label is applied spuriously. Originating in the mid-1960s among British and American musicians, the sounds of psychedelic rock invokes three core effects of LSD: depersonalization and dynamization. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, extended instrumental segments; some of the earlier 1960s psychedelic rock musicians were based in folk and the blues, while others showcased an explicit Indian classical influence called "raga rock". In the 1960s, there existed two main variants of the genre: the whimsical British pop-psychedelia and the harder American West Coast acid rock.
While "acid rock" is sometimes deployed interchangeably with the term "psychedelic rock", it refers more to the heavier and more extreme ends of the genre. The peak years of psychedelic rock were between 1966 and 1969, with milestone events including the 1967 Summer of Love and the 1969 Woodstock Rock Festival, becoming an international musical movement associated with a widespread counterculture before beginning a decline as changing attitudes, the loss of some key individuals and a back-to-basics movement, led surviving performers to move into new musical areas; the genre bridged the transition from early blues and folk-based rock to progressive rock and hard rock, as a result contributed to the development of sub-genres such as heavy metal. Since the late 1970s it has been revived in various forms of neo-psychedelia; as a musical style, psychedelic rock attempted to replicate the effects of and enhance the mind-altering experiences of hallucinogenic drugs, incorporating new electronic sound effects and recording effects, extended solos, improvisation.
Common features include: electric guitars used with feedback, wah wah and fuzzbox effects units. The term "psychedelic" was coined in 1956 by psychiatrist Humphry Osmond first as an alternative descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy; as the countercultural scene developed in San Francisco, the terms acid rock and psychedelic rock were used in 1966 to describe the new drug-influenced music and were being used by 1967. The terms psychedelic rock and acid rock are used interchangeably, but acid rock may be distinguished as a more extreme variation, heavier, relied on long jams, focused more directly on LSD, made greater use of distortion. In the popular music of the early 1960s, it was common for producers and engineers to experiment with musical form, unnatural reverb, other sound effects; some of the best known examples are Phil Spector's Wall of Sound production formula and Joe Meek's use of homemade electronics for acts like the Tornados. XTC's Andy Partridge interprets the music of psychedelic groups as a "grown-up" version of children's novelty records, believing that many acts were trying to emulate those records that they grew up with.
There was no transition to be made. You go from things like'Flying Purple People Eater' to'I Am the Walrus', they go hand-in-hand." Music critic Richie Unterberger says that attempts to "pin down" the first psychedelic record are therefore "nearly as elusive as trying to name the first rock & roll record". Some of the "far-fetched claims" include the instrumental "Telstar" and the Dave Clark Five's "massively reverb-laden" "Any Way You Want It"; the first mention of LSD on a rock record was the Gamblers' 1960 surf instrumental "LSD 25". A 1962 single by The Ventures, "The 2000 Pound Bee", issued forth the buzz of a distorted, "fuzztone" guitar, the quest into "the possibilities of heavy, transistorised distortion" and other effects, like improved reverb and echo began in earnest on London's fertile rock'n' roll scene. By 1964 fuzztone could be heard on singles by P. J. Proby, the Beatles had employed feedback in "I Feel Fine", their 6th consecutive No. 1 hit in the UK. American folk singer Bob Dylan was a massive influence on mid 1960s rock music.
He led directly to the creation of folk rock and the psychedelic rock musicians that followed, his lyrics were a touchstone for the psychedelic songwriters of the late 1960s. Virtuoso sitarist Ravi Shankar had begun in 1956 a mission to bring Indian classical music to the West, inspiring jazz and folk musicians.
New Musical Express is a British music journalism website and former magazine, published since 1952. It was the first British paper to include a singles chart, in the edition of 14 November 1952. In the 1970s it became the best-selling British music newspaper. During the period 1972 to 1976, it was associated with gonzo journalism became associated with punk rock through the writings of Julie Burchill, Paul Morley and Tony Parsons, it started as a music newspaper, moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. An online version, NME.com, was launched in 1996. It became the world's biggest standalone music site, with over sixteen million users per month. With newsstand sales falling across the UK magazine sector, the magazine's paid circulation in the first half of 2014 was 15,830. In 2013, the list of NME's The 500 Greatest Albums of All Time and the way it was conceived was criticized by the media; the printed magazine NME was relaunched in September 2015 to be distributed nationally as a free publication.
The first average circulation published in February 2016 of 307,217 copies per week was the highest in the brand's history, beating the previous best of 306,881, recorded in 1964 at the height of the Beatles' fame. By December 2017, according to the Audit Bureau of Circulations, average distribution of NME had fallen to 289,432 copies a week, although its publisher Time Inc. UK claimed to have more than 13m global unique users per month, including 3m in the UK. In March 2018, the publisher announced that the print edition of NME would cease publication after 66 years, leaving it as an online-only title. NME's headquarters are in Southwark, England; the brand's current editor is Charlotte Gunn, replacing Mike Williams, who stepped down in February 2018. The paper was established in 1952; the Accordion Times and Musical Express was bought by London music promoter Maurice Kinn, for the sum of £1,000, just 15 minutes before it was due to be closed. It was relaunched as the New Musical Express, was published in a non-glossy tabloid format on standard newsprint.
On 14 November 1952, taking its cue from the US magazine Billboard, it created the first UK Singles Chart, a list of the Top Twelve best-selling singles. The first of these was, in contrast to more recent charts, a top twelve sourced by the magazine itself from sales in regional stores around the UK; the first number one was "Here in My Heart" by Al Martino. During the 1960s the paper championed the new British groups emerging at the time; the NME circulation peaked under Andy Gray with a figure of 306,881 for the period from January to June 1964. The Beatles and the Rolling Stones were featured on the front cover; these and other artists appeared at the NME Poll Winners' Concert, an awards event that featured artists voted as most popular by the paper's readers. The concert featured a ceremony where the poll winners would collect their awards; the NME Poll Winners' Concerts took place between 1959 and 1972. From 1964 onwards they were filmed and transmitted on British television a few weeks after they had taken place.
In the mid-1960s, the NME was dedicated to pop while its older rival, Melody Maker, was known for its more serious coverage of music. Other competing titles included Record Mirror, which led the way in championing American rhythm and blues, Disc, which focused on chart news; the latter part of the decade saw the paper chart the rise of psychedelia and the continued dominance of British groups of the time. During this period some sections of pop music began to be designated as rock; the paper became engaged in a sometimes tense rivalry with Melody Maker. By the early 1970s, NME had lost ground to Melody Maker, as its coverage of music had failed to keep place with the development of rock music during the early years of psychedelia and progressive rock. In early 1972 the paper found itself on the verge of closure by its owner IPC. According to Nick Kent: After sales had plummeted to 60,000 and a review of guitar instrumentalist Duane Eddy had been printed which began with the immortal words "On this, his 35th album, we find Duane in as good as voice as ever," the NME had been told to rethink its policies or die on the vine.
Alan Smith was made editor in 1972, was told by IPC to turn things around or face closure. To achieve this and his assistant editor Nick Logan raided the underground press for writers such as Charles Shaar Murray and Nick Kent, recruited other writers such as Tony Tyler, Ian MacDonald and Californian Danny Holloway. According to The Economist, the New Musical Express "started to champion underground, up-and-coming music.... NME became the gateway to a more rebellious world. First came glamrock, bands such as T. Rex, came punk....by 1977 it had become the place to keep in touch with a cultural revolution, enthralling the nation's listless youth. Bands such as Sex Pistols, X-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsons, whose nihilistic tone narrated the punk years perfectly." By the time Smith handed the editor's chair to Logan in mid-1973, the paper was selling nearly 300,000 copies per week and was outstripping Melody Maker, Record Mirror and Sounds.
According to MacDonald: I think all the other papers knew by 1974 that NME had become the best music paper in Britain. We had most of the best writers and photographers, the best layouts
The Everly Brothers
The Everly Brothers were an American country-influenced rock and roll duo, known for steel-string acoustic guitar playing and close harmony singing. Isaac Donald "Don" Everly and Phillip Jason "Phil" Everly were inducted to the Rock and Roll Hall of Fame in 1986 and the Country Music Hall of Fame in 2001. Don was born in Brownie, Muhlenberg County, Kentucky, on February 1, 1937, Phil in Chicago, Illinois, on January 19, 1939, their parents were Isaac Milford "Ike" Everly, Jr. a guitar player, Margaret Embry Everly. Actor James Best from Muhlenberg County, was the son of Ike's sister. Margaret was 15 when she married Ike, 26. Ike worked in coal mines from age 14, but his father encouraged him to pursue his love of music and Ike and Margaret began singing together; the Everly brothers spent most of their childhood in Iowa. They attended Longfellow Elementary School in Waterloo, for a year, but moved to Shenandoah in 1944, where they remained through early high school. Ike Everly had a show on KMA and KFNF in Shenandoah in the mid-1940s, first with his wife and with their sons.
The brothers sang on the radio as "Little Donnie and Baby Boy Phil." The family sang as the Everly Family. Ike, with guitarists Merle Travis, Mose Rager, Kennedy Jones, was honored in 1992 by the construction of the Four Legends Fountain in Drakesboro, Kentucky; the family moved to Tennessee, in 1953, where the brothers attended West High School. In 1955, the family moved to Madison, while the brothers moved to Nashville, Tennessee. Don had graduated from high school in 1955, Phil attended Peabody Demonstration School in Nashville, from which he graduated in 1957. Both could now focus on recording. While in Knoxville, the brothers caught the attention of family friend Chet Atkins, manager of RCA Victor's studio in Nashville; the brothers moved to Nashville. Despite affiliation with RCA, Atkins arranged for the Everly Brothers to record for Columbia Records in early 1956, their "Keep a-Lovin' Me," which Don wrote and composed and they were dropped from the Columbia label. Atkins introduced the Everly Brothers to Wesley Rose, of Acuff-Rose music publishers.
Rose told them. They signed in late 1956, in 1957 Rose introduced them to Archie Bleyer, looking for artists for his Cadence Records; the Everlys signed and made a recording in February 1957. "Bye Bye Love" had been rejected by 30 other acts. Their record reached No. 2 on the pop charts, behind Elvis Presley's " Teddy Bear," and No. 1 on the country and No. 5 on the R&B charts. The song, by Felice and Boudleaux Bryant, became the Everly Brothers's first million-seller. Working with the Bryants, they had hits in the United States and the United Kingdom, the biggest being "Wake Up Little Susie," "All I Have to Do Is Dream," "Bird Dog," and "Problems." The Everlys, though they were interpretive artists succeeded as songwriters with Don's " I Kissed You," which hit No. 4 on the US pop charts. The brothers toured with Buddy Holly in 1957 and 1958. According to Holly's biographer Philip Norman, they were responsible for persuading Holly and the Crickets to change their outfits from Levi's and T-shirts to the Everlys' Ivy League suits.
Don said Holly composed "Wishing" for them. "We were all from the South," Phil observed of their commonalities. "We'd started in country music." Although some sources say Phil Everly was one of Holly's pallbearers in February 1959, Phil said in 1986 that he attended the funeral and sat with Holly's family, but was not a pallbearer. Don did not attend. I couldn't go anywhere. I just took to my bed." After three years on Cadence, the Everlys signed with Warner Bros. Records in 1960, where they recorded for 10 years, their first Warner Bros. hit, 1960's "Cathy's Clown," which they wrote and composed themselves, sold eight million copies and became the duo's biggest-selling record. "Cathy's Clown" was number WB1, the first selection Warner Bros. Records released in the United Kingdom. We're not Grand Ole Opry... we're not Perry Como... we're just pop music. But, you could call us an American skiffle group! Other successful Warner Bros. singles followed in the United States, such as "So Sad", "Walk Right Back", "Crying in the Rain", "That's Old Fashioned".
From 1960 to 1962, Cadence Records released Everly Brothers singles from the vaults, including "When Will I Be Loved", written and composed by Phil, "Like Strangers." In the UK, they had top 10 hits until 1965, including "Lucille"/"So Sad", "Walk Right Back"/"Ebony Eyes", "Temptation", "Cryin' in the Rain" and "The Price of Love". They had 18 singles into the UK top 40 with Warner Bros. in the 1960s. By 1962, the Everlys had earned $35 million from record sales. In 1961, the brothers fell out with Wesley Rose during the recording of "Temptation." Rose was upset that the Everlys were recording a song which he had not published and, for which he would not receive any publishing royalties, he made strenuous efforts to block the single's release. The Everlys held firm to their position, as a result, in the early 1960s, they were shut off from Acuff-Rose songwriters; these included Felice and Boudleaux Bryant, who had written and composed most of their hits, as well as Don and Phil Everly themselves, who were still contracted to Acuff-Rose as songwriters and had writ
Hollywood is a neighborhood in the central region of Los Angeles, notable as the home of the U. S. film industry, including several of its historic studios. Its name has come to be a shorthand reference for the people associated with it. Hollywood was incorporated as a municipality in 1903, it was consolidated with the city of Los Angeles in 1910 and soon thereafter, a prominent film industry emerged becoming the most recognizable film industry in the world. In 1853, one adobe hut stood in Nopalera, named for the Mexican Nopal cactus indigenous to the area. By 1870, an agricultural community flourished; the area was known as the Cahuenga Valley, after the pass in the Santa Monica Mountains to the north. According to the diary of H. J. Whitley known as the "Father of Hollywood", on his honeymoon in 1886 he stood at the top of the hill looking out over the valley. Along came a Chinese man in a wagon carrying wood; the man bowed. The Chinese man was asked what he was doing and replied, "I holly-wood," meaning'hauling wood.'
H. J. Whitley decided to name his new town Hollywood. "Holly" would represent England and "wood" would represent his Scottish heritage. Whitley had started over 100 towns across the western United States. Whitley arranged to buy the 480 acres E. C. Hurd ranch, they shook hands on the deal. Whitley shared his plans for the new town with General Harrison Gray Otis, publisher of the Los Angeles Times, Ivar Weid, a prominent businessman in the area. Daeida Wilcox learned of the name Hollywood from Ivar Weid, her neighbor in Holly Canyon and a prominent investor and friend of Whitley's, she recommended the same name to Harvey. H. Wilcox, who had purchased 120 acres on February 1, 1887, it wasn't until August 1887 Wilcox decided to use that name and filed with the Los Angeles County Recorder's office on a deed and parcel map of the property. The early real-estate boom busted at the end of that year. By 1900, the region had a post office, newspaper and two markets. Los Angeles, with a population of 102,479 lay 10 miles east through the vineyards, barley fields, citrus groves.
A single-track streetcar line ran down the middle of Prospect Avenue from it, but service was infrequent and the trip took two hours. The old citrus fruit-packing house was converted into a livery stable, improving transportation for the inhabitants of Hollywood; the Hollywood Hotel was opened in 1902 by H. J. Whitley, a president of the Los Pacific Boulevard and Development Company. Having acquired the Hurd ranch and subdivided it, Whitley built the hotel to attract land buyers. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue, still a dusty, unpaved road, was graded and graveled; the hotel was to become internationally known and was the center of the civic and social life and home of the stars for many years. Whitley's company sold one of the early residential areas, the Ocean View Tract. Whitley did much to promote the area, he paid thousands of dollars for electric lighting, including bringing electricity and building a bank, as well as a road into the Cahuenga Pass.
The lighting ran for several blocks down Prospect Avenue. Whitley's land was centered on Highland Avenue, his 1918 development, Whitley Heights, was named for him. Hollywood was incorporated as a municipality on November 14, 1903, by a vote of 88 for and 77 against. On January 30, 1904, the voters in Hollywood decided, by a vote of 113 to 96, for the banishment of liquor in the city, except when it was being sold for medicinal purposes. Neither hotels nor restaurants were allowed to serve liquor before or after meals. In 1910, the city voted for merger with Los Angeles in order to secure an adequate water supply and to gain access to the L. A. sewer system. With annexation, the name of Prospect Avenue changed to Hollywood Boulevard and all the street numbers were changed. By 1912, major motion-picture companies had set up production in Los Angeles. In the early 1900s, most motion picture patents were held by Thomas Edison's Motion Picture Patents Company in New Jersey, filmmakers were sued to stop their productions.
To escape this, filmmakers began moving out west to Los Angeles, where attempts to enforce Edison's patents were easier to evade. The weather was ideal and there was quick access to various settings. Los Angeles became the capital of the film industry in the United States; the mountains and low land prices made Hollywood a good place to establish film studios. Director D. W. Griffith was the first to make a motion picture in Hollywood, his 17-minute short film In Old California was filmed for the Biograph Company. Although Hollywood banned movie theaters—of which it had none—before annexation that year, Los Angeles had no such restriction; the first film by a Hollywood studio, Nestor Motion Picture Company, was shot on October 26, 1911. The H. J. Whitley home was used as its set, the unnamed movie was filmed in the middle of their groves at the corner of Whitley Avenue and Hollywood Boulevard; the first studio in Hollywood, the Nestor Company, was established by the New Jersey–based Centaur Company in a roadhouse at 6121 Sunset Boulevard, in October 1911.
Four major film companies – Paramount, Warner Bros. RKO, Columbia – had studios in Hollywood, as did several minor companies and rental studios. In the 1920s, Hollywood was the fifth-largest industry in the nation. By the 1930s, Hollywood studios became vertically integrated, as production and exhibition was controlled by these companies, enabling Hollywood to produce 600 films per year. H