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Albert Gleizes, La Chasse, 1911, oil on canvas, 123.2 x 99 cm
Albert Gleizes, La Chasse, 1911, oil on canvas, 123.2 x 99 cm
Albert Gleizes, 1912, Le Dépiquage des Moissons (Harvest Threshing), oil on canvas, 269 x 353 cm, National Museum of Western Art, Tokyo, Japan
Albert Gleizes, 1912, Le Dépiquage des Moissons (Harvest Threshing), oil on canvas, 269 x 353 cm, National Museum of Western Art, Tokyo, Japan
Departure for the hunt (Le départ à la chasse); postcard
Departure for the hunt (Le départ à la chasse); postcard
The domain of the Vallière, with its vast forests and thick underbrush (taillis), was known as a pristine hunting ground; postcard
The domain of the Vallière, with its vast forests and thick underbrush (taillis), was known as a pristine hunting ground; postcard
Albert Gleizes, 1911, Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London
Albert Gleizes, 1911, Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London
Page from the periodical Fantasio, 15 October 1911, featuring Portrait de Jacques Nayral by Albert Gleizes and Le goûter (Tea Time) by Jean Metzinger
Page from the periodical Fantasio, 15 October 1911, featuring Portrait de Jacques Nayral by Albert Gleizes and Le goûter (Tea Time) by Jean Metzinger
Jean Metzinger, Le goûter (Tea Time), 1911, 75.9 x 70.2 cm, Philadelphia Museum of Art. Exhibited at the 1911 Salon d'Automne. André Salmon dubbed thi
Jean Metzinger, Le goûter (Tea Time), 1911, 75.9 x 70.2 cm, Philadelphia Museum of Art. Exhibited at the 1911 Salon d'Automne. André Salmon dubbed this painting "The Mona Lisa of Cubism"
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 × 114.4 cm. Exhibited at Salon des Indépendants, Pari
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 × 114.4 cm. Exhibited at Salon des Indépendants, Paris, 1911, Salon des Indépendants, Brussels, 1911, Galería J. Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II, returned to its rightful owners in 1997