The Lictors Bring to Brutus the Bodies of His Sons
The Lictors Bring to Brutus the Bodies of His Sons is a work in oils by the French artist Jacques-Louis David. On a canvas of 146 square feet, this painting was first exhibited at the Paris Salon in 1789. The subject is the Roman leader Lucius Junius Brutus, founder of the Roman Republic, contemplating the fate of his sons. They had conspired to overthrow the republic and restore the monarchy, and Brutus himself was compelled to order their deaths. In doing so, Brutus became the heroic defender of the republic, at the cost of his own family. The painting was a bold allegory of civic virtue with immense resonance for the growing cause of republicanism. Its themes of virtue, sacrifice, and devotion to the nation sparked much controversy when it was unveiled in the politically charged era of the French Revolution.
The Lictors Bring to Brutus the Bodies of His Sons
The study in Nationalmuseum
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
Self-Portrait, 1794 (Musée du Louvre)
Portrait of David as a youth, c. 1765, by his tutor Joseph-Marie Vien
Mademoiselle Guimard as Terpsichore, 1774–1775, an early work
Equestrian portrait of Stanisław Kostka Potocki (1781)