Feelin' Way Too Damn Good
"Feelin' Way Too Damn Good" is a song by Canadian rock band Nickelback, written by their vocalist, Chad Kroeger. It was released in June 2004 as the third single from their 2003 album The Long Road; the music video for "Feelin' Way Too Damn Good" is the last known Nickelback music video in which former drummer Ryan Vikedal is seen playing the drums. He was replaced by former 3 Doors Down drummer Daniel Adair; the music video shows the band playing in what looks like a warehouse, where a light is shown floating around them, as well as what appear to be high school couples in various settings throughout the first half of the video. As the video continues, the couples are distracted by the light; the various groups follow the mysterious light to the warehouse that the band is playing in, become captivated by both the light and the band for the duration of the video. The video ends with Nickelback disappearing with the mysterious light. "Feelin' Way Too Damn Good" "Leader Of Men" "Feelin' Way Too Damn Good" "Feelin' Way Too Damn Good" Lyrics of this song at MetroLyrics
Single (music)
In the music industry, a single is a type of release a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of different formats. In most cases, a single is a song, released separately from an album, although it also appears on an album; these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular. In other cases a recording released. Despite being referred to as a single, singles can include up to as many as three tracks; the biggest digital music distributor, iTunes Store, accepts as many as three tracks less than ten minutes each as a single, as does popular music player Spotify. Any more than three tracks on a musical release or thirty minutes in total running time is either an extended play or, if over six tracks long, an album; when mainstream music was purchased via vinyl records, singles would be released double-sided.
That is to say, they were released with an A-side and B-side, on which two singles would be released, one on each side. Moreover, only the most popular songs from a released album would be released as a single. In more contemporary forms of music consumption, artists release most, if not all, of the tracks on an album as singles; the basic specifications of the music single were set in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercially produced musical recordings. Gramophone discs were manufactured in several sizes. By about 1910, the 10-inch, 78 rpm shellac disc had become the most used format; the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The crude disc-cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, a high rotation speed was necessary to achieve acceptable recording and playback fidelity.
78 rpm was chosen as the standard because of the introduction of the electrically powered, synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm. With these factors applied to the 10-inch format and performers tailored their output to fit the new medium; the 3-minute single remained the standard into the 1960s, when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recorded songs. The breakthrough came with Bob Dylan's "Like a Rolling Stone". Although CBS tried to make the record more "radio friendly" by cutting the performance into halves, separating them between the two sides of the vinyl disc, both Dylan and his fans demanded that the full six-minute take be placed on one side, that radio stations play the song in its entirety; as digital downloading and audio streaming have become more prevalent, it has become possible for every track on an album to be available separately.
The concept of a single for an album has been retained as an identification of a more promoted or more popular song within an album collection. The demand for music downloads skyrocketed after the launch of Apple's iTunes Store in January 2001 and the creation of portable music and digital audio players such as the iPod. In September 1997, with the release of Duran Duran's "Electric Barbarella" for paid downloads, Capitol Records became the first major label to sell a digital single from a well-known artist. Geffen Records released Aerosmith's "Head First" digitally for free. In 2004, Recording Industry Association of America introduced digital single certification due to significant sales of digital formats, with Gwen Stefani's "Hollaback Girl" becoming RIAA's first platinum digital single. In 2013, RIAA incorporated on-demand streams into the digital single certification. Single sales in the United Kingdom reached an all-time low in January 2005, as the popularity of the compact disc was overtaken by the then-unofficial medium of the music download.
Recognizing this, On 17 April 2005, Official UK Singles Chart added the download format to the existing format of physical CD singles. Gnarls Barkley was the first act to reach No.1 on this chart through downloads alone in April 2006, for their debut single "Crazy", released physically the following week. On 1 January 2007 digital downloads became eligible from the point of release, without the need for an accompanying physical. Sales improved in the following years, reaching a record high in 2008 that still proceeded to be overtaken in 2009, 2010 and 2011. Singles have been issued in various formats, including 7-inch, 10-inch, 12-inch vinyl discs. Other, less common, formats include singles on Digital Compact Cassette, DVD, LD, as well as many non-standard sizes of vinyl disc; the most common form of the vinyl single is the 45 or 7-inch. The names are derived from its play speed, 45 rpm, the standard diameter, 7 inches; the 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs.
The first 45
Rolling Stone
Rolling Stone is an American monthly magazine that focuses on popular culture. It was founded in San Francisco, California in 1967 by Jann Wenner, still the magazine's publisher, the music critic Ralph J. Gleason, it was first known for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a younger readership interested in youth-oriented television shows, film actors, popular music. In recent years, it has resumed its traditional mix of content. Rolling Stone Press is the magazine's associated book publishing imprint. Straight Arrow Press was the magazine's associated book publishing imprint, Straight Arrow Publishing Co. Inc. was the publishing company that published Rolling Stone. Rolling Stone magazine was founded in San Francisco in 1967 by Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim; the first issue carried a cover date of November 9, 1967, was in newspaper format with a lead article on the Monterey Pop Festival.
The cover price was 25¢. In the first issue, Wenner explained that the title of the magazine referred to the 1950 blues song "Rollin' Stone", recorded by Muddy Waters, Bob Dylan's hit single "Like a Rolling Stone": You're wondering what we're trying to do. It's hard to say: sort of a sort of a newspaper; the name of it is Rolling Stone which comes from an old saying, "A rolling stone gathers no moss." Muddy Waters used the name for a song. The Rolling Stones took their name from Muddy's song. "Like a Rolling Stone" was the title of Bob Dylan's first rock and roll record. We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll."—Jann Wenner, Rolling Stone, November 9, 1967, p. 2 Some authors have attributed the name to Dylan's hit single: "At Gleason's suggestion, Wenner named his magazine after a Bob Dylan song." Rolling Stone identified with and reported the hippie counterculture of the era. However, it distanced itself from the underground newspapers of the time, such as Berkeley Barb, embracing more traditional journalistic standards and avoiding the radical politics of the underground press.
In the first edition, Wenner wrote that Rolling Stone "is not just about the music, but about the things and attitudes that music embraces". In the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazine's political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine helped launch the careers of many prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Ben Fong-Torres, Patti Smith and P. J. O'Rourke, it was at this point that the magazine ran some of its most famous stories, including that of the Patty Hearst abduction odyssey. One interviewer, speaking for a large number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus, describing it as a "rite of passage".
In 1977, the magazine moved its headquarters from San Francisco to New York City. Editor Jann Wenner said San Francisco had become "a cultural backwater". During the 1980s, the magazine began to shift towards being a general "entertainment" magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television and the pop culture of the day; the magazine initiated its annual "Hot Issue" during this time. Rolling Stone was known for its musical coverage and for Thompson's political reporting. In the 1990s, the magazine changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors and popular music; this led to criticism. In recent years, the magazine has resumed its traditional mix of content, including in-depth political stories, it has expanded content to include coverage of financial and banking issues. As a result, the magazine has seen its circulation increase and its reporters invited as experts to network television programs of note.
The printed format has gone through several changes. The first publications, in 1967–72, were in folded tabloid newspaper format, with no staples, black ink text, a single color highlight that changed each edition. From 1973 onwards, editions were produced on a four-color press with a different newsprint paper size. In 1979, the bar code appeared. In 1980, it became a large format magazine; as of edition of October 30, 2008, Rolling Stone has had a smaller, standard-format magazine size. After years of declining readership, the magazine experienced a major resurgence of interest and relevance with the work of two young journalists in the late 2000s, Michael Hastings and Matt Taibbi. In 2005, Dana Leslie Fields, former publisher of Rolling Stone, who had worked at the magazine for 17 years, was an inaugural inductee into the Magazine Hall of Fame. In 2009, Taibbi unleashed an acclaimed series of scathing reports on the financial meltdown of the time, he famously described Goldman Sachs as "a great vampire squid".
Bigger headlines came at the end of June 2010. Rolling Stone caused a controversy in the White House by publishing in the July issue an article by journalist Michael Hastings entitled, "The Runaway General", quoting criticism by General Stanley A. McChrystal, commander of the International Security Assistance Force and U. S. Forces-Afghanistan commander, about Vice President Joe Biden and oth
Vancouver
Vancouver is a coastal seaport city in western Canada, located in the Lower Mainland region of British Columbia. As the most populous city in the province, the 2016 census recorded 631,486 people in the city, up from 603,502 in 2011; the Greater Vancouver area had a population of 2,463,431 in 2016, making it the third-largest metropolitan area in Canada. Vancouver has the highest population density in Canada with over 5,400 people per square kilometre, which makes it the fifth-most densely populated city with over 250,000 residents in North America behind New York City, San Francisco, Mexico City according to the 2011 census. Vancouver is one of the most ethnically and linguistically diverse cities in Canada according to that census. 30% of the city's inhabitants are of Chinese heritage. Vancouver is classed as a Beta global city. Vancouver is named as one of the top five worldwide cities for livability and quality of life, the Economist Intelligence Unit acknowledged it as the first city ranked among the top-ten of the world's most well-living cities for five consecutive years.
Vancouver has hosted many international conferences and events, including the 1954 British Empire and Commonwealth Games, UN Habitat I, Expo 86, the World Police and Fire Games in 1989 and 2009. In 2014, following thirty years in California, the TED conference made Vancouver its indefinite home. Several matches of the 2015 FIFA Women's World Cup were played in Vancouver, including the final at BC Place; the original settlement, named Gastown, grew up on clearcuts on the west edge of the Hastings Mill logging sawmill's property, where a makeshift tavern had been set up on a plank between two stumps and the proprietor, Gassy Jack, persuaded the curious millworkers to build him a tavern, on July 1, 1867. From that first enterprise, other stores and some hotels appeared along the waterfront to the west. Gastown became formally laid out as a registered townsite dubbed Granville, B. I.. As part of the land and political deal whereby the area of the townsite was made the railhead of the Canadian Pacific Railway, it was renamed "Vancouver" and incorporated shortly thereafter as a city, in 1886.
By 1887, the Canadian Pacific transcontinental railway was extended westward to the city to take advantage of its large natural seaport to the Pacific Ocean, which soon became a vital link in a trade route between the Orient / East Asia, Eastern Canada, Europe. As of 2014, Port Metro Vancouver is the third-largest port by tonnage in the Americas, 27th in the world, the busiest and largest in Canada, the most diversified port in North America. While forestry remains its largest industry, Vancouver is well known as an urban centre surrounded by nature, making tourism its second-largest industry. Major film production studios in Vancouver and nearby Burnaby have turned Greater Vancouver and nearby areas into one of the largest film production centres in North America, earning it the nickname "Hollywood North"; the city takes its name from George Vancouver, who explored the inner harbour of Burrard Inlet in 1792 and gave various places British names. The family name "Vancouver" itself originates from the Dutch "Van Coevorden", denoting somebody from the city of Coevorden, Netherlands.
The explorer's ancestors came to England "from Coevorden", the origin of the name that became "Vancouver". Archaeological records indicate that Aboriginal people were living in the "Vancouver" area from 8,000 to 10,000 years ago; the city is located in the traditional and presently unceded territories of the Squamish and Tseil-Waututh peoples of the Coast Salish group. They had villages in various parts of present-day Vancouver, such as Stanley Park, False Creek, Point Grey and near the mouth of the Fraser River. Europeans became acquainted with the area of the future Vancouver when José María Narváez of Spain explored the coast of present-day Point Grey and parts of Burrard Inlet in 1791—although one author contends that Francis Drake may have visited the area in 1579; the explorer and North West Company trader Simon Fraser and his crew became the first-known Europeans to set foot on the site of the present-day city. In 1808, they travelled from the east down the Fraser River as far as Point Grey.
The Fraser Gold Rush of 1858 brought over 25,000 men from California, to nearby New Westminster on the Fraser River, on their way to the Fraser Canyon, bypassing what would become Vancouver. Vancouver is among British Columbia's youngest cities. A sawmill established at Moodyville in 1863, began the city's long relationship with logging, it was followed by mills owned by Captain Edward Stamp on the south shore of the inlet. Stamp, who had begun logging in the Port Alberni area, first attempted to run a mill at Brockton Point, but difficult currents and reefs forced the relocation of the operation in 1867 to a point near the foot of Dunlevy Street; this mill, known as the Hastings Mill, became the nucleus. The mill's central role in the city waned after the arrival of the Canadian Pacific Railway in the 1880s, it remained important to the local economy until it closed in the 1920s. The settlement which came to be called Gastown grew around
Dutch Top 40
The Dutch Top 40 is a weekly music chart compiled by Stichting Nederlandse Top 40. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965, it remained "The Veronica Top 40" until 1974. Joost den Draaijer was the initiator of the top 40 in the Netherlands. On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "I Feel Fine" by The Beatles. In 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it De Nederlandse Top 40; the Dutch Top 40 is one of the three official charts in the Netherlands, the other two being the Single Top 100, based on pure sales and streaming and the Mega Top 50 which, like the Dutch Top 40 includes airplay data. From 1993 until 2018, the Top 40 was broadcast by Radio 538. Qmusic is airing the Dutch Top 40 on radio. Domien Verschuuren presents the program every Friday afternoon from 14.00 until 18.00. For most of its history, the Top 40 was based on sales figures of record stores; these were collected through telephone surveys.
As of 1999, the airplay of a limited number of radio stations was included. Between 2006 and 2014, download figures were added to the mix, they were removed again because download sales could be manipulated by record companies or artists. As of February 2014, the chart is a combination of airplay and social media trends; the more a song gets played on the radio, the higher its ranking in the Top 40. To compute year-end chart positions, the weekly #1 positions get 40 points, the #2 positions get 39 points, etc; these weekly scores are added up and sorted by single to determine the ranking. The Tipparade, listing candidates for the Top 40, is based on sales, streaming and recommendations from both the general public and the music industry. There is a set of rules, of which some have existed since 1972, that have been maintained up until 2012; some of these have been criticised as a hindrance. Since late 1971, singles had to remain at least two weeks in the charts. If a single no longer belongs in the top 40, these are placed on #40.
Example: Missy Elliott's "Lose Control": Remained two weeks on #40 in the chart, because it did not sell enough and wasn't played enough on the radio. There have been two exceptions for this, though: In October 1994, Pet Shop Boys's "Yesterday, When I Was Mad" stayed in the charts for only 1 week due to an error in the compilation, in late September 2007, Kus's "4 meiden" just didn't sell enough to stay in the charts for 2 weeks. Since 1983, singles that move up in the chart by a large number of positions are assigned superstip status; these singles were not allowed to fall down in chart position in the following week. If a superstip single had a comparatively lower sales/airplay statistics a week it would remain stuck on the same chart position until a second week of drop, by which time it may appear as if it dropped hard in chart positions. Example: Guus Meeuwis's "Ik wil dat ons land juicht": The song entered the chart at #11, rose up to #5 in its second week; the following week it remained on the # 5 position.
The following two weeks, it went from #5 to #39. Because of this rule, this single was the biggest fall down in the Dutch Top 40. However, this was not always the case. Sometimes singles with a superstip status did drop, for example. Re-entry only took place when the single re-entered within the top 30, if differently, these re-entried singles were ignored. Since 2005, there were no re-entries, until Michael Jackson died in 2009. Since, singles only re-entered the charts posthumously, but since 2012, "normal" re-entries started to occur again. Singles with double A-side are noted separately in the top 40. Example: Robbie Williams' first single off his 2005 album Intensive Care was "Tripping" with the B-side being "Make Me Pure". While "Tripping" topped the chart by peaking at #1, "Make Me Pure" peaked at #15 in the Top 40; this is a listing of significant milestones based upon the Dutch Top 40 charts. 16 weeksCalvin Harris featuring Dua Lipa — "One Kiss" 15 weeksEd Sheeran — "Shape of You" Luis Fonsi & Daddy Yankee featuring Justin Bieber — "Despacito" 13 weeksGusttavo Lima — "Balada" 12 weeksMarco Borsato — "Dromen zijn bedrog" 11 weeksBryan Adams — " I Do It for You" Marco Borsato — "Rood" André Hazes and Gerard Joling — "Blijf bij mij" Bruno Mars — "Just the Way You Are" Michel Teló — "Ai se eu te pego!"
Robin Thicke featuring T. I. & Pharrell Williams — "Blurred Lines" Avicii — "Wake Me Up" Clean Bandit featuring Jess Glynne — "Rather Be" OMI — "Cheerleader" Davina Michelle — "Duurt te lang" 10 weeksHeintje — "Ich bau' dir ein Schloß" 4 Non Blondes — "What's Up? Vangelis — "Conquest of Paradise" Céline Dion — "My Heart Will Go On" Owl City — "Fireflies" Alexis Jordan — "Happiness" Mike Posner — "I Took a Pill in Ibiza BLØF featuring Geike Arnaert — "Zoutelande" Source: 49 weeksPharrell Williams — "Happy" 41 weeksCorry en de Rekels — "Huilen is voor jou te laat" 40 weeksTrio Hellenique / Polis & Les Helleniques / Duo Akropolis / Mikis Theodorakis — "Zorba's Dance" The Scorpions — "Hello Josephine" 39 weeksJane Birkin and Serge Gainsbourg — "Je t'aime... moi non plus" 38 weeksGotye featuring Kimbra — "Somebody That I Used to Know" (2011
Rock music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew on the genres of blues and blues, from country music. Rock music drew on a number of other genres such as electric blues and folk, incorporated influences from jazz and other musical styles. Musically, rock has centered on the electric guitar as part of a rock group with electric bass and one or more singers. Rock is song-based music with a 4/4 time signature using a verse–chorus form, but the genre has become diverse. Like pop music, lyrics stress romantic love but address a wide variety of other themes that are social or political. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, jazz-rock, many of which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene.
New genres that emerged included progressive rock. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and alternative rock. From the 1990s alternative rock began to dominate rock music and break into the mainstream in the form of grunge and indie rock. Further fusion subgenres have since emerged, including pop punk, electronic rock, rap rock, rap metal, as well as conscious attempts to revisit rock's history, including the garage rock/post-punk and techno-pop revivals at the beginning of the 2000s. Rock music has embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. 1970s punk culture spawned the goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race and drug use, is seen as an expression of youth revolt against adult consumerism and conformity.
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was influenced by the sounds of electric blues guitarists; the sound of an electric guitar in rock music is supported by an electric bass guitar, which pioneered in jazz music in the same era, percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has been complemented by the inclusion of other instruments keyboards such as the piano, the Hammond organ, the synthesizer; the basic rock instrumentation was derived from the basic blues band instrumentation. A group of musicians performing rock music is termed as a rock group. Furthermore, it consists of between three and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist and keyboard player or other instrumentalist. Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four.
Melodies originate from older musical modes such as the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s and from the mid 1960s onwards, rock music used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock; because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, rebellion against "The Establishment", social concerns, life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, rhythm and blues.
Music journalist Robert Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, asserts that rock's primary "function" "pertains to music, or, more noise." The predominance of white and middle class musicians in rock music has been noted, rock has been seen as an appropriation of black musical forms for a young and male audience. As a result, it has been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has been contrasted with pop music, with which it has shared many characteristics, but from wh
Figured You Out
"Figured You Out" is a song by Canadian rock band Nickelback. It was released in December 2003 as The Long Road; the song was ranked #1 on Huffington Post Canada's list of "50 Worst Canadian Songs Ever". In 2011, Vancouver-based band Econoline Crush sued Nickelback for copyright infringement over the song, claiming it "bears a substantial similarity" to their 1997 single, "All That You Are". "Figured You Out" "Too Bad" "Where Do I Hide" Lyrics of this song at MetroLyrics
