1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Coil (band)
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Coil were an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as Jhonn Balance—and his life partner and collaborator Peter Christopherson, aka Sleazy. The duo worked together on a series of releases before Balance chose the name Coil, today, Coil remains one of the most influential and best-known industrial music groups. The groups first official release as Coil was a 198412 album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscules sublabel LAYLAH Antirecords. In 1985, the group working on a series of soundtracks, among them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time. The groups first live performance in 16 years occurred in 1999, following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist. Coil was formed in 1982 and became a concern in 1984. Balance and Christopherson began working with John Gosling on the project Zos Kia, which resulted in four live performances, following the underground hit How to Destroy Angels, Coil left L. A. Y. L. A. H. Antirecords for Some Bizzare Records and produced Scatology, released in 1984 as their first full-length studio album, the album was largely based on the sound of industrial music as well as the Post-punk movement. While songs such as Restless Day, Panic and Tainted Love are representative of a mainstream style, the single Panic/Tainted Love became the first AIDS benefit music release, as the profits from sales of the single were donated to the Terrence Higgins Trust. The Tainted Love music video, directed by Christopherson, is in the permanent collection of The Museum of Modern Art in New York, Horse Rotorvator followed in 1986 as the next full-length release. The Four Horsemen of the Apocalypse killed their horses and use their jawbones to make this huge earth-moving machine, the artwork features a photograph of the location of a notorious IRA bombing, in which a bomb was detonated on a military orchestra pavilion. Horse Rotorvator was in part influenced by the AIDS related deaths of some of their friends. Furthermore, the song Ostia, is about the death of Pier Paolo Pasolini, as well as what Balance described as the number one suicide spot in the world. After the release of Horse Rotorvator, Coil left Some Bizzare Records, the 13-track Unnatural History compilation was then released on Threshold House in 1990. The first three songs on the album were first released as one half of the Nightmare Culture mini-album, loves Secret Domain followed in 1991 as the next proper Coil album, although a few minor releases had been produced since Horse Rotorvator. LSD represents a progression in Coils style and became a template for what would be representative of newer waves of post-industrial music, blended with their own style of acid house. Although the album was upbeat, it was not intended as a dance record, as Christopherson explained I wouldnt say its a party atmosphere. Windowpane and a Jack Dangers remix of The Snow were released as singles, the video for Windowpane was shot in the Golden Triangle, where, Balance claimed, the original Thai and Burmese drug barons used to exchange opium for gold bars with the CIA
3.
Experimental music
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The practice became prominent in the mid-20th century, particularly in North America. John Cage was one of the earliest composers to use the term and one of experimental musics primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. Also, in America, a distinct sense of the term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller. Harry Partch as well as Ivor Darreg worked with other tuning scales based on the laws for harmonic music. For this music they developed a group of experimental musical instruments. Musique concrète, is a form of music that utilises acousmatic sound as a compositional resource. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. The Groupe de Recherches de Musique Concrète, under the leadership of Pierre Schaeffer, publication of Schaeffers manifesto was delayed by four years, by which time Schaeffer was favoring the term recherche musicale, though he never wholly abandoned musique expérimentale. John Cage was also using the term as early as 1955, according to Cages definition, an experimental action is one the outcome of which is not foreseen, and he was specifically interested in completed works that performed an unpredictable action. Rebners lecture extended the concept back in time to include Charles Ives, Edgard Varèse, nyman opposes experimental music to the European avant-garde of the time, for whom The identity of a composition is of paramount importance. David Cope also distinguishes between experimental and avant garde, describing music as that which represents a refusal to accept the status quo. That is, for the most part, experimental music studies describes a category without really explaining it and this was an attempt to marginalize, and thereby dismiss various kinds of music that did not conform to established conventions. In 1955, Pierre Boulez identified it as a new definition makes it possible to restrict to a laboratory. He concludes, There is no such thing as experimental music … and it is therefore not a genre, but an open category, because any attempt to classify a phenomenon as unclassifiable and elusive as experimental music must be partial. Furthermore, the indeterminacy in performance guarantees that two versions of the same piece will have virtually no perceptible musical facts in common. The term experimental music was used contemporaneously for electronic music, particularly in the early musique concrète work of Schaeffer, a number of early 20th-century American composers, seen as precedents to and influences on John Cage, are sometimes referred to as the American Experimental School. These include Charles Ives, Charles and Ruth Crawford Seeger, Henry Cowell, Carl Ruggles, for this music they both developed custom-built musical instruments often characterized as experimental instruments. La Monte Young is known for using this technique when he began working on his minimal drone pieces which consisted of layers of sounds in different pitches
4.
Threshold House
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Threshold House is one of several record labels created by Coil to release their own work and that of affiliated projects. Associated labels include Eskaton and Chalice and it is also the name for the official Coil website. The label was initially a vanity label of sorts, as all releases were manufactured and distributed by other labels, following the bankruptcy of World Serpent, the label continued independently. The logo for Threshold House is a building, possibly what Coil have referred to as The East Tower in past interviews. It is also similar to artist recreations of the buildings at Catalhoyuk. After the death of John Balance and the disbanding of Coil, Peter Christopherson started an effort, The Threshold HouseBoys Choir. The series of LOCI were released when Coil resided in England, the THRESH and THBKK series began with Peter Christophersons relocation to Bangkok, Thailand. List of record labels List of electronic music record labels Threshold House
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
Duplais Balance
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Duplais Balance is a box set by Coil, first available for preorder in November 2006 and offered for sale in mid December. The box set was produced in an edition of 250. According to the merchant, the box set contains the following,1 Absinthe Duplais Balance 0. 5l – 60%2 Absinthe glasses 2 Absinthe spoons 1 Coil CD Animal are you. We are pleased to announce a collaboration with Absinthe-Distribution Lion, manufacturers and distillers of fine Absinthes, the supply of these is highly limited so order now to avoid disappointment
7.
Trent Reznor
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Michael Trent Reznor, known professionally as Trent Reznor, is an American singer, songwriter, musician, record producer, and film score composer. As a vocalist and multi-instrumentalist, Reznor is best known as the founder and his first release under this pseudonym, the 1989 album Pretty Hate Machine, was a commercial and critical success. He has since released eight studio albums and he left Interscope Records in 2007 and was an independent recording artist until signing with Columbia Records in 2012. Reznor was associated with the bands Option 30, The Urge, The Innocent, outside of Nine Inch Nails, he has contributed to the albums of artists such as Marilyn Manson and Saul Williams. In 1997, Reznor appeared in Times list of the years most influential people, while Spin magazine has described him as the most vital artist in music, Reznor was born in New Castle, Pennsylvania, the son of Nancy Lou and Michael Reznor. He has English, German, and Irish ancestry and he is a descendant of George Reznor, who founded the Reznor Company, a heating and air conditioning manufacturer, in 1888. Reznor grew up in Mercer, Pennsylvania, after his parents had divorced, he lived with his maternal grandparents, while his sister Tera lived with their mother. Reznor began playing the piano at the age of twelve and showed an aptitude for music. In a 1995 interview, his grandfather, Bill Clark, remarked, Music was his life and his former piano teacher Rita Beglin said that he always reminded me of Harry Connick, Jr. when he played. Reznor has acknowledged that his life in Pennsylvania left him feeling isolated from the outside world. In a 1994 interview with Rolling Stone, he referenced his choices in the industry, However. At Mercer Area Junior/Senior High School, he learned to play the tenor saxophone and he was a member of both the jazz and marching band. Former Mercer High School band director Dr. Hendley Hoge remembered Reznor as very upbeat, Reznor also became involved in theater while in high school. He was voted Best in Drama by classmates for his roles as Judas in Jesus Christ Superstar, Reznor graduated in 1983 and enrolled at Allegheny College, where he studied computer engineering. While he was a student at Mercer Area Junior/Senior High School, Reznor joined local band Option 30, after a year of college, Reznor dropped out and moved to Cleveland, Ohio, to pursue a career in music. His first band in Cleveland was the Urge, a cover band, in 1985, he joined The Innocent as a keyboardist, they released one album, Livin in the Street, but Reznor left the band after three months. In 1986, he joined local band Exotic Birds and appeared with them as a band called The Problems in the 1987 film Light of Day. Reznor also contributed on keyboards to the band Slam Bamboo during this time, Reznor got a job at Clevelands Right Track Studio as an assistant engineer and janitor
8.
New Orleans
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New Orleans is a major United States port and the largest city and metropolitan area in the state of Louisiana. The population of the city was 343,829 as of the 2010 U. S. Census, the New Orleans metropolitan area had a population of 1,167,764 in 2010 and was the 46th largest in the United States. The New Orleans–Metairie–Bogalusa Combined Statistical Area, a trading area, had a 2010 population of 1,452,502. The city is named after the Duke of Orleans, who reigned as Regent for Louis XV from 1715 to 1723, as it was established by French colonists and it is well known for its distinct French and Spanish Creole architecture, as well as its cross-cultural and multilingual heritage. New Orleans is also famous for its cuisine, music, and its celebrations and festivals, most notably Mardi Gras. The city is referred to as the most unique in the United States. New Orleans is located in southeastern Louisiana, straddling the Mississippi River, the city and Orleans Parish are coterminous. The city and parish are bounded by the parishes of St. Tammany to the north, St. Bernard to the east, Plaquemines to the south, and Jefferson to the south and west. Lake Pontchartrain, part of which is included in the city limits, lies to the north, before Hurricane Katrina, Orleans Parish was the most populous parish in Louisiana. As of 2015, it ranks third in population, trailing neighboring Jefferson Parish, La Nouvelle-Orléans was founded May 7,1718, by the French Mississippi Company, under the direction of Jean-Baptiste Le Moyne de Bienville, on land inhabited by the Chitimacha. It was named for Philippe II, Duke of Orléans, who was Regent of the Kingdom of France at the time and his title came from the French city of Orléans. The French colony was ceded to the Spanish Empire in the Treaty of Paris, during the American Revolutionary War, New Orleans was an important port for smuggling aid to the rebels, transporting military equipment and supplies up the Mississippi River. Bernardo de Gálvez y Madrid, Count of Gálvez successfully launched a campaign against the British from the city in 1779. New Orleans remained under Spanish control until 1803, when it reverted briefly to French oversight, nearly all of the surviving 18th-century architecture of the Vieux Carré dates from the Spanish period, the most notable exception being the Old Ursuline Convent. Napoleon sold Louisiana to the United States in the Louisiana Purchase in 1803, thereafter, the city grew rapidly with influxes of Americans, French, Creoles, and Africans. Later immigrants were Irish, Germans, and Italians, Major commodity crops of sugar and cotton were cultivated with slave labor on large plantations outside the city. The Haitian Revolution ended in 1804 and established the republic in the Western Hemisphere. It had occurred several years in what was then the French colony of Saint-Domingue
