1.
Music
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Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
2.
Musicology
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Musicology is the scholarly analysis and research-based study of music. Musicology is part of the humanities, a scholar who participates in musical research is a musicologist. Traditionally, historical musicology has been the most prominent sub-discipline of musicology, in the 2010s, historical musicology is one of several large musicology sub-disciplines. Historical musicology, ethnomusicology, and systematic musicology are approximately equal in size, Ethnomusicology is the study of music in its cultural context. Cognitive musicology is the set of surrounding the computational modeling of music. Musical knowledge is applied in medicine, education, and music therapy—which, Music history or historical musicology is concerned with the composition, performance, reception, and criticism of music over time. Like the comparable field of art history, different branches and schools of historical musicology emphasize different types of musical works, there are also national differences in various definitions of historical musicology. In theory, music history could refer to the study of the history of any type or genre of music, in practice, these research topics are more often considered within ethnomusicology and historical musicology is typically assumed to imply Western Art music of the European tradition. The methods of historical musicology include source studies, paleography, philology, style criticism, historiography, musical analysis, Music historians may examine issues in a close focus, as in the case of scholars who examine the relationship between words and music for a given composers art songs. New musicology is a term applied since the late 1980s to a body of work emphasizing cultural study, analysis. Such work may be based on feminist, gender studies, queer theory, or postcolonial theory, or the work of Theodor Adorno. Charles Rosen, however, retorts that McClary, sets up, like so many of the new musicologists, a man to knock down, the dogma that music has no meaning. Ethnomusicology, formerly comparative musicology, is the study of music in its cultural context and it is often considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of making music. Some ethnomusicologists primarily conduct historical studies, but the majority are involved in long-term participant observation, or combine ethnographic, therefore, ethnomusiological scholarship can be characterized as featuring a substantial, intensive fieldwork component, often involving long-term residence within the community studied. Closely related to ethnomusiology is the branch of sociomusicology. For instance, Ko proposed the hypothesis of Biliterate and Trimusical in Hong Kong sociomusicology, the first journal focusing on popular music studies was Popular Music, which began publication in 1981. The same year an academic society devoted to the topic was formed
3.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
4.
George Grove
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Sir George Grove, CB was an English writer on music, known as the founding editor of Groves Dictionary of Music and Musicians. Grove was trained as a engineer, and successful in that profession. When responsible for the orchestral concerts at the Crystal Palace. Their researches led to their discovery of the lost score of Schuberts Rosamunde music in 1867, Grove was the first director of the Royal College of Music, from its foundation in 1883 until his retirement in 1894. In addition to his work, Grove had a deep. He contributed to the English literature on the subject, including a concordance in 1854 and he was a co-founder of the Palestine Exploration Fund. Grove was born in Clapham, the eighth of the children of Thomas Grove, fishmonger and venison dealer. He went to a school, on Clapham Common, where one of his schoolfellows was George Granville Bradley, later Dean of Westminster. He next entered Stockwell Grammar School, run by Charles Pritchard, the astronomer, the educational curriculum was based on classics, divinity, mathematics and natural philosophy, and rigorously tested by annual examination. Pritchard also encouraged his pupils to develop interests in literature and music, Grove was a regular worshipper at Holy Trinity church, Clapham, where he heard the music of Bach and Handel. By the age of sixteen, he was competent in classics and mathematics, he left the school in 1836 and was apprenticed to Alexander Gordon, in his free time, he immersed himself in music, attending concerts and studying scores. After completing his apprenticeship, Grove was admitted as a graduate of the Institution of Civil Engineers, a year later he went to Glasgow, gaining further experience in the factory of Robert Napier. In 1841 Grove had an affair with a woman called Elizabeth Blackwell, between 1841 and 1846, Grove spent most of his time in the West Indies, as resident engineer during the building of cast-iron lighthouses. After this he joined the staff of the Chester and Holyhead Railway and then assistant to Edwin Clark. An account of the first floating of the tubes of the bridge is recorded in The Spectator of 23 June 1849, during this period, he lived in Chester, hearing music in the cathedral and also becoming familiar with Welsh folksong. While working on the Britannia Bridge Grove came into contact with Robert Stephenson, Isambard Kingdom Brunel, Sir Charles Barry and these distinguished men, Grove later recalled, noticed me and were as good as gold to me. They counselled me to go to London and forced me into the secretaryship of the Society of Arts and this was in 1849, when the Great Exhibition of 1851 was in preparation. Grove was the secretary for the duration of the exhibition
5.
Igor Stravinsky
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Igor Fyodorovich Stravinsky was a Russian-born composer, pianist, and conductor. He is widely considered one of the most important and influential composers of the 20th century, Stravinskys compositional career was notable for its stylistic diversity. His Russian phase which continued with such as Renard, The Soldiers Tale. The works from this tended to make use of traditional musical forms, drawing on earlier styles. In the 1950s, Stravinsky adopted serial procedures, Stravinsky was born on 17 June 1882 in Oranienbaum, a suburb of Saint Petersburg, the Russian imperial capital, and was brought up in Saint Petersburg. It is believed that Stravinsky’s ancestry is traceable back to the 17th and 18th centuries, to the bearers of the Soulima, ivan Sulima, was a famous Ukrainian hetman 1628–1635. Stravinskys family branch most likely came from Stravinskas, polonized Lithuanian land owners and it is still unclear to when exactly the Soulima part of the surname was dropped. Stravinsky recalled his schooldays as being lonely, later saying that I never came across anyone who had any attraction for me. Stravinsky began piano lessons as a boy, studying music theory. In 1890, he saw a performance of Tchaikovskys ballet The Sleeping Beauty at the Mariinsky Theatre, despite his enthusiasm for music, his parents expected him to study law. Stravinsky enrolled at the University of Saint Petersburg in 1901, Stravinskys father died of cancer that year, by which time his son had already begun spending more time on his musical studies than on law. Thereafter, he concentrated on studying music, in 1905, he began to take twice-weekly private lessons from Rimsky-Korsakov, whom he came to regard as a second father. These lessons continued until Rimsky-Korsakovs death in 1908, in 1905 Stravinsky was betrothed to his cousin Katherine Gavrylivna Nosenko, whom he had known since early childhood. Diaghilev was sufficiently impressed by Fireworks to commission Stravinsky to carry out some orchestrations and then to compose a ballet score. The early period of Igor Stravinsky’s work would be incomplete without a research of his life while in Ukraine. From approximately 1890 till 1914 the composer was frequently visiting Ustyluh, town in Volyn Oblast and he spent most of his summers there and that’s where he met his cousin, Katherine Nosenko who he married in 1906. In 1907 Stravinsky designed and built his own house in Ustyluh where his own family stayed often during summer times until 1914 and his new Ukrainian home he called “My heavenly place”. In this house Igor Stravinsky worked on his seventeen early compositions, among which were orchestral fantasy Fireworks, ballets Firebird, Petrushka, currently, after its renovation this house is the only composers house-museum opened to the public
6.
Richard Wagner
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
7.
Parody
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A parody is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, parody … is imitation, another critic, Simon Dentith, defines parody as any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice. Parody may be found in art or culture, including literature, music, animation, gaming, the writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche and burlesque. According to Aristotle, Hegemon of Thasos was the inventor of a kind of parody, in ancient Greek literature, a parodia was a narrative poem imitating the style and prosody of epics but treating light, satirical or mock-heroic subjects. Indeed, the components of the Greek word are παρά para beside, counter, against, Thus, the original Greek word παρῳδία parodia has sometimes been taken to mean counter-song, an imitation that is set against the original. The Oxford English Dictionary, for example, defines parody as imitation turned as to produce a ridiculous effect, because par- also has the non-antagonistic meaning of beside, there is nothing in parodia to necessitate the inclusion of a concept of ridicule. Old Comedy contained parody, even the gods could be made fun of, the Frogs portrays the hero-turned-god Heracles as a Glutton and the God of Drama Dionysus as cowardly and unintelligent. The traditional trip to the Underworld story is parodied as Dionysus dresses as Heracles to go to the Underworld, roman writers explained parody as an imitation of one poet by another for humorous effect. In French Neoclassical literature, parody was also a type of poem where one work imitates the style of another to produce a humorous effect, the Ancient Greeks created satyr plays which parodied tragic plays, often with performers dressed like satyrs. In classical music, as a term, parody refers to a reworking of one kind of composition into another. The term is sometimes applied to procedures common in the Baroque period. The musicological definition of the parody has now generally been supplanted by a more general meaning of the word. In its more contemporary usage, musical parody usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into a different, often incongruous, context. Musical parodies may imitate or refer to the style of a composer or artist. For example, The Ritz Roll and Rock, a song and dance performed by Fred Astaire in the movie Silk Stockings, parodies the Rock. Conversely, while the work of Weird Al Yankovic is based on particular popular songs. The first usage of the parody in English cited in the Oxford English Dictionary is in Ben Jonson, in Every Man in His Humour in 1598, A Parodie. The next citation comes from John Dryden in 1693, who also appended an explanation, suggesting that the word was in common use, in the 20th century, parody has been heightened as the central and most representative artistic device, the catalysing agent of artistic creation and innovation
8.
Pied Piper of Hamelin
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The Pied Piper of Hamelin is the title character of a legend from the town of Hamelin, Lower Saxony, Germany. The legend dates back to the Middle Ages, the earliest references describing a piper, dressed in multicolored clothing, when the citizens refuse to pay for this service, he retaliates by using his instruments magical power on their children, leading them away as he had the rats. This version of the spread as folklore and has appeared in the writings of Johann Wolfgang von Goethe, the Brothers Grimm. There are many theories about the Pied Piper. The earliest known record of this story is from the town of Hamelin itself, depicted in a glass window created for the church of Hamelin. Although it was destroyed in 1660, several written accounts have survived, in 1284, while the town of Hamelin was suffering from a rat infestation, a piper dressed in multicolored clothing appeared, claiming to be a rat-catcher. He promised the mayor a solution to their problem with the rats, the mayor, in turn, promised to pay him for the removal of the rats. The piper accepted and played his pipe to lure the rats into the Weser River, where all but one drowned. Despite the pipers success, the mayor reneged on his promise, the piper left the town angrily, vowing to return later to take revenge. On Saint John and Pauls day, while the Hamelinites were in church, in so doing, he attracted the towns children. One hundred and thirty children followed him out of town and into a cave and were never seen again and these three informed the villagers of what had happened when they came out from church. Some versions state that the Piper returned the children after payment, the earliest mention of the story seems to have been on a stained-glass window placed in the Church of Hamelin c. The window was described in accounts between the 14th and 17th centuries. Based on the descriptions, a modern reconstruction of the window has been created by historian Hans Dobbertin. It features the colorful figure of the Pied Piper and several figures of children dressed in white and this window is generally considered to have been created in memory of a tragic historical event for the town. Also, Hamelin town records start with this event, the earliest written record is from the town chronicles in an entry from 1384 which states, It is 100 years since our children left. Although research has been conducted for centuries, no explanation for the event is universally accepted as true. In any case, the rats were first added to the story in a version from c.1559 and are absent from earlier accounts
9.
Genghis Khan
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Genghis Khan, born Temüjin, was the founder and Great Khan of the Mongol Empire, which became the largest contiguous empire in history after his death. He came to power by uniting many of the tribes of Northeast Asia. After founding the Empire and being proclaimed Genghis Khan, he started the Mongol invasions that conquered most of Eurasia, campaigns initiated in his lifetime include those against the Qara Khitai, Caucasus, and Khwarazmian, Western Xia and Jin dynasties. These campaigns were accompanied by large-scale massacres of the civilian populations – especially in the Khwarazmian. By the end of his life, the Mongol Empire occupied a portion of Central Asia. Before Genghis Khan died, he assigned Ögedei Khan as his successor and he died in 1227 after defeating the Western Xia. He was buried in an unmarked grave somewhere in Mongolia, many of these invasions repeated the earlier large-scale slaughters of local populations. As a result, Genghis Khan and his empire have a reputation in local histories. Beyond his military accomplishments, Genghis Khan also advanced the Mongol Empire in other ways and he decreed the adoption of the Uyghur script as the Mongol Empires writing system. He also practiced meritocracy and encouraged religious tolerance in the Mongol Empire, present-day Mongolians regard him as the founding father of Mongolia. This brought communication and trade from Northeast Asia into Muslim Southwest Asia and Christian Europe, Temüjin was related on his fathers side to Khabul Khan, Ambaghai, and Hotula Khan, who had headed the Khamag Mongol confederation and were descendants of Bodonchar Munkhag. When the Jurchen Jin dynasty switched support from the Mongols to the Tatars in 1161, Temüjins father, Yesügei, emerged as the head of the ruling Mongol clan. This position was contested by the rival Tayichiud clan, who descended directly from Ambaghai, when the Tatars grew too powerful after 1161, the Jin switched their support from the Tatars to the Keraites. Little is known about Temüjins early life, due to the lack of written records. The few sources that give insight into this period often contradict, Temüjins name was derived from the Mongol word temür meaning of iron, while jin denotes agency thus temüjin means blacksmith. Temüjin was probably born in 1162 in Delüün Boldog, near the mountain Burkhan Khaldun, the Secret History of the Mongols reports that Temüjin was born grasping a blood clot in his fist, a traditional sign that he was destined to become a great leader. He was the son of his father Yesügei who was a Kiyad chief prominent in the Khamag Mongol confederation. Temüjin was the first son of his mother Hoelun, according to the Secret History, Temüjin was named after the Tatar chief Temüjin-üge whom his father had just captured
10.
Timur
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Timur, historically known as Amir Timur and Tamerlane, was a Turco-Mongol conqueror and the founder of the Timurid Empire in Persia and Central Asia. He was also the first ruler in the Timurid dynasty, born into the Barlas confederation in Transoxiana on 9 April 1336, Timur gained control of the western Chagatai Khanate by 1370. From these conquests he founded the Timurid Empire, but this empire fragmented shortly after his death, according to John Joseph Saunders, Timurs background was Iranized and not steppe nomad. Timur envisioned the restoration of the Mongol Empire of Genghis Khan, in his formal correspondence Temur continued throughout his life to portray himself as the restorer of Chinggisid rights. He justified his Iranian, Mamluk, and Ottoman campaigns as a re-imposition of legitimate Mongol control over lands taken by usurpers, to legitimize his conquests, Timur relied on Islamic symbols and language, referred to himself as the Sword of Islam and patronized educational and religious institutions. He converted nearly all the Borjigin leaders to Islam during his lifetime, Temur, a non-Chinggisid, tried to build a double legitimacy based on his role as both guardian and restorer of the Mongol Empire. Timur also decisively defeated the Christian Knights Hospitaller at Smyrna, styling himself a ghazi, by the end of his reign, Timur had gained complete control over all the remnants of the Chagatai Khanate, Ilkhanate, and Golden Horde and even attempted to restore the Yuan dynasty. Timurs armies were inclusively multi-ethnic and were feared throughout Asia, Africa, scholars estimate that his military campaigns caused the deaths of 17 million people, amounting to about 5% of the world population. Timur is also recognized as a patron of art and architecture, as he interacted with Muslim intellectuals such as Ibn Khaldun. Timur was born in Transoxiana near the city of Kesh some 80 kilometres south of Samarkand and his father, Taraqai, was a minor noble of the Barlas, a Mongolian tribe that had been turkified in many aspects. According to Gérard Chaliand, Timur was a Muslim, and he saw himself as Genghis Khans heir, though not a Borjigid or a descendent of Genghis Khan, he clearly sought to invoke the legacy of Genghis Khans conquests during his lifetime. His name Temur means Iron in the Chaghatay language, Timurs mother-tongue, later Timurid dynastic histories claim that he was born on April 8,1336, but most sources from his lifetime give ages that are consistent with a birthdate in the late 1320s. At the age of eight or nine, Timur and his mother, in his childhood, Timur and a small band of followers raided travelers for goods, especially animals such as sheep, horses, and cattle. In around 1363, it is believed that Timur tried to steal a sheep from a shepherd but was shot by two arrows, one in his leg and another in his right hand, where he lost two fingers. Both injuries crippled him for life, some believe that Timur suffered his crippling injuries while serving as a mercenary to the khan of Sistan in Khorasan in what is today the Dashti Margo in southwest Afghanistan. Timurs injuries have given him the names of Timur the Lame, Timur was a Muslim, possibly belonging to the Naqshbandi school of Sufism, which was influential in Transoxiana. However, his official religious counsellor and adviser was the Hanafi scholar Abdu l-Jabbar Khwarazmi. In Tirmidh, he had come under the influence of his spiritual mentor Sayyid Baraka, Timur was known to hold Ali and the Ahl al-Bayt in high regard and has been noted by various scholars for his pro-Alid stance
11.
Giuseppe Verdi
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Giuseppe Fortunino Francesco Verdi was an Italian opera composer. Verdi was born near Busseto to a family of moderate means. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works influenced him. In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy and he also participated briefly as an elected politician. He surprised the world by returning, after his success with the opera Aida. The baptismal register, prepared on 11 October 1813, lists his parents Carlo, additionally, it lists Verdi as being born yesterday, but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. Verdi himself, following his mother, always celebrated his birthday on 9 October, Verdi had a younger sister, Giuseppa, who died aged 17 in 1833. From the age of four, Verdi was given lessons in Latin and Italian by the village schoolmaster, Baistrocchi. After learning to play the organ, he showed so much interest in music that his parents provided him with a spinet. Verdis gift for music was apparent by 1820–21 when he began his association with the local church, serving in the choir, acting as an altar boy for a while. After Baistrocchis death, Verdi, at the age of eight, Carlo Verdi was energetic in furthering his sons education. something which Verdi tended to hide in later life. He picture emerges of youthful precocity eagerly nurtured by a father and of a sustained, sophisticated. Verdi returned to Busseto regularly to play the organ on Sundays, at age 11, Verdi received schooling in Italian, Latin, the humanities, and rhetoric. By the time he was 12, he began lessons with Ferdinando Provesi, maestro di cappella at San Bartolomeo, director of the music school. This information comes from the Autobiographical Sketch which Verdi dictated to the publisher Giulio Ricordi late in life, in 1879, written, understandably, with the benefit of hindsight, it is not always reliable when dealing with issues more contentious than those of his childhood. The other director of the Philharmonic Society was Antonio Barezzi, a grocer and distiller. The young Verdi did not immediately become involved with the Philharmonic, by June 1827, he had graduated with honours from the Ginnasio and was able to focus solely on music under Provesi. By 1829–30, Verdi had established himself as a leader of the Philharmonic, none of us could rival him reported the secretary of the organisation, Giuseppe Demaldè
12.
Lasagne
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Lasagne are wide, flat-shaped pasta, and possibly one of the oldest types of pasta. The word lasagne, and, in many languages, the singular lasagna, can also refer to a dish made with several layers of lasagne sheets alternated with sauces. Traditional lasagne is made by interleaving layers of pasta with layers of sauce, made with ragù, bechamel, Parmigiano-Reggiano, in all cases, the lasagne are oven-baked. Traditionally, pasta dough prepared in Southern Italy used semolina and water and in the northern regions, today in Italy, since the only type of wheat allowed for commercially sold pasta is durum wheat, commercial lasagne are made of semolina. The first theory is that comes from Greek λάγανον, a flat sheet of pasta dough cut into strips. The word λαγάνα is still used in Greek to mean a flat type of unleavened bread baked for the Clean Monday holiday. Another theory is that the word comes from the Greek λάσανα or λάσανον meaning trivet or stand for a pot. The Romans borrowed the word as lasanum, meaning cooking pot in Latin, the Italians used the word to refer to the dish in which lasagne is made. Later, the name of the food took on the name of the serving dish and this recipe has similarities to modern lasagne in both its recipe, which features a layering of ingredients between pasta sheets and its name. An important difference is the lack of tomatoes, which did not arrive in Europe until after Columbus reached America in 1492, in English, lasagne is usually used for the dish, and some redundantism like lasagna noodles can be used for just the pasta
