1.
Star Trek: The Original Series
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Star Trek is an American science fiction television series created by Gene Roddenberry that follows the adventures of the starship USS Enterprise and its crew. It later acquired the retronym of Star Trek, The Original Series to distinguish the show within the franchise that it began. The show is set in the Milky Way galaxy, roughly during the 2260s, the ship and crew are led by Captain James T. Kirk, first officer and science officer Spock, and chief medical officer Leonard McCoy. Shatners voice-over introduction during each episodes opening credits stated the purpose, Space. These are the voyages of the starship Enterprise and its five-year mission, to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. The series was produced from September 1966 to December 1967 by Norway Productions and Desilu Productions, Star Trek aired on NBC from September 8,1966 to June 3,1969 and was actually seen first on September 6,1966, on Canadas CTV network. Star Treks Nielsen ratings while on NBC were low, and the network cancelled it after three seasons and 79 episodes. Several years later, the became a bona fide hit in broadcast syndication, remaining so throughout the 1970s, achieving cult classic status. The series contains significant elements of Space Western, as described by Gene Roddenberry, on March 11,1964, Gene Roddenberry, a long-time fan of science fiction, drafted a short treatment for a science-fiction television series that he called Star Trek. This was to be set on board a large interstellar spaceship S. S. Yorktown in the 23rd century, whose crew was dedicated to exploring a small portion of our galaxy. Some of the influences on his idea that Roddenberry noted included A. E. van Vogts tales of the spaceship Space Beagle, Eric Frank Russells Marathon series of stories, and the film Forbidden Planet. Roddenberry also drew heavily from C. S. Foresters Horatio Hornblower novels that depict a sea captain who exercises broad discretionary authority on distant sea missions of noble purpose. Roddenberry often humorously referred to Captain Kirk as Horatio Hornblower in Space, Roddenberry had extensive experience in writing for series about the Old West that had been popular television fare earlier in the 1960s and the 1950s. Armed with this background, the first draft deliberately characterizes the new show as Wagon Train to the stars. Like the familiar Wagon Train, each episode was to be an adventure story, set within the overarching structure of a continuing journey. With the notable exception of Star Trek, Deep Space Nine, all future television, in Roddenberrys original concept, the protagonist was Captain Robert April of the starship S. S. Yorktown. This character was developed into Captain Christopher Pike, first portrayed by Jeffrey Hunter, in April 1964, Roddenberry presented the Star Trek draft to Desilu Productions, a leading independent television production company. He met with Herb Solow, Desilus Director of Production, Solow saw promise in the idea and signed a three-year program-development contract with Roddenberry
2.
Science fiction
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Science fiction often explores the potential consequences of scientific and other innovations, and has been called a literature of ideas. Science fiction is difficult to define, as it includes a range of subgenres and themes. Author and editor Damon Knight summed up the difficulty, saying science fiction is what we point to when we say it, a definition echoed by author Mark C. Glassy, who argues that the definition of science fiction is like the definition of pornography, you do not know what it is, in 1970 or 1971William Atheling Jr. According to science fiction writer Robert A, rod Serlings definition is fantasy is the impossible made probable. Science fiction is the improbable made possible, Science fiction is largely based on writing rationally about alternative possible worlds or futures. Science fiction elements include, A time setting in the future, in alternative timelines, a spatial setting or scenes in outer space, on other worlds, or on subterranean earth. Characters that include aliens, mutants, androids, or humanoid robots, futuristic or plausible technology such as ray guns, teleportation machines, and humanoid computers. Scientific principles that are new or that contradict accepted physical laws, for time travel, wormholes. New and different political or social systems, e. g. utopian, dystopian, post-scarcity, paranormal abilities such as mind control, telepathy, telekinesis Other universes or dimensions and travel between them. A product of the budding Age of Reason and the development of science itself. Isaac Asimov and Carl Sagan considered Keplers work the first science fiction story and it depicts a journey to the Moon and how the Earths motion is seen from there. Later, Edgar Allan Poe wrote a story about a flight to the moon, more examples appeared throughout the 19th century. Wells The War of the Worlds describes an invasion of late Victorian England by Martians using tripod fighting machines equipped with advanced weaponry and it is a seminal depiction of an alien invasion of Earth. In the late 19th century, the scientific romance was used in Britain to describe much of this fiction. This produced additional offshoots, such as the 1884 novella Flatland, the term would continue to be used into the early 20th century for writers such as Olaf Stapledon. In the early 20th century, pulp magazines helped develop a new generation of mainly American SF writers, influenced by Hugo Gernsback, the founder of Amazing Stories magazine. In 1912 Edgar Rice Burroughs published A Princess of Mars, the first of his series of Barsoom novels, situated on Mars
3.
Spock
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Spock, commonly Mr. Spock, is a fictional character in the Star Trek media franchise. In addition, numerous actors portrayed the various stages of Spocks rapid growth, due to the effects of the Genesis Planet, in the 1984 Star Trek film Star Trek III, The Search for Spock. In the 2009 film Star Trek, Nimoy reprised his role with Zachary Quinto, both reprised their roles in the 2013 sequel Star Trek Into Darkness and Quinto reprised his role again in 2016s Star Trek Beyond. Spock serves aboard the starship Enterprise, as officer and first officer. Spocks mixed human-Vulcan heritage serves as an important plot element in many of the characters appearances, Kirk and Dr. Leonard Bones McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from Starfleet, Spock serves as a Federation ambassador, born to the Vulcan Sarek and the human Amanda Grayson, Spock has a troubled childhood due to his mixed heritage. On his homeworld, he was bullied and tormented by full-blooded Vulcan children. For a time, he grew up alongside his older half-brother Sybok, in the episode Amok Time, it is revealed that Spock became betrothed to TPring during his childhood. Sarek supported Spocks scientific learning and supporting his application to the Vulcan Science Academy, in the 2009 film Star Trek, Spock is seen rejecting his acceptance into the Vulcan Science Academy on the basis that they would never fully accept someone who was only half-Vulcan. Because Spock did not enter the VSA, and sought to join Starfleet instead, Spock appeared as the science officer on the USS Enterprise in the first pilot for the series, The Cage. Spock was one of the members of the team who joined Captain Christopher Pike on a mission to Talos IV in order to investigate a distress call. Spock did appear in the pilot, Where No Man Has Gone Before. During the events of that pilot, Spock became concerned at the risk to the ship posed by Lieutenant Commander Gary Mitchell, the earliest appearance of Spock in the series as broadcast was The Man Trap, the first such episode. When he needs to knock out a version of Kirk in The Enemy Within. Together with Chief Engineer Montgomery Scotty Scott work together to rejoin the good and evil versions of the Captain, during Miri, he finds himself to be the only member of the landing party to be immune to the physical affects of the disease affecting human adults on the planet. However, he realises that he is probably a carrier and could infect the Enterprise if he were to return, doctor Leonard McCoy manages to devise a cure, allowing the team to return to the ship. When Simon van Gelder enters the bridge armed with a phaser in Dagger of the Mind and he later conducts a mind meld with van Gelder as part of the investigation into the activities of the nearby colony. After the power to the colony is shut down, and a force field drops
4.
Vulcan (Star Trek)
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Vulcans are a fictional extraterrestrial humanoid species in the Star Trek franchise who originate from the planet Vulcan. In the various Star Trek television series and movies, they are noted for their attempt to live by logic and they were the first extraterrestrial species in the Star Trek universe to observe first contact protocol with humans. Vulcans are depicted as similar in appearance to humans, the main physical differences are their eyebrows and ears, the former are arched and upswept, while the latter feature pinnae that taper to a point at the top. The ears have been the subject of jokes on many occasions, Vulcans have been portrayed as various races. Most caucasoid-like Vulcans typically appear with a greenish hue to their skin, due to Vulcans copper-based blood. Other features described include an inner eyelid, or nictitating membrane, which protects their vision from bright lights, Vulcans are vegetarians by choice and were omnivores in ages past. Vulcans are repeatedly stated to be herbivorous in the TAS episode The Slaver Weapon, Vulcans do not like to touch their food with their hands, preferring to use utensils whenever possible. It is a Vulcan custom for guests in the home to prepare meals for their hosts, Vulcans are said to not drink alcohol, though they are depicted indulging on special occasions or as a storyline warrants. In the Star Trek, Voyager episode Repression, humans and Vulcans are shown drinking a Vulcan alcoholic drink called Vulcan Brandy, in Star Trek, First Contact, when the Vulcans first meet Zefram Cochrane, Cochrane serves them alcoholic beverages, which they take in lieu of dancing. In non-canon Trek-related literature, such as the novelization of Star Trek IV, The Voyage Home, There are references to Vulcans becoming inebriated by ingesting chocolate. The novelization of Star Trek IV, The Voyage Home also shows Spock reacting almost as if drunk to the ingestion of sucrose, or common table sugar and he tells Kirk that it has the same effect on Vulcans as alcohol does on humans. Once triggered, a Vulcan must have intercourse with someone. If this is not possible, meditation may be used to stabilize their chemical imbalances and help them cope, in the event that neither of these solutions can be achieved, the Vulcan will face insanity, loss of self-control, and death. If a mate is not available, there are ways to relieve the effects of the pon farr. The first is meditation, by means of which the Vulcan must overcome the urge to mate through mental discipline and this is seen in the Voyager episode Blood Fever, when BElanna Torres and Ensign Vorik fight in the traditional Vulcan manner. The violence ends the pon farr, the other option is extreme shock, in the TOS episode Amok Time, Spock believed he had killed James T. Kirk, his best friend, thus providing sufficient shock to nullify the effects of pon farr. When he experienced pon farr, Tuvok of the USS Voyager made use of a simulation of a temporary mate that resembled his wife. Infection is another mechanism writers have used to induce pon farr in Vulcan characters, likewise in the film Star Trek III, The Search for Spock, the regenerated adolescent Spock went through at least two pon farr episodes at accelerated speed
5.
Native Americans in the United States
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In the United States, Native Americans are people descended from the Pre-Columbian indigenous population of the land within the countrys modern boundaries. These peoples were composed of distinct tribes, bands, and ethnic groups. Most Native American groups had historically preserved their histories by oral traditions and artwork, at the time of first contact, the indigenous cultures were quite different from those of the proto-industrial and mostly Christian immigrants. Some of the Northeastern and Southwestern cultures in particular were matrilineal, the majority of Indigenous American tribes maintained their hunting grounds and agricultural lands for use of the entire tribe. Europeans at that time had patriarchal cultures and had developed concepts of property rights with respect to land that were extremely different. Assimilation became a consistent policy through American administrations, during the 19th century, the ideology of manifest destiny became integral to the American nationalist movement. Expansion of European-American populations to the west after the American Revolution resulted in increasing pressure on Native American lands and this resulted in the ethnic cleansing of many tribes, with the brutal, forced marches coming to be known as The Trail of Tears. As American expansion reached into the West, settler and miner migrants came into increasing conflict with the Great Basin, Great Plains and these were complex nomadic cultures based on horse culture and seasonal bison hunting. Over time, the United States forced a series of treaties and land cessions by the tribes, in 1924, Native Americans who were not already U. S. citizens were granted citizenship by Congress. Contemporary Native Americans have a relationship with the United States because they may be members of nations, tribes. The terms used to refer to Native Americans have at times been controversial, by comparison, the indigenous peoples of Canada are generally known as First Nations. It is not definitively known how or when the Native Americans first settled the Americas and these early inhabitants, called Paleoamericans, soon diversified into many hundreds of culturally distinct nations and tribes. The archaeological periods used are the classifications of archaeological periods and cultures established in Gordon Willey and Philip Phillips 1958 book Method and they divided the archaeological record in the Americas into five phases, see Archaeology of the Americas. The Clovis culture, a hunting culture, is primarily identified by use of fluted spear points. Artifacts from this culture were first excavated in 1932 near Clovis, the Clovis culture ranged over much of North America and also appeared in South America. The culture is identified by the distinctive Clovis point, a flaked flint spear-point with a notched flute, dating of Clovis materials has been by association with animal bones and by the use of carbon dating methods. Recent reexaminations of Clovis materials using improved carbon-dating methods produced results of 11,050 and 10,800 radiocarbon years B. P, other tribes have stories that recount migrations across long tracts of land and a great river, believed to be the Mississippi River. Genetic and linguistic data connect the people of this continent with ancient northeast Asians
6.
USS Enterprise (NCC-1701)
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USS Enterprise is a starship in the fictional Star Trek universe, depicted in four network television series, six feature films, and countless books and fan-created media. The ships design formed the basis for one of sci-fis most iconic images, though the ship has gone over many changes over the course of its television, a refit version of NCC-1701 appears in the first three Star Trek films. The 2009 Star Trek film, which place in an alternate timeline. The original starship was destroyed in Star Trek III, The Search for Spock, Star Trek art director Matt Jefferies was the primary designer of the original Enterprise, which was originally named Yorktown in series creator Gene Roddenberrys first outline drafts of the series. Jefferies experience with aviation led to his Enterprise designs being imbued with what he called aircraft logic, the ships NCC-1701 registry number stemmed from NC being one of the international aircraft registration codes assigned to the United States, the second C was added for differentiation. According to The Making of Star Trek, NCC is the Starfleet abbreviation for Naval Construction Contract, the 1701 was chosen to avoid any possible ambiguity, according to Jefferies, the numbers 3,6,8, and 9 are too easily confused. Other sources cite it as a reference to the house across the street from where Roddenberry grew up, Jefferies own sketches provide the explanation that it was his 17th cruiser design with the first serial number of that series,1701. The Making of Star Trek explains that USS should mean United Space Ship, however, the decals included with the AMT USS Enterprise model kit permitted the builder to customize the ship as any of the twelve starships in the class. As the lowest hull number is NCC-1700, USS Constitution, it is accepted that Constitution is the class leader. The first miniature built for the pilot episode The Cage was unlit and approximately 33 inches long, initially, the models were static and had no electronics. For the second pilot, Where No Man Has Gone Before, various details of the 11-foot model were altered, when the series was picked up and went into production, the model was altered yet again. Save for re-used footage from the two episodes, this was the appearance of the ship throughout the series, except for some detail added to nacelles for shots used in The Trouble with Tribbles. Two small models were made for the episode Catspaw, one embedded in a block of lucite. Greg Jein created a model of the original Enterprise for the Star Trek, Deep Space Nine episode Trials, jeins model was built to be exactly half the size of the larger of the two original models, and later appeared in the 1998 Star Trek wall calendar. The refit Enterprise that appears in the first three Star Trek films was designed by Richard Taylor, the ship was based on conceptual sketches done by Jeffries for the scrapped Star Trek, Phase II TV series. The 8-foot model was re-used as the USS Enterprise-A in the fourth, fifth, foundation Imaging created a CGI model of the ship for the Directors Edition release of Star Trek, The Motion Picture to add footage envisioned but never shot by director Robert Wise. Enterprise was redesigned for the 2009 Star Trek film, director J. J. Abrams wanted Enterprise to have a hot rod look while retaining the traditional shape, but otherwise afforded Industrial Light & Magic tremendous leeway in creating the ship. Perhaps the most notable change was in the engine cells
