The Post-Modern Prometheus
"The Post-Modern Prometheus" is the fifth episode of the fifth season of the American science fiction television series The X-Files and originally aired on the Fox network on November 30, 1997. Written and directed by series creator Chris Carter, "The Post-Modern Prometheus" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching mythology of The X-Files. "The Post-Modern Prometheus" earned a Nielsen household rating of 11.5, being watched by 18.68 million viewers upon its initial broadcast. The episode was nominated for seven awards at the 1998 Emmys and won one. The entry generally received positive reviews; some reviewers called it a classic, with others calling it the most striking stand-alone episode of the show's fifth season.
Scully (left) and Mulder (right) take The Great Mutato (center) to a Cher concert. The episode was filmed in black-and-white, in a stylistic nod to the 1931 film Frankenstein.
The episode was heavily inspired by Mary Shelley's novel Frankenstein.
After viewing the episode, singer Cher came to regret turning down a cameo appearance.
Chris Carter was nominated for both Outstanding Writing and Outstanding Directing at the 50th Primetime Emmy Awards.
The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
DVD cover
The season was the last to be filmed in Vancouver