1.
Music
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Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
2.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
3.
Sound recording and reproduction
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Sound recording and reproduction is an electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording, prior to the development of analog recording, there were mechanical systems for reproducing instrumental music, such as wind-up music boxes and later, in the late 19th century, player pianos. Analog sound reproduction is the process, with a bigger loudspeaker diaphragm causing changes to atmospheric pressure to form acoustic sound waves. Digital recording and reproduction converts the sound signal picked up by the microphone to a digital form by the process of digitization. This lets the audio data be stored and transmitted by a variety of media. Whereas successive copies of an analog recording tend to degrade in quality, as noise is added. A digital audio signal must be reconverted to analog form during playback before it is amplified and connected to a loudspeaker to produce sound, long before sound was first recorded on cylinders or records, music was recorded—first by written music notation, then also by mechanical devices. Fowler, this. cylinder with raised pins on the surface remained the device to produce and reproduce music mechanically until the second half of the nineteenth century. The Banu Musa brothers also invented an automatic flute player, which appears to have been the first programmable machine, according to Fowler, the automata were a robot band that performed. more than fifty facial and body actions during each musical selection. In the 14th century, Flanders introduced a mechanical bell-ringer controlled by a rotating cylinder, similar designs appeared in barrel organs, musical clocks, barrel pianos, and musical boxes. A music box is a musical instrument that produces sounds by the use of a set of pins placed on a revolving cylinder or disc so as to pluck the tuned teeth of a steel comb. They were developed from musical snuff boxes of the 18th century, some of the more complex boxes also have a tiny drum and/or bells, in addition to the metal comb. The fairground organ, developed in 1892, used a system of accordion-folded punched cardboard books, the player piano, first demonstrated in 1876, used a punched paper scroll that could store an long piece of music. The most sophisticated of the rolls were hand-played, meaning that the roll represented the actual performance of an individual. This technology to record a live performance onto a piano roll was not developed until 1904, piano rolls were in continuous mass production from 1896 to 2008. A1908 U. S. Supreme Court copyright case noted that, in 1902 alone, the use of piano rolls began to decline in the 1920s although one type is still being made today. The first device that could record actual sounds as they passed through the air was the phonautograph, the earliest known recordings of the human voice are phonautograph recordings, called phonautograms, made in 1857. They consist of sheets of paper with sound-wave-modulated white lines created by a stylus that cut through a coating of soot as the paper was passed under it
4.
Review
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In addition to a critical evaluation, the reviews author may assign the work a rating to indicate its relative merit. More loosely, an author may review current events, trends, a compilation of reviews may itself be called a review. The New York Review of Books, for instance, is a collection of essays on literature, culture, national Review, founded by William F. Buckley, Jr. is an influential conservative magazine, and Monthly Review is a long-running socialist periodical. A peer review is the process by which scholars or scientists assess the work of their colleagues that has been submitted for publication in the scientific or scholarly literature. In the scientific literature, review articles are a category of scientific or scholarly paper, a compilation of these reviews forms the core content of review journals. Beyond review articles in journals, a review may be found in an encyclopedia or a critical book review. In computer programming and the development process, a software review may be used. A user review refers to a written by a user or consumer for a product or a service based on her experience as a user of the reviewed product. Popular sources for consumer reviews are e-commerce sites like Amazon or Zappos, e-commerce sites often have consumer reviews for products and sellers separately. Usually, consumer reviews are in the form of lines of texts accompanied by a numerical rating. This text is meant to aid in shopping decision of a prospective buyer, a consumer review of a product usually comments on how well the product measures up to expectations based on the specifications provided by the manufacturer or seller. It talks about performance, reliability, quality defects, if any, consumer review, also called word of mouth and user generated content differs from marketer generated content in its evaluation from consumer or user point of view. Often it includes comparative evaluations against competing products, observations are factual as well as subjective in nature. Consumer review of sellers usually comment on service experienced, and dependability or trustworthiness of the seller, usually, it comments on factors such as timeliness of delivery, packaging, and correctness of delivered items, shipping charges, return services against promises made, and so on. Consumer reviews online have become a factor in business reputation and brand image due to the popularity of TripAdvisor, Yelp. An expert review usually refers to a written by someone who has tested several peer products or services to identify which offers the best value for money or the best set of features. A bought review is the system where the creator of a new product pays a reviewer to review his new product, a is a form of criticism in which a book is analyzed based on content, style, and merit. It is often carried out in periodicals, as school work and its length may vary from a single paragraph to a substantial
5.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
6.
Hardcover
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A hardcover or hardback book is one bound with rigid protective covers. It has a flexible, sewn spine which allows the book to lie flat on a surface when opened, following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk. Hardcover books are printed on acid-free paper, and are much more durable than paperbacks. Hardcover books are more costly to manufacture. If brisk sales are anticipated, an edition of a book is typically released first. Some publishers publish paperback originals if slow hardback sales are anticipated, for very popular books these sales cycles may be extended, and followed by a mass market paperback edition typeset in a more compact size and printed on shallower, less hardy paper. In the past the release of an edition was one year after the hardback. It is very unusual for a book that was first published in paperback to be followed by a hardback, an example is the novel The Judgment of Paris by Gore Vidal, which had its revised edition of 1961 first published in paperback, and later in hardcover. Hardcover books are sold at higher prices than comparable paperbacks. Hardcovers typically consist of a block, two boards, and a cloth or heavy paper covering. The pages are sewn together and glued onto a flexible spine between the boards, and it too is covered by the cloth, a paper wrapper, or dust jacket, is usually put over the binding, folding over each horizontal end of the boards. On the folded part, or flap, over the front cover is generally a blurb, the back flap is where the biography of the author can be found. Reviews are often placed on the back of the jacket, bookbinding Paperback How to make a simple Hardcover book
7.
Paperback
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A paperback is a type of book characterized by a thick paper or paperboard cover, and often held together with glue rather than stitches or staples. In contrast, hardcover or hardback books are bound with cardboard covered with cloth, inexpensive books bound in paper have existed since at least the 19th century in such forms as pamphlets, yellowbacks, dime novels, and airport novels. Modern paperbacks can be differentiated by size, in the US there are mass-market paperbacks and larger, more durable trade paperbacks. In the UK, there are A-format, B-format, and the largest C-format sizes, Paperback editions of books are issued when a publisher decides to release a book in a low-cost format. Cheaper, lower quality paper, glued bindings, and the lack of a cover may contribute to the lower cost of paperbacks. Paperbacks can be the medium when a book is not expected to be a major seller or where the publisher wishes to release a book without putting forth a large investment. Examples include many novels, and newer editions or reprintings of older books, first editions of many modern books, especially genre fiction, are issued in paperback. Best-selling books, on the hand, may maintain sales in hardcover for an extended period in order to reap the greater profits that the hardcovers provide. These paper bound volumes were offered for sale at a fraction of the historic cost of a book, the Routledges Railway Library series of paperbacks remained in print until 1898, and offered the traveling public 1,277 unique titles. The German-language market also supported examples of cheap books, Bernhard Tauchnitz started the Collection of British. These inexpensive, paperbound editions, a precursor to mass-market paperbacks. Reclam published Shakespeare in this format from October 1857 and went on to pioneer the mass-market paper-bound Universal-Bibliothek series from 10 November 1867, the German publisher Albatross Books revised the 20th-century mass-market paperback format in 1931, but the approach of World War II cut the experiment short. The first released book on Penguins 1935 list was André Maurois Ariel, Lane intended to produce inexpensive books. He purchased paperback rights from publishers, ordered large print runs to keep prices low. Booksellers were initially reluctant to buy his books, but when Woolworths placed a large order, after that initial success, booksellers showed more willingness to stock paperbacks, and the name Penguin became closely associated with the word paperback. In 1939, Robert de Graaf issued a similar line in the United States, the term pocket book became synonymous with paperback in English-speaking North America. In French, the term livre de poche was used and is still in use today, de Graaf, like Lane, negotiated paperback rights from other publishers, and produced many runs. His practices contrasted with those of Lane by his adoption of illustrated covers aimed at the North American market, in order to reach an even broader market than Lane, he used distribution networks of newspapers and magazines, which had a lengthy history of being aimed at mass audiences
8.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
9.
OCLC
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The Online Computer Library Center is a US-based nonprofit cooperative organization dedicated to the public purposes of furthering access to the worlds information and reducing information costs. It was founded in 1967 as the Ohio College Library Center, OCLC and its member libraries cooperatively produce and maintain WorldCat, the largest online public access catalog in the world. OCLC is funded mainly by the fees that libraries have to pay for its services, the group first met on July 5,1967 on the campus of the Ohio State University to sign the articles of incorporation for the nonprofit organization. The group hired Frederick G. Kilgour, a former Yale University medical school librarian, Kilgour wished to merge the latest information storage and retrieval system of the time, the computer, with the oldest, the library. The goal of network and database was to bring libraries together to cooperatively keep track of the worlds information in order to best serve researchers and scholars. The first library to do online cataloging through OCLC was the Alden Library at Ohio University on August 26,1971 and this was the first occurrence of online cataloging by any library worldwide. Membership in OCLC is based on use of services and contribution of data, between 1967 and 1977, OCLC membership was limited to institutions in Ohio, but in 1978, a new governance structure was established that allowed institutions from other states to join. In 2002, the structure was again modified to accommodate participation from outside the United States. As OCLC expanded services in the United States outside of Ohio, it relied on establishing strategic partnerships with networks, organizations that provided training, support, by 2008, there were 15 independent United States regional service providers. OCLC networks played a key role in OCLC governance, with networks electing delegates to serve on OCLC Members Council, in early 2009, OCLC negotiated new contracts with the former networks and opened a centralized support center. OCLC provides bibliographic, abstract and full-text information to anyone, OCLC and its member libraries cooperatively produce and maintain WorldCat—the OCLC Online Union Catalog, the largest online public access catalog in the world. WorldCat has holding records from public and private libraries worldwide. org, in October 2005, the OCLC technical staff began a wiki project, WikiD, allowing readers to add commentary and structured-field information associated with any WorldCat record. The Online Computer Library Center acquired the trademark and copyrights associated with the Dewey Decimal Classification System when it bought Forest Press in 1988, a browser for books with their Dewey Decimal Classifications was available until July 2013, it was replaced by the Classify Service. S. The reference management service QuestionPoint provides libraries with tools to communicate with users and this around-the-clock reference service is provided by a cooperative of participating global libraries. OCLC has produced cards for members since 1971 with its shared online catalog. OCLC commercially sells software, e. g. CONTENTdm for managing digital collections, OCLC has been conducting research for the library community for more than 30 years. In accordance with its mission, OCLC makes its research outcomes known through various publications and these publications, including journal articles, reports, newsletters, and presentations, are available through the organizations website. The most recent publications are displayed first, and all archived resources, membership Reports – A number of significant reports on topics ranging from virtual reference in libraries to perceptions about library funding
10.
Dewey Decimal Classification
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The Dewey Decimal Classification, or Dewey Decimal System, is a proprietary library classification system first published in the United States by Melvil Dewey in 1876. It has been revised and expanded through 23 major editions, the latest issued in 2011 and it is also available in an abridged version suitable for smaller libraries. It is currently maintained by the Online Computer Library Center, a cooperative that serves libraries. OCLC licenses access to a version for catalogers called WebDewey. The Decimal Classification introduced the concepts of relative location and relative index which allow new books to be added to a library in their location based on subject. Libraries previously had given books permanent shelf locations that were related to the order of acquisition rather than topic, the classifications notation makes use of three-digit Arabic numerals for main classes, with fractional decimals allowing expansion for further detail. Using Arabic numerals for symbols, it is flexible to the degree that numbers can be expanded in linear fashion to cover aspects of general subjects. A library assigns a number that unambiguously locates a particular volume in a position relative to other books in the library. The number makes it possible to find any book and to return it to its place on the library shelves. The classification system is used in 200,000 libraries in at least 135 countries, the major competing classification system to the Dewey Decimal system is the Library of Congress Classification system created by the U. S. Melvil Dewey was an American librarian and self-declared reformer and he was a founding member of the American Library Association and can be credited with the promotion of card systems in libraries and business. He developed the ideas for his classification system in 1873 while working at Amherst College library. He applied the classification to the books in library, until in 1876 he had a first version of the classification. In 1876, he published the classification in pamphlet form with the title A Classification and Subject Index for Cataloguing and Arranging the Books and he used the pamphlet, published in more than one version during the year, to solicit comments from other librarians. It is not known who received copies or how many commented as only one copy with comments has survived, in March 1876, he applied for, and received copyright on the first edition of the index. The edition was 44 pages in length, with 2,000 index entries, comprised 314 pages, with 10,000 index entries. Editions 3–14, published between 1888 and 1942, used a variant of this same title, Dewey modified and expanded his system considerably for the second edition. In an introduction to that edition Dewey states that nearly 100 persons hav contributed criticisms, one of the innovations of the Dewey Decimal system was that of positioning books on the shelves in relation to other books on similar topics
11.
Library of Congress Classification
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The Library of Congress Classification is a system of library classification developed by the Library of Congress. It is used by most research and academic libraries in the U. S. the Classification is also distinct from Library of Congress Subject Headings, the system of labels such as Boarding schools and Boarding schools—Fiction that describe contents systematically. The classification was invented by Herbert Putnam in 1897, just before he assumed the librarianship of Congress, with advice from Charles Ammi Cutter, it was influenced by his Cutter Expansive Classification, the Dewey Decimal System, and the Putnam Classification System. It was designed specifically for the purposes and collection of the Library of Congress to replace the fixed location system developed by Thomas Jefferson, by the time Putnam departed from his post in 1939, all the classes except K and parts of B were well developed. LCC has been criticized for lacking a theoretical basis, many of the classification decisions were driven by the practical needs of that library rather than epistemological considerations. Although it divides subjects into broad categories, it is essentially enumerative in nature and that is, it provides a guide to the books actually in one librarys collections, not a classification of the world. In 2007 the Wall Street Journal reported that in the countries it surveyed most public libraries, the National Library of Medicine classification system uses the initial letters W and QS–QZ, which are not used by LCC. Some libraries use NLM in conjunction with LCC, eschewing LCCs R for Medicine, others use LCCs QP–QR schedules and include Medicine R. Subclass AC – Collections. Collected works Subclass AE – Encyclopedias Subclass AG – Dictionaries and other reference works Subclass AI – Indexes Subclass AM – Museums. Collectors and collecting Subclass AN – Newspapers Subclass AP – Periodicals Subclass AS – Academies, directories Subclass AZ – History of scholarship and learning. The humanities Subclass B – Philosophy Subclass BC – Logic Subclass BD – Speculative philosophy Subclass BF – Psychology Subclass BH – Aesthetics Subclass BJ – Ethics Subclass BL – Religions, rationalism Subclass BM – Judaism Subclass BP – Islam. Seals Subclass CE – Technical Chronology, calendar Subclass CJ – Numismatics Subclass CN – Inscriptions. Former Soviet Republics – Poland Subclass DL – Northern Europe, maps Subclass GA – Mathematical geography. Cartography Subclass GB – Physical geography Subclass GC – Oceanography Subclass GE – Environmental Sciences Subclass GF – Human ecology, anthropogeography Subclass GN – Anthropology Subclass GR – Folklore Subclass GT – Manners and customs Subclass GV – Recreation. Leisure Subclass H – Social sciences Subclass HA – Statistics Subclass HB – Economic theory, demography Subclass HC – Economic history and conditions Subclass HD – Industries. Labor Subclass HE – Transportation and communications Subclass HF – Commerce Subclass HG – Finance Subclass HJ – Public finance Subclass HM – Sociology Subclass HN – Social history, Social reform Subclass HQ – The family. Marriage, Women and Sexuality Subclass HS – Societies, secret, benevolent, races Subclass HV – Social pathology. Municipal government Subclass JV – Colonies and colonization, International migration Subclass JX – International law, see JZ and KZ Subclass JZ – International relations Subclass K – Law in general
12.
Leonard Maltin
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Leonard Michael Maltin is an American film critic and historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is known as a critic for the major studios, for writing the shortest review in the U. S. Maltin was born in New York City, son of singer Jacqueline, and Aaron Isaac Maltin and he is married to researcher and producer Alice Tlusty. He has one daughter, Jessica Bennett Maltin, born in 1986, Maltin grew up in Teaneck, New Jersey, and graduated from Teaneck High School in 1968. He described his relationship with film critic Roger Ebert as friendly. Maltin began his career at age fifteen, writing for Classic Images and editing and publishing his own fanzine, Film Fan Monthly. After earning a degree at New York University, Maltin went on to publish articles in a variety of film journals, newspapers. In the 1970s Maltin also reviewed recordings in the jazz magazine, starting May 29,1982, Maltin for 30 years was the movie reviewer on the syndicated television series Entertainment Tonight. He also appears on the Starz cable network, and hosted his own syndicated program, Leonard Maltin on Video. Maltin currently hosts a show called Secrets Out on ReelzChannel movie network. He also spearheaded the creation of the Walt Disney Treasures collectible DVD line in 2001, Maltin appeared on Pyramid twice as a celebrity player, in 1987 on the CBS $25,000 version, and in 1991 on the John Davidson version. He also appeared on Super Password as a celebrity guest in 1988, in the mid-1990s, Maltin became the president of the Los Angeles Film Critics Association and is on the Advisory Board of the Hollywood Entertainment Museum. For nearly a decade, Maltin was also on the faculty of the New School for Social Research in New York City and he currently teaches in the School of Cinematic Arts at the University of Southern California. The statement had appeared in print in Maltins annual movie guide for nearly 25 years before Maltin publicly apologized for the error, Maltin currently hosts The Maltin Minute for DirecTV customers. He also wrote the introduction for The Complete Peanuts, 1983–1984, in 1990, he took a look at the MGM years of The Three Stooges in a film called The Lost Stooges, available on a made-to-order DVD through the Warner Archive Collection. He was the host of Treasures From the Disney Vault on Turner Classic Movies and his own gigantic form was reminiscent of Ultraman with his initials on his chest. He also appeared as himself in Gremlins 2, The New Batch and this was spoofed in the Mad magazine parody of Gremlins 2. He also made an appearance on the cartoon show Freakazoid, where he voiced himself, only to be abducted by monsters
13.
Leonard Maltin's Movie Guide
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Leonard Maltins Movie Guide was a book-format collection of movie capsule reviews that began in 1969, was updated biennially after 1978, and then annually after 1986. The final edition was published in September 2014 and it was originally called TV Movies, which became Leonard Maltins TV Movies and Video Guide, and then Leonard Maltins Movie and Video Guide, before arriving at its final title. Film critic Leonard Maltin edited it and contributed a portion of its reviews. The book used a rating system. The lowest rating was BOMB, followed by one and a half stars, the sole exception to this was Naked Gun 33⅓, The Final Insult, which was rated with two and one third stars out of four, referencing the films title. Made-for-television films were included in the guides for many years, though in the early 2000s. All had been removed by the early 2010s, and no TV movies made after 2004 were included in new editions. Certain theatrically-released films, as well as the majority of films based on Edgar Wallace novels, were removed from the guide over time to allow the inclusion of new titles. Another notable feature of the Guide was that each included a reference to the source material for the film if it was based on previously published material. Films were listed alphabetically letter-by-letter, ignoring punctuation and spaces, articles were also ignored and transposed to the end of the title. The Guide was notable for containing what the Guinness Book of World Records calls the worlds shortest movie review and his 2 out of 4 star review of the 1948 musical Isnt It Romantic. Another very short review concerned the film Scooby-Doo 2, Monsters Unleashed where Maltin wrote, yet another was of Are Husbands Necessary. in which he wrote And what about this film. And one more right behind these is Police Academy 4, Citizens On Patrol where, in comparing it to the installments, he commented, More of the same. The first edition of Maltins book appeared in 1969, an edition appeared five years later. After a third in 1978 new editions appeared every two years, and after 1986 every year, the latter category includes the complete Saturday matinee cowboy programmers of John Wayne, William Hopalong Cassidy Boyd, Gene Autry and Roy Rogers. The second edition of the Classic Movie Guide, published in 2010, besides Scheuers Movies on TV, similar books include Halliwells Film Guide, by Leslie Halliwell, and The Good Film and Video Guide, by David Shipman. Scheuers guide was the first published, in 1958, preceding Maltins by ten years, Scheuers books had a similar format to Maltins, except with more listings for made-for-television productions. These are not the customers for a physical paperback reference book
14.
Robert Christgau
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Robert Thomas Christgau is an American essayist, music journalist, and self-proclaimed Dean of American Rock Critics. One of the earliest professional rock critics, he spent 37 years as the music critic and senior editor for The Village Voice. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and is a visiting arts teacher at New York University. Christgau is known for his terse capsule reviews, first published in his Consumer Guide columns during his tenure at The Village Voice from 1969 to 2006 and he has written three books based on those columns, along with two collections of essays. He continued writing capsule reviews in MSN Music, Cuepoint, Christgau was born in Greenwich Village and grew up in Queens, the son of a fireman. He has said he became a rock and roll fan when disc jockey Alan Freed moved to the city in 1954. After attending a school in New York City, he left New York for four years to attend Dartmouth College. While at college his musical interests turned to jazz, but he returned to rock after moving back to New York. Christgau has said that Miles Davis 1960 album Sketches of Spain initiated in him one phase of the disillusionment with jazz that resulted in my return to rock and he was deeply influenced by New Journalism writers such as Gay Talese and Tom Wolfe. My ambitions when I went into journalism were always, to an extent, literary, Christgau initially wrote short stories, before giving up fiction in 1964 to become a sportswriter, and later, a police reporter for the Newark Star-Ledger. He became a writer after a story he wrote about the death of a woman in New Jersey was published by New York magazine. He was asked to take over the dormant music column at Esquire, after Esquire discontinued the column, Christgau moved to The Village Voice in 1969, and he also worked as a college professor. In early 1972, he accepted a job as music critic for Newsday. Christgau returned to the Village Voice in 1974 as music editor and he remained there until August 2006, when he was fired shortly after the papers acquisition by New Times Media. Two months later, Christgau became an editor at Rolling Stone. Late in 2007, Christgau was fired by Rolling Stone, although he continued to work for the magazine for three months. Starting with the March 2008 issue, he joined Blender, where he was listed as senior critic for three issues and then contributing editor, Christgau had been a regular contributor to Blender before he joined Rolling Stone. He continued to write for Blender until the magazine ceased publication in March 2009, in 1987, he was awarded a Guggenheim Fellowship in the field of Folklore and Popular Culture to study the history of popular music
15.
The Village Voice
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The Village Voice is an American news and culture paper, known for being the countrys first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher and Norman Mailer, since its founding, The Village Voice has received three Pulitzer Prizes, the National Press Foundation Award and the George Polk Award. Among news sources, The Village Voice is known for its combination of news reporting and arts & culture coverage. The Village Voice has hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry. In addition to daily coverage through its website and a print edition that circulates in New York City. In the 1960s the offices were located at Sheridan Square, then, from the 70s through 1980, at 11th Street and University Place, in 1991 they moved to Cooper Square in the East Village, and in 2013, to the Financial District. John Wilcock wrote a column every week for the papers first ten years, another regular from that period was the cartoonist Kin Platt, who did weekly theatrical caricatures. Other prominent regulars have included Peter Schjeldahl, Ellen Willis, Tom Carson, Wayne Barrett, the Voice has published investigations of New York City politics, as well as reporting on national politics, with arts, culture, music, dance, film, and theater reviews. Writers for the Voice have received three Pulitzer Prizes, in 1981,1986 and 2000, almost since its inception the paper has recognized alternative theater in New York through its Obie Awards. The papers Pazz & Jop music poll, started by Robert Christgau in the early 1970s, is released annually, in 1999, film critic J. Hoberman and film section editor Dennis Lim began a similar Village Voice Film Poll for the year in film. In 2001 the paper sponsored its first music festival, Siren Festival, in 2011, the event moved to the lower tip of Manhattan and re-christened the 4knots Music Festival, a reference to the speed of the East Rivers current. Today, the Voice is known for its support for the civil rights of gays. However, early in its history, the newspaper had a reputation as having an anti-homosexuality slant, while reporting on the Stonewall riots of 1969, the newspaper referred to the riots as The Great Faggot Rebellion. Two reporters, Smith and Truscott, both used the words faggot and dyke in their articles about the riots, the newspaper changed their policy after the GLF petitioned the newspaper to do so. Over time, the Voice has changed its stance, and in 1982, as a testament to the Voices popularity in New York City, the paper is mentioned in the musical Rent during the song La Vie Boheme. The line states To riding your bike midday past the three suits, to fruits, to no absolutes, to Absolut, to choice, to The Village Voice. Seventeen alternative weeklies around the United States are owned by the Voices parent company Village Voice Media, in 2005, the Phoenix alternative weekly chain New Times Media purchased the company and took the Village Voice Media name. After The Village Voice was acquired by New Times Media in 2005, the Voice was then managed by two journalists from Phoenix, Arizona
16.
Phonolog
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Phonolog or PhonoLog was a recorded music directory that listed artists, currently available albums, and songs, focusing on popular music. Each directory contained thousands of pages and listings —11,000 titles as of 1968. A nearly complete volume are on file with the Library of Congress for historical songwriter, album, PhonoLog filled a valuable reference niche by cross-referencing. For example, a store clerk was able to help a customer looking for a particular song by searching the Title section for the song name. Similarly, a looking for an album who could not remember the singer could easily be assisted. If the album was stocked in the store, it could easily be retrieved, if not, the label information provided the store enough information to order either through their corporate system, through their preferred one-stop supplier, or even directly from the label. Lawyers and business managers researched whether other recording artists were using the name to avoid confusion and cease and desist orders. Artists used the title and album sections to monitor their copyright usage as well. Labels used the free listing service to reach a broader market, new releases traditionally arrived to stores on Tuesdays. PhonoLog was first published in 1948 in Los Angeles, and was maintained through periodic updates called the Phonolog Reporter, Phonolog Publishing Co. of Los Angeles was its publisher in the 1970s. Muze now offers a music database called MuzeMusic. PhonoLog Reporter has largely overtaken by CDs and the Internet. There is also a CD distributed by Billboard magazine with hundreds of thousands of entries
17.
Lenny Bruce
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Leonard Alfred Schneider, better known by his stage name Lenny Bruce, was a Jewish-American stand-up comedian, social critic, satirist, and screenwriter. He was renowned for his open, free-style and critical form of comedy which integrated satire, politics, religion, sex, and vulgarity. His 1964 conviction in an obscenity trial was followed by a posthumous pardon and he paved the way for future outspoken counterculture-era comedians, and his trial for obscenity is seen as a landmark for freedom of speech in the United States. In 2017, Rolling Stone magazine ranked him third on its list of the 50 best stand-up comics of all time, Lenny Bruce was born Leonard Alfred Schneider in Mineola, New York, grew up in nearby Bellmore, and attended Wellington C. His parents divorced when he was five years old, and Lenny lived with relatives over the next decade. His British-born father, Myron Schneider, was a shoe clerk, Bruces mother, Sally Marr, was a stage performer and had an enormous influence on Bruces career. In May 1945, after a performance for his shipmates in which he was dressed in drag. He defiantly convinced his ships medical officer that he was experiencing homosexual urges and this led to his dishonorable discharge in July 1945. However, he had not admitted to or been found guilty of any breach of naval regulations, by reason of unsuitability for the naval service. In 1959, while taping the first episode of Hugh Hefners Playboys Penthouse, Bruce talked about his Navy experience, after a short stint in California spent living with his father, Bruce settled in New York City, hoping to establish himself as a comedian. However, he found it difficult to differentiate himself from the thousands of other showbusiness hopefuls who populated the city, One locale where they congregated was Hansons, the diner where Bruce first met the comedian Joe Ancis, who had a profound influence on his approach to comedy. Many of Bruces later routines reflected his meticulous schooling at the hands of Ancis, according to Bruces biographer Albert Goldman, Ancis humor involved stream-of-consciousness sexual fantasies and references to jazz. Lenny took the stage as Lenny Marsalle one evening at the Victory Club and his ad-libs earned him some laughs. Soon afterward, in 1947, just after changing his last name to Bruce, he earned $12, in 1956 Frank Ray Perilli, a fellow nightclub comedian who eventually became a screenwriter of two dozen successful films and plays, became a mentor and part-time manager of Lenny Bruce. Through Perilli, Bruce met and collaborated with photojournalist William Karl Thomas on three screenplays, none of which made it to the screen, and the material on the first three albums. These albums were compiled and re-released as The Lenny Bruce Originals. Two later records were produced and sold by Bruce himself, including a 10-inch album of the 1961 San Francisco performances that started his legal troubles. Starting in the late 1950s, other unissued Bruce material was released by Alan Douglas, Frank Zappa and Phil Spector, as well as Fantasy
18.
Lord Buckley
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Lord Richard Buckley was an American stage performer, recording artist and monologist, who in the 1940s and 1950s created a character that was, according to The New York Times, an unlikely persona. Part English royalty, part Dizzy Gillespie, michael Packenham, writing in The Baltimore Sun, described him as a magnificent stand-up comedian. Buckleys work, his presence, projected the sense that lifes most immortal truths lie in the inextricable weaving together of love. Bob Dylan, in his book Chronicles, said Buckley was the hipster bebop preacher who defied all labels, Buckleys father, William Buckley, was from Manchester, England. He stowed away on a ship that arrived in San Francisco. In California, William met Annie Bone and they married, and their son, Richard, was born in Tuolumne, California, in a mountainous region where lumbering was a major industry. As children, Buckley and his sister, Nell, would perform on the streets of Tuolumne. When he was a bit older, Buckley got a job in the lumber camps as a tree topper. It involved climbing up to the top of a tall tree, cutting off the tip. Buckley is referred to as an ex-lumberjack, by the mid-1930s, he was performing as emcee in Chicago at Leo Seltzers dance marathons at the Chicago Coliseum, and worked his own club, Chez Buckley, on Western Avenue through the early 1940s. During World War II, Buckley performed extensively for armed services on USO tours, in the 1950s, Buckley hit his stride with a combination of his exaggeratedly aristocratic bearing and carefully enunciated rhythmic hipster slang. Occasionally performing to music, he punctuated his monologues with scat singing and his most significant tracks are retelling of historical or legendary events, like My Own Railroad and The Nazz. The latter, first recorded in 1952, describes Jesus working profession as carpenter kitty, other historical figures include Gandhi and the Marquis de Sade. He retold several classic documents such as the Gettysburg Address and a version of Edgar Allan Poes The Raven, in Mark Antonys Funeral Oration, he recast Shakespeares Friends, Romans, countrymen, lend me your ears as Hipsters, flipsters and finger-poppin daddies, knock me your lobes. Reportedly, some of his material was written for him by Hollywood beatnik Mel Welles. Lord Buckley appeared on Groucho Marxs popular TV programme You Bet Your Life in 1956, in 1959, he voiced the beatnik character Go Man Van Gogh in Wildman of Wildsville, an episode of the Bob Clampett animated series Beany and Cecil. Buckley adopted his hipsemantic from his peers Cab Calloway, Louis Armstrong, Redd Foxx, Pearl Mae Bailey, Count Basie, and Frank Sinatra, as well as Hipsters and the British aristocracy. He wrote reports of his first experiences with LSD, under the supervision of Dr. Oscar Janiger, the card was necessary to appear in nightclubs, and cards were often withheld for political reasons, and as a way to solicit payoffs
19.
Bill Cosby
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William Henry Bill Cosby, Jr. is an American stand-up comedian, actor, author, and singer. Cosbys start in comedy began at the hungry i in San Francisco and was followed by his landing a starring role in the 1960s television show I Spy. He was also a regular on the television series The Electric Company during the shows first two seasons. Throughout the 1970s, Cosby starred in a number of films, after attending Temple University in the 1960s, he received his bachelors degree there in 1971. In 1973, he received a degree from the University of Massachusetts Amherst. His dissertation discussed the use of Fat Albert and the Cosby Kids as a tool in elementary schools. The sitcom highlighted the experiences and growth of an affluent African-American family, Cosby has been the subject of publicized sexual assault allegations since about 2000. He surrendered to authorities on December 30,2015, and was released on $1 million bail, Cosby is scheduled to go on trial on or before June 5,2017. Cosby was born on July 12,1937 in Philadelphia, Pennsylvania and he is one of four sons of Anna Pearl, a maid, and William Henry Cosby Sr. who served as a mess steward in the U. S. Navy. During much of Cosbys early childhood, his father was away in the U. S. armed forces, as a student, he described himself as a class clown. Cosby was the captain of both the team and the track and field team at Mary Channing Wister Public School in Philadelphia. Early on, though, teachers noted his propensity for clowning around rather than studying, at FitzSimons Junior High School, Cosby began acting in plays as well as continuing his devotion to playing sports. Cosby went on to Philadelphias Central High School, a magnet and academically rigorous university prep school where he played football, basketball, baseball, and ran track. In addition, Cosby was working before and after school, selling produce, shining shoes and he transferred to Germantown High School, but failed the tenth grade. Instead of repeating, he got a job as an apprentice at a repair shop, which he liked. In 1956, Cosby enlisted in the Navy, serving at the Marine Corps Base Quantico, Virginia, Naval Station Argentia, Newfoundland and at the Bethesda Naval Hospital in Maryland. During his four years in the Navy, Cosby served as a Hospital Corpsman working in therapy with Navy. He finished his equivalency diploma via correspondence courses and was awarded a track, there, he studied physical education while running track and playing fullback on the universitys football team
20.
The Firesign Theatre
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The Firesign Theatre was an American comedy troupe comprising Phil Austin, Peter Bergman, David Ossman, and Philip Proctor. Their brand of humor is best known through their record albums. The troupe began as live performers in Los Angeles on radio stations KPPC-FM. The groups name stems in part from astrology, because the membership encompasses all three signs, Aries, Leo, and Sagittarius. The Firesign approach to comedy was influenced by The Goon Show. All four original Firesign members have spoken of their admiration for this show, said Ossman, We all listened to The Goon Show, Peter Sellers, Spike Milligan and Harry Secombe, at various times in our lives. We heard a lot of those shows and they impressed us when we started doing radio ourselves, because they sustained characters in a really surreal and weird kind of situation for a long period of time. They were doing that show for 10 years, all the way through the 1950s, so we were just listening to them at the end. It was that madness and the ability to go anywhere and do anything, while their stream of consciousness style has the feel of improvisational comedy, most of the material is tightly scripted and memorized. The groups writing method demands the consent of all four members before a line can be included, much of their work has been copyrighted under the name 4 or 5 Krazy Guys. In September 1967, The Firesign Theatre performed an adaptation of Jorge Luis Borges short story La Muerte y La Brujula on Radio Free Oz, Columbia Records staff producer Gary Usher used the Firesign Theatres audio collages on songs by The Byrds and Sagittarius in 1967 and 1968. Between September 9,1970 and February 17,1971, they performed a live series, produced by Bill McIntyre. These live programs were recorded and then edited slightly shorter shows which were syndicated to radio stations across the country on 12 LP albums. The group later collected what they considered the best segments from the series for their fifth album, in 1972 and 1974, Straight Arrow Press, Rolling Stones book publishing arm, published two books authored by the Firesign Theatre. Apocalypse Papers, also authored by the group and published by a press, was limited to an edition of only 500 copies. In 1996, Peter Bergman began placing radio-show-like comedy sound bites on his own Internet-based comedy radio station, the show will be the Internets funny bone, Bergman said. In 1996, a game written by Peter Bergman, Pyst. In 2008, the Firesign Theatre released a boxed set based on their most famous character
21.
Spike Jones
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Lindley Armstrong Spike Jones was an American musician and bandleader specializing in satirical arrangements of popular songs. Ballads and classical works receiving the Jones treatment were punctuated with gunshots, whistles, cowbells and outlandish and comedic vocals. From the early 1940s to the mid-1950s, Jones and his band recorded under the title Spike Jones and his City Slickers and toured the United States, Jones father was a Southern Pacific railroad agent. Young Lindley Jones got his nickname by being so thin that he was compared to a railroad spike, at age 11 he got his first set of drums. As a teenager he played in bands that he formed himself, Jones first band was called Spike Jones, a railroad restaurant chef taught him how to use pots and pans, forks, knives and spoons as musical instruments. Jones frequently played in pit orchestras. In the 1930s he joined the Victor Young orchestra and got many offers to appear on shows, including Al Jolsons Lifebuoy Program, Burns and Allen. Jones became bored playing the music each night with the orchestras. He found other like-minded musicians and they began playing parodies of songs for their own entertainment. The musicians wanted their wives to share their enjoyment, so they recorded their weekly performances, one of the recordings made its way into the hands of an RCA Victor executive, who offered the musicians a recording contract. The City Slickers first record was Der Fuehrers Face, the records success inspired Jones to become the bands leader. He initially thought the popularity the record brought them would fade, however, audiences kept asking for more, so Jones started working on more comic arrangements. From 1937 to 1942, Jones was the percussionist for the John Scott Trotter Orchestra and he was part of a backing band for songwriter Cindy Walker during her early recording career with Decca Records and Standard Transcriptions. Her song Were Gonna Stomp Them City Slickers Down provided the inspiration for the name of Jones’s future band, the City Slickers developed from the Feather Merchants, a band led by vocalist-clarinetist Del Porter, who took a back seat to Jones during the groups embryonic years. They made experimental records for the Cinematone Corporation and performed publicly in Los Angeles, original members included vocalist-violinist Carl Grayson, banjoist Perry Botkin, trombonist King Jackson and pianist Stan Wrightsman. The band signed a contract with RCAs budget-priced Bluebird label in 1940. They recorded extensively for the company until 1955 and they also starred in various radio programs and in their own NBC and CBS television shows from 1954 to 1961. Peter James and Paul Mousie Garner were former members of Ted Healys stage act on Broadway, James joined Healy for a two-year run in the Shubert revue A NIGHT IN SPAIN where he worked alongside Shemp Howard and Larry Fine
22.
Richard Pryor
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Richard Franklin Lennox Thomas Pryor was an American stand-up comedian, social critic, and actor. Pryor was known for uncompromising examinations of racism and topical contemporary issues and he reached a broad audience with his trenchant observations and storytelling style. Dave Chappelle said of Pryor, You know those, like and he was the dude walking upright. Richard was the highest evolution of comedy and this legacy can be attributed, in part, to the unusual degree of intimacy Pryor brought to bear on his comedy. As Bill Cosby reportedly once said, Richard Pryor drew the line between comedy and tragedy as thin as one could possibly paint it. Pryors body of work includes the concert movies and recordings, Richard Pryor, Live & Smokin, Bicentennial Nigger, Richard Pryor, Live in Concert, Richard Pryor, Live on the Sunset Strip, and Richard Pryor, Here and Now. As an actor, he starred mainly in comedies such as Silver Streak and he collaborated on many projects with actor Gene Wilder. Another frequent collaborator was actor/comedian/writer Paul Mooney, Pryor won an Emmy Award and five Grammy Awards. In 1974, he won two American Academy of Humor awards and the Writers Guild of America Award. The first-ever Kennedy Center Mark Twain Prize for American Humor was presented to him in 1998 and he was listed at Number 1 on Comedy Centrals list of all-time greatest stand-up comedians. In 2017, Rolling Stone magazine ranked him first on its list of the 50 best stand-up comics of all time, many comedians have stated that the late Patrice ONeal was the only comic who came close to achieving Pryors stage presence. Pryor and ONeals discussions on race and gender is considered by many prominent stand-ups to be some of the best material performed in stand-up history. Born on December 1,1940 in Peoria, Illinois, Richard Franklin Lennox Thomas Pryor grew up in his grandmothers brothel and his father, LeRoy Buck Carter Pryor, was a former boxer and hustler. After his alcoholic mother abandoned him when he was 10, Pryor was raised primarily by his grandmother Marie Carter, Pryor was one of four children raised in his grandmothers brothel and was sexually abused at age seven. He was expelled from school at the age of 14 and his first professional performance was playing drums at a night club. Pryor served in the U. S. Army from 1958 to 1960, according to a 1999 profile about Pryor in The New Yorker, Pryor was incarcerated for an incident that occurred while stationed in Germany. Angered that a soldier was overly amused at the racially charged sections of Douglas Sirks movie Imitation of Life, Pryor and some other black soldiers beat and stabbed him. In 1963, Pryor moved to New York City and began performing regularly in clubs alongside performers such as Bob Dylan, on one of his first nights, he opened for singer and pianist Nina Simone at New Yorks Village Gate
23.
Folk music
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Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is applied to music older than that. Some types of music are also called world music. Traditional folk music has been defined in several ways, as music transmitted orally, music with unknown composers and it has been contrasted with commercial and classical styles. Starting in the century, a new form of popular folk music evolved from traditional folk music. This process and period is called the revival and reached a zenith in the 1960s. This form of music is called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times and this type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. Even individual songs may be a blend of the two, a consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions and they are extensions of the term folklore, which was coined in 1846 by the English antiquarian William Thoms to describe the traditions, customs, and superstitions of the uncultured classes. Traditional folk music also includes most indigenous music, however, despite the assembly of an enormous body of work over some two centuries, there is still no certain definition of what folk music is. Some do not even agree that the term Folk Music should be used, Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of old songs, with no known composers, the fashioning and re-fashioning of the music by the community that give it its folk character. Such definitions depend upon processes rather than abstract musical types, one widely used definition is simply Folk music is what the people sing. For Scholes, as well as for Cecil Sharp and Béla Bartók, Folk music was already. seen as the authentic expression of a way of life now past or about to disappear, particularly in a community uninfluenced by art music and by commercial and printed song. In these terms folk music may be seen as part of a schema comprising four types, primitive or tribal, elite or art, folk. Music in this genre is often called traditional music. Although the term is only descriptive, in some cases people use it as the name of a genre
24.
Carter Family
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The Carter Family was a traditional American folk music group that recorded between 1927 and 1956. Their music had a impact on bluegrass, country, Southern Gospel, pop. They were the first vocal group to become music stars. Their recordings of such as Wabash Cannonball, Can the Circle Be Unbroken, Wildwood Flower, Keep On the Sunny Side. The original group consisted of Alvin Pleasant A. P. Delaney Carter, his wife Sara Dougherty Carter, Maybelle was married to A. P. s brother Ezra Carter, and was also Saras first cousin. All three were born and raised in southwestern Virginia, where they were immersed in the harmonies of mountain gospel music. Maybelles distinctive guitar playing became a hallmark of the group. The Carter Family made their first recordings on August 1,1927, a. P. had persuaded Sara and Maybelle the day before to make the journey from Maces Spring, Virginia, to Bristol, Tennessee, to audition for record producer Ralph Peer. Peer was seeking new talents for the relatively embryonic recording industry, the initial sessions are part of what are now called the Bristol Sessions. The band received $50 for each song recorded, plus half a cent royalty on every copy sold of each song for which they had registered a copyright. On November 4,1927, the Victor Talking Machine Company released a double-sided 78 rpm record of the group performing Wandering Boy, on December 2,1928, Victor released The Storms Are on the Ocean / Single Girl, Married Girl, which became very popular. By the end of 1930 they had sold 300,000 records in the United States. Realizing that he would benefit financially with each new song he collected and copyrighted, A. P. traveled around the southwestern Virginia area in search of new songs, in the early 1930s, he befriended Lesley Esley Riddle, a black guitar player from Kingsport, Tennessee. Lesley accompanied A. P. on his song-collecting trips, in June 1931, the Carters did a recording session in Benton, Kentucky, along with Jimmie Rodgers. In 1933, Maybelle met the Speer family at a fair in Ceredo, West Virginia and she asked them to tour with the Carter Family. In the winter of 1938–39 the Carter Family traveled to Texas, in the fall of 1942 the Carters moved their program to WBT radio in Charlotte, North Carolina, for a one-year contract. They occupied the slot, with the program airing between 5,15 and 6,15 a. m. By 1936 A. P. and Saras marriage had dissolved, Sara married A. P. s cousin, Coy Bayes, moved to California, and the group disbanded in 1944
25.
Woody Guthrie
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He frequently performed with the slogan This machine kills fascists displayed on his guitar. His best-known song is This Land Is Your Land, many of his recorded songs are archived in the Library of Congress. Throughout his life Guthrie was associated with United States Communist groups, Guthrie was married three times and fathered eight children, including American folk musician Arlo Guthrie. Guthrie died from complications of Huntingtons disease, a genetic neurological disorder. Guthrie was born in Okemah, a town in Okfuskee County, Oklahoma. His parents named him after Woodrow Wilson, then Governor of New Jersey, Charles Guthrie was an industrious businessman, owning at one time up to 30 plots of land in Okfuskee County. He was actively involved in Oklahoma politics and was a conservative Democratic candidate for office in the county, when Charles was making stump speeches, he would often be accompanied by his son. Charles Guthrie was involved in the 1911 lynching of Laura and Lawrence Nelson, Woody Guthrie wrote three songs about the event and said that his father, Charles, was later a member of the revived Ku Klux Klan. Guthries early family life was affected by fires, including one that caused the loss of his familys home in Okemah. His sister Clara later died in a fire when Guthrie was seven. Guthries mother, Nora, was afflicted with Huntingtons disease, although the family did not know this at the time and it leads to dementia as well as muscular degeneration. She was eventually committed to the Oklahoma Hospital for the Insane, judging from the circumstances of her fathers death by drowning, researchers suspect that George Sherman suffered from the same hereditary disease. When Nora Guthrie was institutionalized, Woody Guthrie was 14 and his father Charley was living and working in Pampa, Texas, to repay his debts from unsuccessful real estate deals. Woody and his siblings were on their own in Oklahoma, they relied on their eldest brother Roy for support, the 14-year-old Woody Guthrie worked odd jobs around Okemah, begging meals and sometimes sleeping at the homes of family friends. According to one story, Guthrie befriended an African-American blues harmonica player named George, before long, Guthrie bought his own harmonica and began playing along with him. In another interview 14 years later, Guthrie claimed he learned how to play harmonica from a friend, John Woods. He seemed to have an affinity for music and easily learned to play by ear. He began to use his musical skills around town, playing a song for a sandwich or coins, Guthrie easily learned old ballads and traditional English & Scots songs from the parents of friends
26.
Lead Belly
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Huddie William Ledbetter /ˈhjuːdi/ was an American folk and blues musician notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced. He is best known as Lead Belly, though many releases list him as Leadbelly, he himself wrote it as Lead Belly, which is also the spelling on his tombstone and the spelling used by the Lead Belly Foundation. Lead Belly usually played a guitar, but he also played the piano, mandolin, harmonica, violin. In some of his recordings he sang while clapping his hands or stomping his foot. Lead Bellys songs covered a range, including gospel music, blues about women, liquor, prison life, and racism, and folk songs about cowboys, prison, work, sailors, cattle herding. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, Jack Johnson, Lead Belly was inducted into the Rock and Roll Hall of Fame in 1988 and the Louisiana Music Hall of Fame in 2008. Lead Belly was born Huddie William Ledbetter on the Jeter Plantation near Mooringsport, Louisiana, the 1900 United States Census lists Hudy Ledbetter as 12 years old, born January 1888, and the 1910 and 1930 censuses also give his age as corresponding to a birth in 1888. The 1940 census lists his age as 51, with supplied by wife. However, in April 1942, when Ledbetter filled out his World War II draft registration, he gave his date as January 23,1889. His grave marker bears the date given on his draft registration, Ledbetter was the younger of two children born to Wesley Ledbetter and Sallie Brown. The pronunciation of his name is purported to be HYEW-dee or HUGH-dee and he can be heard pronouncing his name as HUH-dee on the track Boll Weevil, from the Smithsonian Folkways album Lead Belly Sings for Children. His parents had cohabited for several years, but they married on February 26,1888. When Huddie was five years old, the family settled in Bowie County, by 1903, Huddie was already a musicianer, a singer and guitarist of some note. He performed for nearby Shreveport audiences in St. Pauls Bottoms, the 1910 census of Harrison County, Texas, shows Hudy Ledbetter living next door to his parents with his first wife, Aletha Lethe Henderson. Aletha is registered as age 19 and married one year, others say she was 15 when they married in 1908. It was in Texas that Ledbetter received his first instrument, an accordion from his uncle Terrell, by his early twenties, having fathered at least two children, Ledbetter left home to make his living as a guitarist and occasional laborer. Influenced by the sinking of the Titanic in April 1912, Ledbetter wrote the song The Titanic, his first composed on the twelve-string guitar, which later became his signature instrument. Initially played when performing with Blind Lemon Jefferson in and around Dallas, Texas, Johnson had in fact been denied passage on a ship for being black, but it was not the Titanic
27.
Bluegrass music
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Bluegrass music is a form of American roots music, and a related genre of country music. Settlers from Britain and Ireland arrived in Appalachia during the 18th century and these traditions consisted primarily of English and Scottish ballads—which were essentially unaccompanied narrative—and dance music, such as Irish reels, which were accompanied by a fiddle. Many older bluegrass songs come directly from the British Isles, several Appalachian bluegrass ballads, such as Pretty Saro, Barbara Allen, Cuckoo Bird and House Carpenter, come from England and preserve the English ballad tradition both melodically and lyrically. Others, such as The Two Sisters, also come from England, however, some bluegrass fiddle songs popular in Appalachia, such as Leather Britches, and Pretty Polly, have Scottish roots. The dance tune Cumberland Gap may be derived from the tune that accompanies the Scottish ballad Bonnie George Campbell and this is in contrast to old-time music, in which all instruments play the melody together or one instrument carries the lead throughout while the others provide accompaniment. Breakdowns are often characterized by rapid tempos and unusual instrumental dexterity, there are three major subgenres of bluegrass and one unofficial subgenre. Traditional bluegrass has musicians playing folk songs, tunes with traditional chord progressions, progressive bluegrass groups may use electric instruments and import songs from other genres, particularly rock & roll. Examples include Cadillac Sky and Bearfoot, another subgenre, Bluegrass gospel uses Christian lyrics, soulful three- or four-part harmony singing, and sometimes the playing of instrumentals. Bluegrass music has attracted a following worldwide. Bluegrass pioneer Bill Monroe characterized the genre as, Scottish bagpipes and its Methodist and Holiness and Baptist. Its blues and jazz, and it has a high lonesome sound, unlike mainstream country music, bluegrass is traditionally played on acoustic stringed instruments. The fiddle, five-string banjo, guitar, mandolin, and upright bass are often joined by the resonator guitar and this instrumentation originated in rural dance bands and is the basis on which the earliest bluegrass bands were formed. The guitar is now most commonly played with a style referred to as flatpicking, unlike the style of bluegrass guitarists such as Lester Flatt. Banjo players often use the three-finger picking style made popular by such as Don Reno. Fiddlers frequently play in thirds and fifths, producing a sound that is characteristic to the bluegrass style, bassists almost always play pizzicato, occasionally adopting the slap-style to accentuate the beat. A bluegrass bass line is generally a rhythmic alternation between the tonic and dominant of each chord, with walking bass excursions. Instrumentation has been a topic of debate. Traditional bluegrass performers believe the correct instrumentation is used by Bill Monroes band
28.
Bill Monroe
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William Smith Monroe was an American mandolinist, singer, and songwriter who created the style of music known as bluegrass. Because of this he is referred to as the Father of Bluegrass. The genre takes its name from his band, the Blue Grass Boys, Monroes performing career spanned 69 years as a singer, instrumentalist, composer and bandleader. Monroe was born on his familys farm near Rosine, Kentucky and his mother and her brother, Pendleton Pen Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Because his older brothers Birch and Charlie already played the fiddle and guitar and he recalled that his brothers insisted he should remove four of the mandolins eight strings so he would not play too loudly. Monroes mother died when he was ten, followed by his six years later. This experience inspired one of Monroes most famous compositions, Uncle Pen, recorded in 1950, on that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Uncle Pen has been credited with giving Monroe a repertoire of tunes that sank into Bills aurally trained memory, also significant in Monroes musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues. In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, together with a friend Larry Moore, they formed the Monroe Brothers, to play at local dances and house parties. RCA Victor signed the Monroe Brothers to a contract in 1936. They scored a hit single with the gospel song What Would You Give in Exchange For Your Soul. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted Old Hickory to become one of the members of his Blue Grass Boys. In October 1939, Monroe successfully auditioned for a spot on the Grand Ole Opry. Hay with his performance of Jimmie Rodgerss Mule Skinner Blues. While the fast tempos and instrumental virtuosity characteristic of music are apparent even on these early tracks. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers, a 1945 session for Columbia Records featured an accordion, soon dropped from the band
29.
Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
30.
The Meters
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The Meters are an American funk band based in New Orleans, Louisiana. The band performed and recorded their own music from the late 1960s until 1977, the band played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, and Dr. John. The Meters acted as the band for Allen Toussaints New Orleans soul classics of the 1960s and are responsible for bringing New Orleans second line grooves into popular music. The Meters sound is defined by a combination of tight melodic grooves and highly syncopated New Orleans second-line rhythms under highly charged guitar. Their songs Cissy Strut and Look-Ka Py Py are considered funk classics, Art Neville, the groups frontman, launched a solo career around the New Orleans area in the mid-1950s while still in high school. The Meters formed in 1965 with a line-up of keyboardist and vocalist Art Neville, guitarist Leo Nocentelli, bassist George Porter Jr. and they were later joined by percussionist-vocalist Cyril Neville. The Meters became the band for Allen Toussaint and his record label. In 1969 the Meters released Sophisticated Cissy and Cissy Strut, both major R&B chart hits, Look-Ka Py Py and Chicken Strut were their hits the following year. After a label shift in 1972, the Meters had difficulty returning to the charts, in 1975 Paul McCartney invited the Meters to play at the release party for his Venus and Mars album aboard the Queen Mary in Long Beach, California. Mick Jagger of The Rolling Stones was in attendance at the event and was taken with the Meters. The Rolling Stones invited the band to open for them on their Tour of the Americas 75 and that same year, the Meters recorded one of their most successful albums, Fire on the Bayou. From 1976 to 77 they played in The Wild Tchoupitoulas with George and Amos Landry, Art and Cyril Neville left the band in early 1977, but The Meters still appeared on Saturday Night Live on March 19,1977, during the shows second season. After the Nevilles departure, David Batiste, Sr. took over on keyboards while Willie West joined as the lead singer. Porter left the later that year and by 1980 The Meters had officially broken up. In 1989 Art Neville, George Porter Jr. and Leo Nocentelli reunited as The Meters, when Nocentelli left the group in 1994 they replaced him with guitarist Brian Stoltz, formerly of The Neville Brothers and renamed themselves The Funky Meters. They were referred to as the Funky Meters as early as 1989 and they were billed as such when playing in a tiny venue at Bordeaux & Camp Street behind Le Bon Temps Roule. The Funky Meters continued to play into the 2000s with Stoltz being replaced by Art Nevilles son, Ian Neville, Stoltz returned to the band permanently in 2011. In June 2011 The Original Meters along with Allen Toussaint and Dr. John played the Bonnaroo Music and Arts Festival in Manchester, the six men performed Dr. Johns album Desitively Bonnaroo which was originally recorded with the Meters, to a sold out crowd
31.
Parliament (band)
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Parliament is a funk band most prominent during the 1970s. Both Parliament and its sister act, Funkadelic, are led by George Clinton, Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, Clinton was the group leader and manager. The group finally had a hit single in 1967 with Testify on Revilot Records, with Funkadelic as a recording and touring entity in its own right, in 1970 Clinton relaunched the singing group, now known as Parliament, at first featuring the same ten members. Clinton was now the leader of two different acts, Parliament and Funkadelic, which featured the members but were marketed as creating two different types of funk. The Parliament album entitled Osmium was released on Invictus Records in 1970, Osmium featured a mostly psychedelic soul sound that was more similar to the Funkadelic albums of the period than to the later Parliament albums. The song The Breakdown was released separately as a single, due to continuing contractual problems and the fact that Funkadelic releases were more successful at the time, Clinton abandoned the name Parliament until 1974. Dozens of singers and musicians would contribute to future Parliament-Funkadelic releases, Clinton relaunched Parliament in 1974 and signed the act to Casablanca Records. By this point, Parliament and Funkadelic were touring as an entity known as Parliament-Funkadelic or simply P-Funk. The album Up for the Down Stroke was released in 1974, both performed strongly on the Billboard R&B charts and were moderately successful on the Pop charts. Parliament began its period of greatest mainstream success with the concept album Mothership Connection, Parliament scored the #1 R&B singles Flash Light in 1977 and Aqua Boogie in 1978. The rapidly expanding ensemble of musicians and singers in the Parliament-Funkadelic enterprise, as well as Clintons problematic management practices, other important group members like singer/guitarist Glenn Goins and drummer Jerome Brailey left Parliament-Funkadelic in 1978 after disputes over Clintons management. Two further Parliament albums, Gloryhallastoopid and Trombipulation were less successful than the albums from the groups prime 1975-1978 period, however, many of the musicians in later versions of the two groups remained employed by Clinton. Clinton continued to release new albums regularly, sometimes under his own name, the P-Funk All-Stars continued to record and tour into the 1990s and 2000s, and regularly perform classic Parliament songs. Liner notes to Music For Your Mother by Rob Bowman,1992, Parliament discography, forum, and marketplace at Discogs
32.
Reggae
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Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern music of Jamaica and its diaspora. A1968 single by Toots and the Maytals Do the Reggay was the first popular song to use the word reggae, effectively naming the genre, Reggae usually relates news, social gossip, and political comment. Reggae spread into a commercialized jazz field, being known first as ‘Rudie Blues’, then ‘Ska’, later ‘Blue Beat’ and it is instantly recognizable from the counterpoint between the bass and drum downbeat, and the offbeat rhythm section. The immediate origins of reggae were in ska and rock steady, from the latter, stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento, calypso, African music, as well as other genres. One of the most easily recognizable elements is offbeat rhythms, staccato chords played by a guitar or piano on the offbeats of the measure, the tempo of reggae is usually slower than ska but faster than rocksteady. The concept of call and response can be found throughout reggae music, the genre of reggae music is led by the drum and bass. The bass guitar often plays the dominant role in reggae, the bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The guitar in reggae usually plays on the off beat of the rhythm and it is common for reggae to be sung in Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love. Reggae has spread to countries across the world, often incorporating local instruments. Reggae en Español spread from the mainland South America countries of Venezuela, Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, and there have been a number of European artists and bands drawing their inspiration directly from Jamaica, Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of income, the 1967 edition of the Dictionary of Jamaican English lists reggae as a recently estab. Sp. for rege, as in rege-rege, a word that can mean either rags, ragged clothing or a quarrel, a row. Reggae as a term first appeared in print with the 1968 rocksteady hit Do the Reggay by The Maytals which named the genre of Reggae for the world. Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae into reggae, however, Toots Hibbert said, Theres a word we used to use in Jamaica called streggae. If a girl is walking and the look at her and say Man, shes streggae it means she dont dress well
33.
Toots and the Maytals
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Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rock steady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music, frontman Toots Hibberts soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone. Their 1968 single Do the Reggay, was the first song to first use the word reggae, naming the genre and introducing it to a global audience. As Island Records founder Chris Blackwell says, “The Maytals were unlike anything else. sensational, raw and dynamic. ”Frederick Toots Hibbert, the frontman of the group, was born in May Pen, Clarendon, Jamaica, in 1945, the youngest of seven children. He grew up singing gospel music in a choir and moved to Kingston in the late 1950s. The first instrumentalist members added to the group included Jackie Jackson, Hux Brown, Rad Bryan, in November 2016, Jackie Jackson described the formation of the group in a radio interview for Kool 97 FM Jamaica. Accompanied by Paul Douglas and Radcliffe Dougie Bryan in studio, Jackson explained, “We’re all original members of Toots, first it was Toots and the Maytals, three guys, Toots, Raleigh, and Jerry. …And then they were signed to Island Records, Chris Blackwell, and we were their recording band. One day we were summoned to Chris’ house, and he says, “Alright gentleman, I think it’s time. This Toots and the Maytals looks like going to be a big thing”. By this time he had already signed Bob, so in his camp, Island Records, there was Toots and the Maytals / Bob Marley, we were talking about reggae is going international now. We kept on meeting and he decided that the band that back all of the songs. So everything came under Toots and the Maytals, and then we hit the road in 1975. we were the opening act for the Eagles, Linda Ronstadt, and Jackson Browne. We were the act for The Who for about two weeks. ”The Maytals first had chart success recording for producer Clement Coxsone Dodd at Studio One. With musical backing from Dodds house band, the Skatalites, the Maytals close-harmony gospel singing ensured success, overshadowing Dodds other up-and-coming vocal group, the Wailers. After staying at Studio One for about two years, the group moved on to do sessions for Prince Buster before recording with Byron Lee in 1966, with Lee, the Maytals won the first-ever Jamaican Independence Festival Popular Song Competition with their original song Bam Bam. The groups musical career was interrupted in late 1966 when Hibbert was jailed for 18 months for possession of marijuana and he stated that he was not arrested for ganja, but while bailing a friend. Hibbert reportedly wrote 54-46 Thats My Number about his time in jail, following Hibberts release in 1967, the Maytals began working with the Chinese Jamaican producer Leslie Kong, a collaboration which yielded a string of hits throughout the late 1960s and early 1970s
34.
Peter Tosh
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Peter Tosh, OM was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the members of the band The Wailers, after which he established himself as a successful solo artist. He was baptized by Ethiopian Orthodox Church and he was murdered in 1987 during a home invasion. Tosh was born in Westmoreland, the westernmost parish of Jamaica and he was abandoned by his parents and shuffled among relatives. When McIntosh was fifteen, his aunt died and he moved to Trench Town in Kingston and he first picked up a guitar by watching a man in the country play a song that captivated him. He watched the man play the song for half a day. He then picked up the guitar and played the back to the man. The man then asked McIntosh who had him to play. During the early 1960s Tosh met Robert Nesta Marley and Neville OReilly Livingston and went to vocal teacher Joe Higgs and he then changed his name to become Peter Tosh and the trio started singing together in 1962. Higgs taught the trio to harmonize and while developing their music, in 1964 Tosh helped organize the band The Wailing Wailers, with Junior Braithwaite, a falsetto singer, and backup singers Beverley Kelso and Cherry Smith. Initially, Tosh was the one in the group who could play musical instruments. According to Bunny Wailer, Tosh was critical to the band because he was a self-taught guitarist and keyboardist, and thus became an inspiration for the other band members to learn to play. The Wailing Wailers had a major ska hit with their first single, Simmer Down, Marley spent much of 1966 in Delaware in the United States with his mother, Cedella Marley-Booker, and for a brief time was working at a nearby Chrysler factory. He then returned to Jamaica in early 1967 with a renewed interest in music, Tosh and Bunny were already Rastafarians when Marley returned from the U. S. and the three became very involved with the Rastafari faith. Soon afterwards, they renamed the musical group The Wailers, Tosh would explain later that they chose the name Wailers because to wail means to mourn or to, as he put it. express ones feelings vocally. He also claims that he was the beginning of the group, the latter claim may very well be true, for according to Bunny Wailer, the early Wailers learned to play instruments from Tosh. Rejecting the up-tempo dance of ska, the band slowed their music to a rocksteady pace, the collaboration had given birth to reggae music and later, bassist Aston Family Man Barrett and his brother, drummer Carlton Barrett would join the group in 1970. The band signed a contract with Chris Blackwell and Island Records company and released their debut, Catch a Fire, in 1973
35.
The Andrews Sisters
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The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters, contralto LaVerne Sophia, soprano Maxene Angelyn, and mezzo-soprano Patricia Marie Patty, throughout their long career, the sisters sold well over 75 million records. Their 1941 hit Boogie Woogie Bugle Boy can be considered an example of rhythm. The Andrews Sisters harmonies and songs are still today, and have been covered by entertainers such as Bette Midler, Christina Aguilera, Pentatonix. The group was inducted into the Vocal Group Hall of Fame in 1998, writing for Bloomberg, Mark Schoifet said the sisters became the most popular female vocal group of the first half of the 20th century. They are still widely acclaimed today for their famous close harmonies, the sisters were born to Peter Andreos and Olga, their father was Greek and their mother Norwegian-American of the Lutheran faith. Following the collapse of their fathers Minneapolis restaurant, the sisters went on the road to support the family and they started their career as imitators of an earlier successful singing group, the Boswell Sisters who were popular in the 1930s. They followed this success with a string of best-selling records over the two years and they became a household name by the 1940s. Instrumental to the success over the years were their parents, their orchestra leader and musical arranger, Vic Schoen, and Jack and David Kapp. During World War II they entertained the Allied forces extensively in America, Africa and Italy, visiting Army, Navy, Marine and Coast Guard bases, war zones, hospitals, and munitions factories. They encouraged U. S. citizens to war bonds with their rendition of Irving Berlins song Any Bonds Today. While touring, they often treated three random servicemen to dinner when they were dining out. I. An ad in the 1951 Radio Annual showed photos of the Andrews as children, as singers, and as old women in the then-future year of 1975, sadly. In the 1950s, Patty Andrews decided to break away from the act to be a soloist and she had married the trios pianist, Walter Weschler, who then became the groups manager and demanded more money for Patty. Patty attributed the breakup to the deaths of their parents, We had been nearly all our lives. Then in one year our dream world ended and our mother died and then our father. All three of us were upset, and we were at each others throats all the time, in 1951, they recorded The Windmill Song which is an adaptation of the French song Maître Pierre written in 1948 by Henri Betti and Jacques Plante. The English lyrics were written by Mitchell Parish, the Andrews Sisters formally broke up in 1953
36.
Tony Bennett
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Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under the name Anthony Benedetto that are on permanent public display in several institutions and he is the founder of the Frank Sinatra School of the Arts in Astoria, Queens, New York. Born and raised in Astoria to an Italian-American family, Bennett began singing at an early age and he fought in the final stages of World War II as a U. S. Army infantryman in the European Theater. Afterward, he developed his technique, signed with Columbia Records and had his first number-one popular song with Because of You in 1951. Several top hits such as Rags to Riches followed in the early 1950s and he then refined his approach to encompass jazz singing. He reached a peak in the late 1950s with albums such as The Beat of My Heart and Basie Swings. In 1962, Bennett recorded his song, I Left My Heart in San Francisco. His career and his personal life experienced a downturn during the height of the rock music era. Bennett staged a comeback in the late 1980s and 1990s, putting out gold record albums again and he has won 19 Grammy Awards and two Emmy Awards, and was named an NEA Jazz Master and a Kennedy Center Honoree. He has sold over 50 million records worldwide, Anthony Dominick Benedetto was born on August 3,1926, in Astoria, Queens, New York, to grocer John Benedetto and seamstress Anna Suraci. In 1906, John had emigrated from Podàrgoni, an eastern district of the southern Italian city of Reggio Calabria. Anna had been born in the U. S. shortly after her parents emigrated from the Calabria region in 1899. Other relatives came over as well as part of the migration of Italians to America. Tony grew up with a sister, Mary, and an older brother. With a father who was ailing and unable to work, the children grew up in poverty, John Sr. instilled in his son a love of art and literature and a compassion for human suffering, but died when Tony was 10 years old. The experience of growing up in the Great Depression and a distaste for the effects of the Hoover Administration would make the child a lifelong Democrat. Young Tony grew up listening to Al Jolson, Eddie Cantor, Judy Garland, and Bing Crosby as well as artists such as Louis Armstrong, Jack Teagarden. His Uncle Dick was a tap dancer in vaudeville, giving him a window into show business
37.
Perry Como
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Pierino Ronald Perry Como was an American singer and television personality. During a career spanning more than half a century, he recorded exclusively for RCA Victor for 44 years after signing with the label in 1943, Mr. C. as he was nicknamed, sold millions of records for RCA and pioneered a musical variety television show. Como was seen weekly on television from 1949 to 1963, then continued hosting the Kraft Music Hall variety program monthly until 1967 and his television shows and seasonal specials were broadcast throughout the world. Also a popular recording artist, Perry Como released numerous hit records from the 1940s through the 1970s, Comos appeal spanned generations and he was universally respected for both his professional standards and the conduct in his personal life. Como was born in Canonsburg, Pennsylvania and he was the seventh of ten children and the first American-born child of Pietro Como and Lucia Travaglini, who both emigrated to the US in 1910 from the Abruzzese town of Palena, Italy. He did not begin speaking English until he entered school, since the Comos spoke Italian at home. The family had a second-hand organ his father had bought for $3, as soon as Como was able to toddle, he would head to the instrument, pump the bellows, and play music he had heard by ear. Pietro, a hand and an amateur baritone, had all his children attend music lessons even if he could barely afford them. He showed more talent in his teenage years as a trombone player in the towns brass band, playing guitar, singing at weddings. Como was a member of the Canonsburg Italian Band along with the father of singer Bobby Vinton, bandleader Stan Vinton, young Como started helping his family at age 10, working before and after school in Steve Fragapanes barber shop for 50¢ a week. By age 13, he had graduated to having his own chair in the Fragapane barber shop and it was also around this time that young Como lost his weeks wages in a dice game. Filled with shame, he locked himself in his room and did not come out until hunger got the better of him and he managed to tell his father what had happened to the money his family depended on. His father told him he was entitled to make a mistake, when Perry was 14, his father became unable to work because of a severe heart condition. Como and his brothers became the support of the household, despite his musical ability, Comos primary ambition was to become the best barber in Canonsburg. Practicing on his father, young Como mastered the skills well enough to have his own shop at age 14. One of Comos regular customers at the shop owned a Greek coffee house that included a barber shop area. Como had so much work after moving to the coffee house and his customers worked mainly at the nearby steel mills. They were well-paid, did not mind spending money on themselves, Perry did especially well when one of his customers would marry
38.
Bing Crosby
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Harry Lillis Bing Crosby, Jr. was an American singer and actor. The first multimedia star, from 1931 to 1954 Crosby was a leader in sales, radio ratings. His early career coincided with technical recording innovations such as the microphone and this allowed him to develop a laid-back, intimate singing style that influenced many of the popular male singers who followed him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Also in 1948, the Music Digest estimated that Crosby recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music, in 1963, Crosby received the first Grammy Global Achievement Award. He is one of only 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, Crosby influenced the development of the postwar recording industry. He became the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. In addition to his work with early tape recording, he helped to finance the development of videotape, bought television stations, bred racehorses, Crosby died at the age of 74 on October 14,1977, from a sudden heart attack in Alcobendas, Spain. Crosby was born on May 2,1903 in Tacoma, Washington, in 1906, Crosbys family moved to Spokane, and in 1913, Crosbys father built a house at 508 E. Sharp Avenue. The house now sits on the campus of Crosbys alma mater Gonzaga University and he was the fourth of seven children, brothers Larry, Everett, Ted, and Bob, and two sisters, Catherine and Mary Rose. His parents were Harry Lowe Crosby, Sr. a bookkeeper, Crosbys mother was a second generation Irish-American. In 1910, seven-year-old Harry Crosby Jr. was forever renamed, the Sunday edition of the Spokesman-Review published a feature called The Bingville Bugle. Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter filled with gossipy tidbits, minstrel quips, creative spelling, and mock ads. A neighbor, 15-year-old Valentine Hobart, shared Crosbys enthusiasm for The Bugle, and noting Crosbys laugh, took a liking to him, eventually, the last vowel was dropped and the nickname stuck. Crosby later described Jolsons delivery as electric, Crosby graduated from Gonzaga High School in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years, but did not earn a bachelors degree, as a freshman, he played on the universitys baseball team. The university granted him a doctorate in 1937. In 1923, Crosby was invited to join a new band composed of school students a few years younger than himself. Al Rinker, Miles Rinker, James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, the group performed on Spokane radio station KHQ, but disbanded after two years
39.
Peggy Lee
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Peggy Lee was an American jazz and popular music singer, songwriter, composer, and actress, in a career spanning six decades. From her beginning as a vocalist on radio to singing with Benny Goodmans big band, she forged a sophisticated persona, evolving into a multi-faceted artist. During her career, she wrote music for films, acted and she and her family were Lutherans. Her father was Swedish-American and her mother was Norwegian-American, after her mother died when Lee was four, her father married Min Schaumber. Lee first sang professionally over KOVC radio in Valley City, North Dakota and she later had her own series on a radio show sponsored by a local restaurant that paid her a salary in food. Both during and after her school years, Lee sang for small sums on local radio stations. Radio personality Ken Kennedy, of WDAY in Fargo, North Dakota, Lee left home and traveled to Los Angeles at the age of 17. She returned to North Dakota for a tonsillectomy and was noticed by hotel owner Frank Bering while working at the Doll House in Palm Springs and it was here that she developed her trademark sultry purr – having decided to compete with the noisy crowd with subtlety rather than volume. Beringin offered her a gig at The Buttery Room, a nightclub in the Ambassador Hotel East in Chicago, There, she was noticed by bandleader Benny Goodman. According to Lee, Bennys then-fiancée, Lady Alice Duckworth, came into The Buttery, so the next evening she brought Benny in, because they were looking for a replacement for Helen Forrest. And although I didnt know, I was it and he was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didnt like me at first, but it just was that he was preoccupied with what he was hearing and she joined his band in 1941 and stayed for two years. In 1942 Lee had her first No.1 hit, Somebody Else Is Taking My Place, which sold over a million copies and made her famous. She sang with Goodmans orchestra in two 1943 films, Stage Door Canteen and The Powers Girl, in March 1943 Lee married Dave Barbour, a guitarist in Goodmans band. Lee said, David joined Bennys band and there was a ruling that no one should fraternize with the girl singer, but I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too, Benny and I made up, although David didnt play with him anymore. Its to Mr. Barbours credit that he refused to let his wifes singing and composing talent lay dormant for too long, I fell in love with David Barbour, she recalled. But Why Dont You Do Right was such a giant hit that I kept getting offers, and at that time it was a lot of money
40.
Lawrence Welk
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Lawrence Welk was an American musician, accordionist, bandleader, and television impresario, who hosted the television program The Lawrence Welk Show from 1951 to 1982. His style came to be known to his audience of radio, television. Welk was born in the German-speaking community of Strasburg, North Dakota and he was sixth of the eight children of Ludwig and Christiana Welk, ethnic Germans who emigrated to America in 1892 from Odessa, Russian Empire. Lawrence Welk was a first cousin, once removed, of former Montana governor Brian Schweitzer, Welks grandparents, Moritz and Magdalena Welk, emigrated in 1808 from Alsace-Lorraine to Ukraine. The family lived on a homestead that is now a tourist attraction and they spent the cold North Dakota winter of their first year inside an upturned wagon covered in sod. Growing up speaking German and English, Welk left school during fourth grade to work full-time on the family farm, any money he made elsewhere during that time, doing farmwork or performing, would go to his family. On his 21st birthday, having fulfilled his promise to his father, during the 1920s, he performed with various bands before starting his own orchestra. He led big bands in North Dakota and eastern South Dakota and these included the Hotsy Totsy Boys and later the Honolulu Fruit Gum Orchestra. His band was also the band for the popular radio station WNAX in Yankton. In 1927, he graduated from the MacPhail School of Music in Minneapolis, during the 1930s, Welk led a traveling big band that specialized in dance tunes and sweet music. Initially, the band traveled around the country by car and they were too poor to rent rooms, so they usually slept and changed clothes in their cars. The term champagne music was derived from an engagement at the William Penn Hotel in Pittsburgh, the hotel also lays claim to the original bubble machine, a prop left over from a 1920s movie premiere. Welk described his bands sound, saying, We still play music with the champagne style and we place the stress on melody, the chords are played pretty much the way the composer wrote them. We play with a beat so that dancers can follow it. Welks big band performed across the country but particularly in the Chicago, in the early 1940s, the band began a 10-year stint at the Trianon Ballroom in Chicago, regularly drawing crowds of nearly 7,000. His orchestra also performed frequently at the Roosevelt Hotel in New York City during the late 1940s, in 1944 and 1945, Welk led his orchestra in many motion picture Soundies, considered to be the early pioneers of music videos. Welk collaborated with Western artist Red Foley to record a version of Spade Cooleys Shame on You in 1945, the record was number 4 to Cooleys number 5 on Billboards September 15 Most Played Juke Box Folk Records listing. From 1949 through 1951, the band had its own radio program on ABC, sponsored by Miller High Life
41.
Frank Sinatra
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Francis Albert Sinatra was an American singer, actor, and producer who was one of the most popular and influential musical artists of the 20th century. He is one of the music artists of all time. Born in Hoboken, New Jersey, to Italian immigrants, Sinatra began his career in the swing era with bandleaders Harry James. Sinatra found success as a solo artist after he signed with Columbia Records in 1943 and he released his debut album, The Voice of Frank Sinatra, in 1946. Sinatras professional career had stalled by the early 1950s, and he turned to Las Vegas and his career was reborn in 1953 with the success of From Here to Eternity, with his performance subsequently winning an Academy Award and Golden Globe Award for Best Supporting Actor. Sinatra released several critically lauded albums, including In the Wee Small Hours, Come Fly with Me, Only the Lonely and Nice n Easy. Sinatra left Capitol in 1960 to start his own label, Reprise Records. It was followed by 1968s collaboration with Duke Ellington, using his Las Vegas shows as a home base, he toured both within the United States and internationally until a short time before his death in 1998. Sinatra forged a successful career as a film actor. After winning an Academy Award for From Here to Eternity, he starred in The Man with the Golden Arm and he appeared in various musicals such as On the Town, Guys and Dolls, High Society, and Pal Joey, winning another Golden Globe for the latter. Toward the end of his career, he associated with playing detectives. Sinatra would later receive the Golden Globe Cecil B, on television, The Frank Sinatra Show began on ABC in 1950, and he continued to make appearances on television throughout the 1950s and 1960s. While Sinatra never formally learned how to read music, he had a natural, intuitive understanding of it, a perfectionist, renowned for his impeccable dress sense and cleanliness, he always insisted on recording live with his band. His bright blue eyes earned him the popular nickname Ol Blue Eyes, Sinatra led a colorful personal life, and was often involved in turbulent affairs with women, such as with his second wife Ava Gardner. He went on to marry Mia Farrow in 1966 and Barbara Marx in 1976, Sinatra had several violent confrontations, usually with journalists he felt had crossed him, or work bosses with whom he had disagreements. He was honored at the Kennedy Center Honors in 1983, was awarded the Presidential Medal of Freedom by Ronald Reagan in 1985, Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award. After his death, American music critic Robert Christgau called him the greatest singer of the 20th century, Francis Albert Sinatra was born on December 12,1915, in an upstairs tenement at 415 Monroe Street in Hoboken, New Jersey. He was the child of Italian immigrants Antonino Martino Marty Sinatra
42.
Nat King Cole
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Nathaniel Adams Coles, known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his baritone voice, performing in big band and jazz genres. Cole was one of the first African Americans to host a television variety show. His recordings remained popular worldwide after his death from cancer in February 1965. Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17,1919 and he had three brothers—Eddie, Ike, and Freddy —and a half-sister, Joyce Coles. Each of his brothers pursued careers in music, when Nat was four years old, he and his family moved to North Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Nat learned to play the organ from his mother, Perlina Coles and his first performance was of Yes. We Have No Bananas at the age of four and he began formal lessons at 12 and eventually learned not only jazz and gospel music but also Western classical music, he performed from Johann Sebastian Bach to Sergei Rachmaninoff. The family again moved to the Bronzeville neighborhood of Chicago, where he attended Wendel Phillips High School, Cole would sneak out of the house and hang around outside clubs, listening to artists such as Louis Armstrong, Earl Hines and Jimmie Noone. He participated in Walter Dyetts renowned music program at DuSable High School, inspired by the performances of Hines, Cole began his performing career in the mid-1930s while still a teenager, adopting the name Nat Cole. Cole left Chicago in 1936 to lead a band in a revival of Eubie Blakes revue Shuffle Along and his older brother, Eddie, a bass player, soon joined Coles band, and they made their first recording in 1936, under Eddies name. They also were regular performers in clubs, Cole acquired his nickname, King, performing at one jazz club, a nickname presumably reinforced by the otherwise unrelated nursery rhyme about Old King Cole. He was also a pianist in a tour of Shuffle Along. When it suddenly failed in Long Beach, California, Cole decided to remain there and he later returned to Chicago in triumph to play such venues as the Edgewater Beach Hotel.00 per week. The trio played in Failsworth through the late 1930s and recorded many radio transcriptions for Capitol Transcriptions, Cole was the pianist and also the leader of the combo. Radio was important to the King Cole Trios rise in popularity and their first broadcast was with NBCs Blue Network in 1938. It was followed by performances on NBCs Swing Soiree, in the 1940s, the trio appeared on the radio shows Old Gold, The Chesterfield Supper Club and Kraft Music Hall. The King Cole Trio performed twice on CBS Radios variety show The Orson Welles Almanac in 1944, according to legend, Coles singing career did not start until a drunken barroom patron demanded that he sing Sweet Lorraine
