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The Swimming Hole
The Dying Gaul, Capitoline Museums, Rome. This Hellenistic work of the late third century BC is believed to have been a source for the reclining figur
The Dying Gaul, Capitoline Museums, Rome. This Hellenistic work of the late third century BC is believed to have been a source for the reclining figure on the far left of the painting.
Frédéric Bazille. Scène d'été, 1869, oil on canvas, 62+1⁄4 × 62+1⁄2 in (158 × 159 cm), Fogg Art Museum, Cambridge, Massachusetts. Eakins may have seen
Frédéric Bazille. Scène d'été, 1869, oil on canvas, 62+1⁄4 × 62+1⁄2 in (158 × 159 cm), Fogg Art Museum, Cambridge, Massachusetts. Eakins may have seen this painting while studying in Paris.
Thomas Eakins. Arcadia, 1883, 38+5⁄8 × 45 in (98 × 114 cm), oil on canvas, The Metropolitan Museum of Art. Like The Swimming Hole, this painting shows
Thomas Eakins. Arcadia, 1883, 38+5⁄8 × 45 in (98 × 114 cm), oil on canvas, The Metropolitan Museum of Art. Like The Swimming Hole, this painting shows the influence of a classical conceit.
Max Schmitt in a Single Scull
Detail of Schmitt. Note the riggers.
Detail of Schmitt. Note the riggers.
Schuylkill River Rowing Course (1872)
Schuylkill River Rowing Course (1872)
Max Schmitt (circa 1871)
Max Schmitt (circa 1871)