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The Swimming Hole
The Swimming Hole
The Dying Gaul, Capitoline Museums, Rome. This Hellenistic work of the late third century BC is believed to have been a source for the reclining figur
The Dying Gaul, Capitoline Museums, Rome. This Hellenistic work of the late third century BC is believed to have been a source for the reclining figure on the far left of the painting.
Frédéric Bazille. Scène d'été, 1869, oil on canvas, 62+1⁄4 × 62+1⁄2 in (158 × 159 cm), Fogg Art Museum, Cambridge, Massachusetts. Eakins may have seen
Frédéric Bazille. Scène d'été, 1869, oil on canvas, 62+1⁄4 × 62+1⁄2 in (158 × 159 cm), Fogg Art Museum, Cambridge, Massachusetts. Eakins may have seen this painting while studying in Paris.
Thomas Eakins. Arcadia, 1883, 38+5⁄8 × 45 in (98 × 114 cm), oil on canvas, The Metropolitan Museum of Art. Like The Swimming Hole, this painting shows
Thomas Eakins. Arcadia, 1883, 38+5⁄8 × 45 in (98 × 114 cm), oil on canvas, The Metropolitan Museum of Art. Like The Swimming Hole, this painting shows the influence of a classical conceit.
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Eakins' 1902 Self portrait, now housed at the National Academy of Design in New York City
Eakins' 1902 Self portrait, now housed at the National Academy of Design in New York City
A young Thomas Eakins at age six
A young Thomas Eakins at age six
Thomas Eakins House at 1729 Mount Vernon Street, Philadelphia. Benjamin Eakins, his father, added the 4th floor in 1874 as a studio for his son.
Thomas Eakins House at 1729 Mount Vernon Street, Philadelphia. Benjamin Eakins, his father, added the 4th floor in 1874 as a studio for his son.
Max Schmitt in a Single Scull (1871), now housed in the Metropolitan Museum of Art in New York City
Max Schmitt in a Single Scull (1871), now housed in the Metropolitan Museum of Art in New York City