1.
USC Trojans
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The USC Trojans are the athletic teams that represent the University of Southern California in Los Angeles, California. While the mens teams are nicknamed the Trojans, the athletic teams are referred to as either the Trojans or Women of Troy. The program participates in the Pac-12 Conference and has won 125 team national championships,103 of which are NCAA National Championships, USCs cross-town rival is UCLA, with whom there is fierce athletic and scholastic competition. However, USCs rivalry with Notre Dame predates the UCLA rivalry by three years, the Notre Dame rivalry stems mainly from the annual football game played between these two universities and is considered the greatest intersectional rivalry in college football. USC sponsors teams in ten mens and thirteen womens NCAA sanctioned sports, * = Beach volleyball is a fully sanctioned NCAA sport which had its first national championship in the spring of 2016. The Trojans have won 125 team national championships,103 of which are NCAA National Championships and this is the third highest count of all universities behind UCLA with 113 and Stanford with 112. The Trojan men have won 97 national championships, more than any other University, the Women of Troy have earned 28 national championships, third in the nation. The Trojans won at least 1 national team title in 26 consecutive years, USC won the National College All-Sports Championship an annual ranking by USA Today of the country’s top athletic programs —6 times since its inception in 1971. Four Trojans have won the prestigious James E. Sullivan Award as the top athlete in America, diver Sammy Lee, shot putter Parry O’Brien. Two Trojans have won the Honda-Broderick Cup as the top collegiate woman athlete of the year, Cheryl Miller, and Trojan women have won 8 Honda Awards, as the top female athlete in their sport. USC has a reputation and long tradition of nurturing Olympic athletes, from the 1904 Summer Olympics through the 2014 winter games,422 Trojan athletes have competed in the Games, taking home 135 gold medals,88 silver and 65 bronze. For instance, USCs three womens water polo 2012 gold medalists count as 3 medals by this method, whereas silver medalist Spain only counts one medal, USC has won 103 NCAA team national championships. USC won USLTA team titles in 1977 and 1978, a December 1998 SPORT magazine ranking listed USC as the No.4 all-time college football program of the 20th century. In 2009 ESPN ranked USC the second best program in football history. The USC Football team has been voted National Champions 11 times, USC is also known for its Heisman Trophy winners. USC is second in Heisman winners at 7, three of the four Heisman winners from 2002 to 2005 were Trojans - Carson Palmer in 2002, Matt Leinart in 2004 and Reggie Bush in 2005. Four other Trojan tailbacks have won the coveted Heisman Trophy as college football’s outstanding player, Mike Garrett in 1965, O. J. Simpson in 1968, Charles White in 1979 and Marcus Allen in 1981. Also notable, USC has 12 players in the Pro Football Hall of Fame, USCs record against opponents from the old Pac-10 is 367–153–29, and the Trojans have winning records against all nine other members
2.
Euripides
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Euripides was a tragedian of classical Athens. He is one of the few plays have survived, with the others being Aeschylus, Sophocles. Some ancient scholars attributed 95 plays to him but according to the Suda it was 92 at most, of these,18 or 19 have survived more or less complete and there are also fragments, some substantial, of most of the other plays. This new approach led him to pioneer developments that later writers adapted to comedy, yet he also became the most tragic of poets, focusing on the inner lives and motives of his characters in a way previously unknown. He was also unique among the writers of ancient Athens for the sympathy he demonstrated towards all victims of society and his contemporaries associated him with Socrates as a leader of a decadent intellectualism, both of them being frequently lampooned by comic poets such as Aristophanes. Whereas Socrates was eventually put on trial and executed as an influence, Euripides chose a voluntary exile in old age. Recent scholarship casts doubt on ancient biographies of Euripides, for example, it is possible that he never visited Macedonia at all, or, if he did, he might have been drawn there by King Archelaus with incentives that were also offered to other artists. Upon the receipt of a saying that his son was fated to win crowns of victory. In fact the boy was destined for a career on the stage and he served for a short time as both dancer and torch-bearer at the rites of Apollo Zosterius. His education was not confined to athletics, he studied painting and philosophy under the masters Prodicus. He had two marriages and both his wives—Melite and Choerine —were unfaithful. He became a recluse, making a home for himself in a cave on Salamis, there he built an impressive library and pursued daily communion with the sea and sky. Eventually he retired to the court of King Archelaus in Macedonia. However, as mentioned in the introduction, biographical details such as these should be regarded with scepticism and this biography is divided into three sections corresponding to the three kinds of sources. The apocryphal account that he composed his works in a cave on Salamis island was a late tradition, much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didnt live to see the final defeat of his city. In an account by Plutarch, the failure of the Sicilian expedition led Athenians to trade renditions of Euripides lyrics to their enemies in return for food. Tragic poets were often mocked by comic poets during the dramatic festivals Dionysia and Lenaia, Aristophanes scripted him as a character in at least three plays, The Acharnians, Thesmophoriazusae and The Frogs. Yet Aristophanes borrowed rather than just satirized some of the methods, he was once ridiculed by a colleague, Cratinus, as a hair-splitting master of niceties
3.
Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
4.
Cassandra
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Cassandra, also known as Alexandra or Kassandra, was a daughter of King Priam and of Queen Hecuba of Troy in Greek mythology. In modern usage her name is employed as a device to indicate someone whose accurate prophecies are not believed by those around them. In an alternative version, she fell asleep in a temple, Cassandra became a figure of epic tradition and of tragedy. Hjalmar Frisk notes unexplained etymology, citing various hypotheses found in Wilhelm Schulze, Edgar Howard Sturtevant, J. Davreux, R. S. P. Beekes cites García Ramóns derivation of the name from the Proto-Indo-European root *kend- raise. Cassandra was the daughter of King Priam and Queen Hecuba and the twin sister of Helenus. According to legend, Cassandra had dark curly hair and dark brown eyes and was both beautiful and clever, but considered insane. However, her perceived insanity is the result of being cursed by the god Apollo, many versions of the myth relate that she incurred the gods wrath by refusing him sex, sometimes after first promising herself in exchange for the power of prophecy. Hyginus says, In another version, Cassandra consented to have sex with Apollo in exchange for the gift of prophecy and her punishment was the curse of never being believed. In some versions of the myth, Apollo curses her by spitting into her mouth during a kiss, in Aeschylus Agamemnon, she foretells the betrayal of Clytemnestra. She also bemoans her relationship with Apollo, Cassandra had served as a priestess of Apollo and her cursed gift from Apollo became a source of endless pain and frustration to Cassandra. Cassandra was seen as a liar and a madwoman by her family, in some versions of the story, she was often locked up in a pyramidal building on the citadel on her father King Priam’s orders. She was accompanied there by the wardress who cared for her under orders to inform the King of all of his daughters prophetic utterances. She was driven insane by this in the versions where she was incarcerated, though in the versions where she was not. According to legend, Cassandra had instructed her twin brother Helenus in the power of prophecy so he could be a prophet, like her, Helenus was always correct whenever he had made his predictions, but unlike his sister, people believed him. Cassandra made many predictions, with all of her prophecies being disbelieved except for one and she was believed when she foresaw who Paris was and proclaimed that he was her abandoned brother. This took place after he had sought refuge in the altar of Zeus from their brothers’ wrath, Cassandra foresaw that Paris’ abduction of Helen for his wife would bring about the Trojan War and cause the destruction of Troy. She did warn Paris not to go to Sparta along with Helenus who echoed her prophecy, Cassandra saw Helen coming into Troy at Paris return home from Sparta. She furiously snatched away Helens golden veil and tore at her hair, for she had foreseen that Helens arrival would bring the calamities of the Trojan War, the Trojan people, however, welcomed Helen into their city
5.
Helen of Troy
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In Greek mythology, Helen of Troy, also known as Helen of Sparta, or simply Helen, was the daughter of Zeus and Leda, and was a sister of Castor, Pollux, and Clytemnestra. In Greek myths, she was considered the most beautiful woman in the world, by marriage she was Queen of Laconia, a province within Homeric Greece, the wife of King Menelaus. Her abduction by Prince Paris of Troy brought about the Trojan War, elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides and Homer. In her youth, she was abducted by Theseus, a competition between her suitors for her hand in marriage sees Menelaus emerge victorious. An oath sworn beforehand by all the suitors requires them to military assistance in the case of her abduction. When she marries Menelaus she is very young, whether her subsequent involvement with Paris is an abduction or a seduction is ambiguous. The legends recounting Helens fate in Troy are contradictory, Homer depicts her as a wistful figure, even a sorrowful one, who comes to regret her choice and wishes to be reunited with Menelaus. Other accounts have a treacherous Helen who simulates Bacchic rites and rejoices in the carnage, ultimately, Paris was killed in action, and in Homers account Helen was reunited with Menelaus, though other versions of the legend recount her ascending to Olympus instead. A cult associated with her developed in Hellenistic Laconia, both at Sparta and elsewhere, at Therapne she shared a shrine with Menelaus and she was also worshiped in Attica and on Rhodes. Her beauty inspired artists of all time to represent her, frequently as the personification of ideal beauty, Christopher Marlowes lines from his tragedy Doctor Faustus are frequently cited, Was this the face that launchd a thousand ships/And burnt the topless towers of Ilium. However, in the play this meeting and the ensuing temptation are not unambiguously positive, closely preceding death, images of her start appearing in the 7th century BC. In classical Greece, her abduction by—or elopement with—Paris was a popular motif, in medieval illustrations, this event was frequently portrayed as a seduction, whereas in Renaissance painting it is usually depicted as a rape by Paris. The fact that rape and kidnapping were interchangeable terms lends additional ambiguity to the story, the etymology of Helens name continues to be a problem for scholars. Georg Curtius related Helen to the moon, Émile Boisacq considered Ἑλένη to derive from the noun ἑλένη meaning torch. It has also suggested that the λ of Ἑλένη arose from an original ν. Linda Lee Clader, however, says none of the above suggestions offers much satisfaction. Inversely, others have connected this etymology to a hypothetical proto-indo-european sun goddess, in particular, her marriage myth may be connected to a broader indo-european marriage drama of the sun goddess, and she is related to the divine twins, just as many of these goddesses are. The origins of Helens myth date back to the Mycenaean age, the first record of her name appears in the poems of Homer, but scholars assume that such myths invented or received by the Mycenaean Greeks made their way to Homer
6.
Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
7.
Athena
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Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain
8.
Classical Athens
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Athenian democracy was established in 508 BC under Cleisthenes following the tyranny of Isagoras. This system remained remarkably stable, and with a few brief interruptions remained in place for 180 years, the peak of Athenian hegemony was achieved in the 440s to 430s BC, known as the Age of Pericles. The radical politician of aristocratic background, Cleisthenes, then took charge, the reforms of Cleisthenes replaced the traditional four Ionic tribes with ten new ones, named after legendary heroes of Greece and having no class basis, which acted as electorates. Each tribe was in divided into three trittyes, while each trittys had one or more demes —depending on their population—which became the basis of local government. The tribes each selected fifty members by lot for the Boule, the public opinion of voters could be influenced by the political satires written by the comic poets and performed in the city theaters. Most offices were filled by lot, although the ten strategoi were elected, prior to the rise of Athens, Sparta, a city-state with a militaristic culture, considered itself the leader of the Greeks, and enforced a hegemony. In 499 BC Athens sent troops to aid the Ionian Greeks of Asia Minor and this provoked two Persian invasions of Greece, both of which were repelled under the leadership of the soldier-statesmen Miltiades and Themistocles. In 490 the Athenians, led by Miltiades, prevented the first invasion of the Persians, guided by king Darius I, in 480 the Persians returned under a new ruler, Xerxes I. Simultaneously the Athenians led a naval battle off Artemisium. However, this action was not enough to discourage the Persian advance which soon marched through Boeotia, setting up Thebes as their base of operations. This forced the Athenians to evacuate Athens, which was taken by the Persians, subsequently the Athenians and their allies, led by Themistocles, defeated the Persian navy at sea in the Battle of Salamis. It is interesting to note that Xerxes had built himself a throne on the coast in order to see the Greeks defeated, spartas hegemony was passing to Athens, and it was Athens that took the war to Asia Minor. These victories enabled it to bring most of the Aegean and many parts of Greece together in the Delian League. He fostered arts and literature and gave to Athens a splendor which would never return throughout its history and he executed a large number of public works projects and improved the life of the citizens. Hence, he gave his name to the Athenian Golden Age, silver mined in Laurium in southeastern Attica contributed greatly to the prosperity of this Golden Age of Athens. During the time of the ascendancy of Ephialtes as leader of the democratic faction, the conflict marked the end of Athenian command of the sea. The war between Athens and the city-state Sparta ended with an Athenian defeat after Sparta started its own navy, Athenian democracy was briefly overthrown by the coup of 411, brought about because of its poor handling of the war, but it was quickly restored. The war ended with the defeat of Athens in 404
9.
Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
10.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
11.
Milos
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Milos or Melos is a volcanic Greek island in the Aegean Sea, just north of the Sea of Crete. Milos is the southwesternmost island in the Cyclades group, the island is famous for the statue of Aphrodite, and also for statues of the Greek god Asclepius, the Poseidon and an archaic Apollo in Athens. Milos is a popular tourist destination during the summer, the Municipality of Milos also includes the uninhabited offshore islands of Antimilos and Akradies. The combined land area is 160.147 square kilometres and the 2011 census population was 4,977 inhabitants, obsidian from Milos was a commodity as early as 15,000 years ago. The mining of obsidian did not lead to the development of permanent habitation or manufacturing on the island, instead, those in search of obsidian arrived by boat, beaching it in a suitable cove and cutting pieces of the volcanic glass from the quarries. The position of Milos, between mainland Greece and Crete, and its possession of obsidian, made it an important centre of early Aegean civilisation, Milos lost its arms-making importance when bronze became the preferred material for the manufacture of weapons. The first settlement at Phylakopi arose in the Bronze Age, flourishing as the extraction of obsidian was in the decline, the first settlers were tuna fishermen. The famous fresco of the fish was found in the ruins of the Pillar room and was executed with delicate colouring. Stylistic similarities to Minoan frescoes are suggested, and it could perhaps have been the work of a Cretan artist, part of the site has been washed away by the sea. The antiquities found at the site covered three major periods, from the Early Cycladic period to the Mycenaean period, at the site much pottery was excavated, with several changing styles and influences over the sites long occupation. In the early occupation of the site, there are similarities and imports from other Cycladic islands. The quantities found at the Cycladic sites have taken to suggest a Minoan control over the region. At Phylakopi a Megaron structure, which is associated with the Mycenaean palaces, such as those at Tiryns, Pylos. This has been taken to suggest that the Mycenaeans conquered the settlement, the evidence is not clear, though again it could be a legacy of the islanders adopting foreign elements into their culture. Particularly unexpected was the discovery in the 1970s of a shrine at the site, the shrine is unprecedented in the Bronze Age Cyclades and has provided a valuable insight ito the beliefs and rituals of the inhabitants of Phylakopi. The site was abandoned and was never reoccupied. The first Dorian settlement on Melos was established no earlier than the 1st millennium BC, dorians are the ethnic group to which the Spartans belonged, but the Dorian settlers of Melos made themselves independent. They eventually established a city whose site lies on the shore of the bay
12.
Herma
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A herma, commonly in English herm, is a sculpture with a head, and perhaps a torso, above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. The form originated in Ancient Greece, and was adopted by the Romans, in the earliest times Greek divinities were worshiped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each passer-by throwing a stone on to the heap or anointing it with oil. Later there was the addition of a head and phallus to the column, before his role as protector of merchants and travelers, Hermes was a phallic god, associated with fertility, luck, roads and borders. The surmounting heads were not, however, confined to those of Hermes, those of gods and heroes. In this case a compound was formed, Hermathena, Hermares, Hermaphroditus, Hermanubis, Hermalcibiades, in Athens, where the hermai were most numerous and most venerated, they were placed outside houses as apotropes for good luck. They would be rubbed or anointed with oil and adorned with garlands or wreaths. This superstition persists, for example the Porcellino bronze boar of Florence, in Roman and Renaissance versions, the body was often shown from the waist up. The form was used for portrait busts of famous public figures, especially writers like Socrates. Sappho appears on Ancient Greek herms, and anonymous female figures were used from the Renaissance on. In 415 BC, on a night shortly before the Athenian fleet was about to set sail for Syracuse during the Peloponnesian War and this was a horribly impious act and many people believed it threatened the success of the expedition. Though it was never proven, the Athenians at the time believed it was the work of saboteurs, either from Syracuse or Spartan sympathizers from Athens itself, one suspect was the writer Xenophon. The J. Paul Getty museum in Los Angeles has a collection of Roman Herma boundary marker stones in its stored collection. An Aesops fable makes fun of statue of Hermes, when a pious dog offers to anoint it, the god hastily assures his worshipper that this is not necessary
Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
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