1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Martina McBride
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Martina Mariea McBride is an American country music singer-songwriter and record producer. She is known for her soprano singing range and her country pop material, McBride was signed to RCA Records in 1991, and made her debut the following year as a neo-traditionalist country singer with the single, The Time Has Come. Five of these went to No.1 on the country chart between 1995 and 2001, and one peaked at No.1 on the adult contemporary chart in 2003. She has been called the Celine Dion of Country Music when she was recognized for her soprano singing range, McBride has recorded a total of 13 studio albums, two greatest hits compilations, one live album, as well as two additional compilation albums. Eight of her albums and two of her compilations have received an RIAA Gold certification, or higher. In the U. S. she has sold over 14 million albums, in addition, McBride has won the Country Music Associations Female Vocalist of the Year award four times and the Academy of Country Musics Top Female Vocalist award three times. She is also a 14-time Grammy Award nominee, Martina Mariea Schiff was born in Sharon, Kansas on July 29,1966. She has two brothers, Martin and Steve, who play in her concert band, and a sister. Martinas parents, Daryl and Jeanne Schiff, owned a dairy farm, Daryl, who was also a cabinetry shop owner, exposed Martina to country music at a young age. Listening to country music helped her acquire a love for singing, after school, she would spend hours singing along to the records of such popular artists as Reba McEntire, Linda Ronstadt, Juice Newton, Jeanne Pruett, Connie Smith, and Patsy Cline. Around the age of eight or nine, Martina began singing with a band her father fronted, as Schiff grew older her role in the band progressively increased, from simply singing, to also playing keyboard with them. She enjoyed performing in her early years, Martina began performing with a local rock band, The Penetrators, in Wichita instead. Then, in 1987, Schiff gathered a group of musicians called Lotus and started looking for rehearsal space, after marrying, the couple moved to Nashville, Tennessee in 1989 with the hope of beginning a career in country music. John McBride joined Garth Brookss sound crew and later became his concert production manager, Martina occasionally joined her husband on the road and helped sell Garth Brooks souvenirs. In 1990, impressed by Martinas enthusiastic spirit, Brooks offered her the position of his opening act provided she could obtain a recording contract, McBride released her debut studio album by RCA Records in 1992, titled The Time Has Come. It was produced by Paul Worley and Ed Seay and this albums title track made number 23 on the country music charts, but the next two singles both failed to make top 40. Unlike her later country pop-influenced albums, The Time Has Come featured honky tonk, the Way That I Am was McBrides second album. Its first two singles both brought her into the top ten, My Baby Loves Me peaked at number two, and Life No.9 at number six
3.
Country music
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Country music is a genre of United States popular music that originated in the southern United States in the 1920s. It takes its roots from the genre of United States, such as folk music. Blues modes have been used throughout its recorded history. The term country music is used today to many styles and subgenres. In 2009 country music was the most listened to rush hour radio genre during the evening commute, immigrants to the Southern Appalachian Mountains of North America brought the music and instruments of Europe and Africa along with them for nearly 300 years. Country music was introduced to the world as a Southern phenomenon, Bristol, Tennessee, has been formally recognized by the U. S. Congress as the Birthplace of Country Music, based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum, historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929, and the Knoxville sessions of 1929 and 1930. Prior to these, pioneer settlers, in the Great Smoky Mountains region, had developed a musical heritage. The first generation emerged in the early 1920s, with Atlantas music scene playing a role in launching countrys earliest recording artists. Okeh Records began issuing hillbilly music records by Fiddlin John Carson as early as 1923, followed by Columbia Records in 1924, many hillbilly musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville, during the 1930s and 1940s, cowboy songs, or Western music, which had been recorded since the 1920s, were popularized by films made in Hollywood. Bob Wills was another musician from the Lower Great Plains who had become very popular as the leader of a hot string band. His mix of country and jazz, which started out as dance hall music, Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938. Country musicians began recording boogie in 1939, shortly after it had played at Carnegie Hall. Gospel music remained a component of country music. It became known as honky tonk, and had its roots in Western swing and the music of Mexico. By the early 1950s a blend of Western swing, country boogie, rockabilly was most popular with country fans in the 1950s, and 1956 could be called the year of rockabilly in country music. Beginning in the mid-1950s, and reaching its peak during the early 1960s, the late 1960s in American music produced a unique blend as a result of traditionalist backlash within separate genres
4.
RCA Records
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
The Time Has Come (Martina McBride album)
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The Time Has Come is the debut album by Martina McBride released in 1992. The album rose to the #49 position on the Billboard Top Country Albums chart and it includes the singles The Time Has Come, Cheap Whiskey, and Thats Me, all of which charted on the Billboard country charts. The Time Has Come was the highest-peaking of the three, reaching #23, when You Are Old was later recorded by Gretchen Peters on her 1996 album The Secret of Life. None of the songs from this album appeared on any compilation albums, although her title track will appear on The Essential Martina McBride compilation album in October 2012
7.
Wild Angels (Martina McBride album)
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Wild Angels is a 1995 album and third album by Martina McBride. The album produced the singles Safe in the Arms of Love, Wild Angels, Swingin Doors, Phones Are Ringin All Over Town, Wild Angels was McBrides first Number One on the Hot Country Songs charts. In the U. S. the album was certified Gold on February 23,1996, also included is a cover of Two More Bottles of Wine, which was previously a #1 hit for Emmylou Harris in 1978. Wrights version of the song was a Top 10 hit in Canada, a Great Disguise would later be recorded by Pam Tillis on her 1998 album Every Time. This was Martinas last album to have a country sound before developing a more crossover-friendly country-pop sound
8.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
9.
My Baby Loves Me (Just the Way That I Am)
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My Baby Loves Me is a song written by American singer-songwriter Gretchen Peters. The song was first recorded by Canadian country music singer Patricia Conroy on her 1992 album and her version was released in May 1992 as the first single from her album and peaked at number 8 on the RPM Top Country Tracks chart. Martina McBride covered the song in 1993 under the title of My Baby Loves Me and her rendition was released in July 1993 as the first single from her 1993 album The Way That I Am and went reached number-one on the Canadian RPM Country Tracks chart. The song peaked at number 2 on the Billboard Hot Country Singles & Tracks chart for one week, mcBrides version includes slide guitar and six-string bass riffs from Paul Worley, who criticized his own performance on them and said that they somehow never got erased. A music video was filmed for this version of the song and it was directed by Steven Goldmann
10.
Life Number 9
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Life #9 is a song written by Kostas and Tony Perez, and recorded by American country music artist Martina McBride. It was released in January 1994 as the single from her album The Way That I Am. The song was her single release overall, and peaked at number 6 on the U. S. Billboard Hot Country Singles & Tracks chart. The song finds the female narrator confronting her unfaithful lover and she tells him that he is livin on life #9 and about to run out of chances with her. A music video was released for the song, directed by Steven Goldmann
11.
Independence Day (Martina McBride song)
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Independence Day is a song written by Gretchen Peters, and performed by American country music singer Martina McBride. It was released in April 1994 as the single from her album The Way That I Am. The song peaked at number 12 on Hot Country Songs, Peters later recorded it herself on her 1996 album The Secret of Life. It was first offered to Reba McEntire, who turned it down, in 2003, it ranked 50th in CMTs 100 Greatest Songs of Country Music. The following year, it ranked #2 in CMTs 100 Greatest Videos in Country Music, in 2014, Rolling Stone magazine ranked the song #77 in their list of the 100 greatest country songs. The song has sold 550,000 copies in the US as of July 2015, songwriter Gretchen Peters received the Country Music Associations Song of the Year award in 1995 for Independence Day. The song is sung from the point of view of a daughter who recounts her mothers response to domestic abuse, McBride has said the mother does not die in the fire, as she has now gained her independence from an abusive relationship. In the official video, the girl is at the 4th of July parade when she sees two clowns pretending to hit one another and the sight hits too close to home. Suddenly, she no longer sees the parade as fun and returns home. The home is immolated by the time she gets back and she is shown towards the end of the video crying in the seat of a police cruiser as she is being taken away to the county childrens home. The music video was filmed by the American director team Deaton-Flanigen Productions, consisting of William Deaton III, the lyrics have a double meaning in that the woman in the story is finally gaining her freedom from her abusive husband. Thus, it is her Independence Day, the title also refers to the fact that the events noted in the song happened on the United States Independence Day, or July 4. Beginning shortly after September 11,2001 attack on the World Trade Center, the song is about domestic violence, not patriotic values, according to the writer of the song, Gretchen Peters, who does not agree with Hannitys use of the song. Let the whole world know that today is a day of reckoning, let the weak be strong, let the right be wrong, roll the stone away, let the guilty pay, its Independence Day. In 2002, singer Taylor Horn covered the song for her debut album taylor-made at the age of nine, in 2003, 1980s pop superstar Pat Benatar performed the song in a duet with McBride on the CMT television series Crossroads. On American Idol, Carrie Underwood, Lil Rounds, and Tristan McIntosh have each performed the song on the show, Underwood also released the song as a B-side track with her single of Inside Your Heaven. In 2011, Little Big Town performed Independence Day as a tribute to McBride, who was being honoured as part of ACMs Girls Night Out - Superstar Women of Country show
12.
AllMusic
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AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
13.
Robert Christgau
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Robert Thomas Christgau is an American essayist, music journalist, and self-proclaimed Dean of American Rock Critics. One of the earliest professional rock critics, he spent 37 years as the music critic and senior editor for The Village Voice. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and is a visiting arts teacher at New York University. Christgau is known for his terse capsule reviews, first published in his Consumer Guide columns during his tenure at The Village Voice from 1969 to 2006 and he has written three books based on those columns, along with two collections of essays. He continued writing capsule reviews in MSN Music, Cuepoint, Christgau was born in Greenwich Village and grew up in Queens, the son of a fireman. He has said he became a rock and roll fan when disc jockey Alan Freed moved to the city in 1954. After attending a school in New York City, he left New York for four years to attend Dartmouth College. While at college his musical interests turned to jazz, but he returned to rock after moving back to New York. Christgau has said that Miles Davis 1960 album Sketches of Spain initiated in him one phase of the disillusionment with jazz that resulted in my return to rock and he was deeply influenced by New Journalism writers such as Gay Talese and Tom Wolfe. My ambitions when I went into journalism were always, to an extent, literary, Christgau initially wrote short stories, before giving up fiction in 1964 to become a sportswriter, and later, a police reporter for the Newark Star-Ledger. He became a writer after a story he wrote about the death of a woman in New Jersey was published by New York magazine. He was asked to take over the dormant music column at Esquire, after Esquire discontinued the column, Christgau moved to The Village Voice in 1969, and he also worked as a college professor. In early 1972, he accepted a job as music critic for Newsday. Christgau returned to the Village Voice in 1974 as music editor and he remained there until August 2006, when he was fired shortly after the papers acquisition by New Times Media. Two months later, Christgau became an editor at Rolling Stone. Late in 2007, Christgau was fired by Rolling Stone, although he continued to work for the magazine for three months. Starting with the March 2008 issue, he joined Blender, where he was listed as senior critic for three issues and then contributing editor, Christgau had been a regular contributor to Blender before he joined Rolling Stone. He continued to write for Blender until the magazine ceased publication in March 2009, in 1987, he was awarded a Guggenheim Fellowship in the field of Folklore and Popular Culture to study the history of popular music
14.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
15.
Recording Industry Association of America
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The Recording Industry Association of America is a continental North and South American trade organization that represents the recording industry in the United States. Its members consist of record labels and distributors, which the RIAA says create, the RIAA headquarters is in Washington, D. C. The RIAA was formed in 1952 and its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the record groove and the dimensions of 33 1/3 rpm,45 rpm. Since 2001, the RIAA has spent $2 to $6 million each year on lobbying in the United States, the RIAA also participates in the collective rights management of sound recordings, and it is responsible for certifying Gold and Platinum albums and singles in the United States. Cary Sherman has been the RIAAs chairman and CEO since 2011, Sherman joined the RIAA as its general counsel in 1997 and became president of the board of directors in 2001, serving in that position until being made chairman and CEO. Mitch Glazier has been the RIAAs senior executive vice president since 2011 and he served as executive vice president for public policy and industry relations from 2000 to 2011. The past RIAA chairman and CEO is Mitch Bainwol, who served from 2003 to 2011 and he left in 2011 to become president and CEO of the Alliance of Automobile Manufacturers. The board of directors consists of 26 members of the board, the RIAA operates an award program for albums that sell a large number of copies. The program originally began in 1958, with a Gold Award for singles, the criterion was changed in 1975 to the number of copies sold, with albums selling 500,000 copies awarded the Gold Award. In 1976, a Platinum Award was added for one million sales, the awards are open to both RIAA members and non-members. Since 2000, the RIAA also operates a program for Latin music sales. Currently, a Disco De Oro is awarded for 30,000 units, the RIAA defines Latin music as a type of release with 51% or more of its content recorded in Spanish. In 2006, digital ringtones were added to branch of certification. In the same year, the RIAA introduced the Latin Digital Award for digital recordings in Spanish and this release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria is different from other styles. Gold,50,000 Platinum,100,000 Multi-Platinum,200,000 copies The RIAA opposes unauthorized sharing of its music, studies conducted since the association began its campaign against peer-to-peer file-sharing have concluded that losses incurred per download range from negligible to moderate. The association has commenced high-profile lawsuits against file sharing service providers and it has also commenced a series of lawsuits against individuals suspected of file sharing, notably college students and parents of file sharing children
16.
Greatest Hits (Martina McBride album)
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Greatest Hits is the first greatest hits album released by American country music singer Martina McBride. In addition to chronicling the greatest hits of her career at the time, it includes the album cut Strangers and four new songs, the compilation reached number 1 on Top Country Albums and received a triple-platinum certification from the Recording Industry Association of America. McBrides greatest hits are presented in order on the album, starting with My Baby Loves Me from 1992. Besides these tracks, the disc includes Strangers, a cut from 1993s The Way That I Am which McBride included because it had been popular among fans despite not being released as a single. In the liner notes, McBride and producer Paul Worley include commentary on each song, four songs are new to the album, When God-Fearin Women Get the Blues, Blessed, Where Would You Be and Concrete Angel. All of these were released as singles, with Blessed reaching number 1 on the Hot Country Songs charts and the other three all reaching top 10. Personnel for tracks 15-19 only, Matt Chamberlain — drums on When God-Fearin Women Get the Blues, Concrete Angel and Blessed Joe Chemay — bass on Where Would You Be J. T
17.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
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