The Wedding Feast at Cana, by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine. Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo.
In 1562, the Benedictine monks commissioned Paolo Veronese to realise The Wedding Feast at Cana as a monumental painting (6.77m × 9.94m) to occupy the back wall of the monastery's refectory, at the San Giorgio Monastery, Venice.
The musicians providing ambience for The Wedding Feast at Cana are personified by Veronese (viola da braccio), and the principal painters of the Venetian school: Jacopo Bassano (cornetto), Tintoretto (viola da braccio) and Titian (violone); standing beside Titian is the poet Pietro Aretino. (detail, lower centre-plane)
In The Wedding Feast at Cana, Veronese shows the sated guests at the nuptial banquet-table awaiting the dessert-course wine service. The guests awaiting the new, red wine include Suleiman the Magnificent, an elegant woman discreetly cleaning her teeth with a toothpick, and a woman urging her husband to ask the bride about the new red wine they have been served. (detail, left lower-quarter)
The Louvre, or the Louvre Museum, is a national art museum in Paris, France. It is located on the Right Bank of the Seine in the city's 1st arrondissement and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.
Aerial view of the Louvre Palace and Tuileries Park
Below-ground portions of the medieval Louvre are still visible.
Antonio Canova's Psyche Revived by Cupid's Kiss was commissioned in 1787 and donated in 1824.