The White Negro: Superficial Reflections on the Hipster is a 9,000-word essay by Norman Mailer that connects the "psychic havoc" wrought by the Holocaust and atomic bomb to the aftermath of slavery in America in the figuration of the Hipster, or the "white negro".
The essay is a call to abandon Eisenhower liberalism and a numbing culture of conformity and psychoanalysis in favor of the rebelliousness, personal violence and emancipating sexuality that Mailer associates with marginalized black culture. The White Negro was first published in the 1957 special issue of Dissent, before being published separately by City Lights. Mailer's essay was controversial upon its release and received a mixed reception, winning praise, for example, from Eldridge Cleaver and criticism from James Baldwin, Ralph Ellison, and Allen Ginsberg. Baldwin, in particular, heavily criticized the work, asserting that it perpetuated the notorious "myth of the sexuality of Negros" and stating that it was beneath Mailer's talents. The work remains his most famous and most reprinted essay and it established Mailer's reputation as a "philosopher of hip".
(publ. City Lights)
Nachem Malech Mailer, known by his pen name Norman Kingsley Mailer, was an American novelist, journalist, playwright, and filmmaker. In a career spanning more than six decades, Mailer had 11 best-selling books, at least one in each of the seven decades after World War II.
Mailer photographed by Carl Van Vechten in 1948
Mailer at his desk, 1967
Mailer in glider, 1970s
The 1986 PEN congress: (left to right) John Updike, Norman Mailer, E. L. Doctorow