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The World Before the Flood, 1828, 140 by 202.3 cm (55.1 by 79.6 in)
The World Before the Flood, 1828, 140 by 202.3 cm (55.1 by 79.6 in)
William Etty, 1844
William Etty, 1844
Etty reused the figure of the seated black soldier from his The Triumph of Cleopatra (1821).
Etty reused the figure of the seated black soldier from his The Triumph of Cleopatra (1821).
Preliminary oil sketch, c. 1828
Preliminary oil sketch, c. 1828
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William Etty, self-portrait based on an October 1844 photograph by Hill & Adamson
William Etty, self-portrait based on an October 1844 photograph by Hill & Adamson
Sir Watkin Williams-Wynn and his mother Frances Shack­erley, Joshua Reynolds, c. 1768–69. By the early 19th century Reynolds's style dominated British
Sir Watkin Williams-Wynn and his mother Frances Shack­erley, Joshua Reynolds, c. 1768–69. By the early 19th century Reynolds's style dominated British art.
Sketches from the Elgin Marbles by William Etty. Aspiring students were expected to draw from classical sculptures as part of the admission process.
Sketches from the Elgin Marbles by William Etty. Aspiring students were expected to draw from classical sculptures as part of the admission process.
The Missionary Boy (1805–06) is thought to be Etty's oldest significant surviving painting.
The Missionary Boy (1805–06) is thought to be Etty's oldest significant surviving painting.