The role of the sea in culture has been important for centuries, as people experience the sea in contradictory ways: as powerful but serene, beautiful but dangerous. Human responses to the sea can be found in artforms including literature, art, poetry, film, theatre, and classical music. The earliest art representing boats is 40,000 years old. Since then, artists in different countries and cultures have depicted the sea. Symbolically, the sea has been perceived as a hostile environment populated by fantastic creatures: the Leviathan of the Bible, Isonade in Japanese mythology, and the kraken of late Norse mythology. In the works of the psychiatrist Carl Jung, the sea symbolises the personal and the collective unconscious in dream interpretation.
The Great Wave off Kanagawa (Katsushika Hokusai, c. 1830)
An Assyrian relief from the reign of Sennacherib, Nineveh, c. 700 BC showing fish and a crab swimming around a bireme.
The Isonade as depicted in Takehara Shunsen's Ehon Hyaku Monogatari, 1841
Nereid riding a sea-bull (2nd century BC)
Marine art or maritime art is a form of figurative art that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre. Strictly speaking "maritime art" should always include some element of human seafaring, whereas "marine art" would also include pure seascapes with no human element, though this distinction may not be observed in practice.
Rembrandt's stolen masterpiece, The Storm on the Sea of Galilee (1633).
20th-century ukiyo-e print of Boats in Snow
Willem van de Velde the Elder's The Capture of the Royal Prince during the Four Days' Battle, 1666.
The reed boat petroglyph at Gobustan.