The Theatre of Cruelty is a form of theatre conceptualised by Antonin Artaud. Artaud, who was briefly a member of the surrealist movement, outlined his theories in a series of essays and letters, which were collected as The Theatre and Its Double. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Artaud's works have been highly influential on artists including Jean Genet, Jerzy Grotowski, Peter Brook, and Romeo Castellucci.
Antonin Artaud
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French artist who is widely recognized as a major figure of the European avant-garde. He worked across a variety of media, but is best known for his writings, as well as his work in the theatre and cinema. He had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices.
Artaud in 1926
Artaud (right) in La Passion de Jeanne d'Arc (1928)
Self-portrait of Artaud from 1947