Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Portrait of Theodoor Rombouts by Anthony van Dyck
The denial of Saint Peter
The lute player
Christ driving the money-changers from the Temple
The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.
Mars Chastising Cupid (ca. 1605–1610) by Bartolomeo Manfredi
Baglione – The Divine Eros Defeats the Earthly Eros, ca. 1602, Gemäldegalerie
Borgianni – Christ amongst the Doctors, ca. 1605–1610
Saraceni – Judith with the Head of Holophernes, 1610–1615, Kunsthistorisches Museum