1.
Beaux-Arts architecture
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Beaux-Arts architecture expresses the academic neoclassical architectural style taught at the École des Beaux-Arts in Paris. The style of instruction that produced Beaux-Arts architecture continued without interruption until 1968. The Beaux-Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920, in contrast, many European architects of the period 1860–1914 outside France gravitated away from Beaux-Arts and towards their own national academic centers. American architects of the Beaux-Arts generation often returned to Greek models, for the first time, repertories of photographs supplemented meticulous scale drawings and on-site renderings of details. Beaux-Arts training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, site considerations tended toward social and urbane contexts. In the façade shown to the right, Diana grasps the cornice she sits on in an action typical of Beaux-Arts integration of sculpture with architecture. A sense of appropriate idiom at the craftsman level supported the teams of the first truly modern architectural offices. The prestige of the École gave the style Beaux-Arts a second wind in combining the new manner with the traditional training and they were followed by an entire generation. Henry Hobson Richardson absorbed Beaux-Arts lessons in massing and spatial planning and his Beaux-Arts training taught him to transcend slavish copying and recreate in the essential fully digested and idiomatic manner of his models. Richardson evolved a personal style freed of historicism that was influential in early Modernism. The White City of the Worlds Columbian Exposition of 1893 in Chicago was a triumph of the movement, the Beaux-Arts curriculum was subsequently begun at Columbia University, the University of Pennsylvania, and elsewhere. From 1916, the Beaux-Arts Institute of Design in New York City schooled architects, painters, bosworth, Carnegie Mellon University, designed by Henry Hornbostel, and the University of Texas, designed by Paul Philippe Cret. Beaux-Arts architecture also brought a civic face to the railroad, two of the best American examples of the Beaux-Arts tradition stand within a few blocks of each other, Grand Central Terminal and the New York Public Library. Another prominent U. S. example of the style is the largest academic dormitory in the world, in the late 1800s, during the years when Beaux-Arts architecture was at a peak in France, Americans were one of the largest groups of foreigners in Paris. Many of them were architects and students of architecture who brought this back to America. Beaux-Arts was very prominent in public buildings in Canada in the early 20th century, notably all three prairie provinces legislative buildings are in this style. Buenos Aires is a center of Beaux-Arts architecture which continued to be built as late as the 1950s, national Theatre, Melbourne General Post Office building, Forrest Place, Perth Argus Building. Beaux-Arts Architecture in New York, A Photographic Guide United States, sixteenth Street Architecture – profiles of Beaux-Arts architecture in Washington D. C
2.
Paul J. Pelz
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Paul Johannes Pelz was a German-American architect, best known as the main architect of the Library of Congress in Washington DC. Paul J. Pelz was born November 18,1841 in Seitendorf, Waldenburg, Silesia and his father, Eduard Pelz, was elected as a representative of Silesia to the Frankfurt Parliament in 1848. Subsequent political repression led him to emigrate to the U. S. in 1851 while the rest of the family stayed in Breslau. In 1858, Paul Pelz joined his father in New York City, in 1864, he was employed as chief draftsman by Jewish architect Henry Fernbach, best known for his later design of New Yorks Central Synagogue. In 1866, Pelz became a member of the American Institute of Architects, in 1867 he moved to Washington DC and was engaged as a civil engineer for the United States Lighthouse Board, where from 1872 to 1877 he served as chief draftsman. His work won a prize for the Lighthouse Board at the 1873 Universal Exhibition in Vienna, in 1873, Pelz and John L. Smithmeyer, another Washington-based architect, together won the competition for the architectural plans for the Library of Congress. Their winning design proposal was based on notes Pelz had taken on prominent public libraries when he traveled to Europe to collect the prize in Vienna. In the ensuing years Pelz also partnered with Smithmeyer on other projects, however, the difficulties experienced on the Library of Congress project, with many delays from congressional dithering, eventually strained their collaboration. In 1888 Pelz became the architect for the Library of Congress as Smithmeyer was dismissed, Pelz in turn was dismissed in 1892. Pelzs offices were in the Corcoran Building on 15th and F Street NW and he designed churches, public buildings, private houses and commercial buildings, and also participated in key debates of the time on Washingtons urban design. In 1898, at the request of socialite Mary Foote Henderson, pelzs first wife, Louise Dorothea Kipp, died in 1894. In 1895, he remarried with Mary Eastbourne Meem, on 30 March 1918, he died in Washington, D. C. He is buried together with his wife in Oak Hill Cemetery. Like other architects of his time, Pelz mastered a range of styles and was willing to switch across them depending on program. St. Augustine Lighthouse, St. Smithmeyer, Washington D. C,1873, 1886-92 Beautification of the Wisconsin Avenue Reservoir built in 1859 by Montgomery C. Meigs, Washington D. C.1875 Healy Hall and Riggs Memorial Library, Georgetown University, with John L. Smithmeyer, elkins,1626 K Street NW, Washington D. C. 1894–96 House on 3440 34th Place, Washington D. C. with Frederick W. C.1896 Mansion for Senator Joseph B. C, 1900–01 Townhouse on 2238 Q Street NW, Washington DC,1901 Grace Reformed Church, Washington DC, with A. A. 1907-08 Grace Reformed Church Sunday School, Washington D. C, 1911-1912 Works by or about Paul J. Pelz at Internet Archive Paul J. Pelz at Find a Grave
3.
Library of Congress
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The Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States. It is the oldest federal cultural institution in the United States, the Library is housed in three buildings on Capitol Hill in Washington, D. C. it also maintains the Packard Campus in Culpeper, Virginia, which houses the National Audio-Visual Conservation Center. The Library of Congress claims to be the largest library in the world and its collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 450 languages. Two-thirds of the books it acquires each year are in other than English. The Library of Congress moved to Washington in 1800, after sitting for years in the temporary national capitals of New York. John J. Beckley, who became the first Librarian of Congress, was two dollars per day and was required to also serve as the Clerk of the House of Representatives. The small Congressional Library was housed in the United States Capitol for most of the 19th century until the early 1890s, most of the original collection had been destroyed by the British in 1814, during the War of 1812. To restore its collection in 1815, the bought from former president Thomas Jefferson his entire personal collection of 6,487 books. After a period of growth, another fire struck the Library in its Capitol chambers in 1851, again destroying a large amount of the collection. The Library received the right of transference of all copyrighted works to have two copies deposited of books, maps, illustrations and diagrams printed in the United States. It also began to build its collections of British and other European works and it included several stories built underground of steel and cast iron stacks. Although the Library is open to the public, only high-ranking government officials may check out books, the Library promotes literacy and American literature through projects such as the American Folklife Center, American Memory, Center for the Book, and Poet Laureate. James Madison is credited with the idea for creating a congressional library, part of the legislation appropriated $5,000 for the purchase of such books as may be necessary for the use of Congress. And for fitting up an apartment for containing them. Books were ordered from London and the collection, consisting of 740 books and 3 maps, was housed in the new Capitol, as president, Thomas Jefferson played an important role in establishing the structure of the Library of Congress. The new law also extended to the president and vice president the ability to borrow books and these volumes had been left in the Senate wing of the Capitol. One of the only congressional volumes to have survived was a government account book of receipts and it was taken as a souvenir by a British Commander whose family later returned it to the United States government in 1940. Within a month, former president Jefferson offered to sell his library as a replacement
4.
Independence Avenue (Washington, D.C.)
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Independence Avenue is a major east-west street in the southwest and southeast quadrants of the city of Washington, D. C. in the United States, running just south of the United States Capitol. Originally named South B Street, Independence Avenue SW was constructed between 1791 and 1823, Independence Avenue SE was constructed in pieces as residential development occurred east of the United States Capitol and east of the Anacostia River. Independence Avenue SW received its current name after Congress renamed the street in legislation approved on April 13,1934, Independence Avenue SW originally had its western terminus at 14th Street SW, but was extended west to Ohio Drive SW in 1941 and 1942. The government of the District of Columbia renamed the portion of the road in the southeast quadrant of the city in 1950, in the District of Columbias Cartesian-coordinate-based street-naming system, Independence Avenue was originally known as South B Street. The street began construction sometime after 1791, by October 1803, it existed definitively between New Jersey Avenue and 1st Street East, and in 1809 it was opened between New Jersey Avenue and Pennsylvania Avenue. By 1816, the length of the avenue appears to have been opened. At the time, South B Streets western terminus was on the shore of the Potomac River and this reclaimed land — which today includes West Potomac Park, East Potomac Park, the Tidal Basin — was largely complete by 1890, and designated Potomac Park by Congress in 1897. But South B Street was not extended through the reclaimed land. In 1925, Congress authorized the construction of Arlington Memorial Bridge, the legislation specified that North B Street be treated as a major approach to Arlington Memorial Bridge. The National Capital Park and Planning Commission approved the significant widening of North B Street into a ceremonial avenue, on February 25,1931, President Herbert Hoover signed legislation which renamed North B Street as Constitution Avenue. Planning for the creation of a ceremonial avenue to take the place of South B Street began in 1930. That year, the National Capital Park and Planning Commission advocated turning the roadway into a ceremonial avenue as a counterpart to North B Street. The following year, the NCPPC proposed widening South B Street to 60 feet between New Jersey Avenue SE and 12th Street SW, all along the route, the north curb would remain in place, while the south curb moved to accommodate the new widths. The NCPPC had already won the support of the Architect of the Capitol for the plan, the renaming of North B Street and the actions of the NCPPC encouraged local citizens to seek to rename South B Street as well. The idea was conceived by the federations past president, Fred A. Emery, but no action was taken in the 72nd United States Congress. Instead, Senate Joint Resolution 258 was introduced Arthur Capper in the United States Senate to change the name to Independence Avenue, the Senate Committee on the District of Columbia favorably reported the bill on February 28,1933. But Congress adjourned on March 3 without further action, the NCPPC had not given up on the idea, however. In November 1933, it approved changing the width of South B Street between 12th and 14th Streets SW to 80 feet, which helped cement in place its plan for a future Independence Avenue
5.
Facade
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A façade is generally one exterior side of a building, usually, but not always, the front. It is a loan word from the French façade, which means frontage or face. In architecture, the façade of a building is often the most important aspect from a design standpoint, from the engineering perspective of a building, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws restrict or even forbid their alteration. The word comes from the French foreign loan word façade, which in turn comes from the Italian facciata, from faccia meaning face, the earliest usage recorded by the Oxford English Dictionary is 1656. It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade, in modern highrise building, the exterior walls are often suspended from the concrete floor slabs. Examples include curtain walls and precast concrete walls, the façade can at times be required to have a fire-resistance rating, for instance, if two buildings are very close together, to lower the likelihood of fire spreading from one building to another. In general, the systems that are suspended or attached to the precast concrete slabs will be made from aluminium or stainless steel. In recent years more lavish materials such as titanium have sometimes been used, whether rated or not, fire protection is always a design consideration. The melting point of aluminium,660 °C, is reached within minutes of the start of a fire. Firestops for such building joints can be qualified, too, putting fire sprinkler systems on each floor has a profoundly positive effect on the fire safety of buildings with curtain walls. Some building codes also limit the percentage of area in exterior walls. When the exterior wall is not rated, the slab edge becomes a junction where rated slabs are abutting an unrated wall. For rated walls, one may also choose rated windows and fire doors, on a film set and within most themed attractions, many of the buildings are only façades, which are far cheaper than actual buildings, and not subject to building codes. In film sets, they are held up with supports from behind. Within theme parks, they are usually decoration for the interior ride/attraction/restaurant, by Ulrich Knaack, Tillmann Klein, Marcel Bilow and Thomas Auer. ISBN 978-3-7643-7961-2 ISBN 978-3-7643-7962-9 Giving buildings an illusion of grandeur Poole, the article outlines the development of the façade in ecclesiastical architecture from the early Christian period to the Renaissance
6.
United States Army Corps of Engineers
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The United States Army Corps of Engineers, also sometimes shortened to CoE is a U. S. Although generally associated with dams, canals and flood protection in the United States, the Corps of Engineers provides outdoor recreation opportunities to the public, and provides 24% of U. S. hydropower capacity. The corps mission is to Deliver vital public and military engineering services, partnering in peace and war to strengthen our Nations security, energize the economy and their most visible missions include, Planning, designing, building, and operating locks and dams. Other civil engineering projects include flood control, beach nourishment, design and construction of flood protection systems through various federal mandates. Design and construction management of military facilities for the Army, Air Force, Army Reserve and Air Force Reserve and other Defense and Federal agencies. The history of United States Army Corps of Engineers can be traced back to 16 June 1775, colonel Richard Gridley became General George Washingtons first chief engineer, however, it was not until 1779 that Congress created a separate Corps of Engineers. One of its first tasks was to build fortifications near Boston at Bunker Hill, the first Corps of Engineers was mostly composed of French subjects who had been hired by General Washington from the service of Louis XVI. that the said Corps. Shall be stationed at West Point in the State of New York, until 1866, the superintendent of the United States Military Academy was always an officer of engineer. During the first half of the 19th century, West Point was the major and, for a while, the General Survey Act of 1824 authorized the use of Army engineers to survey road and canal routes. Separately authorized on 4 July 1838, the U. S and it was merged with the Corps of Engineers on 31 March 1863, at which point the Corps of Engineers also assumed the Lakes Survey District mission for the Great Lakes. In 1841, Congress created the Lake Survey, the survey, based in Detroit, Mich. was charged with conducting a hydrographical survey of the Northern and Northwestern Lakes and preparing and publishing nautical charts and other navigation aids. The Lake Survey published its first charts in 1852, in the mid-19th century, Corps of Engineers officers ran Lighthouse Districts in tandem with U. S. Naval officers. The Army Corps of Engineers played a significant role in the American Civil War, many of the men who would serve in the top leadership in this institution were West Point graduates who rose to military fame and power during the Civil War. Some of these men were Union Generals George McClellan, Henry Halleck, George Meade, and Confederate generals Robert E. Lee, Joseph Johnston, the versatility of officers in the Army Corps of Engineers contributed to the success of numerous missions throughout the Civil War. They were responsible for building pontoon and railroad bridges, forts and batteries, the destruction of supply lines. The Army Corps of Engineers served as a function in making the war effort logistically feasible. This method of building trenches was known as the zigzag pattern, from the beginning, many politicians wanted the Corps of Engineers to contribute to both military construction and works of a civil nature. During World War II the mission grew to more than 27,000 military, included were aircraft, tank assembly, and ammunition plants, camps for 5.3 million soldiers, depots, ports, and hospitals, as well as the Manhattan Project, and the Pentagon
7.
Gilded Age
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The Gilded Age in United States history is the late 19th century, from the 1870s to about 1900. The early half of the Gilded Age roughly coincided with the portion of the Victorian era in Britain. It began as the US Reconstruction Era ended in 1877, the Gilded Age was an era of rapid economic growth, especially in the North and West. As American wages were higher than those in Europe, especially for skilled workers. The rapid expansion of industrialization led to real wage growth of 60% between 1860 and 1890, spread across the ever-increasing labor force, the average annual wage per industrial worker rose from $380 in 1880 to $564 in 1890, a gain of 48%. Railroads were the growth industry, with the factory system, mining. Immigration from Europe and the eastern states led to the growth of the West. Labor unions became important in the rapidly growing industrial cities. Two major nationwide depressions—the Panic of 1873 and the Panic of 1893—interrupted growth, the South after the Civil War remained economically devastated, its economy became increasingly tied to cotton and tobacco production, which suffered from low prices. With the end of the Reconstruction era in 1877, African-American people in the South were stripped of political power, the political landscape was notable in that despite some corruption, turnout was very high and national elections saw two evenly matched parties. The dominant issues were cultural, and economic, with the rapid growth of cities, political machines increasingly took control of urban politics. In business, massive, powerful and wealthy trusts formed, unions crusaded for the 8-hour working day and the abolition of child labor, middle class reformers demanded civil service reform, prohibition, and womens suffrage. Local governments across the North and West built public schools chiefly at the elementary level, the numerous religious denominations were growing in membership and wealth, the Catholics moving to the largest totals. They all expanded their missionary activity to the world arena, Catholics and Lutherans set up parochial schools and the larger denominations set up numerous colleges, hospitals and charities. Many of the problems faced by society, especially the poor, the term Gilded age was applied to the era by historians in the 1920s, who took the term from one of Mark Twains lesser known novels, The Gilded Age, A Tale of Today. The book satirized the promised golden age after the American Civil War, in the 1920s and 30s Gilded Age became a designated period in American history, with the term applied to the post Civil War period up to 1900. For them, Gilded Age was a term used to describe a time of materialistic excesses combined with extreme poverty. The early half of the Gilded Age roughly coincided with the portion of the Victorian era in Britain
8.
Palais Garnier
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The Palais Garnier is a 1, 979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The Paris Opera now mainly uses the Palais Garnier for ballet, the Palais Garnier has been called probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica. This opinion is far from unanimous however, the 20th-century French architect Le Corbusier once described it as a lying art, the Palais Garnier is a building of exceptional opulence. The style is monumental and considered Second-Empire Beaux-Arts style with axial symmetry in plan and these include very elaborate multicolored marble friezes, columns, and lavish statuary, many of which portray deities of Greek mythology. The principal facade is on the side of the building, overlooking the Place de lOpéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation, the two gilded figural groups, Charles Gumerys LHarmonie and La Poésie, crown the apexes of the principal facades left and right avant-corps. They are both made of gilt copper electrotype, the facade also incorporates other work by Gumery, Alexandre Falguière, and others. On the left and right lateral returns of the front facade are busts of the librettists Eugène Scribe and Philippe Quinault, when the Empire fell, work stopped, leaving unfinished dressed stonework. It is covered by a 13.5 metre diameter dome, two pairs of obelisks marking the entrances of the Rotunda to the north and the south. The interior consists of interweaving corridors, stairwells, alcoves and landings allowing the movement of large numbers of people, rich with velvet, gold leaf, and cherubim and nymphs, the interior is characteristic of Baroque sumptuousness. The building features a ceremonial staircase of white marble with a balustrade of red and green marble. Its design was inspired by Victor Louiss grand staircase for the Théâtre de Bordeaux, the pedestals of the staircase are decorated with female torchères, created by Albert-Ernest Carrier-Belleuse. When they were first fixed in two months before the opening of the building it was obvious to Garnier that they were too dark for the space. With the help of two of his students, Pils had to rework the canvases while they were in place overhead on the ceiling and, at the age of 61, he fell ill. His students had to finish the work, which was completed the day before the opening and this hall 18 meters high,154 meters long and 13 meters wide was designed to act as a drawing room for Paris society. Its ceiling was painted by Paul-Jacques-Aimé Baudry and represents various moments in the history of music, the foyer opens into an outside loggia at each end of which are the Salon de la Lune and Salon du Soleil. The auditorium has a traditional Italian horseshoe shape and can seat 1,979, the stage is the largest in Europe and can accommodate as many as 450 artists. The canvas house curtain was painted to represent a draped curtain, complete with tassels, the ceiling area, which surrounds the chandelier, was originally painted by Jules Eugène Lenepveu
9.
World's Columbian Exposition
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The Worlds Columbian Exposition was a worlds fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbuss arrival in the New World in 1492. The centerpiece of the Fair, the water pool, represented the long voyage Columbus took to the New World. Chicago bested New York City, Washington, D. C. the Exposition was an influential social and cultural event and had a profound effect on architecture, sanitation, the arts, Chicagos self-image, and American industrial optimism. The layout of the Chicago Columbian Exposition was, in part, designed by John Wellborn Root, Daniel Burnham, Frederick Law Olmsted. It was the prototype of what Burnham and his colleagues thought a city should be and it was designed to follow Beaux Arts principles of design, namely French neoclassical architecture principles based on symmetry, balance, and splendor. The color of the generally used to cover the buildings facades gave the fairgrounds its nickname. Many prominent architects designed its 14 great buildings, artists and musicians were featured in exhibits and many also made depictions and works of art inspired by the exposition. The exposition covered more than 600 acres, featuring nearly 200 new buildings of predominantly neoclassical architecture, canals and lagoons, more than 27 million people attended the exposition during its six-month run. Dedication ceremonies for the fair were held on October 21,1892, the fair continued until October 30,1893. On October 9,1893, the day designated as Chicago Day, the debt for the fair was soon paid off with a check for $1.5 million. Chicago has commemorated the fair one of the stars on its municipal flag. Schwab, Chicago railroad and manufacturing magnate John Whitfield Bunn, and Connecticut banking, insurance, the fair was planned in the early 1890s during the Gilded Age of rapid industrial growth, immigration, and class tension. Worlds fairs, such as Londons 1851 Crystal Palace Exhibition, had been successful in Europe as a way to bring together societies fragmented along class lines, the first American attempt at a worlds fair in Philadelphia in 1876, drew crowds but was a financial failure. Nonetheless, ideas about distinguishing the 400th anniversary of Columbus landing started in the late 1880s. Civic leaders in St. Louis, New York City, Washington DC and Chicago expressed an interest in hosting a fair to generate profits, boost real estate values, Congress was called on to decide the location. What finally persuaded Congress was Chicago banker Lyman Gage, who raised several million dollars in a 24-hour period, over. The exposition corporation and national exposition commission settled on Jackson Park, Daniel H. Burnham was selected as director of works, and George R. Davis as director-general. Burnham emphasized architecture and sculpture as central to the fair and assembled the periods top talent to design the buildings, the temporary buildings were designed in an ornate Neoclassical style and painted white, resulting in the fair site being referred to as the “White City”
10.
Demosthenes
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Demosthenes was a Greek statesman and orator of ancient Athens. His orations constitute a significant expression of contemporary Athenian intellectual prowess and provide an insight into the politics, Demosthenes learned rhetoric by studying the speeches of previous great orators. He delivered his first judicial speeches at the age of 20, for a time, Demosthenes made his living as a professional speech-writer and a lawyer, writing speeches for use in private legal suits. Demosthenes grew interested in politics during his time as a logographer and he went on to devote his most productive years to opposing Macedons expansion. He idealized his city and strove throughout his life to restore Athens supremacy, after Philips death, Demosthenes played a leading part in his citys uprising against the new king of Macedonia, Alexander the Great. However, his efforts failed and the revolt was met with a harsh Macedonian reaction, to prevent a similar revolt against his own rule, Alexanders successor in this region, Antipater, sent his men to track Demosthenes down. Demosthenes took his own life, in order to avoid being arrested by Archias, the Alexandrian Canon compiled by Aristophanes of Byzantium and Aristarchus of Samothrace recognised Demosthenes as one of the ten greatest Attic orators and logographers. Longinus likened Demosthenes to a thunderbolt, and argued that he perfected to the utmost the tone of lofty speech, living passions, copiousness, readiness. Quintilian extolled him as lex orandi, and Cicero said about him that inter omnis unus excellat, Demosthenes was born in 384 BC, during the last year of the 98th Olympiad or the first year of the 99th Olympiad. His father—also named Demosthenes—who belonged to the tribe, Pandionis. Aeschines, Demosthenes greatest political rival, maintained that his mother Kleoboule was a Scythian by blood—an allegation disputed by modern scholars. Demosthenes was orphaned at the age of seven, although his father provided well for him, his legal guardians, Aphobus, Demophon and Therippides, mishandled his inheritance. As soon as Demosthenes came of age in 366 BC, he demanded they render an account of their management, according to Demosthenes, the account revealed the misappropriation of his property. Although his father left an estate of nearly fourteen talents, Demosthenes asserted his guardians had left nothing except the house, and fourteen slaves and thirty silver minae. At the age of 20 Demosthenes sued his trustees in order to recover his patrimony and delivered five orations, the courts fixed Demosthenes damages at ten talents. When all the trials came to an end, he succeeded in retrieving a portion of his inheritance. According to Pseudo-Plutarch, Demosthenes was married once, the only information about his wife, whose name is unknown, is that she was the daughter of Heliodorus, a prominent citizen. Demosthenes also had a daughter, the one who ever called him father
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