Thomas Lawson is an artist, writer, editor, and from 1991 to 2022 was the Dean of the School of Art & Design at California Institute for the Arts. He emerged as a central figure in ideological debates at the turn of the 1980s about the viability of painting through critical essays, such as "Last Exit: Painting" (1981). He has been described as "an embedded correspondent [and] polemical editorialist" who articulated an oppositional, progressive position for representational painting from within an increasingly reactionary art and media environment. Artforum called his approach to the medium "one of the most cogent and controversial" in the 80s.
Thomas Lawson, Don't Hit Her Again, oil on canvas, 48" x 48", 1981, Private collection
Thomas Lawson, Temple of the Kultur Kritik, oil on canvas, 72" x 72", 1985, La Caixa Collection Contemporary Art, Barcelona
Thomas Lawson, Portrait of New York (detail), industrial sign paint on plywood, 1989/1991. Originally installed at Manhattan Municipal Building (now David Dinkins Municipal Building) New York City, NY. Collection New York Department of Cultural Affairs
Thomas Lawson, Confrontation: Three Graces, oil on canvas, 72" x 84", 2010, Private Collection
Artforum is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ × 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the Artforum logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s. Artforum is published by Artforum Media, LLC, a subsidiary of Penske Media Corporation.
May 2019 Artforum Cover