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Tintin in the Congo
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Tintin in the Congo is the second volume of The Adventures of Tintin, the comics series by Belgian comic strip artist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for
Cover of the English edition of the colour version
Cover of the English edition of the colour version
The opening frames from the 1931 and 1946 versions of the book. In the crowd of the original are Quick and Flupke; they are joined by Hergé, E. P. Jac
The opening frames from the 1931 and 1946 versions of the book. In the crowd of the original are Quick and Flupke; they are joined by Hergé, E. P. Jacobs, and Thomson and Thompson in the latter.
The King of the M'Hatuvu angry at his failure in battle against Tintin, from the 1946 version of the book; such depictions have widely been labelled r
The King of the M'Hatuvu angry at his failure in battle against Tintin, from the 1946 version of the book; such depictions have widely been labelled racist.
Tintin in the Land of the Soviets
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Tintin in the Land of the Soviets is the first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle
Tintin in the Congo
…Congolese people and wild animals, Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone. Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The…
Cover of the English edition
Cover of the English edition
A panel showing Tintin and Snowy in a train heading for the Soviet Union.
A panel showing Tintin and Snowy in a train heading for the Soviet Union.
Bolsheviks force people to vote for them at gunpoint in a scene appropriated from Joseph Douillet's Moscou sans voiles (1928).
Bolsheviks force people to vote for them at gunpoint in a scene appropriated from Joseph Douillet's Moscou sans voiles (1928).
Hergé biographer Benoît Peeters considered In the Land of the Soviets to be "joyously bizarre" but also clearly Hergé's worst: "One couldn't have imag
Hergé biographer Benoît Peeters considered In the Land of the Soviets to be "joyously bizarre" but also clearly Hergé's worst: "One couldn't have imagined a less remarkable debut".